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Take a literary road trip with Margaret Eby’s ‘South Toward Home’

by Abbie Walker

One of my favorite areas of the Lemuria store is the Southern fiction section. Nestled in a corner of the fiction room behind a bust of Eudora Welty, this part of the store is one I love to explore. From Rick Bass to Alice Walker, and everyone in between, the shelves are filled with some of the best writers that speak to my southern spirit. So when I came across Margaret Eby’s South Toward Home, I was instantly intrigued.

South Toward Home, whose title is a play off Willie Morris’ North Toward Home, is a literary road map of the South. From Oxford and Jackson to New Orleans and Gainesville, Eby takes you on a tour of some sites with famous southern author connections. Eudora Welty’s garden, William Faulkner’s liquor cabinet, and John Kennedy Toole’s hot-dog carts are just a few of the places covered. Eby does an excellent job of describing each setting, drawing upon text from the authors’ works to show if and how their surroundings influenced their writing.

I love how Eby was able to tie her personal travel journey into her literary discoveries. She expertly planted me in a place by describing how it looked in the present, while also weaving in quotes from the author to create a rich history of the landmark. I enjoyed getting to travel to places near and far with Eby, in particular, Eudora Welty’s garden. I loved hearing Eby’s take on this local treasure. I learned more about the authors I’ve read and got to know the ones I’m not that familiar with. Eby’s research, as well as her own reading experiences, made me want to read more of not just the authors she mentioned, but also more southern writers in general.

I especially appreciated how Eby compared these landmarks. She discussed how one writer’s house may have been turned into a museum, while another was torn down. Some towns proudly use an author’s spot as a tourist attraction, while others are hesitant to acknowledge its existence. It was interesting to see how certain places have changed over the years and how the community has responded to them.

peacocksOne of my favorite chapters of Eby’s journey was the one about Flannery O’Connor’s peacocks. It was entertaining to read about her house in Georgia where she raised all sorts of birds and where her peacocks still roam today. Having background information about O’Connor and the other southerners mentioned gives me a better understanding of their writing and what inspired them.

Whether you’re new to Southern fiction or a long-term reader of those below the Mason-Dixon, Eby’s road trip will inspire a literary pilgrimage of your own.

roadtrip

Lemuria also has a very limited number of signed first editions of South Toward Home available here.

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Melodious McComb Mayhem: ‘Desperation Road’ by Michael Farris Smith

by Andrew Hedglin

I had been looking forward to reading Desperation Road by Michael Farris Smith ever since last July, when he appeared as the “opening act” at fellow Lee Boudreaux books writer John Gregory Brown’s reading for A Thousand Miles from Nowhere (an excellent read in its own right).

There was a party going on.

There was a party going on.

Smith read from the very beginning of Desperation Road that begins with a woman carrying a child, a trash bag full of their worldly possessions, and the full weight of her life decisions down a hot Interstate just across the Louisiana line. I thought of all the weird interactions I had and heard about living in Tallulah, Louisiana, for three years. Nevermind I was at the wrong part of the border (the woman turns out to be trekking to McComb), she just felt so real in my mind.

desperation roadThe story carries forth the story of the woman–Maben–and her daughter, Annalee, from the harshness of the sun to the darkness of the night. As a reader, you feel like you’ve experienced so much by the time the alternate protagonist, Russell Gaines, even enters the novel.

Russell, recently released from Parchman as a result of a vehicular manslaughter conviction, returns to his hometown to find so much the same, yet irrevocably lost to him. He begins to drift nihilistically. Russell doesn’t carry a heavy conscience, but he is stalked literally by the brothers of the boy he accidentally killed long ago. In the middle of his wayward skid, he finds himself suddenly entangled in Maben’s problem in a way he could have never anticipated.

There is a tension and stark beauty that pervades all pages of Smith’s novel. It delivers blunt, realistic dialogue and long, beautiful run-on sentences that never manage to trip over themselves. Smith is unquestionably a craftsman of the highest order. He managed to surprise me several times, only to have that surprise seem inevitable in retrospect.
This is the first ‘grit lit’ novel I’ve picked up and been enchanted by, so I don’t have any ready comparisons to Ron Rash or Tom Franklin for you, although they seem equally impressed by Smith to go by their blurbs on the cover of the book. I will say that this is sharp Southern fiction at its finest, and I encourage you not to miss it.

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Graphic Novel Guidance: ‘Huck,’ ‘Paper Girls,’ and ‘Sex Criminals’

Graphic novels. Lemuria has them. Don’t believe me? Come by the store and find out. Don’t know what to read? Here are some recommendations for a couple of really great graphic novels from that last few years.

Huck Book 1: All-American

HuckMark Millar, a Marvel Comics veteran, has since said that his inspiration when writing Huck was the film Man of Steel, which he felt portrayed a very depressing, serious version of the superhero-archetype. The eponymous character of Huck is his response; a simple small-town handyman with Superman-esque powers, an optimistic attitude, and a desire to help people. The result is a heartwarming adventure drawn by Eisner-nominated artist Rafael Albuquerque that is most certainly one of my absolute favorites of the last few years.

Paper Girls 1

Paper Girls 1For those of you who don’t know, the Will Eisner Comic Industry Awards, or “the Eisners”, are awards given every year for achievements in comic books. The 2016 Eisner for “Best New Series” went to Paper Girls by Brian K. Vaughan (also the writer ofSaga, another great series.) and it doesn’t take an expert to see why. Paper Girls is a fast-paced adventure story with the backdrop of ‘80s suburbia, and a plot filled with elements of science-fiction, mystery, and nostalgia that pairs well with the art of co-creator Cliff Chiang. The story calls to mind movies and TV like E.T. or the recent Stranger Things, but there’s a slight twist in there that gives the story a bit of depth and relevance to today. I highly recommend picking up Paper Girls 1 and giving it a read, it’s a lot of fun.

Sex Criminals Volume One: One Weird Trick

Sex CriminalsOkay, so this one is certainly a GRAPHIC novel; it is most definitely not for the modest reader, but if you can put aside your shame, you can enjoy what is one of the most inventive and clever stories I have ever seen in this form. Despite the negative fuss it caused in its original release (getting itself temporarily banned from Apple platforms, for one), this series also received high acclaim, winning itself an Eisner in 2014, with some lauding it as a work of comedic genius. I am one of those people. The premise of Sex Criminals is simple: two individuals discover that they have the ability to stop time, but they can only do so when they…become intimate…with themselves or each other. Hilarity ensues (sorry for the cliché, but it really does) when they decide to use these powers in a big way. The best comedy here isn’t the physical, but the subtle everyday things that writer Matt Fraction has his characters (drawn by the unflinching artistic hand of Chip Zdarsky) say and do on top of his absurd premise. It is gross, funny, brilliant, and I think that its first volume is worth reading.

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Three-Book Circus: Erica Recommends 3 Fantasy Picks

Okay guys, I’ve had some books on the brain lately, and if you don’t already know about them, then you should. They are The Night Circus by Erin Morgenstern, The Crown’s Game by Evelyn Skye, and Caraval by Stephanie Garber. If you’ve ever talked to me at Lemuria, then I have probably told you to read The Night Circusand if you took that advice, then you really need to know about The Crown’s Game and Caraval.

            “You think, as you walk away from Le Cirque des Rêves and into the creeping dawn, that you felt more awake within the confines of the circus.

You are no longer quite certain which side of the fence is the dream.”

― Erin MorgensternThe Night Circus

night circus

The Night Circus is hands down one of my favorite books I’ve ever read. With a story that travels between New York and England and everywhere in between, it twists and turns with a nonlinear time line that will keep the reader guessing about what is to come, and what is even real. There is a dark challenge that is being played out in the beautiful black and white tents of Le Cirque des Rêves, unbeknownst to the audience—and most of the cast. Celia and Marco are tangled in a game that neither of them quite knows the rules, let alone how to win. As they play this dangerous game of illustrious illusions, the web of those affected reaches further than they can possibly imagine and there will be consequences. Morgenstern spins a story of bowler hats, charmed umbrellas, boys reading in apple trees, and a garden made of ice. In this nocturnal world of black and white, you will find the most vivid and colorful characters and writing.

 

“For the winner of the game, there would be unimaginable power.

For the defeated, desolate oblivion.

The Crown’s Game was not one to lose.”

― Evelyn Skye, The Crown’s Game

crown's game

The Crown’s Game was pitched to me as being like The Night Circus, but initially I was skeptical. I had yet to find a book that I would have put in the same category as The Night Circus, but indeed this book is. Set in a fantastical Imperial Russia full of rich historic details (thanks to Skye’s degree in Slavic language and her love for Russian history), the book presents a dark and beautiful world. Russia is trapped between the Ottomans on one side and the Kazakhs on the other, so the tsar has only one option: to initiate the Crown’s Game, where the only two enchanters will duel for the position of Imperial Enchanter, protector and adviser to the tsar. This dangerous game traps Vika, Nikolai, and Pasha. As the story is spun, these characters must navigate tense political situations, love, loss, and betrayal with the knowledge that they will have to die if either of the others wins. Skye’s beautiful imagery and writing brings the magic right off the page. The Crown’s Game is full of sparkling magic with a healthy dose of dark Russian folklore. Read it now so that you will be ready for the sequel that comes out in May 2017.

 

“No one is truly honest,” Nigel answered. “Even if we don’t lie to others, we often lie to ourselves. And the word good means different things to different people.”

― Stephanie Garber, Caravel

caraval

Caraval, which comes out today (Tuesday, January 31) has been sitting on the advance reading copy shelf, just begging me to read it for months. So, last week as I was procrastinating reading other books, I started Caraval. I finished in less than twenty-four hours (this includes the 8 hours of work). I knew within the first 40 pages that I was going to love it. The Caraval is not only a once-a-year performance, but also a dream that Scarlett has been dreaming since her Grandmother told her and her sister, Tella, about it when they were children. Now seeing the Caraval is suddenly an option, and a dangerous one at that. Will seeing the Caraval be the escape they have been looking for from their abusive father, or will it just be giving themselves over to another dangerous and powerful man? With the help of a mysterious sailor that seems to have secret motives, Scarlett enters into the magical world of the Caraval. You can either watch or play, but remember that they will try to make you believe it is real, although it is just a game. Garber spins a story that drags you in with the first page and doesn’t let go through all the twist and turns, betrayals and alliances. You will not rest until you reach the very end. Keep your eyes out January 2017.

The Night Circus  by Erin Morgenstern was Lemuria’s September 2011 First Editions Club selection. A signed first edition of the book can be found here.

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Whodunit at a Hen Do: Ruth Ware’s ‘In a Dark, Dark Wood’

in a dark dark woodSo, I have never been much of a mystery reader, but right now I can’t get enough of them. I credit Ruth Ware for this trend in my reading as of late. A customer came in wanting Ware’s first book, the 2015 mystery In a Dark, Dark Wood, a few months ago and the first thing I saw was Reese Witherspoon’s review on the front: “Prepare to be scared…really scared!” Well, that’s about all I needed to become very, very interested in this. Not that I am the world’s biggest Reese fan, but purely because she said I was going to be scared. Excuse my language, but frankly I love to have the ever-loving s*** scared out of me. I don’t know why I am like this, or how I got this way, but I think I just enjoy the rush of adrenaline while still lying in bed.

The main character in this book is Leonora, a.k.a. Nora. Nora lives in London and is a crime writer. Nora lives a very solitary life, basically only leaving her apartment to take a lengthy run. One day, Nora gets an email from a person she does not know and the subject of the email is “CLARE’S HEN!” scared chickens(And for those of you that don’t know what a “hen” is, that is what British people call a bachelorette party. Technically it is a “Hen Do.”)
Nora immediately thinks she does not know anyone named Clare, but suddenly she remembers the only Clare she knows is someone she hasn’t seen in 10 years. Years ago, Nora left her life behind and didn’t keep in touch with anyone but her friend Nina. Nora sees that Nina is also included in the email, so both women make a deal to go if the other one does. Leading up to the Hen, Nora cannot figure out why she would be invited to Clare’s Hen when they haven’t spoken in so long. Sure, they had been best friends since childhood, up until Nora vanished. Nora immediately thinks something is up, but can’t quite put her finger on what that is. The Hen turns out to be happening in Clare’s very strange friend Flo’s aunt’s house. Flo seems to be almost obsessed with all things Clare. Nina and Nora immediately decide she is crazy. Perhaps they are right?

I absolutely loved this book from start to finish. It had me on the edge of my seat the whole time, and while it didn’t scare me to death, it definitely gave me a thrill. Ruth Ware’s newest book The Woman in Cabin 10 has been a huge success and I will write about that one very soon!

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Matthew Guinn reviews ‘Signals’ by Tim Gautreaux

By Matthew Guinn. Special to the Clarion-Ledger.

signalsTim Gautreaux’s career has been long and prolific, spanning three novels and two collections of short stories that have established him as one of the South’s finest writers. In his latest, Signals: New and Selected Stories, he marshals 21 new and selected stories into a sprawling collection that proves him to be a master of the form.

Signals is an apt title: In it, Gautreaux ranges far beyond his home turf of Louisiana’s bayous and backwoods and across the American landscape. The people of his fiction, however, remain familiar—the type of folk that one tends to see but not hear, from lonely spinsters to exterminators to house framers. Yet their sagas of wistfulness and small-time heartbreak bristle with the veracity of real life. Even when their stories are mean and brutal (“Sorry Blood” and “Gone to Water”), Gautreaux’s characters are fully fleshed enough to allow us to understand them even as we dislike them, recalling novelist Harry Crews’s maxim that “nobody is a villain in his own heart.” More often, however, the people of Signals are workaday folk trying to do their best in a world where the dogs usually bite, the beer is seldom cold enough, and the picnics tend to get rained out.

Witness the reluctant Samaritan narrator of “Deputy Sid’s Gift.” At confession for the first time in years to unburden himself of his treatment of a homeless man, he tells us that “everybody’s got something they got to talk about sometime in their life.”

And talk he does, spinning a tale of strained charity in which the spirit of compassion alternately flickers and dies. He recalls watching the homeless man “staring up into the black cloud bank, waiting for lightning. That’s how people like him live, I guess, waiting to get knocked down and wondering why it happens to them.” The passage rings out like the thematic center of Signals—stories of people watching and waiting, getting knocked down and wondering.

In “Idols”—arguably the book’s standout story—Gautreaux literally and figuratively dismantles the neoconfederate myth of vanquished glory and nobility. In it, Julian, the washed-up descendant of a Mississippi cotton baron, inherits the family’s dilapidated antebellum mansion. Returning to refurbish a legacy that never was truly his, Julian employs an African-American carpenter named Obadiah, pays him near-starvation wages, and reestablishes the old exploitative order.

By the story’s end, however, Julian’s dreams are indeed gone with the wind, but not in any way the reader will foresee. He is taught a searing lesson by a “long-suffering and moralizing carpenter” who resembles another carpenter of old. “Idols” is a finely wrought parable that deserves a place alongside the short fiction of William Faulkner and Flannery O’Connor.

Tim Gautreaux

Tim Gautreaux

Yet for all the tragedy and misfortune in the stories, there is a vein of rich humor running throughout Signals. Perhaps no other contemporary writer save Chris Offutt bears the mantle of Mark Twain as deftly. The wry, dry, ironic tone that Twain introduced to American letters is alive in Gautreaux’s fiction. His characters muddle their way through life with an air of good-natured befuddlement, from “The Bug Man” who maintains that “(h)e was a religious man, so everything had a purpose, even though he had no idea what” to the city waterworks supervisor who has “a great desire to be famous, if only in a small way” (“Radio Magic”).

Often the violence in the stories carries a bawdy frontier justice reminiscent of Old Southwestern humor, such as when the bug man hoses down an entire abusive family with bug spray or when an old man hits a young lout from behind with “a roundhouse, open-palm swat on the ear that knocked him out of the chair and sent the beer bottle pinwheeling suds across the floor.”

Yet the strongest impression that Gautreaux’s latest leaves on the reader is a love of language, a reverence for good prose, for the craft of the word. At the conclusion of one fine story Gautreaux writes: “He closed his eyes and called on the old farm in his head to stay where it was, remembered its cypress house, its flat and misty lake of sugarcane keeping the impressions of a morning wind.” Few contemporary writers can match such prose, and it runs through Signals like filigree, reminding us that into mundane lives, big drama—and beauty—can often intrude.

Novelist Matthew Guinn is the author of The Resurrectionist and The Scribe. He teaches creative writing at Belhaven University.

Tim Gautreaux will serve as a panelist on the “Historical Fiction” discussion at the Mississippi Book Festival on Saturday, August 19 at 10:45 a.m. at the State Capitol in Room 201H, and also on the “National Literary Panel” at 2:45 p.m. in the Galloway Sanctuary

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Looking for Love: ‘Always Happy Hour’ by Mary Miller

always happy hourWith Always Happy Hour, Mary Miller has written a collection of short stories that pulled me in immediately. Each story had me wanting more and some were hard to shake. She really nails it with these stories, so much so that I found myself highlighting sentences over and over again.

Her stories are about women; women who could be me, you, or the girl that lives next to you in your apartment complex. They are all from different walks of life: some are teachers, some are in college, divorced, etc.–all wanting to find love. Some think they’ve found it, but can’t decide if they want to keep it. Some only want to give it. Others don’t think they’ll ever find it, because they’ve been hurt or because they’ve made poor decisions. In one of the stories Miller writes, “She thinks about the things that have hurt her and she thinks about beauty and how little of it she sees in even beautiful things. She wonders if people who’ve been hurt more see more beauty. She wonders how a few strung-together words can seem so meaningful when she doesn’t believe them at all.” Miller has a way with words, she writes these women’s thoughts out right and honest–it’s refreshing.

Miller’s stories are sometimes heavy, gritty, and disturbing. One that was particularly difficult to read was “Big Bad Love” about a young woman working at a shelter for abused children. This women is taking care of children that have seen things, felt things, and know things far beyond what they should. She’s close to one child in particular and states at the end that she just hopes the child will remember that someone, at sometime in her life, loved her.

One of my other favorites is called “At One Time This Was The Longest Covered Walkway In The World.” It’s about a young woman in a relationship with a divorced father of a four-year old boy. There are points in the story where she seems to adore the child, and then there are times where she wishes he wasn’t in the middle of her relationship with this man. While looking at the young boy’s brown eyes, she thinks to herself, “My boyfriend’s eyes are blue. I want to ask my boyfriend what color his ex-wife’s eyes are because if they’re blue, then the boy isn’t his and we could be spending our nights alone.” She seems selfish, but I think she’s just trying to figure out how to love someone who already has to share his love, and who has already created a family without her.

Miller’s stories are deep, funny, bitter, ugly, beautiful.

Tom Franklin had this to say about Always Happy Hour: “I adore Mary Miller’s stories, and you will too. Read this book and then read her others. Like, now.”

I agree. I’m off to read more of Mary Miller’s work.

Mary Miller will serve as a panelist on the “Stories from the South” discussion at the Mississippi Book Festival on Saturday, August 19 at 10:45 a.m. at the State Capitol in Room 201A.

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The Night the Lights Went Out: ‘You Will Not Have My Hate’ by Antoine Leiris

by Julia Blakeney

You Will Not Have My Hate

L’amour plus fort que la haine.

Love is stronger than hate.

This is the central theme of Antoine Leiris’s memoir, You Will Not Have My Hate.

On November 13, 2015, a Friday night in Paris, Leiris’s wife, Hélène, was killed by members of an ISIL terror cell. She was enjoying the night at a rock concert at the Bataclan, a beautiful red-and-yellow painted theater in the 11th arrondissement, the heart of Paris, when gunfire erupted across the city. A heartbreaking and terrifying event in and of itself, it is even more heartbreaking to know that people were there on a fun night out after a long week at work; there to listen to music, not expecting anything bad to happen. Not a single person, Parisian or visitor, who decided to attend the concert, or the football match, or any of the restaurants throughout Paris that were attacked, expected to be killed or wounded that night. That is not how life works.

Hélène and Antoine certainly didn’t expect to never see each other again.

Leiris’s book was born from an open letter to the terrorists who besieged the city on that fateful night. He posted the letter to Facebook three days after her death (authentic translation here), where it almost instantly became viral. After inserting his original open letter in the book, he tells the reader he began writing the book the next day. The book chronicles the night his wife died, and the three days following, how he struggles with finding the right words to tell their seventeen-month-old son that his mother has died, how he has to be present for the next few days, taking care of their son as well as making funeral arrangements, when he really wants to crawl into a hole and mourn “the love of his life.” He ends the memoir by saying he and his son will overcome, that they have each other to love and will miss Hélène, but will be okay in time.

Beautifully written in French by Leiris and translated into English by Sam Taylor, the book, although leaving me in tears each time I went to read another chapter, is an incredibly moving account of the night the lights went out in Paris. He writes so openly and unashamedly about his pain and grief that by the end, I felt like I knew him; had met him and his little boy and spoken personally with him about that night and the following days. His book drives home the sentiment echoed by millions each time another city is attacked: love will always conquer hate. Through this book, this message is universal and eternal in a world filled with so much hatred.

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A Con’s Cold World: Lydia Peelle’s ‘The Midnight Cool’

I am currently reading The Midnight Cool by Lydia Peelle, meaning there’s no chance I can spoil the ending for you in this blog. Regardless, I can already say that I would fully recommend this book. Set at the brink of World War I, the story follows two drifters, Billy and Charles, who arrive in a small Tennessee town to buy and sell horses. Billy is a middle aged Irishman that has immigrated to the United States at a young age to build a better life for himself, while Charles is a young, idealistic dreamer who envisions himself one day becoming a rich man. Together they wander from town to town, not yet living the life they truly want to live.

The Midnight Cool is a slow build that always feels like there’s a seam that’s just about to burst. Each character has got their secrets, which has me trying to guess all the possible outcomes that could come from each of them. Charles unwittingly buys a murderous horse named The Midnight Cool from the richest man in Richfield, Tennessee. This horse, as both we and Charles find out, is a force to be reckoned with.

horsey

Usually, I don’t like the use of flashbacks as a literary device. However, they work here really well. I’m enjoying seeing Billy as a young man and seeing how he’s made himself into the expert con man that he becomes.

Peelle has a wonderful way of writing that feels like this entire story is a distant memory, one that’s been retrieved to tell to a willing listener. And don’t let the lack of quotation marks throw you off: it was disconcerting when I started reading, but it was easy to acclimate to once I got pulled into the world of the story. Now, I feel that the device is part of what’s helping me to become fully immersed in this story. Rather than being an omniscient third party, I am part of Billy and Charles’ racket of horse trading. I am helping them try to break The Midnight Cool. I feel everything they feel, from hope to disappointment and all that’s in-between.
I’m going to be honest and say that this is a book I would not have normally picked up, but I’m so glad I did. The pacing of this book allows me to slow down and actually chew on what I’m reading. It keeps me thinking long after I’ve set it down. What more could you ask for from a book?

Lydia Peelle will be at Lemuria on Wednesday, January 18,  at 5:00 p.m. to sign and read from her new book, The Midnight Cool. You can reserve your signed or personalized copy here. In addition, Ketch Secor of the Old Crow Medicine Show will be giving an acoustic performance in conjunction with the reading.

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Star-Spangled Eyes: John Fogerty’s ‘Fortunate Son’

by Andrew Hedglin

Signed books written by celebrities are funny things. Most of the time, when we get signed books here at Lemuria, either through author visits or having them shipped by the publisher, the autograph is a bonus. An add-on. A superfluous treat. It’s an inducement to buy the book from us, as opposed to elsewhere, rather than not at all. When it’s a celebrity, rather than a capital-A ‘Author,’ it’s almost like you’re just buying the signature, and…hey, look, there’s a book attached! (Looking at you, specifically, Ethan Hawke).

fortunate sonI was excited when signed copies of John Fogerty’s biography Fortunate Son came in fifteen months ago, but my book-buying was a little out-of-control at the time, so I passed. When I saw that we were thinking about sending the last few back to the publisher, I finally pounced. I’m so glad that I did. (We do have a couple of copies left, however. See the end of the post for details.)

John Fogerty, if you’re not aware, was the driving creative force behind the legendary 60s rock’n’roll band Creedence Clearwater Revival—its singer, lead guitarist, and songwriter. I’ve been listening to Creedence songs since before I knew who they were, in the backseat of my mom’s Camaro with the radio tuned to Oldies 94. I later filched a copy of Fogerty’s 1998 live album Premonitionwhen I was in high school. Downloaded a copy of CCR’s greatest hits in college. So I enjoy Fogerty’s music, as well as any piece of classic rock’n’roll lore about bands that I love, but I haven’t thought about either in any concentrated way in a long time.

Fogerty has a very conversational writing style that’s easy to get into. It’s not difficult to imagine the book in the voice from the stage banter on the live album—simple, folksy, often self-effacing. You can tell Fogerty is very fan-oriented: he knows mostly what the reader wants to hear about, although there’s also a lot more he wants to get off his chest. He talks frankly about his time in one of history’s most famous rock bands, and tries to explain the process behind writing some of his most famous songs, especially the classic slice of Americana that is “Proud Mary.”

Rollin'...rollin'....rollin' on a river

Rollin’…rollin’….rollin’ on a river

He sure isn’t ambiguous about what he feels. Sometimes it justifies his actions, and sometimes it makes him look like a jerk, even to those who might deserve it. I have compiled a short list of things he mentions frequently, starting with sheer loathing and ending with extreme adoration:

  1. Saul Zaentz, longtime owner of Fantasy records
  2. the creative integrity of his bandmates
  3. Richard Nixon
  4. The Grateful Dead
  5. Bruce Springsteen
  6. the spirit of rock’n’roll
  7. his second wife, Julie

If you find yourself looking out your back door with nothing to do but watch a bad moon rising up around the bend, run through the jungle to your local independent bookstore and pick up a copy of Fortunate Son. I know I feel fortunate that I did.

Even though the file above is for the unsigned paperback, we do still have a few copies of the signed hardback editions as of the time of this post. To inquire about purchasing one, please call the store at 800-366-7619.

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