Category: Poetry (Page 4 of 11)

National Poetry Month: Collecting Inaugural Poems

on the pulse of morning maya angelou“On the Pulse of Morning” by Maya Angelou. New York, NY: Random House, 1993.

National Poetry Month was established in April 1996 to highlight the achievements of American poets, support teachers, encourage the reading and writing of poems, and increase the attention given to poetry in the media. We’ve been digging through our poetry section at Lemuria, thinking and talking about our favorite poets, and I remembered that we have a collectible edition of the late Maya Angelou’s inaugural poem “On the Pulse of Morning.”

Even though the United States has had 57 presidential inaugurations, we have had only five inaugural poems. John F. Kennedy was the first to have a famous poet read at the ceremony in 1961. Robert Frost was to read a poem called “Dedication” which he had written for the occasion with references to Kennedy’s slim victory over Nixon. When Frost looked down to read, the glare was so strong from the heavy blanket of snow that he could not see the words–even though someone tried to shield the paper with his hat. The 86-year-old Frost simply recited a poem from memory called “The Gift Outright.”

robert frost inauguration
It was not until 1993 that a poem was read again. Maya Angelou read “On the Pulse of Morning” at Bill Clinton’s inauguration. In a 1993 interview with the New York Times, she said that she wanted to communicate “that as human beings we are more alike that we are unalike.” As she prepared to deliver her poem, she admitted that it was an overwhelming honor. Perhaps, Angelou knew of Frost’s trouble at Kennedy’s ceremony. She asked every one to pray for her:

“I ask everybody to pray for me all the time. Pray. Pray. Pray. Just send me some good energies. Last night I said to this group of hundreds of people, I said: ‘Pray for me please, for the inaugural poem. Not in general. Pray for me by name.’ Say: ‘Lord! Help Maya Angelou’ Don’t just say ‘Lord help six-foot-tall black ladies or poets or anything like that. Lord. Help Maya Angelou. Please!’”

So far we’ve had three more inaugural poets: Miller Williams read “Of History and Hope” at the 1997 inaugural of Bill Clinton; Elizabeth Alexander read “Praise Song for the Day” at the 2009 inaugural of Barack Obama; and Richard Blanco read “One Today” at the 2013 inaugural of Barack Obama.

Since Robert Frost’s inaugural poem, most of the poems are published in a special inaugural edition. Random House issued Maya Angelou’s “On the Pulse of Morning” in a signed limited edition of 500 numbered copies. It was also published in a pamphlet format in dark maroon wrappers. Collecting these inaugural poets is a unique way to collect poetry and a piece of American history. It is also curious to see which presidents will carry on this tradition.

This is video footage of Maya Angelou reciting her poem “On the Pulse of Morning” at the 1993 Presidential Inaugural. This footage is official public record produced by the White House Television (WHTV) crew, provided by the Clinton Presidential Library.

Collecting Inaugural Poems

on the pulse of morning maya angelou“On the Pulse of Morning” by Maya Angelou. New York, NY: Random House, 1993.

National Poetry Month was established in April 1996 to highlight the achievements of American poets, support teachers, encourage the reading and writing of poems, and increase the attention given to poetry in the media. We’ve been digging through our poetry section at Lemuria, thinking and talking about our favorite poets, and I remembered that we have a collectible edition of the late Maya Angelou’s inaugural poem “On the Pulse of Morning.”

Even though the United States has had 57 presidential inaugurations, we have had only five inaugural poems. John F. Kennedy was the first to have a famous poet read at the ceremony in 1961. Robert Frost was to read a poem called “Dedication” which he had written for the occasion with references to Kennedy’s slim victory over Nixon. When Frost looked down to read, the glare was so strong from the heavy blanket of snow that he could not see the words–even though someone tried to shield the paper with his hat. The 86-year-old Frost simply recited a poem from memory called “The Gift Outright.”

robert frost inauguration
It was not until 1993 that a poem was read again. Maya Angelou read “On the Pulse of Morning” at Bill Clinton’s inauguration. In a 1993 interview with the New York Times, she said that she wanted to communicate “that as human beings we are more alike that we are unalike.” As she prepared to deliver her poem, she admitted that it was an overwhelming honor. Perhaps, Angelou knew of Frost’s trouble at Kennedy’s ceremony. She asked every one to pray for her:

“I ask everybody to pray for me all the time. Pray. Pray. Pray. Just send me some good energies. Last night I said to this group of hundreds of people, I said: ‘Pray for me please, for the inaugural poem. Not in general. Pray for me by name.’ Say: ‘Lord! Help Maya Angelou’ Don’t just say ‘Lord help six-foot-tall black ladies or poets or anything like that. Lord. Help Maya Angelou. Please!’”

So far we’ve had three more inaugural poets: Miller Williams read “Of History and Hope” at the 1997 inaugural of Bill Clinton; Elizabeth Alexander read “Praise Song for the Day” at the 2009 inaugural of Barack Obama; and Richard Blanco read “One Today” at the 2013 inaugural of Barack Obama.

on the pulse of morningSince Robert Frost’s inaugural poem, most of the poems are published in a special inaugural edition. Random House issued Maya Angelou’s “On the Pulse of Morning” in a signed limited edition of 500 numbered copies. It was also published in a pamphlet format in dark maroon wrappers. Collecting these inaugural poets is a unique way to collect poetry and a piece of American history. It is also curious to see which presidents will carry on this tradition.

See all of Lemuria’s first editions by Maya Angelou here

This is video footage of Maya Angelou reciting her poem “On the Pulse of Morning” at the 1993 Presidential Inaugural. This footage is official public record produced by the White House Television (WHTV) crew, provided by the Clinton Presidential Library.

 

National Poetry Month: Trethewey in the Middle

This poem by Mississippi native Natasha Trethewey reminds me that my story isn’t the only story in the world.  Trethewey, growing up the daughter of a black mother and white father was sometimes able to “pass” as white.  Yet, she often found herself occupying a strange third world—neither black nor white— and this only added to the awkwardness of growing up.  “White Lies” uses language cleverly (the pun of the title, the nod toward Ivory Soap’s “99.4% Pure” slogan, and the ambiguity at the end) to create something that hangs with me long after I’ve read it.

 

White Lies

The lies I could tell,

when I was growing up

light-bright, near-white,

high-yellow, red-boned

in a black place,

were just white lies.

 

I could easily tell the white folks

that we lived uptown,

not in that shanty-fied shotgun section

along the tracks.  I could act

like my homemade dresses

came straight out the window

of Maison Blanche.  I could even

keep quiet, quiet as kept,

like the time a white girl said

(squeezing my hand), Now

we have three of us in this class.

 

But I paid for it ever time

Mama found out.

She laid her hands on me,

then washed out my mouth

with Ivory soap.  This

is to purify, she said,

to cleanse your lying tongue.

Believing her, I swallowed suds

thinking they’d work

from the inside out.

 

[from Domestic Work]

200567

 

Written by Jamie 

Bee Donley: poet and friend

I wrote the following review for the Clarion-Ledger. It is to appear in Sunday’s paper. We are ecstatic to host Bee Donley for her sophomore book of poetry and we hope you all come out this Saturday, March 8th, at 2 p.m.!

bee

In time for her 90th birthday, Bee Donley’s second poetry collection, Mostly Mississippi, interweaves memoir and narrative in verse. Ms. Donley, a retired Jackson English teacher, writes with a rare, Southern grace. She is polite yet unflinchingly truthful; in short, she writes the way she lives.

Divided into two sections, Mostly Mississippi covers the broad sweep of her life, both the past and the present. In some instances, they exist simultaneously in a Mississippi “whose ghosts are watching.” Ms. Donley allows us a glimpse into the past. She mourns the changes. “The present is heartbreaking to me . . . Progress cannot obliterate the natural order or the memory of another time.”

If at first the poems seem romanticized ruminations on the past, Ms. Donley’s heartbreaking and unsentimental portrayals of aging give a sharp veracity to the collection. She writes, “Now as I walk the nursing home corridor with my walker/I must remember to lift high my legs . . . I round the judging ring and head for review.”

Jeff Allred, a former student, remembers, “Bee taught me plenty, too, but thinking back, I find myself focused on qualities not quantities. She teaches things you won’t pick up elsewhere: how to mount enough tension to swing a partner without horsing her, to rock heels in your AARP days, to ferry a conversation across while not burning popovers, to figure out how seriously to take Faulkner’s residues of romanticism. To say she’s ‘last of a breed’ (or whatever nostalgic phrase) would be true, but it would miss the way a teacher like Bee leaves a little durable something with every student and loved one as a seed for later, unpredictable growth.” Ms. Donley accomplishes on the page what she also did in the classroom. She teaches us unexpected lessons.

Bee Donley will be at Lemuria Saturday, March 8th, at 2 p.m for a signing and reading.

Jackson poet Richard Boada reads at Lemuria

If you like
— Latin American Communists
— plants with big, leafy palms
— volcanoes
— wide and unruly rivers
— natural disasters
— cypress swamps
— things in jars on shelves

then you should read Richard Boada’s The Error of Nostalgia.

The Error of NostalgiaI first met Richard Boada at a Millsaps Arts and Lecture event. I use the word “met” lightly — he was standing in front of me in line. I didn’t know who he was at the time, but through careful observation (i.e. eavesdropping), I learned that he was a poet. And not only was he a poet, but he was finishing up his first book.

The first night I took Boada’s The Error of Nostalgia home, I read it in one sitting. And then reread it. The collection is other-worldy in its globe-spanning scope. The poems have a bit of magic in them (think Gabriel Garcia Marquez in verse). They are as vibrant as insects pinned to the page: iridescent images shift with each reading like rare beetles, intricate narratives pattern like butterfly wings, lines caterpillar twist.

LOUISIANA FUGUE

The barber has been bankrupt
since the flood. The town’s bald,

men and women, no longer visit
since the lakes rose and stunned.

Combs prostrate in disinfecting jars,
once mitochondrial in his hands.

Dozens of tonics on shelves
multiply in lipid mirrors,

refracting electric lights.
The jilted shaving brush and razors

foul rust. The barber can only trim
his bougainvillea’s viscous petals.

There has never been winter,
and now red January sludge

anoints, lathers and steams.
Lathers and steams.

Richard Boada will be at Lemuria Wednesday, February 26th, signing at 5, reading at 5:30.

Book love for Valentine’s Day

Valentine’s Day is only a few days away! For us, Valentine’s Day art loversis all about sharing books with the one we love. This Thursday from 5-8 at the Art Lovers’ Soiree, Maggie will have a fantastic selection of books perfect for your special someone. Here are a couple of the books she has chosen.love poems

 

 

Love Poems by Pablo Neruda has been published as a gorgeous paperback that can easily fit in one hand. This collection of poetry is absolutely beautiful. With each poem, this collection gives you the translated version on the right and the original Spanish on the left. And these poems definitely sound more romantic when read in Spanish. One of my favorites in this collection is ‘Your Feet.’ It ends with this fantastic sentence: “But I love your feet/only because they walked/upon the earth and upon/the wind and upon the waters,/until they found me.”

William Shakespeare is another poet of love. shakespearePenguin Classics has published a beautiful edition of The Sonnets and A Lover’s Complaint by William Shakespeare, befitting of the poetry within. We LOVE the Penguin Classics and any of them would be a great Valentine’s Day gift, but this is our all-time favorite for this occasion. Who wouldn’t swoon over this cover?

And over in Oz, I have pulled together some of our favorite books for your little loves.

What girl doesn’t love vintage illustrations? Vintage Valentines are adorable and a perfect gift/craft way to spend time with your little ones around this holiday. Pete the Cat is a store favorite and he has a new Valentine’s Day story that also includes 12 Valentine’s Day Cards and stickers. Pete the Cat: Valentine’s Day is Cool is just as cute as the other Pete stories. We will be reading this story at Story Time this Saturday at 11:00!

vvalentinespetevdaycress

And finally, for the teenager in your life (or the twenty/thirty/forty-something), Cress by Marissa Meyer is the third book in the Lunar Chronicles. Hannah, Elizabeth, and I all agree it is the BEST book in the series — and a perfect Valentine’s Day book. Hannah talked about Cinder here and I talked about Scarlet here, so if you haven’t read this series, we HIGHLY recommend it!

Birds of a Feather

The last couple weeks, I have been flying through books…literally. When it came time to write this blog, I thought I would share with you my latest flights of fancy:

archangel

Andrea Barrett’s newest novel, Archangel, is constructed of short stories spanning the late 19th and early 20th century, each a diorama of the scientific atmosphere.

Henrietta Akins, a small-town school teacher, enrolled in a natural-science course off the coast of Massachusetts, collects barnacles and sea anemones and is introduced to Darwin’s new theory of evolution. Constantine Boyd, visits his eccentric uncle for the summer–a scientist knee deep in evolutionary experiments. Blind catfish propagate the pond, cross-pollinated and grafted plants march through the orchard, and from the neighbor’s farm, an airplane buzzes and tries to catch flight. As the stories progress, science and invention rupture the known reality–what is known, and what could be known are only one discovery away.

 

feathers

Thor Hanson’s Feathers: The Evolution of a Natural Miracle couldn’t be more perfect to pair with Archangel. Hanson describes everything you could ever want to know about feathers: from the first fossilized record (it’s pretty rare for delicate feathers to survive the heat and pressure of fossilization) to how exactly they keepan animal in the air.

west with the night

I have a customer to thank for introducing me to Beryl Markham’s wild life in West with the Night. It is the stuff of a good story–raised in Kenya by her father in the early 20th century, she hunted wild boar with a spear (as a child, I might add), trained racing horses, flew elephant hunting reconnaissance as an African bush pilot, and was the first woman to fly solo across the Atlantic East to West. West with the Night was so good, I don’t even care if she made it all up.

The memoir is not a tell-all (none of her affairs or marriages or even her son make an appearance) rather Markham carefully pieced together a finely wrought coming-of-age story of a girl in the last days of a wild Eastern Africa.

bees

The newest collection of British poet laureate, Carol Ann Duffy’s poetry isn’t so much about bees, but about our own bee-ish nature. It is fair to say that there is a poem in here for everyone–a sonnet on an English examination in Shakespeare, a handful of haiku, and even bee Christmas carol. Carol Ann is beyond a doubt one of the wittiest poets–her lines always seem to have  a bit of a sting.

Here are my bees,
brazen, burs on paper,
bessotted; buzzwords, dancing
their flawless, airy maps.

Been deep, my poet bees,
in the parts of flowers,
in daffodil, thistle, rose, even
the golden lotus; so glide,
gilded, glad, golden, thus–

wise–and know of us:
how your scent pervades
my shadowed, busy heart,
and honey is art.

Lineage by Margaret Walker

margaret walker signing

“Lineage”

My grandmothers were strong.

They followed plows and bent to toil.

They moved through fields sowing seed.

They touched earth and grain grew.

They were full of sturdiness and singing.

My grandmothers were strong.

 

My grandmothers were full of memories

Smelling of soap and onions and wet clay

With veins rolling roughly over quick hands

They have many clean words to say.

My grandmothers were strong.

Why am I not as they?

Margaret Walker provided an authentic voice for African-Americans through her poetry, essays, and her novel, Jubilee. However, as Walker asserted, readers of all races can be impacted by her stories of resilience.

Today Margaret Walker would have celebrated her 98th birthday.

The Jubilee begins today at 11:30 at Ayer Hall at JSU.

Photo Source: The Margaret Walker Center, Archive and Museum of the African-American Experience at Jackson State University

Margaret Walker Jubilee

margaret walkerIn the 1942 Foreword to This Is My Century: New and Collected Poems by Margaret Walker, Stephen Vincent Benét wrote how difficult it was to select any one poem to highlight Walker’s work. I couldn’t agree more but I wanted to share some of her poems on our blog since it is Ms. Walker’s birthday on Friday. She would have been 98.

**********

These verses are from Walker’s poem “For My People”.

For my playmates in the clay and dust and sand of Alabama

backyards playing baptizing and preaching and doctor and jail

and soldier and school and mama and cooking and playhouse

and concert and store and hair and Miss Choomby and

company;

For the cramped bewildered years we went to school to learn to

know the reasons why and the answers to and the people who

and the places where and the days when, in memory of the

bitter hours when we discovered we were black and poor and

small and different and nobody cared and nobody wondered

and nobody understood;

.     .     .

For my people thronging 47th Street in Chicago and Lenox

Avenue in New York and Rampart Street in New Orleans,

lost disinherited dispossessed and happy people filling the

cabarets and taverns and other people’s pockets needing bread

and shoes and milk and land and money and something–

something all our own.

.     .     .

this is my century“For My People” can be found in its entirety in This Is My Century.

margaret walker jubileeOn Friday at 11:30 am there is a celebration of Ms. Walker’s birthday with music and free food. Everyone is invited. Follow the Margaret Walker Alexander National Research Center on Facebook. More info is also available on the center’s website.

 

On Reading The Prophet by Kahlil Gibran

(by Meg Boyles)

Over the past year, I’ve had an obsession with Rumi, the thirteenth-century Persian poet. I’ve watched countless documentaries on him, read all of his poetry (thanks to my handy-dandy The Essential Rumi), and even wrote my college essay on him. His simple yet profound words left me inspired and at peace. Lately, however, without any new Rumi material to pour over, I’ve needed something new to dedicate my energy to.
As I read Kahlil Gibran’s first poem in The Prophet, I felt the same spark immediately ignite. Gibran’s narrator, Almustafa dispenses ageless wisdom in prose poetry on love, marriage, work, sorrow, death, prayer, etc. What struck me most was the power each word held. On love, Gibran writes:

“But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.”

On freedom, Gibran writes:

“You shall be free indeed when your days are not without a care nor your nights with a want and a grief,

But rather when these things girdle your life and yet you rise about them naked and unbound.”

Gibran describes all beings as interconnected, and life as achingly ephemeral. Reading this book has proved to be a kind of meditation and inspiration for thousands, including The Beatles, Indira Gandhi, and John F. Kennedy. As a whole, Gibran’s poetry is beautiful and heartfelt and very, very important. There is a certain kind of music that plays when the truth is written. When you read The Prophet, you’ll hear its tune loud and clear.

Twelve of Gibran’s own sketches are printed throughout The Prophet and lend a romantic quality to his already mystical words.

Twelve of Gibran’s own sketches are printed throughout The Prophet, lending a romantic quality to his mystical words.

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