Tag: Oz Books (Page 1 of 2)

‘Royal Rabbits of London’ is a madcap middle grade adventure

The Royal Rabbits of London by Santa Montefiore and Simon Sebag Montefiore is a new chapter book perfect for children ages 5 to 9.

royal rabbitsIt feels fresh and original, yet follows in the footsteps of The Wind in the Willows and Watership Down with strong animal characters, funny dialogue, and an intriguing plot. Originally published in the United Kingdom, this story begins when a young rabbit named Shylo goes to visit the the grizzled, battle-scarred Horatio, an elderly rabbit with half an ear. Shylo enjoys these visits because Horatio tells him stories of the Great Rabbit Empire. When Horatio asks Shylo is he remembers the oath made by rabbits long ago to protect the Royal Family, Shylo eagerly recounts the tale of how King Arthur wanted to declare rabbit pie as the favorite meal of the kingdom, but his nephew Prince Mordred loved rabbts. And so…

King Arthur was a wise king who loved (his nephew) Mordred dearly, so, after a little thought, he declared that cottage pie should be the favorite dish instead. Thousands of rabbits’ lives were saved and cottage pie did become the preferred meal of the British people. The cleverest and bravest of all the rabbits wanted to thank Prince Mordred and so they took an oath to serve the Royal Family of England. They built a warren beneath the castle in Camelot and called themselves the Rabbits of the Round Table.

At the very moment that King Arthur freed the rabbits from the Curse of the Rabbit Pie, something magical happened, didn’t it, Shylo?” said Horatio. “Children and only children were given the ability to see those very special rabbits. But it is a gift that lasts only through childhood. As soon as they grow up, they lose that magic and see just ordinary rabbits, like everyone else.

Shylo loves hearing stories of the fabled Royal Rabbits of London, and Horatio always listens to him. Shylo is the runt of the litter and wears an eyepatch over his weak eye. His brothers and sisters tease him, but is is Shylo who tumbles into a secret meeting of the Ratzis (rats who are plotting evil deeds against the Queen of England), and as it turns out, The Royal Rabbits of London still exists, after all. Horatio sends young Shylo on a quest all the way to London to Royal Rabbits Headquarters–under Buckingham Palace.

With black and white illustrations throughout, young readers and parent will enjoy following Shylo in a tale filled with a secret society of Royal Rabbits, acts of bravery, and close calls with evil rats.

As Horatio says to Shylo, “Life is an adventure. Anything in the world is possible–by will and by luck, with a moist carrot, a wet nose, and a slice of mad courage!”

Offering children a look at ‘Love’

loveThis book shows love’s many and varied journey through the world. The narrative voice in this book speaks to the child and leads the young reader by the hand to show examples of love that a child may not recognize. The images de la Peña uses to describe love are from the child’s point of view. The very first illustration is from the child’s vantage point in a crib looking up at his/her parents, with the words

In the beginning there is light

and two wide-eyed figures standing at the foot of your bed,

and the sound of their voices is love.

The narrative voice describes the music in the back of the cab driver’s cab, the color of the sky at sunset and playing in summer sprinklers. The narrator says to the child, “the echo of your laughter is love.”

And yet, love is not just in things seen or heard in the natural world, but most importantly, the selfless actions of one human for another. The turning point of this picture book is where Loren Long shows two young boys, perhaps brothers, the elder holding out a piece of toast to his younger brother, where a figure outside the window walks in the snow towards the bus.

Accompanying that illustration are the words:

And in time you learn to recognize a love overlooked

A love that wakes at dawn and rides to work on the bus.

A slice of burned toast that tastes like love.

The full effect of this book is magnificent. Words shine through his gift  for lyricism, his finger on the pulse of those small moments that often go unseen, but are, indeed, love.

Love by Matt de la Peña is Lemuria’s January 2018 picture book selection for our First Editions Club for Young Readers.

Author Q & A with Philip Stead

Interview by Jana Hoops. Special to the Clarion-Ledger Sunday print edition (December 24)

Award-winning children’s book author and illustrator Philip Stead has the unique honor of being the only person alive today who can claim the title of “co-author” to a Mark Twain tale.

LIke most things associated with Twain, who died in 1910, the story of how that came about is, well, an interesting story.

But first things first. Before his collaboration with Twain on the newly released The Purloining of Prince Oleomargarine, Stead and his artist wife Erin Stead claimed a Caldecott Medal, along with the titles of New York Times Best Illustrated Book of 2010 and a Publishers Weekly Best Children’s Book of 2010, for their book A Sick Day for Amos McGee.

Together the couple also created Bear Has a Story to Tell, an E.B. White Read-Aloud Award honor book and, among others, Lenny and Lucy. As an artist as well as author himself, Stead has written and illustrated several books, including his debut, Creamed Tuna Fish and Peas on Toast.

The husband and wife team met in a high school art class, “and from the very first days, we planned on making books together,” Stead said.

steads

Today, they live and work in northern Michigan, along with their dog, Wednesday, and their 5-month-old daughter, Adelaide.

How did the idea for this book come to be–it’s quite unusual!

The Purloining of Prince Oleomargarine began as a story told by Mark Twain to his tow young daughters in the year 1879. Twain probably told countless stories to his children, but this is presumed to be the only time he committed notes for one of these stories to paper.

In 2011, the notes were discovered at the Mark Twain Archive in Berkeley, California. They were unearthed by a scholar who was doing research for a Mark Twain cookbook. He opened a folder labeled “Oleomargarine” expecting to find something food-related and instead discovered 16 pages of handwritten notes for a children’s story begun but never finished. Eureka!

How was it that you were chosen to write this book?

Honestly, I wish I knew! Probably there were others before us who were smart enough to say, “thanks, but no thanks.” But seriously, my best guess is that Erin’s artwork gave our editor confidence that maybe we could do this. Erin’s work is often described as old-fashioned. In an increasingly digital world, Erin has stuck with traditional techniques like woodblock printing and pencil drawing, both of which were around in Twain’s day. One challenge with this book was how to bridge the divide from 1879 to 2017. I think Erin’s art style helps bridge that gap.

Please give me a brief description of the story line, including the main characters. (Your technique of serving as the narrator for your own story, and holding conversations with Mark Twain, was great!)

olemargarineJohnny, a poor, kind, young boy, is forced one day by his cruel grandfather to sell his pet chicken at the market. In doing so, he unexpectedly comes into possession of some magical seeds. From the seeds grow a flower, and upon eating the flower, Johnny is granted the ability to speak with animals. Led by a skunk named Susy, Johnny and all the animals in the land set out on a quest to rescue a stolen prince, and with some luck, perhaps cross paths with a familiar chicken.

Generally, where did Twain’s notes on this book end, and where did you take up the story?

Twain’s notes end at the mouth of a dark cave where, presumably, Prince Oleomargarine is being held by giants. Twain’s final words are: “It is guarded by two mighty dragons who never sleep.” So, Twain was very close to an ending already.

What we discovered was that the ending was not really the missing piece. The missing piece was the beginning. Twain’s notes begin abruptly with: “Widow, dying, gives seeds to Johnny–got them from an old woman once to whom she had been kind.” That’s certainly a nice place to begin, but Twain left us with nothing about the character of Johnny–who he was and why we ought to love him.

Some characters in the book were created by Erin and me to address this problem. The most notable additions are probably the cruel grandfather and Johnny’s luckless pet chicken, Pestilence and Famine. The name Pestilence and Famine, by the way, comes from a piece of Clemens family history. The Clemens family had many household cats with peculiar names. There was a cat named Sour Mash, and Satan, and my personal favorite, Pestilence and Famine.

What inspired the direction you decided to take in finishing this tale?

The book became a story within a story. First, there is the story of Johnny, and Susy, and Prince Oleomargarine. But then there is the story of Mark Twain and myself, sitting together at a secluded cabin, arguing over the direction of the story itself. These conversations between Twain and me came about because of a problem I encountered early on. The problem was that every now and then I wanted to deviate from Twain’s notes. It didn’t seem right, though, to make changes without giving Twain a say in the matter. The easiest and most fun solution to this problem was to make Twain (and myself) a character in the book.

Tell me about the artwork Erin produced for this book. How does it help to convey your own “vision” for this story?

Erin’s artwork is rendered in woodblock printing and pencil drawing. The colors are muted and atmospheric. In many ways, Erin became a third author for this story. So many choices were left completely up to her. It was never just a matter of executing my, or Twain’s, vision.

For example, the setting is all Erin’s. Oleomargarine is a fairy tale, but it is not a European fairy tale. It is American through and through. Erin wanted the setting to reflect that. She also wanted the setting to exist somewhere in time between Twain’s day and our own. So, having given herself those two guidelines, she settled on a world reminiscent of the American dust bowl–a perfect setting for her naturally dusty, airy, and melancholy artwork.

For what ages is this book most appropriate?

twain1This story began as a piece of oral tradition. It was as a story told out loud, maybe over the course of several nights by an adult to children. I would hope the finished book is used in much the same way. While the language might be difficult for a child under the age of 9 or 10, I believe that children of all ages will be able to appreciate the story–its rhythm, its humor, and its message–especially when told directly to them by a parent, or grandparent, or some other important adult figure in their life.

In what ways did you find it most challenging to complete the task of finishing Twain’s story, and on the flip side, what did you enjoy most about tackling this project?

The most challenging thing about this book was also the most rewarding. For me, the real work and the real joy was in finding Twain’s voice. Twain left notes for almost every element of plot, but he left very little finished prose. Because of that, I had to really immerse myself in Twain’s other works, sometimes listening to Twain’s writing as if it were music. Because of that, there is a little bit of Twain inside of me now forever.

Best Books of 2017 for All Kids

At the end of every year, it is always wonderful to look back and see what great books were published and now on the shelves for children to enjoy reading.

Here are the Best Books of 2017 to you can give as a gift this holiday season. To see a more comprehensive list for each age group, click the links on the ages!

Best Books for Kids Ages 0 -3

Life CoverLife by Cynthia Rylant and illustrated by Brendan Wenzel, $17.99 (signed copies available at Lemuria)

The vibrant, life-filled illustrations are accompanied by one line of text per page. The story begins with an illustration of a small plant growing in the desert, with the line, “Life begins small. Even for the elephants. Then it grows.” The following page shows a baby elephant reaching a trunk up to a larger elephant. “Life grows. Ask any animal on earth, what do you love about life?” A gorgeous book for a newborn or toddler.

Life Interior

 

My Very First Mother GooseMy Very First Mother Goose by Iona Opie, illustrated by Rosemary Wells, $24.99 (copies signed by Rosemary Wells available at Lemuria)

Folklorist Iona Opie passed away this year. Her legacy lives on in the nursery rhymes that she collected and edited in this beautiful edition of Mother Goose that are perfect for baby’s first Christmas.

 

The Little Red Cat Who Ran AwayThe Little Red Cat Who Ran Away and Learned His ABC’s (The Hard Way) by Patrick McDonnell, $17.99

I’ve been a fan of Patrick McDonnell’s illustrations for a long time, and this little red cat is one of my new favorites. As the little red cat runs away from home, he encounters adventures involving the alphabet, and this is the perfect book for a little one just learning his or her letters. The letter Z is accompanied by a little red cat, safe at home again, fast asleep.

Little Red Cat interior

 

12 Days of XMAS12 Days of Christmas by Greg Pizzoli, $16.99 (signed copies available at Lemuria Books)

We all know how the song goes: “On the first day of Christmas, my true love gave to me…A Patridge in a pear tree.” Followed by turtle doves, french hens, and five golden rings. Greg Pizzoli re-imagines this classic Christmas carol in his newest picture book for children, The Twelve Days of Christmas.” With each introduction of a new day of Christams, an elephant family receives the gift that corresponds to the day according to the carol. Have you ever really stopped to think about what would happen if you had a room filled with an assortment of birds? Namely, six geese a-laying and seven swans a-swimming? It would be chaos. Pizzoli takes the this carol and makes it literal, and that parents and young readers alike will giggle over the growing gifts the little elephant family does not know what to do with.

Best Books for Kids Ages 4 – 7

Princess Cora and the CrocodilePrincess Cora and the Crocodile by Laura Amy Schlitz and Brian Floca, $16.99 (signed copies available at Lemuria)

Hands down this is one of my favorite books for kids this year. It’s about a princess who is tired of her routine, so she writes to her fairy godmother, asking for a pet. She imagines getting a golden retriever, but what she gets instead is a crocodile. When the crocodile pretends to be the princess for a day, you can imagine that things do not go smoothly. Hilarious, and told in short chapters, this is a wonderful book for the reader just beginning chapter books or to be read aloud at bed time.

Princess Cora and the Crocodile interior

This House OnceThis House Once by Deborah Freedman, $17.99 (signed copies available at Lemuria)

Curl up by the fire and read this picture book on a cold night. This is one of the most beautifully illustrated picture books of 2017, and a great book to add to any child’s collection.

 

The Wolf, the Duck, and the MouseThe Wolf, the Duck, and the Mouse by Mac Barnett and Jon Klassen, $17.99 (signed copies by both author and illustrator available at Lemuria)

Mac Barnett and Jon Klassen have a history of creating great books together, and this one might be their funniest yet. What happens when a mouse is swallowed by a big, bad wolf? He finds a duck who has set up camp inside the wolf’s stomach, and both duck and mouse feast and feast until the wolf has a bellyache. Both duck and mouse are living it up—until the wolf’s life is threatened by a hunter, and then they have to create a plan to save the day. Add this book to your shelf immediately.

The Wolf, the Duck, and the Mouse interior

Best Books for Kids Ages 8 – 12

purloiningThe Purloining of Prince Oleomargarine by Mark Twain, Philip Stead, and illustrated by Erin Stead, $24.99 (signed copies available at Lemuria)

Why is this my favorite fiction book this year? In publishing, it is not too rare for a well-known author’s work to be found and published posthumously. However, in the case of The Purloining of Prince Oleomargarine, Phil and Erin Stead managed to take sixteen pages of notes from a bedtime story that Mark Twain told his daughters, and turn it into a true literary masterpiece over a century later. Phil holds a conversation with the ghost of Mark Twain (which is hilarious) and Erin’s illustrations are airy and lovely, as always. They truly breathe life into the story. So what’s the right age for this book? I’d say somewhere from 6 to 96.

There are a handful of times where I walk out of the store, a book under my arm, and race home to read it. Not only did I do that, but I felt somehow as if I was reading a lost masterpiece of children’s literature. There’s only one time I’ve had that experience, and it was with The Purloining of Prince Oleomargarine.

Purloining interior

Tumble & BlueTumble and Blue by Cassie Beasley, $17.99 (signed copies available at Lemuria)

Cassie Beasley is one of the best writers I know for children in the age range of 8 to 12. Her characters are funny, full of heart, and she really understands kids. Tumble and Blue is set in the Okefenokee Swamp of Georgia, involves a golden alligator named Munch, a cursed boy named Blue born into a family with special gifts, and one spunky girl named Tumble who is out to save the day and reverse Blue’s unluckiness.

 

The VanderbeekersThe Vanderbeekers of 141st Street by Karina Yan Glaser, $16.99

If I had a favorite category of children’s books, it would be “big-family-where-the-siblings-must-band-together”. Think The Penderwicks, The Five Little Peppers and How they Grew, The Moffats, and so on and so forth. Well, the Vanderbeekers officially get to join that list. It is almost Christmas, and the five Vanderbeeker children find out that their mean landlord is not going to renew their lease on the brownstone where they’ve lived their whole lives. It is up to them to change his mind, and perhaps, create little Christmas magic in the process.

 

The ExplorerThe Explorer by Katherine Rundell, $16.99 (signed copies available at Lemuria)

If you know me at all, you know that Kate Rundell is one of my absolute favorite writers right now for kids. Her new book, The Explorer, is about four children who are stranded in the Amazon after a fiery plane crash. Rundell visited Lemuria in October on a Friday. Her event was Friday evening, during most high-school football games. Two young boys, about age 10, showed up, and as they stood in the signing line, their father told the author, “I don’t know what you said at their school today, but they told me they had to come and get your book and have you sign it. These two football crazy boys are missing the big game right now for your book!” If that’s not a great endorsement for a book for kids in Mississippi, I don’t know what is!

Best Books for Young Adults

Hate U GiveThe Hate U Give by Angie Thomas, $17.99 (signed copies available at Lemuria)

So if you have not heard about this book yet, it is time that you know about it! This book, inspired by the #blacklivesmatter movement, was awarded eight starred reviews (virtually unheard of), was long listed for the National Book Award, and won the Horn-Globe Book Award. It has been on the NYT Bestseller list for 39 weeks and counting. The upcoming movie wrapped filming this fall, and Angie Thomas herself is from Jackson, Mississippi. It has been a pleasure to see the amount of success Angie has experienced in the year 2017, and her star is only growing brighter. I encourage you to pick up this timely book about how one young girl navigates life between her mostly-white prep school and all-black neighborhood, all while dealing with the death of her friend at the hands of the police.

You can now pre-order a signed, first edition copy of her new novel, On the Come Up.

Librarian of AuschwitzThe Librarian of Auschwitz by Antonio Iturbe, translated by Lilit Thwaites, $19.99

Written by Spanish author Antonio Iturbe, this book is based off of his real interviews with Dita Kraus, who survived the Holocaust and who now lives in Israel. It tells her story, how she served as a librarian in a concentration camp, where she protected eight precious books for the children at Auschwitz. Inspiring and heart-breaking, this is one book you should not wait to read, now that it has been translated.

Last NamsaraThe Last Namsara by Kristen Cicarelli, $17.99

If you have a reader who loves fantasy stories, The Last Samsara is the next one to add to your to-read list. Filled with dragons who are slain for telling stories, this book has all the great elements of a high-fantasy, for fans of Sabaa Tahir’s An Ember in the Ashes or Leigh Bardugo’s Grisha series.

 

Climbing the Wall in Dan Santat’s ‘After the Fall’

“Life begins when you get back up”

after the fall

Now we all know the story of Humpty Dumpty and how he fell and couldn’t be put back together again. But in Dan Santat’s beautifully illustrated new picture book After the Fall, he has already been put back together, but is now terrified of heights. His fear was so crippling that he could no longer enjoy things he once loved, like the good cereal on the top shelves of the grocery store or bird watching on top of the wall.

atf pictures

But Humpty Dumpty will not give up all the things he loves just because he is afraid of heights. No! He will just have to be more creative about enjoying them. He starts making paper airplanes to fly alongside his beloved birds. But tragedy strikes again, and his favorite plane gets stuck on top of the very wall he first fell off. Now Humpty Dumpty has to face a hard decision.

Does he let his fall define him or does he get back up again?

Dan Santat’s storytelling and illustrations blend perfectly together to create this vibrant and heartfelt story. With some fun twist and surprises to a tale we all thought we knew, After the Fall will inspire all that read it (trust me, I loved it so much that I bought it for myself). This is not just a book for children, it is a fun reminder to everyone that the important thing is not that you fell, but whether you get back up again.

Celebrate the 65th anniversary of ‘Charlotte’s Web’ with these books

Maybe there was a time before, when I loved books and loved stories. charlotte's webBut I like to think of my life as before and after. Before Charlotte’s Web, I listened to stories. After Charlotte’s Web, I read them.

For every bibliophile, there is a book, or a story, that turned the tables. So, living my life in a post-reading Charlotte’s Web world, I am always drawn to stories that remind me of the friendship between Wilbur and Charlotte, strong girl-characters like Fern, and comedic entertainment in Templeton the Rat.

And as Charlotte’s Web turns 65 this year, here are two recent stories that will take you back to the wonder of “some pig.”

The Unlikely Story of a Pig in the City

unlikely story of a pig in the cityThis story by Jodi Kendall opens on Thanksgiving Day at the dinner table. Josie Shillings’ college-aged older brother Tom brings home a baby pig he has named Hamlet who was the runt of the litter. Josie’s father is adamant: “Not a chance,” Dad said, pointing at Tom with a silver fork. “Pigs don’t belong in the city.”

It is Josie who comes to the rescue, convincing her father to let her keep the pig, on the condition that she finds a home for it by New Year’s. Josie must juggle her upcoming gymnastics competition, surviving close-quarters living in a large family, a grumpy next-door neighbor, and buying pig-food for Hamlet, who is rapidly growing into quite the porker.

You’ll fall in love with Josie’s determination, Hamlet’s antics, and the Shilling family. As Josie’s favorite book is Charlotte’s Web, there are references to E.B. White’s classic as well.

A Boy, A Mouse, and a Spider: The Story of E.B. White

Have you ever wondered what ‘E.B.’ stood for in this children’s author’s name? Turns out, his full name is Elwyn Brooks White.

boy a mouse and a spiderIn this beautiful picture-biography by Barbara Herkert and illustrated by Lauren Castillo, the story of White’s childhood, from his life-long love of animals, to his fear of public speaking in school, is truly a one-of-a-kind story for young children who want to know more about White.

Castillo, who won a Caldecott Honor for her book, Nana in the City, truly captures the essence of New England summer nights, Elwyn’s shyness and the beauty of his surroundings, and his friendship with animals.

Whether it was a mouse in his pocket, who turned into the inspiration for Stuart Little, or a spider’s web in the eaves of his barn with a certain Charlotte A. Cavatica at its center, White’s story shows us that his every-day surroundings, while simple, were filled with moments of wonder that he translated into timeless classics for children.

Interview with Jimmy Cajoleas, author of GOLDELINE and Jackson, Mississippi Native!

author photo (1)A little girl with shining hair helping rogue bandits in the dark forest of the Hinterlands, discovering her magic while escaping the evil Townies who killed her mother for being a witch, Jimmy Cajoleas’ book GOLDELINE is a richly told story that is perfect for fans of David Almond, J.A. White’s The Thickety, and anyone who loves a story that might be scary to tell in the dark. Jimmy Cajoleas is a native from Jackson, Mississippi and he currently lives in Brooklyn, New York. He received his MFA in Fiction from the University of Mississippi. Here, Jimmy Cajoleas answers some questions regarding GOLDELINE, his new novel for kids ages 10 and up.

What are you currently reading?

Oh man, so much good stuff. Last week I read Jesmyn Ward’s new book, and I thought it was great. I’ve been slowly reading Raids on the Unspeakable by Thomas Merton a little at a time, and that rules. And yesterday I finished My Best Friend’s Exorcism by Grady Hendrix, which is the rare horror novel that actually made me cry.

When did you start writing? How did growing up in the South affect your storytelling and the kinds of stories you are drawn to?

I started writing not long after I learned to read. I remember making scary picture books when I was a kid, with monsters and skeletons in them. They usually ended with my friends coming to my house and us all eating pizza.

To be honest, I spent most of my childhood imagining I was somewhere else. A jungle, an old haunted castle, Gotham City, a primeval forest…anywhere except where I was. Also, in the South you learn that things are never simple, and never easy, least of all people. All that complication is where stories come from.

Did you ever expect to write a book for children?

I never did! GOLDELINE was my MFA thesis, and it was originally a novel for adults. It became a kids’ book after my agent Jess Regel told me to let the story be what it wanted to be.

In your own words, tell me a little bit about what GOLDELINE is about & when and how you started writing it.

Goldeline is a book about an orphan girl who lives as a bandit in the woods. I don’t really want to say too much more than that, if it’s okay with you. I hate when I know what a book is about before I read it! I won’t even read the backs of books for that reason.

Goldeline herself came from a freewriting exercise. I used to work at a vintage clothing store in Oxford, MS, and there would be long stretches of time when no one came in. So I would sit down with a blank notebook and just write, for hours and hours, with no plan and no agenda. One day I sat down and started writing, and this funny little voice came out. I kept going for an hour in this voice, just yapping on the page. Eventually I figured out it was the voice of an eleven year old girl hiding in the woods. The rest of the story kind of told itself from there.

Of course, that was just a twenty-page short story for adults that no one would publish, which is how Goldeline sat for six or seven years. I never stopped thinking about her—worrying about her, really—though I didn’t quite know what to do about it. Goldeline didn’t become a novel until I was in graduate school. I’d just finished a mostly-realistic novel that I absolutely hated, and I wanted to try and write something better. I told the story to my teacher, the writer Megan Abbott, and she encouraged me to make it a novel.  

Who is Goldeline? Where does she come from? The name, it seems, combines Goldilocks and Coraline, (but I may be off!) Those are both female characters from completely different stories, and do either of those protagonists relate to your own?

The name “Goldeline” actually comes from this Neutral Milk Hotel song called “Oh Comely.”  In the song it’s “Goldaline” (pronounced Gold-a-leen) but I misspelled it by accident and liked it better my way, so now it’s Goldeline (rhymes with Coraline). Mistakes are a key component in my writing!  

The Goldilocks thing is a good call though, since so much of this book happens in threes, same as that fairy-tale. I love Coraline too. Actually all of Neil Gaiman’s stuff (especially The Sandman).

What was your favorite scene to write in GOLDELINE?

My favorite scene to write was the dinner scene at Bobba’s house. It took me a thousand tries to get it right. I remember when I finally nailed it, sitting out on the balcony at Square Books. I think I stood up and yelled, which is something you’re not supposed to do at a book store.

The way I can describe this book is a Southern-Gothic-Fairy tale. The first question is whether you agree with that assessment, and if you do, then the second question is why are you drawn to themes of magical-realism, and fairy-tales?

Sounds good to me! Though I should make it clear that the story isn’t set in the American South: it’s not supposed to be in the “real world.”

I like fairy-tales and magic stories because I feel like they tell certain kinds of truths better than so-called realism ever can. Sometimes big emotions need a ghost behind them, or a magic house, or a generational curse. Strict realism can’t always account for what happens out there. It’s a convention, a compromise, same as anything else.

What is your favorite folk/fairy tale?

So many! My favorite one now is a Russian fairytale called “Vasalisa the Beautiful.” It’s about a girl who has a talking wooden doll that teaches her how to steal a skull-lantern from Baba Yaga so her family’s house won’t be dark anymore. I’d never heard of it until I saw this terrific Annie Baker play called THE ANTIPODES, which makes a small (and thrilling!) reference to it.

What were your favorite books as a kid?

How do I even start? I think my very favorite book was The Mummy, the Will, and the Crypt by John Bellairs. I loved the Lord of the Rings and R.L. Stine and Madeleine L’Engle as well.

Will you be writing more books for kids? What do you hope people who read your book take away from it?

Yes! Lord willing, I’ve got a Young Adult book coming out next year, and another Middle Grade book after that.

Honestly, I just hope people like the book okay. It was really fun to write!

Goldeline_final_art

Author Jimmy Cajoleas will be signing and reading GOLDELINE at Lemuria Books on Saturday, November 25, at 11:00 A.M.

Call 601-366-7619 or visit www.lemuriabooks.com to reserve a signed copy today.

 

Author of ‘The Doldrums’ to visit Lemuria for second installment

The Doldrums: The Helmsley Curse is a stand-alone sequel to The Doldrums, published in 2015. doldrums 2In Nicholas Gannon’s first novel for kids ages 8 to 12, the reader meets Archer Helmsley, grandson to two of the most famous explorers, but who lives a very sheltered, unadventurous life himself. The book also features Oliver Glub, Archer’s best friend and next-door neighbor. Then there’s Adelaide, a girl with a wooden leg. Her leg, it was rumored, was bitten off by a crocodile. Now their second adventure begins following “the tiger incident,” an escapade that convinced Archer’s parents to send their son packing to boarding school, where he will be safely away from trouble.

But the city of Rosewood is getting colder by the minute, and the only explanation is the Helmsley Curse: as the Helmsleys approach Rosewood on their iceberg, everything gets colder. When Archer’s grandparents sent him a piece of the iceberg they were rumored to have vanished on, Archer is sure they are soon to return home. However, with more rumors swirling in the air with the snow, will anyone welcome the Hemsleys–or will they think they are cursed?

For children who are fans of The Mysterious Benedict Society and A Series of Unfortunate Events, Nicholas Gannon’s books are wholly original, featuring a new cast of characters, secrets, and mysteries to uncover in The Doldrums: The Helmsley Curse. Gannon, in addition to being the author, graduated from the Parsons School for Design, and he also illustrates his books.

Meet the author of The Doldrums on Monday, November 6 at 5 p.m. at Lemuria Books. The Doldrums: The Helmsley Curse is the Oz First Editions Signed Book for the month of November.

‘An Enchantment of Ravens’ enchants with its beauty and thrills

“No. You surpass us all.” Beside me she looked colorless and frail. “You are like a living rose among wax flowers. We may last forever, but you bloom brighter and smell sweeter, and draw blood with your thorns.”

~Margaret Rogerson

Let me preface this blog by saying that I am a huge fan of fantasy books, but for some reason, I am not always a big fan of books about fair folk. For some reason, they don’t seem to be able to reinvent themselves as easily as other fantasy.enchantment of ravens But An Enchantment of Ravens by Margaret Rogerson took me completely by surprise. I was completely captivated by this book within the first chapter. It was probably one of the few books that I have read this fall that I have binged.

We begin this story with Isobel, an incredible painter who fashions portraits of the fair folks. She exchanges these portraits for magical favors. Fair folk are obsessed with “Craft”, anything that is made, for they can not make anything without it falling to dust. She is highly acclaimed among the fair folk but is still startled and nervous by the idea of receiving Rook, the Autumn Prince, for the first time. She sees sorrow into the eyes of Rook and paints it into his portrait despite the fact that the fair folk do not have human emotions. When Rook presents the portrait for the first time in the Autumn court, the display of a human emotion on his portrait is taken as a display of weakness and he takes it as the greatest betrayal. Rook demands that Isobel come with him and stand trial for her crimes.

This is the beginning of a magical and dangerous adventure through the land of the fair folk. Along this journey, alliances are broken and reformed, emotions flare between hate and love as  Rook and Isobel try to stay alive and find their way to the Green Well. If a human drinks from the Green Well, they will become a fair one and this may be the only way for Isobel to save herself from the others. But the catch is, if she chooses this path, then she will have to give up her Craft forever.

Margaret Rogerson’s writing is absolutely lovely and magical. Just like Isobel beautifully paints portraits, so does Margaret paint this rich world with words. The language paints a perfect picture of Isobel’s world and any reader will feel like they have just stepped up next to Isobel as she picks up her paints.

Discovery brings Twain back to life in kid’s bedtime story

By Clara Martin

What do cooking grease, ornery dragons, and Mark Twain have to do with each other? As it turns out, quite a lot.

At the Bancroft Library in Berkeley, California, in a search for recipes relating to a Mark Twain cookbook in the Twain Archives, the word “oleomargarine” pulled up 16 pages of handwritten notes. But the notes weren’t about cooking. These 16 pages comprised a bedtime story, a fairy tale that Twain told his daughters, Clara and Susy Clemens, while in Paris in 1879.

The story ended abruptly with Prince Oleomargarine being kidnapped and taken to a cave guarded by dragons. The Mark Twain House sold the rights to Doubleday, an imprint under Penguin Random House. But with the author long gone and only 16 pages of notes to work with, the story needed some guidance.
Lucky for us readers, Philip and Erin Stead, the team behind the Caldecott Winning picture book A Sick Day for Amos McGee, took the reins in The Purloining of Prince Oleomargarine.

prince oleomargarine

But how do you work with a dead man who was writing before the 20th century? By turning him into a character, of course.

In the story (and in real life), Philip goes out to a cabin on Beaver Island to write this story and converse with the ghost of Twain, who interjects in the first half of the story quite frequently. The banter goes on back and forth, with Philip Stead asking Twain “what happens next,” and when Twain’s own story doesn’t fit with Stead’s vision, he goes ahead, sometimes with Twain’s permission and sometimes without.

What ensues is a hilarious feat of storytelling that hearkens back to the oral tradition. As you read, you will feel the need to read this to someone else, to share the story. After all, aren’t the best stories meant to be shared?

So while the Steads make some changes, they stick to the theme that runs through all of their books–the importance of kindness.

The hero of the story, Johnny, is a young African-American boy whose grandfather is a “bad man.” His only friend in the world is a chicken named “Pestilence and Famine.”

He sells his chicken to an “old, blind woman, thin enough to cast no shadow.” This beggar woman gives Johnny a handful of pale blue seeds in exchange for the chicken. She promises him that if he plants the seeds under very specific conditions, then a flower will bloom. If Johnny eats the flower, he will never feel emptiness again. He plants the seeds, and one flower blooms. Johnny eats the seed, ravenous with hunger, but he does not feel fulfilled. He is about to give up when he hears a voice: that of a talking skunk named Susy. As it turns out, the magic flower allows Johnny to talk to and understand animals.

Johnny’s life with the animals is filled with peace. As the old beggar woman promised him, he does not feel emptiness because of his friends. But when they come across a notice proclaiming that Prince Oleomargarine has gone missing, Johnny and the animals go forward to help.

As it turns out, the King is very, very short. So, all of his subjects must stoop before him (or they will be enemies of the state). He claims that giants have taken his only son and heir to the throne. Johnny and the animals follow the trail and end up at the entrance to a cave, guarded by Two Ornery Dragons. AS the narrator says: “An important thing to know about dragons is this: They are always arguing with one another. No two dragons can agree on anything.”

And, as this is where Twain left Philip Stead to pick up the storytelling mantle, this where I will leave you to discover the rest of the tale.

Erin and Philip Stead

Erin and Philip Stead

While reading The Purloining of Prince Oleomargarine, I felt as though I was reading a long-lost classic children’s story. Which, in a way, I was. Thanks to the magic and artistry of the Steads, the gem of the original story is not lost. With Erin’s ethereal illustrations that are suited for a fairy tale of this magnitude, she brings Phil’s words, Twain’s eccentricity, Johnny’s pure heart, and the importance of kindness to life.

To borrow from Twain, I think the moral of the story can be summed up as such: “There are more chickens than a man can know in this world, but an unprovoked kindness is the rarest of birds.”

Philip Stead will appear at Lemuria on Monday, October 30, to promote The Purloining of Prince Oleomargarine. He will sign books at 5:00, and he will read from the book beginning at 5:30.

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