Tag: John Grisham

John Grisham gives a Faulknerian flavor to ‘The Reckoning’

By Matthew Guinn. Special to the Clarion-Ledger Sunday print edition (October 21)

At this point in his long and bestselling career, John Grisham’s chief competition is himself. How to top the breakout sensations of A Time to Kill or The Firm? How to set the bar higher than the dozens of blockbusters that have followed? It would appear that Grisham has no mountains yet to climb.

But in The Reckoning, he seems to have found a new challenge to expand his achievement: to charge right into the territory of the Old Man of Southern literature himself, fellow Mississippian William Faulkner.

Grisham does so with a novel stuffed with all the elements of Faulknerian tragedy: family secrets, a buried history, illicit sex, race, and bloody retribution. It makes for a heady mix.

Fitting, then, that this ambitious challenge returns Grisham to the Mississippi setting of A Time to Kill and Sycamore Row, fleshing out his fictional Ford County after the manner of Faulkner’s Yoknopatawpha.

The Reckoning opens with an episode that seems inspired by Faulkner’s The Unvanquished. Decorated WWII veteran Pete Banning, home from the Pacific theater, strides into the office of the Methodist minister who’d counseled his wife while he was missing and presumed dead, and shoots him in cold blood. Banning surrenders himself to the police, but is otherwise uncooperative. Under repeated questionings, his response never varies: “I have nothing to say.”

Banning is, for the first hundred pages or so, one of the least sympathetic protagonists conceivable—he is to all appearances a laconic, cold-blooded killer. But Pete’s war service, it is revealed, involves a backstory that belies that facade.

And what a backstory it is. The novel reaches its full pitch in part two, “The Boneyard,” where we learn all that Pete endured through his service in the Pacific. Astutely researched, “The Boneyard” reads like a novella of the Bataan Death March, Japanese prison camps, and guerrilla warfare in the Pacific Theater. We learn that Pete was a true hero, a patriot, and a loyal friend to his comrades at arms. He not only endures the war atrocities of the Japanese, he prevails.

Pete returns stateside to convalesce from his war wounds, stoic and tight-lipped about his imprisonment. But if Pete thought he had escaped a living hell in the Pacific, he finds that back in Ford County another, more domestic hell has been brewing in his absence. Within a few months, he has committed his wife Liza to Whitfield, deeded the family farm to his children, and murdered the Reverend Dexter Bell.

Pete faces execution for his crime and does nothing to aid in his defense. With Pete not talking, it is up to the Banning children and their Aunt Florry to cipher his motives.

Not much else can be told about the story without revealing several major plot twists. Suffice it to say that a buried history of sex and madness emerges—and that Grisham keeps the revelations coming to the last page. The disintegration of the Banning family at times reads like Job’s saga. Several deaths occur and one of them, toward the novel’s conclusion, is among the finest scenes Grisham has written.

Georgia writer Flannery O’Connor once said that Faulkner’s towering presence in Southern literature “makes a great difference in what the writer can and cannot permit himself to do. Nobody wants his mule and wagon stalled on the same track the Dixie Limited is roaring down.” In The Reckoning, Grisham’s engagement with the Dixie Limited is as inspiring as it is bold. That engagement has produced a page-turner of literary caliber not often seen at the top of bestseller lists.

The Reckoning has also expanded the scope of what we can expect of the Grisham novels to come. One hopes that this most prominent of living Mississippi writers will continue to explore Ford County and demonstrate that the tropes of family, community, and history are still fertile ground.

“Hearing the truth is like grabbing smoke in our family,” one of the Banning children says toward the end of the novel. In The Reckoning, Grisham has not only grabbed smoke, but bottled it. What a pleasure it is to see him expand the “postage stamp” of his fictional soil.

Novelist Matthew Guinn is associate professor of creative writing at Belhaven University.

John Grisham’s The Reckoning is one of Lemuria’s November 2018 selections for its First Editions Club for Fiction. Signed first editions are available here.

Johnny Be Good: 3 ‘John’ Books You Have Probably Heard About

by Andrew Hedglin

“John” is one of the most common names in the English language.

Go, Johnny, Go

Go, Johnny, Go

Therefore, it comes as no surprise that some of book publishing’s hottest commodities share the same cognomen. Two of the books I’m about to talk about were written by a John and published in October, and the other one a John is responsible for and, while not quite new, would make a great gift this holiday season.

John Green, in addition to appearing to YouTube on the Vlogbrothers and Crash Course channels, is responsible for some of this generations most memorable YA titles, such as Looking for Alaska, Paper Towns, and the ubiquitous The Fault in Our Stars. The latter two were made into movies, so you’ve probably heard of his works even if his name isn’t familiar. After a five-year publishing hiatus, Green returns with his new novel, Turtles All the Way Down.

turtles all the way downTurtles All the Way Down tells the story of Aza Holmes as she hangs out with her over-the-top friend Daisy, is awkwardly romanced bt her childhood friend Davis Pickett, and searches for clues as to what happened to the missing, tuatara-obssessed, shady local billionaire Russell Pickett (who also happens to be Davis’s father). Meanwhile, Aza struggles to live her daily life while continuously caught in her “thought spirals,” which is her shorthand for explaining the will-destroying nightmare that living with obsessive-compulsive disorder can be.

While Turtles has a touch of romance (and only a fraction of the turtles promised by the titles), it is far less melodramatic than the teenage cancer star-crossed romance that The Fault in Our Stars was perceived by some to be. Aza and her illness are thoughtfully represented by Green, who suffers from OCD himself. Although your mileage may vary, I also highly enjoyed the madcap levity that best friend Daisy provides. It’s an evolution in his writing, but still definitely a John Green work that both long-time fans and hopefully some new readers will really appreciate.

rooster barSpeaking of madcap hi-jinks, John Grisham released his second mystery novel for adults this year (Camino Island, an intensely readable Fitzgerald manuscript heist, came out in June). This book, The Rooster Bar (which has even fewer roosters than the previous book had turtles) tells the story of three low-rent law students moving from scam-to-scam in the wake of a tragic suicide of a friend and in the shadow of impending student loan debt and professional misery. Friends Mark, Todd, and Zola stop studying for the bar exam, attempting to practice law out of an actual bar on the far side of Washington D.C. from the substandard, for-profit law school they just dropped out of so they can attempt to hustle legal fees in traffic court and hospital cafeterias. They also use information left behind from their lost friend to (hopefully) nail the guy at the top of the disgusting-but-not-actionable law school scheme.

The Rooster Bar has one of those grand conspiracies that has become a Grisham hallmark, but those who seek to uncover it are not out for justice; they’re out for themselves. They not only skirt the rule of law; they barely seem to understand its intricacies. But, hey, when you enroll at a law school called Foggy Bottom, you deserve what you get. Plenty of rich atmospherics highlight a book that combines the the scheming of The Brethren with the delicious sleaziness of Rogue Lawyer. Both the plot and the main characters end up in a place you’d least suspect.

As for the final book I’d like to talk about, I can only repeat a familiar refrain: let’s talk Jackson. Ken Murphy’s luscious photography dominates the book, but I can assure you that it would not exist without the will and insistence of Lemuria owner John Evans.

JXNLAMAR-2TI’ve lived in the Jackson area all my life, and I love this city. I’ve spent a lot of time in Belhaven, Fondren, Downtown, the Interstate corridor, and parts all over. I find something new to love all the time, or  I rediscover a spot once visited that tugs me back into the past. Although the Jackson this book captures is frozen in the specific period of 2013-14 (here’s a neat trick: compare the Lemuria cover to the view from a half-flight up Banner Hall’s staircase and see what noticeable feature is flipped), there’s a timeless quality to the sense of place the photographs capture. Murphy’s beautiful, mostly depopulated photos allow us to imagine ourselves among the beautiful scenes of the city we share, in both memory and possibility. If you haven’t already checked out one of Jackson books, a Lemuria exclusive, I highly encourage you to do so.

Author Q & A with John Grisham

Interview with John Grisham by Jana Hoops. Special to the Clarion-Ledger Sunday print edition (June 18).

John Grisham’s story that took him from small-town lawyer to master of the legal thriller is a tale that even he couldn’t have imagined.

But the incredible success he’s experienced since his first novel was published in 1988–which would lead to 30 bestsellers and counting–is strictly nonfiction.

With the release of his latest work, Camino Island (Doubleday), Grisham takes a recess from the courtroom and goes beachside in what he is calling “a great beach read.”

He’s also hitting the road for the first time in 15 years with a book tour that will bring him to a dozen cities nationwide, including Square Books in Oxford and Lemuria Books in Jackson.

caminoCamino Island is a book about books, booksellers, bookstores, and the rare book business. In this fictional account of the dramatic heist of four original F. Scott Fitzgerald manuscripts from the Princeton University library, most of the story unfolds in the quiet resort town of Santa Rosa, Florida. Main characters Bruce Cable, who owns a popular book store there and Mercer Mann, a hopeful young author, square off in a high-stakes tale of espionage, betrayal, and theft–all within the mysterious world of the rare books trade.

When Grisham’s first novel, A Time to Kill, was released 29 years ago, and, in his words, “was a flop,” he decided to give it one more try before abandoning his dram of becoming a writer. With the blockbuster success of The Firm in 1991, he’s never looked back, releasing a book a year ever since.

JohnGrisham_credit Billy HuntBorn in Jonesboro, Arkansas, in 1955, Grisham spent most of his childhood in Mississippi, and went on to earn an accounting degree from Mississippi State, and then a law degree from Ole Miss. He was working as an attorney in Southaven and serving as a member of the Mississippi Legislature when he began writing full-time.

All of his books have became international bestsellers, and he now has more than 300 million in print worldwide. Nine of those, including A Time to KillThe FirmThe Pelican Brief, and A Painted House have become successful films. His writings also include the nonfiction work The Innocent Man and a collection of short stories, Ford County. He has also written a series for young readers that features 13-year-old character Theodore Boone offering legal advice to his classmates.

When he’s able to take a break from his writing desk, Grisham enjoys devoting time to charitable work (including his Rebuild the Coast Fund after Hurricane Katrina); and his lifetime passion of baseball, as both a local Little League commissioner and the developer of six Little League ball fields on his property.

Why did you decide to do another multi-city book tour after 25 years–and why did you wait that long?

grish lemuriaThe last big book tour I did was in 1992, when The Pelican Brief came out. I was living in Oxford at the time, and I knew Willie Morris, Barry Hannah, and Larry Brown. They were always hanging around the bookstore (Square Books), and they talked me into doing a big book tour that turned out to be 35 cities in 34 days. It was not fun and I didn’t think it was productive. I told my publisher I can go back to Oxford and write books or hit the road and do publicity.

So, I never did a tour like that again, but I did continue to have signings at five stores: Square Books, Lemuria, Reed’s Gum Tree Bookstore in Tupelo, a store in Memphis and one in Blytheville, Arkansas for about 10 years. those five were really helpful when A Time to Kill came out, and they really supported me. So, it’s been 15 years since I’ve done this, and this time it will be 12 cities.

How has your writing changed since A Time to Kill came out in 1989?How have you changed?

There have been no deliberate changes in my writing, as far as the style, procedure, and process. I write every morning for a few hours, and I write a certain number of words each day. As far as how I’ve changed–I’ve aged 30 years.

Camino Island is the story of a grand-scale heist that leaves the original manuscripts of F. Scott Fitzgerald’s four novels missing–and it weaves a fascinating behind-the-scenes tale of the world of rare books. Why did you choose the works of Fitzgerald as the target for this crime?

The fact that Fitzgerald had fewer manuscripts–he had published four novels–was a huge factor. And I’ve always been a big follower of Faulkner, Hemingway, Steinbeck, and Fitzgerald. They were all born about the same time (late 1800s-early 1900s) and were the greatest writers of that generation. Fitzgerald had the fewest manuscripts, and they were all in one place, the library at Princeton. Faulkner had at least 40. He was very meticulous about his manuscripts and took care of them, and that would be a lot to try to steal at one time.

Do you collect rare books?

I’ve been collecting rare books for probably 25 years–a lot of Faulkner, Hemingway, Steinbeck, and Fitzgerald. There have been several dealers I’ve known and worked with through the years. My wife actually bought a copy of Faulkner’s The Sound and the Fury from (Jackson’s Lemuria Books owner) John Evans for me.

Tell me aobut your relationship with bookstores and booksellers–have bookstores been a special place for you?

They still are special to me. When I’m traveling I usually try to sneak into a bookstore and see what all is for sale, see if my books are selling. If they have a coffee shop or cafe, that’s a nice touch. I go to bookstores and talking with booksellers is something I always enjoy doing. Bookstores are dwindling in numbers now, and many are fighting to preserve them.

What was the hardest book for you to write, for whatever reason? What was the easiest?

Easy, and fun to write and without much research–would be Calico Joe. I love baseball and really enjoyed writing that one. Camino Island was fun–the world of the murky and mysterious world of rare books and how much they’re worth now. The Chamber was probably the toughest to write. I spent a lot of time on death row in Mississippi doing research.

Is there a topic, a style, a genre, you haven’t tackled yet, but want to?

There are a couple of books based on things I might like to write about. One is a sort of fictional memoir of my childhood and life, like in (my novel) A Painted House. It would be going on in Memphis about a 15-year-old boy who thought he was going to Vietnam, after seeing his friend come home in a box. That’s something I think about–kind of personal stuff. Who knows, I still might write it.

You have another book coming out in October, another legal thriller, this one about student debt–a very topical subject now. What can you tell me about it?

Not much–I have a rule not to talk about a book while I’m writing it. It’s about law students. It’s still untitled.

Your first book was rejected by many publishers. What do you know now that you didn’t know then?

It was turned down by about 15 publishers and 15 agents. That’s not unusual for a first-time author. And what I know now that I didn’t know then: everything. I knew nothing then about writing or getting published. I was a state legislator and a small-town lawyer, barely 30 and so naïve.

Oxford’s Square Books owner Richard Howorth told me you were very persistent in getting your first book published–and that you wanted to sell “lots and lots” of books. Considering that you have a degree in accounting from Mississippi State, does that kind of determination come from your accounting side, or would you say it was strictly ambition?

I think it was ambition. I had practiced law 10 years in Southaven. I was looking fo a way out because I knew I wasn’t going to make a lot of money. After 10 years of working hard, I wrote A Time to Killin 1989 and it was a flop. I said I will do this–I will write a book–one more time and see what happens. I wrote The Firm, a book that I thought would be more commercial. The fact that movie rights for that book were sold before it was published was a fluke deal that could never be repeated–it was a lucky break that would only happen once.

Long-term, what do you see in your future?

I’m 62 years old. I’m still enjoying this immensely. I certainly have no plans for a career change, or for slowing down. I intend to write one book, maybe two, a year.

First Voyage with a John Grisham Book

I’m going to be real honest here: I’ve never read a John Grisham book and I had never really thought that I would. But when I found out that Camino Island, his newest book–released today–deals with a bookstore and stolen F. Scott Fitzgerald manuscripts, I became interested and wanted to get my hands on an advance copy.

Camino Island begins with an intense moment, right in the middle of a gang of thieves staging the heist of the F. Scott Fitzgerald manuscripts from the Princeton library. In what I can only assume is Grisham’s typical thriller writing style, he is able to pull the reader in right away with this scene.

Bruce Cable, owner of an independent bookstore on Florida’s Camino Island, always has his hand in buying and selling rare first edition books in addition to his ordinary stock. Here’s where the true book nerds get hooked. There’s constant book talk, authors and book titles are dropped here and there throughout, and I’m pretty sure Bruce’s first edition rooms may or may not have come from our very own Lemuria. Grisham paints a pretty picture of Bruce Cables’ bookstore, Bay Books. As a book lover, it’s very fun to read about.

Mercer Mann, a writer who has recently been laid off from her teaching gig at UNC and hasn’t written in months, spent her summers on Camino Island with her beloved grandmother Tessa, but hasn’t returned in years since her death. Mercer is approached by a woman who is working for a very mysterious company and is offered a large sum of money to move back to Camino Island and work undercover. Mercer’s mission consists of infiltrating Bruce Cable’s inner workings of his bookstore and first editions deals, as well as working her way into his circle of literary friends. Mercer has to get close enough to make sure Bruce hasn’t started to dip into the black market of stolen books, while also keeping his trust. Things begin to get pretty intense, but Grisham wraps everything up in perfect style.

I thoroughly enjoyed this book. This is not a legal thriller; it’s more of a crime novel. I think that new Grisham readers will find this book very entertaining and I think die-hard John Grisham fans will find this book refreshing. This book is going to give every book lover a new, and maybe first, look into the bookstore world. As a bookseller, I can definitely say that Grisham did a great job building this world in his writing and as a first time Grisham reader, I can definitely say he writes an entertaining and gripping novel.

If you’re going on vacation this summer, this is the beach read for you!

beach photo

Grisham’s ‘The Whistler’ balances social issues, storytelling

By Jim Ewing. Special to The Clarion-Ledger

whistlerNovelist John Grisham keeps churning out winners that manage to wrap social issues, the law, and intriguing characters into an explosive mix, with his latest, The Whistler, sure to be a controversial bestseller like many before.

Avid readers may recall his previous “issue” book Gray Mountain (2014) served as much to bring attention to the rapacious practices of coal mining destroying families, communities, and the environment, as it did to simply tell a gripping yarn.

The Whistler carries on that social issue imperative, following his previous more typical lawyer tale Rogue Lawyer (2015), by taking on casino gambling on American Indian reservations.

The locale is Florida, with its rich history of corruption. The culprits are a shadowy band of Southern criminals called The Catfish Mafia, which funds its web of lucrative, money-laundering strip malls, golf courses, gated communities, and condos with a crooked casino it helped found on an Indian reservation through murder and intimidation. The scheme relies on a circuit court judge all too willing to take bribes.

Enter a single woman lawyer named Lacy, mid-thirties, worried about the ticking of her biological clock, working for the sedate and respectable, if not boring, state Board on Judicial Conduct. She is suddenly thrust into the heart of the corruption and violence by a whistleblower.

The result is a masterpiece of criminal enterprise exposed in a methodical page-turner made all the more evocative for its subject matter. Tightly written, well crafted, the novel moves at a fast pace with whiplash plot twists.

The controversial aspect of “Whistler” is the unique nature of casino gambling as practiced on Indian reservations. Grisham portrays the tribe as being split initially on whether to allow gaming; some wanting the cash it would provide to bring them out of poverty; others worried that it would morally destroy the community. Both prove true.

Once the casino is up and running, many in the tribe suspect that corruption is taking place but are intimidated into silence by the fact that each member of the tribe profits to the tune of a check for $5,000 per month. The casino’s wealth has also provided good schools, roads, a health clinic, and jobs.

It provides an ethical dilemma: blow the whistle and risk losing everything–or look the other way and allow corruption, intimidation, even violence to flourish.

Grisham weaves his storyline through both the emotional and psychological aspects of this dilemma. He deftly describes the laws that govern tribes and casinos and how they as sovereign nations under treaty are — and aren’t — subject to judicial review or criminal restraint.

As a consequence, The Whistler provides not only a good read but serves to educate and provide plenty of fodder for discussion.

The Whistler yet again reveals Grisham as a premier mystery writer.

Jim Ewing, a former writer and editor at The Clarion-Ledger, is the author of seven books including his latest, Redefining Manhood: A Guide for Men and Those Who Love Them.

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