Tag: Mississippi books (Page 6 of 6)

Ace Atkin’s Quinn Colson is back as sheriff in ‘The Fallen’

By Jim Ewing. Special to the Clarion-Ledger Sunday print edition (August 27)

Fans of Oxford novelist Ace Atkins will savor the butt-kickin’ return of protagonist Quinn Colson as sheriff in The Fallen (G.P. Putnam).

atkins fallenAll the familiar denizens of the fictional town of Jericho, Mississippi, (faintly like the Oxford we all know, perhaps stripped to its roots) are there–if not in person, then in memory.

Loyal, tough-as-nails, and sharpshooter deputy Lillie Virgil is there–but for how long? The loyal one-armed mechanic, Boom, is there; this time, sleuthing out the mystery of two missing teens as the behest of Colson’s sister, Caddy, behind the sheriff’s back.

His Elvis-worshipping momma Jean is there, still dishing out heaping helpings of Southern food and sound advice.

The major clash is a trio of ex-Marines who, having returned from war, want excitement, cash, and blood through heists while brandishing weapons and wearing Donald Trump masks (complete with R-rated quotes from the president while robbing banks).

In many ways, book 7 in the Colson series is like many of the others: Colson, a former U.S. Army Ranger, enjoys tooling around in a big pickup (the Green Machine), smoking cigars (now Drew Estate Undercrowns over his previously preferred La Gloria Cubana), and finding himself in binds caused by the local good ol’ boy power structure while dealing with deadly scofflaws.

His love life is still hopelessly conflicted , with the rekindled romance of his high school sweetheart now a hurtful memory, the fling with the coroner Ophelia Bundren cut short after she threw a steak knife at him, and the continuing unresolved tension with Virgil.

But there’s a new woman in town, Maggie Powers, who it turns out, used to run with Colson when they were kids.

She’s grown up nicely–but has conflicts and dangers of her own.

This time around, there’s a new owner of the strip club/rent-by-the-hour motel on the interstate: Fannie, a striking redhead who oozes reserved sensuality, hiding her brutal upbringing with fine cars and clothes, but knows how to hurt and even kill with indifferent calculation.

The old guard–despite the old crime boss Johnny Stagg now in prison–is still quite virulent, though keeping in the shadows. And, in a foreshadowing of Colson books to come, it seems intent on regaining full power, with the help of the Southern mafia from the Coast.

All in all, The Fallen is a worthy contender in the series and the type of fast-paced mystery Atkin’s readers have come to expect.

There is one jarring issue that stands out in this book, a plethora of foul language. In previous novels, there was plenty of cussing, and, it’s perhaps to be expected among some of the characters, including military types and hardcore criminals. That’s easily shrugged off. But The Fallen abounds in profanity, even from children.

Atkins, a master craftsman with 21 novels, including the deftly written Spenser books, seems to have fallen into a trap of substituting cursing for dialogue. And there’s no difference in the spewing of it by the various characters, as if all were merely one person speaking out of several mouths. It flattens their texture, destroys any nuance, robs them of their individuality, and (the ultimate sin of the writer) distracts from the narrative.

Jim Ewing, a former writer and editor at The Clarion-Ledger, is the author of seven books including his latest, Redefining Manhood: A Guide for Men and Those Who Love Them.

Author Q & A with Stanley Nelson

Interview by Jana Hoops. Special to the Clarion-Ledger Sunday print edition (July 23)

As the editor of his hometown’s weekly newspaper–the Concordia Sentinel in Ferriday, La.–Stanley Nelson didn’t set out to become a finalist for a Pulitzer Prize in Local Reporting. He didn’t plan on his investigative journalism becoming the basis of a blockbuster fictional trilogy by New York Times bestselling author Greg Iles. And he never dreamed his efforts would build a crusade for justice that would draw dozens of willing supporters from around the country.

devils walkingBut it was Nelson’s tough investigative reporting that led to his book, Devils Walking: Klan Murders along the Mississippi in the 1960s (LSU Press), in which he describes not only the difficulties of pursuing decades-old cold cases of racial injustice, but the remarkable successes that he and his collaborators were able to achieve–even when the FBI could not.

As a testament to Nelson’s tenacity and courage to take on this topic, Iles dedicated Natchez Burning, the first installment of his fictional trilogy, to the Ferriday reporter who, with the help of a large team, stopped at nothing to find answers to so many questions that had lingered for 50 years. Inspired by Nelson’s work, Iles used pieces of the massive puzzle that was unraveled as a basis for some plot material for his trilogy that included The Bone Tree and Mississippi Blood. In fact, it was Iles who wrote the forward to Nelson’s book, offering high praise for the journalist’s accomplishments.

At the heart of Nelson’s book is the story of one man–Frank Morris of Ferriday–whose tragic fiery death at the hands of the notorious Klan cell known as the Silver Dollar Group in 1964 would eventually lead to further investigations, and, in one case, even a grand jury hearing.

From his first awareness of the Morris case in 2007, prompted by the FBI’s initiative to reopen Civil Rights-era cold cases, Nelson would write nearly 200 news stories about the murder, over a seven-year time period. In addition to the Sentinel in Ferriday, his award-winning investigative writing would appear in the New York TimesWashington PostLos Angeles Times, and on CNN and National Public Radio.

A discussion about the events in both Iles’ and Nelson’s books will be led by Clarion-Ledger investigative reporter Jerry Mitchell at the Mississippi Book Festival on Aug. 19.  The event will begin at 1:30 p.m. in the Galloway United Methodist Church sanctuary in Jackson.

ms book fest

Devils Walking, a detailed examination of Klan murders committed by the Silver Dollar Group in Mississippi and Louisiana during the 1960s, revolves around the story of the brutal killing of Frank Morris in Ferriday, La. in December 1964. As a reporter for Ferriday’s newspaper, the Concordia Sentinel, what sparked your interest in this case in 2007?

Frank Morris in front of his shoe shop (wearing visor, near center)

Frank Morris in front of his shoe shop (wearing visor, near center)

In late February 2007, the FBI and Justice Department announced they were taking a second look at approximately 100 unsolved civil rights-era murders. Frank Morris’ name was on the list. Morris died from burns he received when Klansmen torched his Ferriday shoe shop and deliberately incinerated him as well.

I initially wrote a couple of stories. Then I got a phone call from Frank Morris’ granddaughter, Rosa Williams. She thanked me for the coverage and said that she had learned more about her grandfather’s death in the first article than she had in the previous decades. Of all of the questions she had about the murder, the biggest was “Why?”

When I was young, I witnessed the aftermath of a horrible traffic accident in which a young family, including a 7-year-old girl, died in flames. Considering that and the murder of Frank Morris, I wondered how someone could purposely set a human being on fire? It was a question that would not go away. I talked to the Sentinel‘s publishers. They agreed that we should try to find out what happened.

Explain how and why this case grew into such a large investigation–with the help of, among others, 25 students at the Syracuse University School of Law–in such a short time.

Race is a polarizing topic. So, could I get readers to open their minds and hearts to the Morris story? I figured that if they got to know Frank Morris, they would care about him. Then justice would seem important. So, week after week we tried to bring Frank Morris back to life so that our readers would see him as a living, breathing human being–not a ghost from the past.

A lot of people lent me a hand–some included Syracuse University College of Law professors Janis McDonald and Paula Johnson; the Center for Investigative Reporting; the LSU Manship School of Mass Communication; Teach for America; and summer interns from universities in the South. Canadian filmmaker David Ridgen was a constant help. But nothing would have happened without the Sentinel’s publishers–Lesley Hanna Capdepon and Sam Hanna Jr.–who supported the work through thick and thin.

By 2007, as the FBI, the Department of Justice and a contingent of government investigators were becoming involved with this case, there was urgency to move the investigation forward. Why was this?

In the 1960s, dangerous Klansmen at the height of their power menaced anyone who questioned the terror they engendered. But by the 2000s, those men were dead or dying. The new enemy to justice became “time.” Witnesses were dying, too. So, urgency was mandated.

Explain the assistance that Jerry Mitchell, investigative reporter for the Clarion-Ledger, was able to lend to your own investigation of Klan murders in Mississippi.

Jerry is considered a legend in the world of cold case investigations. I often seek his advice and he always helps.

When did Louisiana State University get on board to join the investigation, and what contributions did they make?

Jay Shelledy of the LSU Manship School invited me to talk to his journalism students. Later, then dean of the Manship School Jack Hamilton asked, “How can we help you?” I answered that I needed FBI Klan files from the National Archives.

Since then, Jay and his students have amassed tens of thousands of pages of FBI documents, approaching 200,000 pages, all now on line on their website (http://lsucoldcaseproject.com/). Their amazing work continues with new students every year and the full support of Dean Jerry Ceppos. Former Interim Dean Ralph Izard was fully behind the project as well.

In the end, you have a theory of who was actually responsible for Frank Morris’s murder–but has it been proven, or can it be proven?

A Concordia Parish deputy, Frank DeLaughter, wanted Morris’ shop burned following a verbal confrontation with him. DeLaughter considered Morris an uppity black man and he wasn’t going to stand for that.

FBI agents in the field were convinced DeLaughter was the mastermind of the arson. A retired agent recently deceased–John Pfeifer–spent 10 years in Concordia Parish back then. Pfeifer said the one thing FBI agents couldn’t do in the 1960s was directly link DeLaughter to the arson. Fortunately, we were able to do that in 2010.

Relatives of admitted Klansman Arthur Leonard Spencer of Rayville, La., including his son, said Spencer had discussed his involvement in the Ferriday arson through the years. They also said a family friend–Coonie Poissot–told them he was involved as well.

Described by the FBI as a drifter, Klansman, thug, and speed addict, Poissot revealed to agents in 1967 that he was with DeLaughter the night before the arson and that as they passed the shoe shop in DeLaughter’s patrol car, the deputy said he planned to teach Morris a lesson. The following night, Morris watched his two attackers as they torched the building. He didn’t know them.

DeLaughter and Poissot died in the 1990s. Following our story on Spencer in January 2011, three separate Concordia Parish grand juries heard from witnesses in the case, but took no action and issued no reports. After Spencer died in 2013, the Justice Department said it didn’t believe Spencer had been involved. Yet the U.S. Attorney’s office in Louisiana considered him a prime suspect.

You have also investigated the cold case deaths of other African Americans at the hands of the Silver Dollar Group, described as the most secretive and dangerous in the nation at the time. What has driven you to pursue these injustices in such depth?  How many stories did you ultimately write?

I’ve written approximately 200 stories. Like Frank Morris, all of these cases are compelling. The victims are ordinary folks who have suffered extraordinary pain.

Additionally, discovering the inner workings of the Silver Dollar Group was a fascinating journey. These men, including Frank DeLaughter, were incredibly successful terrorists for two reasons. One, in small numbers, typically three or four men, they committed these crimes. Two, they kept their mouths shut.

The group’s leader–Red Glover–who may have acted alone in the 1967 bombing of NAACP Treasurer Wharlest Jackson in Natchez, was interviewed several times by FBI agents after Jackson’s murder. On one occasion, Glover told the agents he hoped they caught the murderer because, according to Glover, the killer obviously was “a maniac.”

Natchez author Greg Iles’ blockbuster trilogy of Natchez BurningThe Bone Tree, and Mississippi Blood was based on you and your work to solve these cold cases. Please comment on the significance of that honor.

Stanley Nelson

Stanley Nelson

In 2013 (Greg) handed me a galley of Natchez Burning. He signed the title page: “To Stanley Nelson: The Real Henry Sexton.” I’ll never forget it. Greg was born with a gift for writing, and he continues to become better at it. But, in my opinion, his genius is his research.

You were named a finalist for a Pulitzer Prize in Local Reporting in 2011, as a result of your investigation of these cases. How has that impacted you personally and professionally?

It was totally unexpected. I never thought the Sentinel would emerge at the top of the list against stories such as WikiLeaks and the BP Oil Spill. It also means that the stories of Frank Morris and the other victims may live on.

Is there anything else you’d like to include?       

The book covers the emergence of the Silver Dollar Group (SDG) from the three traditional Klans. The SDG’s goal was simple–go underground and fight integration with deadly force. Red Glover hand-picked the members and as a symbol of unity gave many a silver dollar minted in the year of the Klansman’s birth. Southwest Mississippi and Concordia Parish, Louisiana, (across the river from Natchez) had seen at least four SDG murders by July 1964, three occurring before the Neshoba murders and the fourth occurring just days afterward. Eight SDG murders are covered in the book as well as the killing of Johnny Queen in 1965 in Fayette.

Additionally, the book questions the FBI and Justice Department’s new probes into the murders. Since the initiative was announced in February 2007, only one re-opened case moved forward–the grand jury probe into the Frank Morris arson. For the most part, the government’s initiative was a failure and we discuss why.

‘Civil Rights, Culture Wars’ shows how textbook fight mirrors battle of Mississippi legacy

By Jere Nash. Special to the Clarion-Ledger Sunday print edition (July 9).

civil rights culture warsNot until 1980 were Mississippi high schools allowed to use a textbook that accurately and dispassionately covered the entire history of the state, complete with the horrors of slavery, the motives behind the Civil War, the value of Reconstruction, and the triumphs of the civil rights movement. Civil Rights, Culture Wars: The Fight Over a Mississippi Textbook (University of North Carolina Press) by University of Mississippi historian Charles Eagles explains how it happened.

Several years ago, the University of North Carolina Press published The Price of Defiance: James Meredith and the Integration of Ole Miss, the authoritative account by Eagles of the one event in the 1960s that defined Mississippi for the rest of the nation.

The disastrous response of whites in our state to the demand for civil and voting rights was prompted in part by 80 years of school textbooks that marginalized black men and women and distorted black history.

Eagles is unsparing in his descriptions of those earlier textbooks: one explained that “the life of a slave [was] pleasant,” while another textbook defended the role of the Ku Klux Klan, while yet another applauded the 1890 Constitutional Convention in seeking to “insure control of the state by the white man.” After eight decades of indoctrination of generations of white Mississippians with historical myths, it is not hard to see how that helped to fuel the fire of massive resistance.

MississippiConflictandChangeWhich brings us to James Loewen and Charles Sallis. In the 1970s, Loewen, a professor at Tougaloo College, and Sallis, a professor at Millsaps College, began to work together on a new kind of textbook, called Mississippi: Conflict and Change, that, as Eagles writes, “argued that conflict produces change, and [that] embraced controversial subjects related to race and class, examined unpleasant subjects such as economic depressions and violence, and included subjects neglected by other books–blacks, women, workers, and the arts.” Eagles takes us through how the book was researched, written and ultimately published in 1974.

Getting the book published, though, didn’t automatically mean it would show up in high schools. In Mississippi, then as now, a state board approves the textbooks for classroom use. And in November 1974, the board said no to Conflict and Change. With access to rich primary material, Eagles gives us a perceptive behind-the-scenes accounting of why that decision was made.

But the story doesn’t end there. Loewen, Sallis, and Eagles are just getting warmed up. The authors filed a historic lawsuit, asking a federal judge to force the state to accept their textbook, and Eagles delivers this development with backroom negotiations, trial testimony and lucid analysis. The litigation took six long years and was finally resolved on April 2, 1980, when Judge Orman Smith ordered the board to place Conflict and Change on the approved list.

Eagles captures the untenable position of the state in one short exchange between the judge and John Turnipseed, a teacher who rated the book unfavorably. After objecting to a photograph of a lynching because it would cause “harsh feelings in the classroom,” Turnipseed was asked by Judge Smith, “But this happened, didn’t it? Didn’t Mississippians have more lynchings than any other state?” Turnipseed testified, “Well, yes. But that all happened so long ago. Why dwell on it now?” To which the exasperated judge responded: “Well, it is a history book!”

As with his book on Meredith and Ole Miss, Eagles’ writing is marked by three qualities that I like. One, he builds the narrative around primary sources. He interviews people, he digs through old file boxes, and finds the records that tell the truth.

Two, he provides context. He not only sets the state for the story, he give us succinct biographical information on the players. The journey of Conflict and Change involved lawyers, historians, journalists, activists, including Ernst Borinski, Frank Parker, Mel Leventhal, Margaret Walker Alexander, Fred Banks, Clarice Campbell, Duncan Gray Jr., Jeanne Middleton, David Sansing, and John Bettersworth.

Third, Eagles doesn’t hesitate to give his opinion. I agreed with some, other I didn’t, but I like authors with opinions; it makes me stop and think.

I’ll close this review with an observation on the import of Conflict and Change by the incomparable Frank Parker, one of the lawyers for Loewen and Sallis: “Desegregation of the public schools in the South is now protected even more by a constitutional prohibition against maintaining racial segregation in the curriculum and in textbooks.”

Jere Nash is the co-author of Mississippi Politics: The Struggle for Power, 1976-2008, Mississippi Fried Politics, Tall Tales from the Backroom, and America’s Great Storm: Leading Through Hurricane Katrina.

Ain’t No Cure for the Summertime Blues: Nick White’s ‘How to Survive a Summer’

by Trianne Harabedian

Books about strange experiences have always been my guilty pleasure. I enjoy reading about things I have never done, events that are unlikely to ever happen to me, because I like attempting to understand the unfamiliar. But I also have a purely entertainment-based fascination with things that seem too bizarre for real life. This is why I first picked up How to Survive a Summer by Mississippi native Nick White.

ht survive a summerWhite’s debut novel is about a man who, as a teenager, went to a gay-to-straight conversion camp in Mississippi. When the story of the camp is made into a movie, the main character, Will Dillard, returns to his roots and finally reckons with his past. The story is told through memories and reads almost like a memoir, as it focuses on emotions and is told primarily through internal dialogue. But the plot–the truth of what really happened that summer–kept me turning pages.

As Will weaves down the Natchez Trace towards the old campsite, he remembers his deceased mother, his unusual childhood, his sexual realizations, and eventually the conversion camp–all in zigzags that lead to one final twist. He encounters a full spectrum of people: a transgender love interest who calls too much, a sheltered librarian whose hospitality is taken too far, and a misguided uncle who once tried to help AIDS victims.

What initially drew me to How to Survive a Summer was the strange setting of a gay conversion camp. But what pulled me in were the real emotions of relatable characters. Each one was involved with the camp for a different reason, and the ways they cope with the past are just as varied. As the narrative progressed, I realized that it is an intentionally villain-less story. Nick White compassionately gives each person reasons for their actions. He paints unique people against the backdrop of one specific tragedy. The result is a reminder that every person comes to grips with his story in his own way, and that outward appearances have nothing to do with the truth inside.

The Penance of Penn Cage: ‘Mississippi Blood’ by Greg Iles

by Andrew Hedglin

mississippi bloodGreg Iles is set to publish his final chapter in the Natchez Burning trilogy tomorrow. The trilogy, which began with Natchez Burning in 2014 and continued with The Bone Tree in 2015, will conclude with Mississippi Blood. The whole trilogy is set in the Natchez, Mississippi, of long-running Iles protagonist Penn Cage, who first appeared in The Quiet Game in 1999. (The trilogy also features appearances from characters in the previously stand-alone and unrelated thriller Dead Sleep from 2001).

I personally first encountered the character of Penn Cage about four years ago on the pages of his second novel, Turning Angel. Penn became the latest in my personal parade of literary types that I treasure: the non-professional private eye. He followed Lawrence Block’s book-loving burglar Bernie Rhodenbarr, John D. MacDonald’s legendary beach-bum Travis McGee, and Rick Riordan’s now-forgotten tequila-drinking, tai chi-practicing English professor Tres Navarre.  But Penn hit closer to home, quite literally. At the time, I was working just over the Mississippi River and a little north of Natchez, in Tensas (pronounced Ten-SAW) Parish in Louisiana.

And that’s the thing about these characters: they inevitably become inseparable from their settings. Penn lives and breathes Natchez like its sins and successes are wholly his burden to bear. natchez & riverIt the middle of Turning Angel, he makes a pitch for his out-of-town fiancée to stay while he makes a run for mayor of Natchez: “Natchez has become a place where we have to raise our children to live elsewhere. Our kids can’t come back here and make a living. And that’s a tragedy…I want to change that.” And those words resonate because what’s true for Natchez is essentially true for all of Mississippi.

And this is what has always been at stake for Penn. Since moving home from Houston after the death of his wife, Penn has striven to make a idyllic home life for his daughter Annie, much like the one that his father, Dr. Thomas Cage, had given to him when he was a boy. For the first three books of the series (The Quiet Game, Turning Angel, The Devil’s Punchbowl), Dr. Cage is made out to be a veritable saint, completely devoid of the prejudice that plagues the Natchez community all around him, giving freely his time, medical expertise, and perhaps most importantly, his respect to the surrounding black community.

The façade starts to crumble at the beginning of the first book of this trilogy, Natchez Burning. Dr. Cage is charged with the recent murder of his trusted black nurse from the 1960s, Viola Turner. Her death quickly becomes enmeshed with the murderous activities of a white supremacist terror cell, the Double Eagles, and their drug-running descendants. (The real-life inspiration for the Double Eagles, known as the Silver Dollar Group, is chronicled brilliantly in Stanley Nelson’s harrowing true-life book Devils Walking: Klan Murders Along the Mississippi in the 1960s).

In telling Viola’s story (and Dr. Cage’s, and Natchez’s), Natchez Burning (and its sequel The Bone Tree) go to some wild places, such as post-Katrina reconstruction in New Orleans and the murder of John F. Kennedy in Dallas, of all things. sheriff-cooley-oTruly menacing villains such as Brody Royal, the money man behind the Klan, and Forrest Knox, the heir apparent to all law enforcement in Louisiana and simultaneously the head of the family crime syndicate, dominate the first two books, but are dispatched. By the telling of Mississippi Blood, only Snake Knox (Forrest’s uncle), the man with the meanest of goals—survival and notoriety—and the meanest of dispositions, survives to torment Penn and the good people left standing in Natchez.

Mississippi Blood moves at a slightly less frenetic pace than its predecessors (it would almost have to), but it simmers with the same tension. We—and the courtroom spectators of Natchez—are finally promised answers about Dr. Cage’s activities that have been lingering for years. Also lurking at the edges of Penn’s conscience and consciousness at all times is his half-brother Lincoln Turner, the illegitimate son of Dr. Thomas Cage and Viola Turner. Lincoln may be Penn’s antagonist, but he’s not exactly a villain, even from Penn’s point-of-view. Lincoln is seeking reparation for the disparity of his and Penn’s life in a way that Penn finds almost impossible to pay. Penn has even turned ambivalent about his father’s liberty, blaming him for a tragedy at the end of The Bone Tree, which was truly shocking and heart-rending in a way that is only possible for readers like me after hundreds of pages and dozens of hours spent with the same people.

But, above all, Penn is trying to hold down a peace for family, facing down a dark past before even thinking about a brighter future, determined to see it all the way down to the end. Because while the “Mississippi Blood” of the title may be evocative of all the violence that has taken place in the trilogy, it ultimately refers to the survival instinct of those who possess it running through their veins.

Greg Iles will be at Lemuria on Tuesday, March 21. He will begin signing books at 3:00 and read from Mississippi Blood at 5:30.

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