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Celebrate Poetry Month with Silverstein

Shel Silverstein Where the Sidewalk EndsIt has been said that in the 1990s, Shel Silverstein wandered in and out of bookstores in Brooklyn, looking so disheveled that customers mistook him for a hobo. Whether this tale is true, it makes for a good story. One of the greatest contemporary figures of children’s literature, Silverstein had a colorful career, first starting out as a cartoonist for Stars & Stripes, the official U.S. Army newspaper, while he was stationed in Japan from 1953-1955 during the Korean War.

In a 1968 interview with that same magazine, he says: “I’ve been drawing all my life and I’ve been writing all my life but not as much I’ve been drawing, because the writing doesn’t seem to wear as thin. I seem to favor now the short things. The things that I can do very quickly in a couple of minutes or an hour. That’s why I like writing children’s books and writing poetry. I can write a poem in 10 minutes. I like writing songs, I can write songs in five or 10 minutes. My concentration seems very short.”

Indeed, Silverstein’s work is characterized by short poems, but he was a prolific writer and a perfectionist. Meeting book editor Ursula Nordstrom in 1963 changed the course of his career. She encouraged him to write for children — a chance he jumped at, and he wrote “Uncle Shelby’s Story of Lafcadio: The Lion Who Shot Back,” which was published that same year, shortly followed by “A Giraffe and Half” and “The Giving Tree.” Today, “The Giving Tree” is still one of the most beloved children’s books of all time.

April is National Poetry Month, so celebrate by reading a poem to your child. Silverstein’s poems are often wacky, sometimes nonsensical, but always, always do they speak directly to the child inside everyone. Here is a poem called “Listen to the Mustn’ts,” from “Where the Sidewalk Ends,” published in 1974 by HarperCollins.

Listen to the Mustn’ts, child,

Listen to the DON’TS

Listen to the SHOULDN’TS

The IMPOSSIBLES, the WON’TS

Listen to the NEVER HAVES

Then listen close to me—

Anything can happen, child,

ANYTHING can be.

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Guest Post: This chapel of books

 

Written by Peggy Hayes Van Devender

While Lemuria does not have the creaking floors, old wood shelving, and stern overseer as my first tabernacle (the original Meridian Public Library) I still pause before entering, less with reverence than anticipation. My first pilgrimage was many years ago to the two-story back side pocket of Highland Village. I do not remember how I learned of this chapel, for I lived a world away in Philadelphia, a temporarily retired schoolteacher, a wife, and a young mother. I assume it was the newspaper. However, I soon found the trips to the pediadontist and zoo detoured to this rarified air.
Even though I have appreciated the progress of the newsletter and fb page, I am drawn to the constant–books and those who read. I do still worship at the feet of the man wrote Spotted Horses, the woman who wrote ” A Worn Path,” and the Dane’s prophet; however, I enjoy the added flavor of mystery and history, my current leanings. I have appreciated Lemuria’s deacons helping me past Barr and Isaacson to Atkins and Berry.
Because of “miles to go,” I have rarely made a book signing event but I love knowing of those gifts. This supplicant did make it to one with Willie Morris, a true blessing. Furthermore, as someone who prefers local to chain , I appreciate the crusade of the independent in the congregation of City Lights, Page and Palette, and Square Books.
Alas, as I sit in my swing this glorious day, I can only lament that I just finished The Man Who Would Not Be Washington, for I do not have another at hand. I fear I underestimated my consumption until the next visit to hallowed halls. What about a branch in a small town? I do not know Mosaic law well, but I know the DDS.

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Independent Bookstore Day = It’s party time.

Last year, the state of California gathered its reading heads together and decided that there needed to be a day, one day more special than all of the rest, to celebrate its independent bookstores. The turnout was phenomenal. All over the state, people jumped into action to support their local stores and to shout from the rooftops why shopping indie mattered.

Here I was, tucked away in the tiniest corner of the country thinking to myself, “Huh. That’s not a bad idea. I’m a little . . . . . jealous.” Thankfully, I’m not the only one who was inspired by California’s bright idea, and when it was announced that Independent Bookstore Day deserved to go national, we were, like, so totally in.

freakout

So what does this mean for YOU? Well it means that first of all, you should come to Lemuria on Saturday, May 2, and just exist. Visit your favorite section, pick out the prettiest book, plop down on the floor, and read it. It also means that we will be giving out free tote bags to the first 50 customers (our hours are 8:00-7:00), and serving $1 beer all day. And also, here’s an insider’s tip for Mother’s Day: you can get 10% off any copy of Jackson: Photographs by Ken Murphy.

Katie Hathcock with Music for Aardvarks will host a special story time at 11:00, and Paul from Beanfruit Coffee will be here brewing delicious drinks for those who don’t want beer. Want some fresh recommendations? There will be special guest booksellers working throughout the day! Want to get 10% off any purchase here? Tag @lemuriabooks and use the hashtag #IndependentBookstoreDay. Then show us your post when you’re at the register and voila! 10% off! Finally, 5% of all sales throughout the day will go to future Mississippi Book Festivals.

Look, I’m going to be honest. I’m trying to make even more awesome stuff happen this Saturday, but I’m getting tired because between each sentence that I wrote, I got up and yelled, “INDEPENDENT BOOKSTORE DAY IS MAY 2.” So maybe just come to the store on May 2 to experience the party yourself. We can’t wait to see you all there.

 

Oh, P.S., Want to write for us? We’d love to hear from you. Tell us why Lemuria is important to you, and you may be featured on next week’s blog series for Independent Bookstore Day! Email submissions to hannah@lemuriabooks.com by April 28.

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National Poetry Month: Feet Soaked in Gooey Earth

tumblr_ms5c76TZoM1qa785bo1_500Hurray for April.  Yes, April is the ideal month to celebrate poetry, especially that poetry that raises the roof beams, making room for all the fresh, blooming air, pressing the bleak winter away while standing ankle high in mud puddles.  Puddles are the playground for spring madness and feet soaked in gooey earth just like e. e. cummings said in his poem In Just:

n Just-
spring          when the world is mud-
luscious the little
lame balloonman

whistles          far          and wee

and eddieandbill come
running from marbles and
piracies and it’s
spring

when the world is puddle-wonderful

the queer
old balloonman whistles
far          and             wee
and bettyandisbel come dancing

from hop-scotch and jump-rope and

it’s
spring
and

         the

                  goat-footed

balloonMan          whistles
far
and
wee

 

Then came my senior year at Murrah High School, in 1965, with my great, good, four-leaf-cloverful luck having Bee Donley as my English teacher. She taught us that poetry mingled all the great issues of life in such a profound poem as Dylan Thomas’ The force that though the green fuse drives the flower (1934):

 

The force that through the green fuse drives the flower

Drives my green age; that blasts the roots of trees

Is my destroyer.

And I am dumb to tell the crooked rose My youth is bent by the same wintry fever.

[Stanza One]

 

So as a young child I adored the pure innocence of e. e. cummings (not to mention the cool way he spelled his name in lower case). As a teenager, I was mesmerized by Ms. Donley’s eloquent teaching of Dylan Thomas and the depth and width and height of “real” life as captured in the great green force. Then as a mature adult (in years but not in heart), I was introduced to Mary Oliver at Lemuria mainly through our children’s manager at the time, Yvonne Rogers. Ms. Oliver became my official priestess of the higher arts, a word magician, and a most spiritual priestess who kindled the scared beauty of the earth and animals and filled my imagination with wonder as in this poem from her collection Dog Songs:

 

Every Dog’s Story by Mary Oliver

I have a bed, my very own.
It’s just my size.
And sometimes I like to sleep alone
with dreams inside my eyes.

But sometimes dreams are dark and wild and creepy
and I wake and am afraid, though I don’t know why.
But I’m no longer sleepy
and too slowly the hours go by.

So I climb on the bed where the light of the moon
is shining on your face
and I know it will be morning soon.

Everybody needs a safe place.

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2015 Children’s Book Week at Lemuria

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Children’s Book Week, administered by Every Child a Reader, is a celebration of books for young people and the joy of reading. Established in 1919, it is the longest-running national literacy initiative in the country. Each year, book-inspired events are held nationwide at schools, libraries, bookstores, homes–wherever young readers and books connect!

For more details, visit www.bookweekonline.com/official.

Here is the schedule for Children’s Book Week taking place in Jackson at Lemuria Bookstore from MAY 4 – MAY 10!

Monday May 4

Uni the Unicorn by Amy Krouse Rosenthal

Story time at 3:30 P.M.

Join us in OZ for after school cupcakes with sprinkles, story time reading Uni the Unicorn, making unicorn horns, and face painting!

Tuesday May 5

The Day the Crayons Quit by Drew Daywalt

Story times at 11 A.M. and 3:30 P.M.

Stop by for story time with Pink Crayon and coloring fun! Turn in this coloring sheet from May 4 – May 10 to help decorate our store front window.

Throughout the week there will be a BIG coloring page from The Day the Crayons Quit that you are welcome to stop and help color in.

Wednesday May 6

The True Story of the Three Little Pigs by Jon Scieszka

Story times at 11 A.M. and 3:30 P.M.

Come dressed as your FAVORITE fairytale character as we read The True Story of the Three Little Pigs. Is your favorite character Jack and the Beanstalk? Little Red Riding Hood? Rapunzel? The Frog Prince? Any and all fairytale and book characters are welcome.

Thursday May 7

Charlie and the Chocolate Factory by Roald Dahl

Happening all day long at Lemuria. Find one of Willy Wonka’s golden tickets hidden around the store for a chance to win prizes.*

*Prizes include candy.

Fondren’s First Thursday (5 P.M. onward)

Then head over to Fondren First Thursday to the Lemuria tent. Katie Hathcock of Music for Aardvarks, Jackson will be playing some cool PETE THE CAT tunes. Join us for a game of “pin the white shoe on Pete the Cat” and face painting!

Friday May 8

Peter Rabbit Costume Story time at  9 A.M. at the Mississippi Children’s Museum and 11 A.M. at Lemuria!!

Hop on over to Mr. McGregor’s garden for a PETER RABBIT story time. Make sure to bring your camera to snap a picture of him (with your child) before he hops away!

HARRY POTTER EXTRAVAGANZA at 4 P.M.

Witches, wizards, werewolves and animagus alike, join us for an afternoon of Harry Potter Trivia, butterbeer, and other magical treats. Don’t forget to wear your house scarf or witch’s hat.

Saturday May 9

Join us for story time with Alice in Wonderland at 11 A.M.

The Children’s Book Council is the anchor sponsor of Children’s Book Week.

 

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Guest Post: Authors, books, journalists and a signing, oh, my!

Just returned from a wonderful evening at Lemuria Bookstore in Jackson, Miss. Greg Iles was signing his book, The Bone Tree (HarperCollins) see my review here. It turned out to be a great get-together of authors, journalists and book lovers, all sort of thrown together at Jackson’s only independent bookstore; a literary oasis.
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Pictured above, top, from left: Matthew Guinn, author; author Greg Iles and his wife, Caroline, and John Evans, owner of Lemuria Books.

Bottom photo, from left: Jerry Mitchell, investigative reporter at The Clarion-Ledger, Mississippi’s statewide newspaper, and Greg Iles, author of The Bone Tree, Natchez Burning, and others.

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I can’t tell you everything we discussed, but it was lively. Guinn is an up-and-coming Jackson author whose latest book is The Resurrectionist (W.W. Norton and Company), a great piece of fiction that dips deep into Southern mores before and after the Civil War.

It revolves around the practice of medical schools using cadavers for research that, as Guinn tells, had a darker side: that those bodies used for lofty goals frequently came from slave families before the war and, afterwards, the victimized blacks under Jim Crow. The practice was as brutal and mean as before the war but with a twist: those who traded in the corpses obtained money and power, while the schools that kept their hands clean willfully looked the other way, their reputations intact, while fueling an evil.

If you think your local medical school wouldn’t do such a thing, think again. The truth lies buried in the unmarked pauper’s graves that line many a campus or slumber beneath parking lots and administration buildings.

Guinn does a marvelous job trading between the past and the present in his book, resurrecting the past in all its horror, while portraying the present rarified life of academia in all its superficial glory. A good read. Check it out!

Guinn has  new book coming out in August, titled The Scribe. Can’t wait to read it!

Moving to the second photo: I’ve known Jerry Mitchell many years. He has doggedly investigated cold cases from the civil rights era for the past couple of decades. It was his reporting that led to the 1994 trial and conviction of Byron De La Beckwith, the assassin of civil rights leader Medgar Evers in 1963.

Mitchell’s investigative work has also helped put three other klansmen behind bars: Imperial Wizard Sam Bowers for ordering the fatal firebombing of NAACP leader Vernon Dahmer in 1966, Bobby Cherry for the 1963 bombing of a Birmingham church that killed four girls and, most recently, Edgar Ray Killen, for helping orchestrate the June 21, 1964, killings of Michael Schwerner, James Chaney and Andrew Goodman.

Mitchell shows up as a character in Iles’ books, Natchez Burning and The Bone Tree, but he’s a real-life person, and a rather low-key, down-to-earth kind of guy. Maybe that’s just the way real-life heroes are; they live next door to you; you see them at the grocery; you bump into them at Lemuria Books. You would never know he’s such a dogged individual, but once he starts looking into something, he doesn’t quit. And the man is fearless.

Mitchell is coming out with a book, soon, too. I look forward to reading it.

 

Written by Jim Ewing, a former writer and editor at The Clarion-Ledger, is the author of seven books including Conscious Food: Sustainable Growing, Spiritual Eating, and the forthcoming Redefining Manhood: A Guide for Men and Those Who Love Them, in bookstores now.

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Toni Morrison: “Writing without the gaze”

toni morrison at work @ jill krementz

Toni Morrison at work. Photo by Jill Krementz.

Both sides of Toni Morrison’s family left the deep South and settled in Ohio in the 1930s due to racial threats and lynchings. With this unsettling background left behind, Toni Morrison’s parents bore her into the diverse community of Lorain, Ohio. Italians, Polish, and Jewish immigrants, white people and black people all went to the same school together and played together. Unlike her parents and grandparents, Morrison felt she entered the world with little personal fear or distrust of white people. Morrison has become known for her ability to communicate a pure view of the daily life of African-Americans from the period of slavery to modern times.

Toni Morrison during her years as an editor at Random House (1970s) by Jill Krementz

Toni Morrison during her years as an editor at Random House (1970s). Photo by Jill Krementz.

Morrison studied literature at Howard University and completed her Masters at Cornell University. After seven years of teaching and the break-up of her marriage with two kids in tow, she took a job as a textbook editor. Later she became an editor at Random House where she championed black writers. Reflective of her upbringing, Morrison wanted for herself and other black writers to simply write as a black people. In a 1992 interview with The Paris Review, Morrison explains:

“It’s very important to me that my work be African-American. If it assimilates into a different or larger pool, so much the better. But I shouldn’t be asked to do that. Joyce is not asked to do that. Tolstoy is not. I mean, they can all be Russian, French, Irish or Catholic, they write out of where they came from, and I do too.”

In a recent interview with the New York Times, Morrison elaborates:

“What I’m interested in is writing without the gaze, without the white gaze . . . In so many earlier books by African-American writers particularly by the men, I felt that they were not writing to me.”

beloved FE

After the publication of “Beloved,” a group of black writers and intellectuals signed and published a statement in the New York Times admonishing the publishing industry for not honoring Toni Morrison with the National Book Award or the Pulitzer Prize. Though Morrison has never won the National Book Award, she was awarded the Pulitzer Prize in 1988 for “Beloved” and the Nobel Prize for Literature in 1993. She remains the only black woman recipient of Nobel Prize for Literature and the only American to have won the Prize since John Steinbeck in 1962.

god help the childAt age 84, Toni Morrison has published 11 novels. “Beloved” was brought to mainstream readers when Oprah chose the novel for her book club and made it into a film in 1998. Over the years, Morrison’s early works, from “The Bluest Eye” (1970) to “Beloved” (1987), have become highly collectible. Because Morrison has made herself available for book signings and Knopf has offered select booksellers pre-signed books, signed first editions of Morrison’s later works have been accessible for collectors. However, as Morrison ages and readers appreciate her work more, signed editions may become harder to find and may increase in value.

Morrison’s new novel, “God Help the Child,” goes on sale Tuesday, April 21, 2015.

See all of Lemuria’s first editions by Toni Morrison here.

Written by Lisa Newman

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Iles’ ‘The Bone Tree’ a gripping page-turner, all 816 of them

JOIN US TOMORROW AT 1:00 FOR A SPECIAL SIGNING EVENT OF THE BONE TREE BY GREG ILES!

By Jim Ewing. Special to The Clarion-Ledger

Even for readers of Greg Iles’ 788-page Natchez Burning, book one in the trilogy about unsolved civil rights murders set in Natchez, The Bone Tree has daunting heft with 816 pages. But if Burning were a jet runway, Bone Tree launches into supersonic flight. It starts off with a lightning pace and is engrossing until the very end that, surprisingly, seems to come too soon.

Natchez Burning set the groundwork of the characters, including protagonist Penn Cage, a novelist, one-time prosecutor and current mayor of Natchez, his fiancee Caitlin Masters, publisher of the local newspaper, and Cage’s father Tom Cage, a beloved longtime family physician. Bone Tree fleshes them out as living characters with their own strengths and foibles.

The first book set the plot in motion when these three main characters’ lives were turned upside down by the reemergence of the Double Eagles, a more murderous offshoot of the Ku Klux Klan, that had aligned itself with one of the richest men in Louisiana just across the Mississippi River; and a corrupt relative of the aging Eagles who aspired to be head of the Louisiana State Patrol. The eruption of old horrors was prodded by a local newspaper editor who had been steadily digging into civil rights cold cases.

At the end of Burning, there seemed to be some hope for normalcy and the solving of heinous unsolved race crimes that had darkened the land for a generation; but at the outset of Bone Tree, all hope for an easy resolution is lost.

Jacket14Bone Tree immediately goes to the blackened heart of the South’s racial torture, lynchings and murder by zeroing in on the relations between the Eagles and Carlos Marcello, the notorious crime boss of Louisiana. Iles folds in the undeniable reality of the South’s sordid racial history and the history of vice and corruption in Louisiana. Within the framework of his fiction, these truths are starkly revealed in all their brutality. But he goes a step further in very convincingly weaving the story of the assassinations of John F. Kennedy, Robert F. Kennedy, and Dr. Martin Luther King, Jr., through his narrative.

Thus, the mystery of old race crimes intensifies with the larger question of the biggest unsolved murder in American history: the assassination of John F. Kennedy. The missing link seems to be a Cuban connection, where the old racists were believed to have trained volunteers with CIA help for the ill-fated Bay of Pigs invasion. Much of the mystery revolves around that question.

It’s said that fiction reveals the truth that reality obscures. Natchez Burning proves it by so honestly recounting the race killings of the South in the form of fiction, and so realistically portraying the killers, that the novel’s authenticity strikes true.

The Bone Tree goes even further: So deeply fleshing out the types of individuals who could have carried out the 1960s assassinations of JFK, RFK and MLK, that what are often called “conspiracy theories” become not only plausible but seemingly self-evident. Adding to the suspension of disbelief are the reams of facts and the inclusion of recognizable public figures such as The Clarion-Ledger’s longtime civil rights cold case investigative reporter Jerry Mitchell.

Iles’ The Bone Tree is simply astounding. It’s astounding that:

816 pages can be a gripping page-turner;

It comes after 788-page volume that left readers hungry for more, yet didn’t lose any momentum even with filling in details to get new readers up to speed;

Only 24 hours goes by in the first 400 pages, yet it doesn’t lag;

It can tie the reader in knots until the very end.

With all its twists and turns, The Bone Tree is likely to leave the reader emotionally like a wrung-out dishrag, but thirsty for more.

 

 

Jim Ewing, a former writer and editor at The Clarion-Ledger, is the author of seven books including Conscious Food: Sustainable Growing, Spiritual Eating, and the forthcoming Redefining Manhood: A Guide for Men and Those Who Love Them, Spring 2015.

 

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How Jesus Became God

I have only just really begun my research into the development of Christianity. I am taking Old and New Testament classes at my university, and I have read only a few books of early Christological views. Christianity is a very controversial topic, and I am absolutely no Biblical scholar; so I tried to be wary of which books I chose to read on the topic. I did not want to read a History Channel-esque embellished Da Vinci Code that claims to be a tell- all into the juicy secrets of Jesus’s life. I just wanted facts, and what evidence we have to back up those facts. Luckily Bart D. Ehrman is widely respected in his field. Many book reviewers before me have praised Ehrman’s credentials; his attributions to scholarship. How Jesus Became God took about eight years to write, and it is packed with information.

The main focus of this book is about the culture that Jesus grew up in, how the gospels were written, and the textual evidence of several groups within the early church. How Jesus Became God is also written for the layman because it explains how historical research is recorded. For example, Ehrman speaks of the methodological principle called the criterion of dissimilarity, which “states that if a tradition about Jesus is dissimilar to what the early Christians would have wanted to say about him, then it more likely is historically accurate”.

I recommend this book to any that are interested in Jesus, and the historical evidence of what’s written in the Bible. I toast this book, as it has shown me just how much more I have to read about Christianity from different ends of each spectrum. Funny how a book filled with so much information can only make me hungry for much more.

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National Poetry Month: Your One Wild and Precious Life

The Summer Day by Mary Oliver is by far my favorite poem.

I love this poem because it makes me confront my own humanity. Why do I do what I do? And what am I going to do with the rest of my life, my wild and precious life? I’ve had many chapters in my life and I am sure that there are many more to come. Every time that I start the newest chapter, I say a little prayer and remember the iconic line at the end of the poem:

“Tell me, what is it you plan to do

with your one wild and precious life?”

 

The Summer Day by Mary Oliver

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean-
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down-
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

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