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The Adventures of an 18th Century Rogue Lord: ‘The Gentleman’s Guide to Vice and Virtue’

by Julia Blakeney

Let me start out by saying that I love historical fiction set in Europe, like, a lot. I love historical fiction for all ages, as well. It is one of my favorite genres, so when I saw this book in a box full of Young Adult advance reader copies, I HAD to read it. And it did not disappoint. Finally, it is out in hardback and I can tell you all about the story that made me laugh, swoon, and cry, all in one beautifully bound novel.

gentlemans gt vice & virtueIn The Gentleman’s Guide to Vice and Virtue, Mackenzi Lee’s fabulous adventure novel set in the eighteenth century, two best friends set out on their European tour. Monty, son of a lord, and his best friend Percy are accompanied by Monty’s sister Felicity, and, much to Monty’s dismay, a chaperone. Their chaperone is there to make sure Monty and Percy stay out of trouble, which could include drinking too much, gambling, and Monty sticking his foot in his mouth. Despite this, Monty, Percy, and Felicity continue to find themselves in a multitude of tight spots. To top it all off, Monty harbors a massive crush for Percy; feelings which he is unsure would be reciprocated by his (mostly) rule-following best friend.

Their journey begins in France with an ill-fated night at Versailles, where we witness the theft of an object very valuable to the Duke of Bourbon, Monty getting caught in the Duke’s quarters with a girl in a very compromising position, and their embarrassing departure. After that, the inexperienced trio, having lost their chaperone, travel alone through multiple countries on a secret mission (I don’t want to give away the biggest plot twist in the book, so that’s all I’ll say about that). As their Grand Tour derails in the most spectacular fashion, they encounter marauders, pirates, and gypsies, who will either help them or try to kill them. Hilarity ensues.

To tell you all the truth, I was so enraptured with this book, loved it so much, that I reread most of it before I started writing this blog. Mackenzi Lee is a master of historical fiction that includes a hybrid language: a mix of historically-accurate speech and speech that teens can relate to. Monty, Percy, and Felicity are a perfectly orchestrated team. Somehow, they find themselves getting out of every bad situation imaginable to a group of teens, with only a few scrapes and bruises.

If you’re like me and enjoy European tales of adventure, with a few mishaps along the way (and just a touch of romance), then you’re going to love this book.

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Hunter recommends 3 science fiction classics

Today, it would be difficult to find a movie or television show that does not incorporate some kind of science fiction element. Inspired by this, many people now seek to experience the genre at its source: books. However, with such an overwhelming number of classic science fiction books, where should someone start? This is a question that customers have asked me before, and here is my answer: Here are three books that you can find on our shelves that I think are perfect examples of classic science fiction.

Childhood’s End by Arthur C. Clarke

childhoods endTo those who have heard his name, Arthur C. Clarke is most well-known as the co-creator of the book and subsequent film 2001: A Space Odyssey. However, his influence does not stop at cinema. Clarke’s theories in his books about satellites and orbits actually came to fruition in reality, so much so that a geosynchronous orbit used by telecommunications satellites is named after him (The Clarke Belt). My personal favorite work of his is Childhood’s End, a story of mankind’s first encounter with extraterrestrials and the effects that span hundreds of years. The story begins with a simple premise: massive alien ships suddenly appear on Earth, hovering over major cities, doing nothing. It’s an iconic enough image to spawn several copycat stories and films, which I will not list here. Where it goes from there is a bit strange, but I won’t spoil it.

Do Androids Dream of Electric Sheep? By Philip K. Dick

do androids dream of electric sheepThere has been a lot of debate as to which author is truly the quintessential sci-fiauthor, and nearly every one comes to the same conclusion. Philip K. Dick made massive contributions to the entire genre of Science-Fiction, molding it into what it is today. Many of PKD’s works have been adapted to film and television, though few know it. Total RecallThe Adjustment BureauMinority ReportThe Man in the High Castle, and Blade Runner are all based on his works. Because of this, many people are more familiar with his stories than they realize. My favorite work of his is Do Androids Dream of Electric Sheep?, which was the basis for the film Blade Runner. It is a detective story at it’s heart, the story of Rick Deckard, a “Blade Runner,” a detective who specializes in identifying and decommissioning rogue androids. It’s an interesting take on the classic mystery novel, and I love it.

The Ultimate Hitchhiker’s Guide to the Galaxy by Douglas Adams.

ult hitchhikers guide galaxyDouglas Adams was, for the most part, a humorist in the vein of Mark Twain, but his genre of choice was science fiction. His masterpiece, The Hitchhiker’s Guide to the Galaxy and its sequels, now published together as The Ultimate Hitchhiker’s Guide to the Galaxy, are the best example of his sharp wit and absurdist style of Adams’ work. The opening of the book features (spoiler alert, although it is the beginning of the book) the destruction of Earth, after which Adams writes “This planet has—or rather had—a problem, which was this: most of the people living on it were unhappy for pretty much all of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movement of small green pieces of paper, which was odd because on the whole, it wasn’t the small green pieces of paper that were unhappy.” The book is likely the one that I have reread the most, and in my mind, it is, not only one of the funniest novels, but one of the best ever written at all.

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Author Q & A with Lucy Buffett

Interview with Lucy Buffett by Jana Hoops. Special to the Clarion-Ledger Sunday print edition (June 25).

Gumbo LoveAlong with her family, it’s the spirit–and the food–of the Gulf Coast that claim the biggest parts of Lucy Buffett’s heart, and she embraces both in her newest cookbook, Gumbo Love: Recipes for Gulf Coast Cooking, Entertaining, and Savoring the Good Life.

Part food preparation, part philosophy and thoughts on living life to its fullest, Buffett takes on topics like why dessert should be eaten first, why fried foods matter, and why sometimes you just need to “run toward what you fear: close your eyes, hold your nose and jump into it.”

Growing up in Mobile with her sister Laurie and musician/brother Jimmy, Buffett developed a love for the culture and food of the Gulf Coast that eventually led her to open her now-famous “Lu Lu’s” restaurants in Gulf Shores and, later, Destin. She works tirelessly to offer the best experience possible to her customers, and, through Gumbo Love and her previous book LuLu’s Kitchen, to her readers, as well.

Please tell me a little about your childhood, and your spirit of adventure and celebration that seems to come from living along the Gulf Coast.

I was born and raised in Mobile, and, much to my dismay, I am the only person in my family NOT born in Mississippi! That includes my brother, Jimmy, my sister, Laurie, and me. But to this day, we still call each other by our nicknames: LuLu, LaLa, and Bubba. We grew up with dreams of living on the water–boating and recreating on the Gulf Coast shores in both Alabama and Mississippi, because we spent summers at our grandparents’ homes in Pascagoula and Gulfport.

Of course, we are Southern to the core, but being coastal and Southern injects a passion for adventure and a curiosity for what lies beyond the horizon at the water’s edge.

All of us have ventured far from our roots, and I’m the only one who came back home. But like all Southerners who “move away,” my siblings still relish their Southern upbringing and the Gulf Coast cuisine of our childhoods.

Your travels through the years have taken you on a “food tour” that began when you left Alabama as a young woman, and cooked your way through Key West, New Orleans, Belize, New York City, Los Angeles–and back to Alabama.  How did all of those influences affect your cooking?

My cooking skills evolved with my travel adventures. I learned to cook from a Junior League cookbook as a very young wife and mother. I think travel is a very important and a necessary type of education, but since I had an affinity for cooking, I was always fascinated and eager to try new recipes for dishes that I encountered along the way.

I started cooking the dishes I grew up with, but moving to New Orleans deepened my knowledge of the Creole and Cajun cuisine that migrated across the Gulf Coast. Moving to the big cities, I learned how to appreciate and embrace food trends and dove into experimenting. It was fun and enlightening, but as I’ve gotten older and with my move back to the Gulf Coast, I’ve returned to my roots and that is the cuisine I serve at my restaurants. Regardless of what I cook or eat, I’m all about the food tasting delicious!

Tell me about the concept and intention of your cookbook Gumbo Love–and what the title means to you. Also, how many recipes are included?

There are 150 recipes in Gumbo Love and basically, it picks up the conversation about Gulf Coast cuisine that I started in my first cookbook, LuLu’s Kitchen (2016), [formerly Crazy Sista Cooking.]

Gumbo Love is my homage to the Gulf Coast and the vibrant food culture of the beautiful beaches and swampy wetlands I call home. Gumbo is a classic dish in that culture, and every family has a gumbo cook or story to tell.

Making gumbo is not for the faint of heart! All the character building lessons I’ve learned over the years like preparation, discernment, patience, courage, and surrender are all utilized when making a pot of gumbo. Gumbo Love is not only the title of the book or a phrase I have coined, but a philosophy by which I live. It’s about acceptance, love, respect, fortitude, celebration and gratitude.

Gumbo Love includes not only wonderful gumbo and soup recipes, but chapters with your own Gulf Coastal take on main dishes, vegetables, salads, sandwiches, sauces, drinks, and more–and the book begins with a chapter on desserts. Why start with desserts? 

I like to do things a little differently, not for the purpose of simply being provocative. For me, it’s about being in alignment with my curious, creative and rebellious nature. I write about my mother a lot because she was such a powerful influence on me and my family. After she suffered a stroke, she started ordering dessert first when we would go out for lunch. It was wonderful, playful, and a bit out of character for her stoicism. I just thought it would be fun to make desserts the first chapter and it brought back lovely memories of my mother. Plus, I have a wicked sweet tooth!

Not many cookbooks these days devote a chapter to fried foods. Please tell me about the one titled “Deep-Fried Favorites: A Southern Must”. 

I am Southern, and fried food is a part of my heritage and culture. Plus, it is one of the most delicious and delectable ways to prepare food. Being passionate about authenticity, I thought I needed to include recipes for the food that we all love and, by the way, is our number one best seller in my restaurants.

In the book, I explain how I have come to terms, in my older years, with balancing my eating the foods that better support my body and those that don’t. I don’t believe in good food or bad food. A little fried food or one dish of bread pudding isn’t going to hurt. It’s all about balance. And I’m very much at peace with my decision to never give up fried shrimp or chicken!

Tell me about opening the now famous LuLu’s Sunset Grill in Gulf Shores out of a modified bait shop. What was LuLu’s like in the beginning, and how it has grown?

The last 18 years of my 43-year work history have been what I call my own “Cinderella” story. But every job I’ve ever done prepared me to do the one I’m doing now. The first LuLu’s was truly a wonderful and small waterfront dive. It had very humble beginnings and I worked all positions along with my two grown daughters and six other employees. It was fun and hard, hard work.

After five years, I lost my lease and my first impulse was to close. But with the help of friends and an investor who had faith in me and my concept, we moved to the current location in Gulf Shores, expanding the seating from 100 seats to 400 seats.  It took off like a wildfire as soon as we opened the doors. Today, I have an additional location in Destin, Florida, and over 500 employees. Yes, it is big, but it is all built on the original concept of giving our customers an authentic Gulf Coast experience. And we really work hard together as the LuLu’s family to do just that!

In the book, you explain that an eclectic mix of foods is represented throughout the Gulf Coast, with colliding influences that include the cuisines and cultures of Cuba, Mexico, Africa, Louisiana Cajun and Creole traditions, and “Southern grace and simplicity.” Where does Mississippi coastal food fit into that mix?

The Mississippi Gulf Coast has a long history in the seafood industry. The warm Gulf water is the home to some of the best seafood in the world! All the influences you mentioned are so evident in our cuisine using the beautiful Gulf seafood: shrimp, crab, oysters, and the sweet warm-water fish are central items on any restaurant menu or household dinner table. We are so blessed to have the bounty that we have from the Gulf.

Gumbo Love seems to be as much a book about inspiration, life lessons, advice, and encouragement as it is a top-notch cookbook filled with dozens of amazing recipes. Tell me about that “other purpose” for this cooking guide.

Lucy Buffett

Lucy Buffett

I am a very gregarious person, but I am also a very introspective person and I’ve devoted my adult life to doing the “inner work” required for self-improvement. I wasn’t interested in doing a simple “how to” cookbook–if I am going to attempt any project, it must have meaning and purpose, other than just to make money. Gumbo Love gives a glimpse into my inner landscape that is the foundational block of my current business success as a restaurateur and personally as an independent, self-sustaining woman.

Can you share any career or other plans–maybe for books, restaurant expansions, etc.–for your future?

It took eight years to complete Gumbo Love and I worked on it fulltime for the last two-and-a-half years, so I’m going to take a break and get back to the restaurant business for a while. I have another LuLu’s opening in Myrtle Beach in 2018 and that is VERY exciting.

I do have an idea for another cookbook, but the next book I will write will be a business memoir called Confessions of a Reluctant Entrepreneur. However, I will do that at my leisure, and I’m planning a very long vacation so I can relax for a while and enjoy this great life I’ve worked so hard to manifest!

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Sarah Churchwell’s ‘Careless People’ carefully examines ‘Gatsby’, Fitzgerald

by Andrew Hedglin

careless peopleSarah Churchwell’s Careless People: Murder, Mayhem, and the Invention of the Great Gatsby was originally released with the publicity surrounding the 2013 big-budget movie adaptation of The Great Gatsby, so it seems appropriate to use the spotlight of John Grisham’s great beach biblio-thriller Camino Island to recommend Churchwell’s wonderful work to those who, like I, missed it the first time around.

I first read The Great Gatsby on a car trip with my family to the Grand Canyon fourteen years ago, in preparation for sophomore English. Due to the circumstances of my reading and the rampant narcissism exhibited by most of the main characters, I did not engage with the book very deeply. I don’t think this is an atypical encounter for most people to have with ol’ F. Scott Fitzgerald, at least initially.

gatsbyFortunately, I was reacquainted with Gatsby & Co. almost a decade later when it was I, as an English teacher, who assigned Gatsby to a new crop of high school sophomores. I had a better appreciation by then of American history, and dreams, and ambition, and poetry—and so, too, the novel itself. But mine was a fairly by-the-numbers enlightenment about the books’ genius.

The Great Gatsby does stand as an artifact of its age, but in a very symbolic way. It is a symbol of the Roaring Twenties, just as it is a symbol for The American Dream. But the latter has always been an abstraction, while the former is not. The twenties are a time period that actually happened, and can be studied on their own contemporary terms. In this, Careless People by Sarah Churchwell excels.

Careless People is an examination of all the myriad inspirations for Fitzgerald’s most inspired novel. The title of Churchwell’s book is a phrase used in Gatsby by Nick to describe Tom and Daisy Buchanan specifically, but is reframed here to describe Scott and Zelda Fitzgerald, and the people and culture of the Jazz Age they inhabit.

The book’s framework is structured around a list Scott Fitzgerald made around 15 years after Gatsby’s publication about each chapter’s general inspirations. Churchwell uses the Fitzgeralds’ lives in the fall of 1922 to search for the raw material used to sculpt the scintillating scenes from Gatsby’s explosive story. She does this for three reasons: 1) the fall of 1922 is when the last part of Gatsbyis set; 2) this is the period when the Fitzgeralds lived on Long Island and partied in New York (where Gatsby is set), and 3) this time period shows the aftermath of the Halls-Mills murder case that almost definitely inspired parts of Tom Buchanan and Myrtle Wilson’s torrid and tragic affair.

The book helpfully provides a short manifesto against misusing it:

The problem with trying to think intelligently about the relationship between life and art is that it is so easy think unintelligently about it, to make literal-minded simplistic equations between fiction and reality. Such literalism is reductive and unimaginative, can be deeply tiresome, and often misses the point of fiction entirely. But nor can we simply eliminate life and history from the tale, as if they have nothing to do with the genesis of fiction. If as its best fiction can transform reality, that doesn’t mean that its history has nothing left to teach us. Art does not shrink when it comes into contact with reality: it expands.

Perhaps what Careless People expands best is not even Gatsby itself, but Fitzgerald, the artist who created it. It rescues him from either myth or caricature, and explains what kind of artist he really was. He was in love with his world, but his mind was also outside of it. He had a sense of history, not merely past, but future, with a finely-tuned gift for guessing right where history was heading. Fitzgerald was not a world-creator like a fantasy writer, even if that’s how the modern reader might experience his work, but a world-remixer who rearranged the stuff of daily life to make a grand statement. Contemporary critics could see the daily life, but no statement. We often run into the opposite problem. Careless People is both lyrical and suggestive, much like the novel it profiles, and does a deft job of explaining how Fitzgerald wove fashion into art, and made art from fashion.

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‘The Great Gatsby’ dust cover has created its own story

In celebration of the release of John Grisham’s Camino Island, whose plot revolves around stolen F. Scott Fitzgerald manuscripts, Lisa has been tracing Fitzgerald’s career through his novels. You can read her examinations of This Side of Paradise here and The Beautiful and Damned here.

The Great Gatsby by F. Scott Fitzgerald. New York, NY: Scribner’s, First Edition, April 10, 1925.

The cover art for The Great Gatsby by F. Scott Fitzgerald (Scribner) is one of the most enduring covers in book publishing history. It also said to be the most expensive piece of paper in book collecting.

Before the publication of The Great Gatsby in 1925, Scribner’s had published two novels by Fitzgerald, This Side of Paradise (1920) and The Beautiful and Damned (1922). Both of the dust jackets for these novels displayed rather straight-forward scenes from the novels, a man and a woman in courtship. Color is downplayed with the use of three muted shades of orange, gray, and black.

The art of the Gatsby jacket by Cuban artist Francis Cugat is remarkable for its symbolic nature, its use of color, and its fine details. Two feminine eyes float over a nocturnal Coney Island carnival scene. Two nudes are subtly reclining in the irises. A brush of glare, or perhaps a tear, in the midnight blue sky as well as the explosive light emanating from the carnival scene below suggest tragedy.

While Fitzgerald was in the middle of writing The Great Gatsby in the summer of 1924, he was shown a draft of the jacket. His reaction is famously documented in a letter to Maxwell Perkins: “For Christ’s sake, don’t give anyone that dust jacket you’re saving for me. I’ve written it into the book.”This influence of a dust jacket on the writing of a book is one of the only recorded instances. Cugat never produced another dust jacket, but his art is still beautifully reproduced on the paperback copies that many high school students purchase for required school reading.

The Great Gatsby as a first edition (18,000 copies in the first printing) is not one of the rarest books, but the survival of the dust jacket is key. The jacket, made too tall for the book, easily chipped, which only encouraged the owner to toss the jacket into the waste bin before long. The dust jacket of The Great Gatsby is one of the most outstanding examples of increased value in a first edition. Without the jacket, a first edition may sell for under $10,000. With the jacket, the price can be upwards of $100,000.

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Author Q & A with John Grisham

Interview with John Grisham by Jana Hoops. Special to the Clarion-Ledger Sunday print edition (June 18).

John Grisham’s story that took him from small-town lawyer to master of the legal thriller is a tale that even he couldn’t have imagined.

But the incredible success he’s experienced since his first novel was published in 1988–which would lead to 30 bestsellers and counting–is strictly nonfiction.

With the release of his latest work, Camino Island (Doubleday), Grisham takes a recess from the courtroom and goes beachside in what he is calling “a great beach read.”

He’s also hitting the road for the first time in 15 years with a book tour that will bring him to a dozen cities nationwide, including Square Books in Oxford and Lemuria Books in Jackson.

caminoCamino Island is a book about books, booksellers, bookstores, and the rare book business. In this fictional account of the dramatic heist of four original F. Scott Fitzgerald manuscripts from the Princeton University library, most of the story unfolds in the quiet resort town of Santa Rosa, Florida. Main characters Bruce Cable, who owns a popular book store there and Mercer Mann, a hopeful young author, square off in a high-stakes tale of espionage, betrayal, and theft–all within the mysterious world of the rare books trade.

When Grisham’s first novel, A Time to Kill, was released 29 years ago, and, in his words, “was a flop,” he decided to give it one more try before abandoning his dram of becoming a writer. With the blockbuster success of The Firm in 1991, he’s never looked back, releasing a book a year ever since.

JohnGrisham_credit Billy HuntBorn in Jonesboro, Arkansas, in 1955, Grisham spent most of his childhood in Mississippi, and went on to earn an accounting degree from Mississippi State, and then a law degree from Ole Miss. He was working as an attorney in Southaven and serving as a member of the Mississippi Legislature when he began writing full-time.

All of his books have became international bestsellers, and he now has more than 300 million in print worldwide. Nine of those, including A Time to KillThe FirmThe Pelican Brief, and A Painted House have become successful films. His writings also include the nonfiction work The Innocent Man and a collection of short stories, Ford County. He has also written a series for young readers that features 13-year-old character Theodore Boone offering legal advice to his classmates.

When he’s able to take a break from his writing desk, Grisham enjoys devoting time to charitable work (including his Rebuild the Coast Fund after Hurricane Katrina); and his lifetime passion of baseball, as both a local Little League commissioner and the developer of six Little League ball fields on his property.

Why did you decide to do another multi-city book tour after 25 years–and why did you wait that long?

grish lemuriaThe last big book tour I did was in 1992, when The Pelican Brief came out. I was living in Oxford at the time, and I knew Willie Morris, Barry Hannah, and Larry Brown. They were always hanging around the bookstore (Square Books), and they talked me into doing a big book tour that turned out to be 35 cities in 34 days. It was not fun and I didn’t think it was productive. I told my publisher I can go back to Oxford and write books or hit the road and do publicity.

So, I never did a tour like that again, but I did continue to have signings at five stores: Square Books, Lemuria, Reed’s Gum Tree Bookstore in Tupelo, a store in Memphis and one in Blytheville, Arkansas for about 10 years. those five were really helpful when A Time to Kill came out, and they really supported me. So, it’s been 15 years since I’ve done this, and this time it will be 12 cities.

How has your writing changed since A Time to Kill came out in 1989?How have you changed?

There have been no deliberate changes in my writing, as far as the style, procedure, and process. I write every morning for a few hours, and I write a certain number of words each day. As far as how I’ve changed–I’ve aged 30 years.

Camino Island is the story of a grand-scale heist that leaves the original manuscripts of F. Scott Fitzgerald’s four novels missing–and it weaves a fascinating behind-the-scenes tale of the world of rare books. Why did you choose the works of Fitzgerald as the target for this crime?

The fact that Fitzgerald had fewer manuscripts–he had published four novels–was a huge factor. And I’ve always been a big follower of Faulkner, Hemingway, Steinbeck, and Fitzgerald. They were all born about the same time (late 1800s-early 1900s) and were the greatest writers of that generation. Fitzgerald had the fewest manuscripts, and they were all in one place, the library at Princeton. Faulkner had at least 40. He was very meticulous about his manuscripts and took care of them, and that would be a lot to try to steal at one time.

Do you collect rare books?

I’ve been collecting rare books for probably 25 years–a lot of Faulkner, Hemingway, Steinbeck, and Fitzgerald. There have been several dealers I’ve known and worked with through the years. My wife actually bought a copy of Faulkner’s The Sound and the Fury from (Jackson’s Lemuria Books owner) John Evans for me.

Tell me aobut your relationship with bookstores and booksellers–have bookstores been a special place for you?

They still are special to me. When I’m traveling I usually try to sneak into a bookstore and see what all is for sale, see if my books are selling. If they have a coffee shop or cafe, that’s a nice touch. I go to bookstores and talking with booksellers is something I always enjoy doing. Bookstores are dwindling in numbers now, and many are fighting to preserve them.

What was the hardest book for you to write, for whatever reason? What was the easiest?

Easy, and fun to write and without much research–would be Calico Joe. I love baseball and really enjoyed writing that one. Camino Island was fun–the world of the murky and mysterious world of rare books and how much they’re worth now. The Chamber was probably the toughest to write. I spent a lot of time on death row in Mississippi doing research.

Is there a topic, a style, a genre, you haven’t tackled yet, but want to?

There are a couple of books based on things I might like to write about. One is a sort of fictional memoir of my childhood and life, like in (my novel) A Painted House. It would be going on in Memphis about a 15-year-old boy who thought he was going to Vietnam, after seeing his friend come home in a box. That’s something I think about–kind of personal stuff. Who knows, I still might write it.

You have another book coming out in October, another legal thriller, this one about student debt–a very topical subject now. What can you tell me about it?

Not much–I have a rule not to talk about a book while I’m writing it. It’s about law students. It’s still untitled.

Your first book was rejected by many publishers. What do you know now that you didn’t know then?

It was turned down by about 15 publishers and 15 agents. That’s not unusual for a first-time author. And what I know now that I didn’t know then: everything. I knew nothing then about writing or getting published. I was a state legislator and a small-town lawyer, barely 30 and so naïve.

Oxford’s Square Books owner Richard Howorth told me you were very persistent in getting your first book published–and that you wanted to sell “lots and lots” of books. Considering that you have a degree in accounting from Mississippi State, does that kind of determination come from your accounting side, or would you say it was strictly ambition?

I think it was ambition. I had practiced law 10 years in Southaven. I was looking fo a way out because I knew I wasn’t going to make a lot of money. After 10 years of working hard, I wrote A Time to Killin 1989 and it was a flop. I said I will do this–I will write a book–one more time and see what happens. I wrote The Firm, a book that I thought would be more commercial. The fact that movie rights for that book were sold before it was published was a fluke deal that could never be repeated–it was a lucky break that would only happen once.

Long-term, what do you see in your future?

I’m 62 years old. I’m still enjoying this immensely. I certainly have no plans for a career change, or for slowing down. I intend to write one book, maybe two, a year.

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Get Your Dad the Perfect Book for Father’s Day

Father’s Day is THIS SUNDAY. If you’re like me, then it snuck up on you. Don’t have a gift yet? Lemuria is here to help! We’ve got a book for every dad out there.

For the dad that loves thrill seeking:

Camino Island – John Grisham

camino

This is Grisham’s latest book, out just in time to give to your dad for Father’s Day!

No Middle Name – Lee Child

leechild

Another recently published book, No Middle Name is a collection of Jack Reacher stories.

For the Dad whose favorite room is the kitchen:

A Southern Gentleman’s Kitchen – Matt Moore

southern gentleman

Classic Southern recipes, with a twist!

Reel Masters – Susan Schadt

reelmasters

This not only has recipes, but big fish tales, as well.

For the Dad who prefers the past over the present:

The Flight – Dan Hampton

flight

The story of Charles Lindbergh’s famous 1927 transatlantic flight.

Killers of the Flower Moon – David Grann

killersofflowermoon

The incredible true story of the FBI’s first big case about the murders of the Osage Indians.

For the Dad who watches the big game every weekend:

Ballplayer – Chipper Jones

ballplayer

Jones’ autobiography about his 19-year career as an Atlanta Brave.

The Last Season – Stuart Stevens

lastseason

A touching story about a man and his father, and the lifetime of college football games they attended.

For the Dad who seems to already have everything:

Atlas Obscura – Joshua Foer, Dylan Thuras, Ella Morton

atlasobscura

An encyclopedia like you’ve never seen. You can find all sorts of amazing factoids about places you’ve never heard of!

The Revenge of Analog – David Sax

analog

Have you ever heard your father complain about the “kids these days”? This book laments the long lost art forms of brick and mortar stores, vinyl records, etc.

If none of these strike your fancy, the folks at Lemuria have hundreds more books to recommend! We would love to help you out, and we will even wrap your book for your dad.

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Interview with John Evans of Lemuria Books

Interview with John Evans by Jana Hoops. Special to the Clarion-LedgerSunday print edition (June 11).

Even though John Grisham was born in neighboring Arkansas 62 years ago, Mississippians will always “claim” him as a favorite son, since his family made the move to north Mississippi when he was a child–and his ties became tight, thanks to his years as a student at Mississippi State and then Ole Miss law school, and later as a young lawyer in Southaven, a member of the state legislature, and a stretch when he and his family returned to Oxford once he became one of the nation’s most successful authors.

Among his biggest fans is John Evans, who opened Lemuria Books in Jackson 42 years ago and has watched with satisfaction as Grisham’s career–and their friendship–has flourished since A Time to Kill debuted in 1989.

The memories Evans holds of Grisham’s early years as an author, and of the writer’s phenomenal career through the years, convey his obvious pride in a man he considers to be a valued ambassador for Mississippi.

With the release of Grisham’s 30th novel, Camino Island, the writer is embarking on his first book tour in 25 year–and his stops at Richard Howorth‘s Square Books in Oxford on June 20 and at Evans’s Lemuria Books on June 21 are the author’s nod to the roles these booksellers and longtime friends played in his early career.

camino islandTickets for the event have already been allotted for Grisham’s appearances at both stores.

A native Jacksonian, Evans opened Lemuria in 1975, slowly building a “community of readers” that he hopes has made his hometown a better place.

Tell me how you started Lemuria Books, and why.

I grew up in Jackson and graduated from Murrah High School in 1968–barely. I went to Ole Miss and got a degree in general business.

I got interested in the idea of opening a shop because I had gotten tired of traveling out of town to find good records and books and bringing them here (to Jackson). BeBop (Records) opened in 1974, so there was then no need for finding the records.

Inside Lemuria's location in the Quarter

Inside Lemuria’s location in the Quarter

I got married and decided to do something. In 1975, at age 24, I formed my company and in October of that year, my wife and I opened Lemuria. I had never worked in a bookstore, so it was all trial and error. I wrote letters to publishers or called them on the phone and set up appointments. The salesmen came to our apartment to set up my first orders. When I started the company, I got a lease for a space behind Poet’s, the best bar in town. It was a second- and third- floor apartment. Ninety days later, I was working in the bar, waiting tables, to make ends meet.

I moved the store to the Plaza at Highland Village and stayed there from 1977 to 1988. On April 1–my favorite day of the year–in 1988, we moved to our current location at Banner Hall, the old Redd Pest Building.

What was, and is, your vision for Lemuria and its role in the Jackson community?

I’m very interested in giving the community of Jackson the very best bookstore I can give it–what, in my judgment, I consider to be the best. I’ve always been interested in the idea that I was not going to be penalized by being in a “poor, under-educated” market. If you want to have a good bookstore you have to have good books, and it was always my desire that Lemuria would be the very best bookstore I can provide to the community.

How do you do that? By bringing national authors to Jackson, Mississippi. That’s a very unifying experience, because, when authors come to Mississippi to sign their books, they touch the books they sign the books, and they develop friendships with the store and with the people here. They create a bond with the community, and that makes the books come alive–all of a sudden, they’re not just a product.
JXNLAMAR-2Publishing the Jackson book (published in 2014 by Evans and Lemuria Books, with photography by Ken Murphy) was the ultimate expression of that–creating the very best book about this city–a book that makes Jackson look beautiful and fun and full of good things, and making those things more tangible. That has been the driving force for everything else we do–trying to go local in a positive way. And all of our focus is on real books.

Why has Lemuria been so successful, and stood the test of time over the past 42 years?

I knew when I moved here (to Banner Hall), I had to grow because the big box stores like Barnes & Noble and Books-a-Million and Borders would come along and we had to adapt for every change. With Metrocenter and later Northpark Mall, there were half a dozen chain bookstores in malls, with very different markets. With each one, we had to be more proactive.

After we survived the (most recent) recession, a lot of bookstores went under. You have to do everything you can to revitalize your store. The biggest thing in the last 25 years that brought the most continuous change has been the internet. My retail customer started changing about 15 years ago. Like everybody else, we keep trying to find the next ace in the hole.

Let’s put it this way: we’ve been able to make money because there are people who care about our efforts. I think of myself as a bookseller, not as the boss here, and, as a group, we’ve worked hard to make Lemuria what it is today.

How has John Grisham supported the indie book business throughout his career?

John Grisham’s first book signing in Jackson in 1989, for A Time to Kill, was at Hal and Mal’s–but between A Time to Kill and The Firm (his 1991 book which was made into a movie and launched his writing career), he started making a commitment to local bookstores. I feel like he understands what each and every independent bookstore was doing for him, and the work they were doing to promote his books.

His new book (Camino Island), reflects 30 years of his relationship with booksellers and bookstores and the whole way booksellers interact with books and with authors. I think this book is his testament to what independent bookstores have done for our society.

John loves books. He loves the physical, printed books as an art form. This book is about the business of selling books. He loves bookstores. That’s how he has the understanding to write this book.

Why do you think John Grisham’s books connect with so many people?

He works at it. He thinks about it. He plans it. He comes up with these ideas and plots. He figured out how to give meaning to legal thrillers. Gray Mountaindealt with strip mining for coal. Calico Joe is about baseball. The Chamberdeals with the death penalty.

He has taken his success and tried to make people aware of topics he is passionate about, and he makes you think about something in the culture, about things that are meaningful to him. The key issues he writes about are personal to him in a way that actualizes him as an author and it activates you as a reader, and that presents an authenticity that gives him breadth and depth.

Richard (Howorth) and I can see very unique things about John, from our perspectives. There is more authenticity to him, not necessarily just commercializing his product. He’s down to earth.

What is your impression of the indie book business as Grisham presents it in Camino Island?

In this book, I think about real people who have worked in a bookstore, and customers who are going into an independent book store and have a relationship with a bookseller. Both of them have a love of books. Reading is an independent thing that touches you at the moment, and I feel like he has done a wonderful job of describing how a bookstore relates to the community and that he understands the book world and how the business of rare books and first editions operates.

John has been in a lot of bookstores. He knows a lot of booksellers. He knows about first edition books. He gets that. All of his years in the book business came out in this world he created in Camino Island. It’s an extension of years of reading books and of knowing the business. Part of what John Grisham is doing for the book business is giving it value.

What would you say John Grisham has done for Mississippi, through the success of his writing?

Grisham at the 1st Annual Mississippi Book Festival in August 2015

Grisham at the 1st Annual Mississippi Book Festival in August 2015

I think what he’s done for the state of Mississippi is he’s made people enjoy reading. Some people may read five or ten books a year. Or one. Why do people read? Because they enjoy it.

Before the 80s, the chain stores had taught people to go in bookstores mostly for the mass market paperbacks. But before the big box stores, independent bookstores came of age and created a community of readers. Grisham started publishing at the end of the 80s. His success with the movie industry was a perfect fit for what he was writing. So people started enjoying reading–for pleasure. That’s why his work took off and he became so successful–people liked his books.

He brought more people into bookstores–and he liked going to bookstores and talking to his readers. People would come in to buy more Grisham because they enjoyed reading–and they started caring about books and collecting them. There’s a community of readers in Mississippi now that he helped create, and that, really, has made Mississippi better.

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‘The Beautiful and Damned’ looks at Fitzgeralds’ marriage

In celebration of the release of John Grisham’s Camino Island, whose plot revolves around stolen F. Scott Fitzgerald manuscripts, Lisa has been tracing Fitzgerald’s career through his novels. You can read last week’s examination of This Side of Paradise here.

The Beautiful and Damned by F. Scott Fitzgerald. New York, NY: Scribner’s, First Edition, 1922.

beautiful and damnedAfter the great success of his first novel, This Side of Paradise, F. Scott Fitzgerald enjoyed positive reviews for The Beautiful and Damned. Many critics of the time felt that the writer had matured from the episodic style of Paradiseto a novel with a strong omniscient narrator. The oddest review, however, came from his wife, Zelda, in the New York Tribune under the title “Friend Husband’s Latest.” She wittily encouraged readers to buy her husband’s book because there was an expensive dress and platinum ring she longed for. She also admitted that she had allowed her husband to incorporate pieces of her writing into the novel: “One one page I recognized a portion of an old diary of mine which mysteriously disappeared…[it] seems that plagiarism begins at home.”

The Beautiful and Damned is a thinly veiled look at Fitzgerald’s marriage to Zelda. He admitted that he could not stop writing about his domestic life and count not bring himself to change their excessive alcoholic and spending habits. At one point after the publication of The Beautiful and Damned, the Fitzgeralds were living off $36,000 a year, which was 20 times that of the average American.

Maxwell Perkins, Fitzgerald’s agent and confidant, was a reader of his manuscripts. Unlike some of Fitzgerald’s other readers, Perkins provided constructive criticism on the structure and content of the writing. Unfortunately, he was a terrible speller and copy editor. Apparently, there was no solution to this, and first printings of all the novels and story collections are noted for copious grammatical, spelling, and factual errors. At a speed that pleased his pocket book, Fitzgerald dashed off stories for magazine publication as well. From 1919 to 1929, he increased his earnings from $30 a story to $4000 a story. From 1921 to 1922, The Beautiful and Damned was also serialized in the Metropolitan magazine in an edited form before hitting bookshelves on March 4, 1922.

As the years passed, Fitzgerald continued his excessive lifestyle. (He was known to display hundred dollar bills in his vest pockets at parties.) A moment of clarity emerged out of the chaos: “I’ve realized how much I’ve–well, almost deteriorated in three years since the publication of The Beautiful and Damned…If I’d spent as much time reading or travelling or doing anything–even staying healthy–it’d be different but i spent it uselessly, neither in study nor in contemplation but only in drinking and raising hell generally.”

What followed the tragic Beautiful and Damned was The Great Gatsby, a work that did not realize its full success that did not realize its full success until after Fitzgerald’s death at the age of 44. Unexpectedly, it also was the book that changed the way publishers marketed their books.

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Ellen offers opinions on Olds’ outstanding ‘Odes’

So, I’m not sure why, but I have not been able to get enough poetry as of late. I feel like I spend most days at work figuring out which book of poetry I’ll read next. Now mind you, I don’t like flowery poetry that I have to turn my brain inside out attempting to figure out what the string of words mean when put all together. I like it to be right out there in front of me, screaming.

odesAll of that is to say I am reading A LOT of poetry right now. However, in my mind, one collection of poems currently shines above the rest. Sharon Olds won the Pulitzer with her 2012 collection, Stag’s Leap. Her newest collection is entitled Odes. Olds uses this old form of a poem to celebrate all parts of herself and female sexuality. I can’t stress enough how excited I was to get home every night and read some of these poems. I could have plowed through the book in one sitting, but I opted to savor every single one, only allowing myself–at most–five poems at a time. The subject matter of the poems ranges from the purely sexual to the everyday mundane: “Blow Job Ode”, “Ode to the Clitoris,” “Hip Replacement Ode,” “My Mother’s Flashlight Ode,” “Real Estate Ode,” & “Ode to the Last Thirty-Eight Trees in New York City Visible from This Window”. The imagery conjured by these poems is at once brilliant and so obvious, at least once Olds has put it in front of you. Many times I found myself asking in my mind “Why haven’t I ever thought of that before?” These are beautiful and brilliant in their simplicity. Get in this mix guys.

“Ode of Girls’ Things”

I loved the things that were ours–pink gloves,
hankies with a pastoral scene in one corner.
There was a lot we were not allowed to do,
but what we were allowed to do was ours,
dolls you carry by the leg, and dolls’
clothes you would put on , or take off–
someone who was yours, who did not
have the rights of her own nakedness,
and who had a smooth body, with its
untouchable place, which you would never touch, even on her,
you had been cured of that.
And some of the dolls had hard-rubber hands, with
dimples, and though you were not supposed to, you could
bite off the ends of the fingers when you could not stand it.
And though you’d never be allowed to, say, drive a bus,
or do anything that had to be done right, there was a
teeny carton, in you, of eggs
so minute they were invisible.
And there you would be milk, in you, too–real
milk! And you could wear a skirt, you could
be a bellflower–up under its
cone the complex shape like a closed
buckle, intricate groove and tongue,
where something like God’s power over you lived. And it turned out
you shared some things with boys–
the alphabet was not just theirs–
and you could make forays over into their territory,
you could have what you could have because it was yours,
and a little of what was theirs, because
you took it. Much later, you’d have to give things
up, too, to make it fair–long
hair, skirts, even breasts, a pair
of raspberry-colored pumps which a friend
wanted to put on, if they would fit his foot, and they did.

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