Tag: Oz Books (Page 1 of 5)

History, mystery, and the open road in Nic Stone’s ‘Clean Getaway’

by Andrew Hedglin

William “Scoob” Lamar, the protagonist of Nic Stone’s fantastic new middle grade adventure, Clean Getaway, has a lot of questions at the beginning of the book. He just doesn’t know it yet.

When his grandmother, his beloved “G’ma,” shows up in an RV at the beginning of his spring break, to jailbreak him from being grounded, he jumps at the chance. He writes a note to his dad, and leaves his phone at home so he can’t be called. Just the wide open road, and the person he adores and trusts most in the world.

It’s not until they leave Atlanta and cross into Alabama that things start to get a little…weird. Why has G’ma sold her house to buy this RV? Did she really just dine-and-dash? Are they really headed all the way to Mexico? And does Scoob’s dad even know where they are?

He’s not getting answers to these questions immediately, but he is learning a lot, that’s for sure. It turns out his G’ma, a white lady, and his G’pop, a black man who he never met and died in prison, tried to take this very road trip all the way back in the 1960s. Of course, they had some help from Green Book, the famous guide for black travelers in the dangerous days of segregation and Jim Crow. As an African-American himself (with a serious, conscientious father), Scoob already knows some things about his history–he’s read To Kill a Mockingbird, and visits MLK’s home and church every January)–but some of what he learns really opens his eyes to how things were (and what still is).

Nic Stone has written an outrageously fun adventure with real tension and emotion mixed in. What really stands as a highlight in how well Stone understand how kids and adults relate to each other, even (and especially) they care a lot about each other. G’ma is completely over-the-top, fun, emotional, and increasingly mysterious, torn between unburdening secrets and teaching and protecting Scoob. Scoob himself is smart and and has a certain down-to-earth cool (he has a girlfriend, Shenice, back home in Atlanta), but can sometimes be a little impulsive and mistake-prone, as well as vulnerable in his powerlessness to the whims of adults, as all kids sometimes feel.

I think this book has a wide audience because while its colorful text (along with evocative illustrations by Dawud Anyabwile) and well-plotted structure are easy enough for kids on the earlier end of middle grade to digest, its keen emotional intelligence and relatable themes keep it interesting for kids on the older end of the middle grade age range. I found it pretty enjoyable as an adult, to tell the truth. As a bonus, this road trip novel even winds its way through Jackson, Mississippi (to pay respects to the great Medgar Evers). Whoever chooses to pick up this great middle school tale, they should know that they’re in for a wild ride!

Nic Stone will be at Lemuria on Friday, January 10, at 5:00 p.m. to sign and discuss Clean Getaway, in conversation with Angie Thomas (author of The Hate U Give). Lemuria has selected Clean Getaway as a January 2020 selection for its Oz Books First Editions Club.

Author Q & A with Mildred D. Taylor

Interview by Jana Hoops. Special to the Clarion-Ledger Sunday print edition (January 5)

Mildred Taylor wraps up her 10-book series that has followed the lives of the Logan family from slavery to the Civil rights movement with her final addition, All the Days Past, All the Days to Come. With familiar character Cassie Logan at the forefront as her own story evolves along the timeframe of civil rights events, she is supported by familiar family members who provide a constant link to generations past.

Born in Mississippi in 1943 and raised in Toledo, Ohio, Taylor developed a strong attachment to Mississippi as a child, thanks to frequent trips “home” to visit extended family members who were always eager to offer stories of their own childhoods.

She earned a master’s degree in journalism at the University of Toledo in 1965; and went on to write Song of the Trees, the first of the Logan family series, a decade later.

It would be Roll of Thunder, Hear My Cry, published in 1976, that would become her most recognizable work when it was awarded the Newbery Medal in 1977.

The collection has earned many other awards for Taylor throughout her lengthy career, including an NSK Neustadt Prize for Children’s Literature, Buxtehuder Bulle Award, Coretta Scott King Award, Boston Globe–Horn Book Award for fiction, Christopher Award, Jane Addams Book Award, American Library Association’s Best Book for Young Adults, the Scott O’Dell Award for Historical Fiction, and others.

What inspired you to become a writer, and to use this tool as a way to bring to life the real-life struggles of racism, for young people?

Mildred Taylor

From the time I was a child, I was fascinated by the stories my father told about the history of my family and the history of others in his Mississippi community. He was a master storyteller, using dialect of the many characters in a story and sometimes becoming an actor using great motions to tell the story. There were many of us in the family who heard the stories; I was simply the one tapped on the shoulder to write them down. My father passed before Roll of Thunder, Hear My Cry was published, but his words and those of others who told the history live on through all my books.

Your new book “All the Days Past, All the Days to Come” is to be the final chapter of the Logan family saga, begun with “Songs of the Trees” in 1975. Looking back to the beginning, did you ever expect that this collection of stories would become so enduring to readers for so many years?

Because I was so very much enthralled by the stories, by the history, it never surprised me that others would be as well. What surprised me was that I could tell the stories well enough so that people around the world would care about the history of my family, and about the lives of people in my family’s Mississippi community.

This final book (as its predecessors) recounts many true historical events along the time frame of each volume. Having lived through many of these events yourself, is it still difficult to look back on those times, and do you believe enough progress has been made today?

I could not get free of the stories and the obligations I had to myself and to the history of my family and the history of so many African Americans whose stories I wanted to tell. As one friend told me: “It is something you have to do. We’re of the last generations who knows–who remembers how it truly was–racism and degradation and what we had to go through to rid ourselves of all that. Younger generations think they know, but they have no idea of what it was truly like.”

Because of the historical timeline I am trying to follow, this final book is my greatest challenge yet. At a time when racism is again at the forefront, I believe it is important to look back at history, to look at how we have evolved since slavery began in our country, what has been sacrificed through a civil war, lynchings, racism, and segregation. Through a personal story told from the point of view of the Logan family of Mississippi, perhaps readers of all ages can grasp what life was like before the Civil Rights Movement and how that Movement helped change the nation, and to understand why we cannot allow racism to overshadow us again.

From slavery to the presidency, this is what the epilogue in All the Days Past, All the Days to Come symbolizes, and the bus is a symbol of that journey. That Cassie is on that bus–the bus, a negative symbol through much of her life–to President Barack Hussein Obama’s inauguration is one of the greatest triumphs for Cassie, her generation, and all African Americans.

Much has changed and much has not. I believe everyone needs to know the history.

The series has granted you many awards since its beginning more than 40 years ago. Has this taken you surprise?

As I said previously, since I was enthralled by the stories, it did not surprise me that
others would be as well. What surprised me was that I could tell the stories well enough that people around the world would respond as I did.

Of course, it was wonderful to win the Coretta Scott King award for four of my books. When The Road to Memphis won the award, I was actually on the dais (platform) with Mrs. Rosa Parks and was able to talk with her. My greatest regret is when I was unable to attend the ceremony to accept the award for The Land and I missed the chance to receive the award from Mrs. King herself.

What would you like to say to young people of all races today about the hope for cooperation (despite the frequent division) in this country? Are you hopeful for the progress that has been made; or do you believe racial equality will ever become the norm in America?

There have always been racial divisions in the United States; however, through the Civil War, the Civil Rights Movement, hard-fought-for legislation, integrated education, and one-on-one communication among all people, Americans have a much better understanding of each other today than 50 years ago, 100 years ago, all the years past in the United States.

Through continued education, economic opportunities for all, the important one-on-one relationships, there is hope that in time we as Americans can be accepting of each other. At that point, perhaps racial equality will be the norm.

Signed first editions are available for pre-order at Lemuria’s online store. The book’s publication date is Tuesday, January 7.

Author Q & A with Brittney Morris

Interview by Jana Hoops. Special to the Clarion-Ledger Sunday print edition (September 22)

Brittney Morris’s hot debut novel presents a relevant and hard-hitting YA tale of a black teen game developer–17-year-old Kiera Johnson–who created the secret multiplayer role-playing game called Slay.

When things begin to spin out of control and the secret world of the game is threatened, Kiera and her online players face a dilemma that lands squarely in the lap of the young game developer, as she explores the ramifications of racism and the importance of exposing the truth.

Morris earned a bachelor’s degree in economics from Boston University, where she was the founder and former president of the school’s Creative Writing Club.

A video game player herself, Morris now lives in Seattle with her husband.

Please share how the story in Slay was shaped by your own personal experiences.

Brittney Morris

Growing up, I was one of the only black kids in my small town. I felt like I was expected to be the black culture expert at my school. I was supposed to know a bunch of musical references, movie references, etc. that just weren’t part of my life. I felt too black to fit in with my white classmates and too “white” to fit in with my black friends, so I grew up in a racial limbo.

Writing Kiera’s story felt quite cathartic because it so closely mirrors mine. Moving between majority white and majority black spaces felt like stepping into alternate universes, one in which I could be myself–I just didn’t know it yet–and one in which I was expected to be “on” so as not to offend or ostracize white people. Kiera learns, like I did, exactly what Blackness means to her and just how diverse, beautiful, and complex it is.

Tell me about the idea of taking on many social topics that are currently relevant to young people today through the medium of video games, and how it resonates with their generation.

Video games–especially indie games–have been tackling tough topics for years: depression, suicide, immigration, chronic illness, self-harm, cyberbullying, and childhood trauma, just to name a few off the top of my head. I have game recommendations for each of those topics if anyone’s interested. Just tweet at me. Anyway, I didn’t see why racism, exploration of racial identity, and “reverse-racism” couldn’t fit in with that list.

And as for Gen-Z specifically, I love seeing them on Twitter. You think we Millennials are skeptical of everything and tired of the status quo? Just you wait. Gen-Z is not here to take no mess, and it gives me so much hope for our future as a species. Video games have been an underutilized immersive and fun educational medium for decades, and I don’t think there’s a better or more innovative group to take it on than today’s teens.

Slay is your debut novel. Tell me about the bidding war for the rights to your book–the immediate interest it garnered from major publishers, and the fact that it is already being considered for movie rights. Were you surprised by this instant response to your work?

I had a great feeling the whole time I was drafting Slay. I knew the concept was commercial, easy to pitch, and full of heavy themes and high stakes. But you never know for sure if something will resonate in publishing. So, I guess when my agent and I began pitching to editors, I was hoping it would resonate, but prepared for the worst. Luckily, we had 13 editors from eight different houses–I think–it’s been awhile – interested!

The bidding war for Slay was wild. It lasted two days and involved lots of conversations with my amazing agent who coordinated the whole process like a wizard. I wasn’t surprised by the response, because I went into this expecting anything to happen. But I am grateful, and eternally honored that I get to share this book with so many people. It’s a lifelong dream come true.

Ultimately, what is your hope for what you would like to accomplish through this book, and the message you want to send?

I was inspired to write Slay after seeing Black Panther. It was the first time I walked into a room full of Black people and felt like I belonged, 100 percent, without having to know any specific pop culture knowledge. You can blame my lone-Black-kid-in-a-hugely-white-town childhood for my complicated relationship with Blackness. It was enough to cross my arms and say “Wakanda forever.”

I want that total unconditional love and acceptance for every single Black person on the planet, especially the ones on the outskirts who feel like they’ve always been “different,” for whom major stereotypes don’t necessarily resonate, like me. I want everyone who reads Slay to walk away believing their identity is what they make it, and that no one has the right to tell them what their identity means or what stereotypes that means they have to fit.

Your publishing agreement includes a second book. Can you tell us yet what ideas you are considering for your sophomore offering?

It does, and I can! It’s about two teen black boys. One can see into the past, and one can see the future. The book is about living with the pressure of knowing what your ancestors went through to get you where you are today, the threat of violence, brutality, and incarceration in your future, and navigating the present under the weight of toxic masculinity.

Slay was a love letter to black people worldwide. My next book sits at the corner of Blackness and masculinity, and it is meant to be a love letter to black men specifically.

Brittney Morris will at Lemuria on Tuesday, September 24, at 5:00 p.m. to sign and discuss Slay. At 5:30, she will be in conversation with Ebony Lumumba.

Dog Blog: The ‘Dog Man’ series by Dav Pilkey

So, I’m a bit particular about what I read. I favor prose and description over plot, character over conflict. John Milton’s Paradise Lost is the greatest achievement of English writing. No American writer will ever top the beauty of Jesmyn Ward’s Sing, Unburied, Sing. Thrilling page-turners aren’t my thing—give me poetry. And with all this literary snobbery in mind, let me thoroughly and unabashedly heap praise on the Dog Man series by Dav Pilkey.

First, a little in-universe context. Dog Man is a book-within-a-book series, “written” by George and Harold, the mischievous heroes of Pilkey’s zany Captain Underpants series. Dog Man was the duo’s first foray into comic making, and we’re better people for it. The titular character has, like all super heroes, an interesting origin story: the city’s best cop and best police dog are injured in an explosion. The dog’s body is badly injured, but his head is intact; his human partner’s injuries are the exact opposite. A nurse suggests a reasonable way to save both—sew the dog’s head on the man’s body. Thus, Dog Man, crime fighter extraordinaire.

My reasons for liking this series are myriad. The writing and artwork progresses as George and Harold “age.” The artwork improves from book to book, and the jokes really gain sophistication as the series moves along. George and Harold’s 5th grade teacher introduces them to classic literature (Call of the Wild, East of Eden, etc) and the two roll this newfound elegance into their own writing. The book puns in the Dog Man titles are amazing: A Tale of Two Kitties, Brawl of the Wild, and (launching at this year’s book festival!) For Whom the Ball Rolls. But there’s also a nice dose of gross boy humor. You can imagine the jokes around the word duty.

I asked an expert to weigh in on this. According to my 9-year-old son, Dog Man “is hilarious, silly, and fun. Dav Pilkey is one of my favorite writers and Dog Man is my favorite of his characters because he’s just so funny and goofy. I can’t get enough!” And I agree with James wholeheartedly. The series is clever but not cloying, valuable without being overly didactic. We learn lessons about humanity, family, belonging, and love. “The mind is it’s own place,” says John Milton, “and can make a hell of heaven, a heaven of hell.”  And, there are poop jokes. Everyone wins.

Dog Man art by James

Dav Pilkey will be launching his “Do Good” tour at the Mississippi Book Festival on Saturday, August 17. He will be speaking at 9:30 a.m. in the Galloway Sanctuary.

Author Q & A with Ali Benjamin

Interview with Ali Benjamin by Oz Books manager Trianne Harabedian.

Ali Benjamin is the author of two middle-grade books, the newly released The Next Great Paulie Fink and 2015’s The Thing About Jellyfish, which was a finalist for the National Book Award for Young People’s Literature. Benjamin will be at Lemuria on Thursday, April 25, at 5:00 to sign and read from The Next Great Paulie Fink.

Where are you from, and where do you live now?

Ali Benjamin

I grew up about an hour from New York City, in a community along the Hudson River. At the time, my hometown was where NYC suburbs gave way to something more ex-urban. As a result, my schools had kids from varied socioeconomic backgrounds. There were the “commuting” families, who tended to be wealthier and white collar, as well as many less affluent blue-collar workers.

Most houses in my neighborhood were newer ranch houses (often with freshly mowed lawns). My family’s home was…different. It was about 200 years old, with peeling paint and the occasional rotting floorboard. Most of the neighborhood kids thought it was haunted (though I never saw evidence of that). My parents were hippies, which other families in the neighborhood definitely were not! It’s funny; my sister became an award-winning documentary filmmaker, and I became a writer. Sometimes I wonder if growing up a little different from your peers is a natural springboard into storytelling!

We had lots of freedom back then; kids wandered the neighborhood, organizing games of kick-the-can or flashlight tag. I tried to capture some of that sense of freedom and expansiveness in The Next Great Paulie Fink. In fact, there’s a story within the book about a game of team-tag that comes directly from a specific moment in the neighborhood!

Today I live in Western Massachusetts—I’m only a few miles from both the Vermont and New York state borders. There are still many small farms in this area, so I’ve had a little experience with goats, an animal that appears repeatedly in The Next Great Paulie Fink!

Can you tell us, in your own words, what The Next Great Paulie Fink is about?

The Next Great Paulie Fink is about an oddball group of seventh grade students who organize a reality TV-style competition to “replace” their legendary class clown, Paulie Fink, who mysteriously doesn’t return at the start of the school year. The story goes back and forth between a straightforward narrative—told through the eyes of “new girl” Caitlyn, who is reluctantly put in charge of the competition—and interviews with Caitlyn’s classmates as they share memories of Paulie’s most ingenious pranks.

But the book is also about the stories we tell each other and to ourselves: how can we know if the stories we tell are “true?” Where, exactly, is the line between reality and myth? What if the stories we tell ourselves no longer serve us? Who might we get to become if we choose a new story? The book is also about celebrity culture; whom we elevate into legendary status, and why, and whether we ever know these idols —or anyone—as well as we think we do. These bigger questions, though, are woven into a very lighthearted narrative, so kids can access the book at different levels.

Even though the kids in the book talk a lot about Paulie Fink, the story is really about Caitlyn Breen. What made you want to tell her story?

A couple of years ago, I got ahold of my middle school diary. I was so excited to read it and become reacquainted with my 12-year-old self. I thought I remembered, more or less, who I’d been back then. In my memory, I’d been a nice kid—kind of nerdy, very distracted, pretty immature, and definitely in over my head in the chaotic world of middle school. But I was kind…or so I thought.

Except that’s not what the pages showed me. My diary was filled with page after page of nasty comments about my classmates, my friends, my family, my teachers. I was also obsessed with where I stood in the middle school hierarchy, almost as if I were a reality star trying to claw my way toward the top. But as I read through the pages with my adult eyes, I could also see how incredibly insecure I was, how lost. And of course, that’s precisely why I was so mean! Genuinely confident people don’t need to put others down.

Caitlyn’s in a similar place as I’d been. At the story’s start, she’s not particularly nice, and she’s clinging to “rules” that she thinks will help her gain social currency. But as the competition to find the Next Great Paulie Fink unfolds, she begins to realize that those old ways aren’t actually serving her. So, she begins to do what my middle school self wasn’t able to: to set down her obsession with popularity, to really see and value the people around her, and to have a little fun for a change. I think I gave to Caitlyn what I myself needed when I was in middle school!

Can you tell us about myths and legends and why they’re so important in this book?

Stories drive the world forward. They always have. They don’t merely reflect who we are, and what we value, they actually shape us in ways that are active and direct. This is something I tried to show throughout the book. For example, at a critical moment, Caitlyn thinks of a kindergarten student who idolizes her. By asking herself, “what if I were the person this child sees? What would that version of me do now?” she’s able to become a little better than she might have been otherwise.

Every character in The Next Great Paulie Fink gets the opportunity to try on a new story. In doing so, they open themselves to new possibilities. Their worlds get a little richer.

And it’s worth noting that no story—not even a true story, in which every element is 100 percent factually accurate—ever reflects the full reality of this world. Every story involves a series of choices: who is the protagonist? Who’s the villain or the scapegoat? Which details are brought to the forefront? Which are left out altogether? These choices are what makes it a story, instead of merely a collection of facts.

Too often, our stories are so baked into our experiences that we don’t notice them. We’re like fish who don’t notice the water we’re swimming in! The Next Great Paulie Fink is a very lighthearted way to explore some of these issues.

What is the most important lesson that you want us to take away from this story?

First, I hope it gives kids permission to let themselves have some fun. The kids in The Next Great Paulie Fink are goofy. They’re totally un-self-conscious. They love to laugh and to be silly. They do ridiculous dances. They wrestle like zombies. They imitate robots and aliens, chase runaway goats, and they love every minute of it! I’d like to see more kids give themselves permission to be so free.

Second, I hope the book encourages them to think critically about their world. Human beings tell each other, and themselves, a lot of stories. Not all of them are true. Some of them have elements of truth, but are inherently incomplete. I wanted to give kids a way to begin to really examine the stories that drive them, to open themselves up to the possibility that their stories are part of a much bigger tapestry. The more they can see that, the bigger, and more meaningful, their lives can become.

Curl up with a middle grade mystery with Haddix’s ‘Greystone Secrets: The Strangers’

by Trianne Harabedian

Thrillers, mysteries, books with suspenseful intrigue? They have never been my idea of a good time. I often find them frightening and too intense, which can sometimes mean nightmares. Yep, I’m an adult who gets scared of the dark.
So when I heard that Margaret Peterson Haddix was coming out with a new book, Greystone Secrets: The Strangers, I hesitated. She has a reputation for being an amazing mystery writer for kids, keeping her readers in suspense and elevating tension while staying age-appropriate.

“But it’s a middle grade book,” I told myself. “It’s for ages nine to twelve. How scary can it be?” Not scary at all, as it turned out! In fact, I devoured it like pizza on a late night. It was the most engaging middle grade novel I’ve read in a long time.

The book is about the three Greystone children: Chess, Emma, and Finn. Their dad died when they were young, and they live normal lives with their mom. At least, everything is normal until their mom stumbles across a news article about three kids across the country who have been kidnapped. The Greystone children are bewildered when the article lists their own names as the lost children! These others look different from Chess, Emma, and Finn, but they share first names, middle names and birthdays.

But this is only the beginning of the strangeness. Before the children can ask questions, their mom leaves on a mysterious work trip and sends them to stay with a friend they hardly know, whose own daughter wants nothing to do with them. The Greystones begin to worry when their mom doesn’t call to check on them, returns their texts with cryptic messages, and appears to have completely vanished. The suspense only grows as the children investigate, find clues, and decode messages that lead them on adventures beyond their belief.

With a hint of A Wrinkle in Time, lovable characters, and a well-woven story, I’m excited to present Margaret Peterson Haddix’s The Strangers as one of our picks for the First Editions Club for Young Readers! It’s engaging, literary, and perfect for the middle grader in your life–whether they are easily frightened or not!

Leaving Never Hurts as Much as Being Left Behind: Jeff Zentner’s ‘Rayne & Delilah’s Midnite Matinee’

by Andrew Hedglin

As a 32 year-old man, I realize that I’m probably not the person who’s supposed to be writing this post about this delightful new YA book by Jeff Zentner. I am certainly not the intended primary audience. But sometimes a person wants to read about people who are not exactly like himself, and I was young, once, giving me as good a frame of reference as required. And I was the person who encountered this book. So I shall tell about it.

Rayne and Delilah’s Midnite Matinee is about two teenage girls, Delia Wilkes and Josie Howard, who are trying to navigate the end of their high school while hosting a horror-movie-of-the-week TV show on a public access channel in Jackson, Tennessee.

Delia and her mother, both struggling with depression, were abandoned ten years earlier by Delia’s father, who left behind only an extensive collection of cheesy horror tapes in his wake. Delia loves the movies for two reasons: first, they remind her of him. Second, Delia keeps the flame for all the mediocre people of the world, “the ones who try their hardest to make something beautiful, something great, something that someone will remember and talk about when they’re gone–and they come up short. And not by a little bit. By a lot.” Delia, an average student, feels a great kinship with these people.

She does create one thing, though, by force of will–Midnite Matinee–in the hopes that her father will see it while flipping channels one day and be proud of her, or regret leaving, or…something.

Delia’s co-host, best friend, and general partner-in-crime is Josie Howard. Josie has dreamed of a career in television since as long as she could remember. She seems, to most people, to shine just a little bit brighter than Delia. She’s headed to four-year university instead of community college, and attracts all the boys she and Delia meet together, including one Lawson Vargas, a MMA fighter who goes to a different school, and turns out to be deeper than at initial glance. Josie is extremely loyal to Delia, but her parents are pressuring her to pursue an internship at the Food Network in Knoxville if she is serious about her TV dreams.

But Delia has a plan. The hosts of Midnite Matinee have been invited to ShiverCon in Orlando, and have a chance to meet the influential Jack Divine, who’s as famous in the horror-hosting world as a person can be. Maybe if Divine can help Midnite Matinee reach a certain level of success, Josie wouldn’t have to leave Jackson to become famous on TV. Furthermore, Delia has hired a private detective to track down her missing father, who just happens to live in Boca Raton, a few hours south of Orlando. Can Delia possibly confront both her past, through her father, and her future, in Jack Divine, in one trip?

Delia, Josie, and Lawson are extremely vivid, charming characters with clear motivations facing real change in a pivotal time in their lives. Delia and Josie’s sassy humor gives welcome levity to the big decisions they have to face. Their stakes never feel forced (although there is one somewhat cartoonish episode during the Florida part of the adventure), and their reactions feel perfectly natural. Like Delia and Josie themselves, mostly I wished that their story together wouldn’t end.

If you want to take that journey with Delia and Josie, we here at Lemuria have two great ways for you to do it. First, we still have some signed first editions available at our online store.

Second, if you’re like me, you like to listen to audiobooks in addition to reading, because then you have twice the time available for books. But boxed audiobooks are inconvenient and expensive, so you’ve probably been paying for digital audiobooks an Audible subscription, right?

Well, how about supporting your local independent bookstore instead? With libro.fm, now you can do both. Click the banner below to begin. By selecting Lemuria as your home store, every audiobook you purchase helps support us, your local bookstore, instead of a huge corporate monolith. We sure would appreciate it. And if you’re thinking about listening to Rayne and Delilah’s Midnite Matinee, narrators Phoebe Strole as Delia and Sophie Amoss as Josie make a great book even better.

Such Sweet Sorrow: ‘Lovely War’ by Julie Berry

by Trianne Harabedian

The Nightingale. All The Light We Cannot See. The Guernsey Literary and Potato Peel Pie Society. I loved them, you loved them. If we’re being honest, there’s just something about a beautifully written World War II novel, with intrigue and tragedy and a little romance, that’s like literary catnip. We can’t get enough.

So I absolutely have to tell you about another book that you are going to love: Lovely War by Julie Berry. It’s a little different from the others. It’s got the intrigue, the tragedy, and more than a little romance. But… it’s set during World War I. Gasp! How can such a novel exist without Nazis, the brazenness of women in the forties, the preexisting tragedy of a world that had not yet recovered from the Great War? I promise that not only can it work, but it can work so beautifully that you’re not going to be able to put this novel down.

It’s 1942. The goddess Aphrodite is in a hotel room with her lover, Ares, when her husband, Hephaestus ensnares them in a net. As they argue about love, Aphrodite offers to illustrate her points by telling the story of four mortals living during World War I. As she weaves her tale, the other gods help by telling their perspectives on certain events. Aphrodite covers the romance, Apollo the music, Ares the war, and Hades the death.

The story begins with Hazel, a sheltered girl who lives in London and plays piano. On this particular evening, she is playing at a war benefit when she notices a young man standing to the side. Their eyes meet, Aphrodite gives them a nudge, and that’s it. Suddenly they’re sneaking out of their homes to meet for coffee, attending the symphony, and falling in love while knowing James will leave in a week for the war front. Unfortunately, their time is cut short when he is summoned to training a few days early. Their romance continues to blossom via letters, and Hazel decides that she needs to help with the war effort. To her parents’ dismay, she moves to Saint-Nazarie, France, as an entertainment volunteer for the troops.

This is where Aphrodite introduces us to our second couple. Colette is an orphan from Belgium, her life ravaged by the war, who seeks solace in volunteering for others. She and Hazel become fast friends at the YMCA where they are stationed. They bond over their love of music and their frustration over the segregation among the soldiers. The girls are shocked that they are not even allowed to enter the colored camp, as Colette is a foreigner and Hazel comes from a very accepting family. But they soon find a way to get around the rule.

Aubrey is a jazz prodigy who has been dragged into a military band. When he hears Hazel playing piano one evening, he can’t help but sneak into the building, introduce himself, and sit down to play. And when Colette steps out of her room in nothing but a scandalous nightgown, everything is over for Aubrey. He returns night after night, after the girls’ supervisor has gone to bed, to play piano and win Colette’s heart. He has nearly succeeded when, after a horrifying incident with some Americans from another camp, he is forced to unexpectedly go on tour with the band. Because of the incident, he doesn’t feel that he can write to Colette, and she is left aching at his sudden disappearance.

With both couples separated, the novel twists and turns. The mortals are given small tastes of love as Aphrodite schemes to allow them to meet for a few days here and there. But the war breaks them all. No one escapes the pain of violence, racial oppression, and death. No one is left mentally, physically, or emotionally unscathed. But their love for each other, both romantically and as four friends, remains steadfast.

I laughed, I cried, and I read this book far too quickly. Then, for days afterward, I didn’t want to read anything else. It’s the next beautiful war novel that we’re going to recommend to all our friends and talk about for years. It’s the novel I didn’t know I was waiting for.

Hip-Hop Encore: ‘On the Come Up’ by Angie Thomas

by Andrew Hedglin

Jackson native and best-selling young adult phenomenon Angie Thomas returns with the publication of her second novel, On the Come Up, today. It comes with a lot of expectations after the acclaim, success, and movie adaptation of her debut, The Hate U Give. I imagine that a lot of fans are torn about what they want: more of what they liked about her first book, but not the EXACT same thing. It’s a classic dilemma.

On the Come Up returns to Garden Heights, the same neighborhood from The Hate U Give. This story is set on the the other side of the neighborhood, however. The effects of the climax of the last book are still being felt. Khalil’s death awakens political sensibilities, but these characters didn’t know him personally.

The hero of the story is Bri Jackson, an aspiring rapper guided by her gangta Aunt Pooh, who fosters her dreams and ambitions, but has worries of her own. While biding her time to making it big, Bri buses to a creative arts magnet school in the tony Midtown neighborhood with her best friends, Malik, a budding activist, and Sonny, an excellent student torn between focusing on ACT prep and pursuing a mysterious but intriguing online relationship. Bri carries the mantle of her father, underground rap legend Lawless, who was murdered when she was a child. She lives with her mother Jayda, a recovering drug addict, and brother Trey, a snarky, egghead going through a post-graduate slump to help support the family.

One of the things that Thomas is so great at, both here and in her last book, is how she populates her books with believable, unique characters which make her communities seem real. I haven’t mentioned all the characters here (including one of my favorites), but they all contribute to the world-building Thomas excels at.

It’s good writing, period, but especially heartening for one of Thomas’s missions: for young black and people of color readers, it helps them see themselves reflected in media, and for white readers, it helps them see the very human side of a world they may only be familiar with from the news.

But Thomas can do more than just characters, she can set up a plot as well. Here, Bri recognizes the power of her prodigious hip-hop abilities, but the problem is, she isn’t sure what she wants with it. She wants to express herself and her world, but she is also chasing commercial success, because her family is facing real financial distress, the kind where the fridge is empty and the lights go off. When events keep casting her image as something different than what she is, she struggles to decide whether to lean in to it, or whether to break free.

There’s more to talk about, but I don’t think I need to go with the hard-sell here. Some people might like The Hate U Give more, but plenty of readers will find On the Come Up even better. If you liked the first book, you’ll like this one, too. I encourage you to experience On the Come Up for yourself.

Signed copies of On the Come Up are available from Lemuria online or in-store right now. Angie Thomas will be in Jackson on Thursday, February 28, at Belhaven University’s Center for the Arts for a ticketed event. Call Lemuria at 601-366-7619 or visit in store for details.

‘T-Rex Time Machine’ travels to Lemuria

Two hungry T. Rex Dinosaurs?

A time machine?

What could possibly go wrong??

When two hungry dinosaurs travel from the age of the dinosaurs to the future in a time machine, the time machine lands in the drive through lane of a fast-food restaurant called “Burger Town.” The dinosaurs are amazed by all the food that can be found everywhere! As they chorus: “THE FOOD COMES TO US!” The T. Rexes go on a jaunt around town, scaring the townspeople (unintentionally) while eating everything from pizza to noodles. When the police show up to arrest the dinosaurs, they scatter, running through a donut festival and back to the “magic egg,” (a.k.a. the time machine). While inside the time machine, they can’t figure out a way to travel back to their own time, and the green dinosaur wails, “I didn’t get a donut!” What they don’t know is that the time machine is voice activated. The time machine says, “I didn’t quite get that. Did you say… ‘I want to dance with King Tut’?”

Do the dinosaurs make it home? Or are the great pyramids in their future…

T. Rex Time Machine by author/illustrator Jared Chapman is a hilarious picture book that will leave you hungry for french fries and donuts–and more dinosaur adventures! Jared Chapman’s illustrations are eye-catching and the humor is for children and adult readers alike. Some of Chapman’s clients include Walt Disney Television Animation, Nick Jr., Nike, McSweeney’s, Hallmark, Jib Jab, and Mudpuppy.

Don’t miss a story time and book signing with Jared Chapman at Lemuria Books on Saturday, September 22 at 10:00 a.m.! Jared Chapman will be drawing dinosaurs, reading T. REX TIME MACHINE, and signing books. Fun for the whole family (with snacks for both hungry little dinosaurs and their parents), there will be photo opportunities with a REAL T-Rex and a Time Machine!

Call 601-366-7619 or visit lemuriabooks.com for more information.

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