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The Kitchen Gardener’s Handbook

I’m beginning to feel the gardening bug come to life again. I know, I know that is barely the middle of January, but, still, I feel it coming on. I know that my early blooming daffodils will be peaking their hopeful heads up through the cold damp earth in the next few weeks, and that will certainly signal to me that spring is not far behind. I don’t know about you, but the last week’s extreme cold has made me realize that living any further north would really be hard!

So, as I begin to think of spring, I am planning on growing more herbs and vegetables this year. I had some good success last year, but I want to grow more that I can cook with this coming spring and summer. A new book which just came into Lemuria in early December ’10 is titled: The Kitchen Gardener’s Handbook by Jennifer R. Bartley. Within this beautiful book, the food gardener will find design plans, seasonal checklists, fresh recipes, plant profiles and growing tips, and flowers for the table, as the subtitle suggests.

Seasonally subdivided, gardeners can find herbs, vegetables, and fruits for every season of the year, and as an added treat, the gardener author has even included special recipes to be made from the vegetables which he grows in his own garden. For instance, for the Spring section, one will find how to grow strawberries and rhubarb and an accompanying recipe using both. For the summer, blueberries are certainly included complete with recommended varieties, as well as a recipe for “World’s Famous Blueberry Pie”. Included in each seasonal section with the plants which grow best, is also a highly helpful chart detailing the common name, scientific name, zone to grow, and certain notes about each plant. Beautiful color photographs accompany each section.

I highly recommend this new release published by Timber Press, the prestigious guru of gardening publishers, for gardeners wanting a helpful, practical and beautifully compiled guide to growing what one wants to eat.  -Nan

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Please don’t spill coffee on this book….

I can remember the first time that I saw a piece of William Christenberry’s work.  It actually was not a photograph but a model of a ramshackle building.  Really what caught my eye was the name of the piece, Coleman’s Cafe.  You see Coleman is my Dad’s name so I was naturally attracted to it.  In fact, Coleman was with me in the Smithsonian American Art Museum  in Washington, D.C.  As I looked around I noticed some of his photographs and really related to all of it.  Christenberry  is after all one of the South’s premiere photographers.

Christenberry’s new book, Kodachromes, is the first publication to show this particular body of work.  It encompasses work made with 35 mm Kodachrome slide film during the years of 1964- 2007.  Of these images of the Rural Deep South, especially Hale County, Alabama, very few have been on exhibit or published.

Though there are some new locations that one hasn’t seen before, be rest assured that Christenberry’s icons are here in this book, Coleman’s Cafe,  Sprott Church, and the Bar-B-Q Inn to name just a few.  Even if you have some previous books of William Christenberry I really think that Kodachromes would be a wonderful addition to your collection.

William Christenberry: Kodachromes (Aperture, 2010)

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Bookstore Keys: Selling Books Is a People Business

As you can imagine, Lemurians have been reading a lot about changes in book selling. Sometimes it can be overwhelming, but there is one theme that comes up again and again: relationships.

“Madeline MacIntosh, who is Random House’s president for sales, operations, digital, has worked for both Amazon and book publishers, and finds the two strikingly different. ‘I think we, as an industry, do a lot of talking,’ she said of publishers. ‘We expect to have open dialogue. It’s a culture of lunches. Amazon doesn’t play in that culture.’ It has ‘an incredible discipline of answering questions by looking at the math, looking at the numbers, looking at the data . . . That’s a pretty big culture clash with the word-and-persuasion-driven lunch culture, the author-oriented culture.'” (“Publish or Perish” by Ken Auletta, The New Yorker, April 26, 2010)

Jane Friedman, formed CEO of Harper Collins, has opened up her very own e-book company. Despite her shift to the e-book, she still recognizes the importance of developing relationships with authors as well as the concern that Amazon could take on a wider role as publisher: “An author needs a publisher for nurturing, editing, distributing, and marketing. If the publishers are cutting back on marketing, which is the biggest complaint authors have, and Amazon stays at eighty per cent of the e-book market, why do you need a publisher?” (“Publish or Perish” by Ken Auletta, The New Yorker, April 26, 2010)

Laurence Kirshbaum, a New York Literary agent, echoes Jane Friedman and Random House’s Madeline MacIntosh: “‘Writers like Anne Tyler and Elmore Leonard have to simmer quite a bit before they are going to boil. Publishers no longer have the patience to work through multiple modest successes . . . There is a real danger these people could be lost today.'” (“Authors Feel the Pinch in Age of E-Books”, The Wallstreet Journal, September 26, 2010)

However, there seems to be no lack of patience and nurturing in Amy Einhorn’s relationship with the up and coming author Siobhan Fallon. Read what Fallon wrote on her blog in November: “The Tuesday before Thanksgiving, I received an email telling me that I was going on a “Pre-Pub” trip to meet some important indie booksellers. Denver, Boston, Seattle, LA. . . . Here we all are worrying the publishing industry, and yet the very savvy publicity people at Putnam have decided to send a very un-savvy first-book-of-short-stories-writer (short stories!?!) off on a little cross country adventure, with drivers waiting at airports, nice hotels, and restaurant dinners booked. You must think I am delusional. Yes, shake your head and tell me again that this kind of stuff just doesn’t happen in today’s publishing world. But, by some incredible miracle, this is all about indie bookstores. Indie bookstores are making my writing dreams come true.” (Read full blog here.)

Publishers establishing and maintaining good relationships with authors helps independent bookstores. The more authors and publishers work together, and the more publishers and independent bookstores work together the more books we can sell. There is a series of neurological connections created here–passed from author to publisher to bookseller to reader–resulting in an experience for the reader. You see the beginning of this in Siobhan Fallon’s case.

A book is a rather long term commitment. You don’t read it in 60 seconds. You spend days, weeks, maybe even months with this author, this physical book. And once you have finished reading, it stays with you forever. I think our society may have reached the end of its consumer binge. Many customers are waking up and they’re demanding community, customization and experience–not just a download, not just a cheap book. There is talk of Amazon opening their own brick-and-mortar stores to supposedly provide community, customization and experience. Which independent bookseller has already been doing this for years? It’s time for publishers and independent bookstores to do some serious work together.

The Bookstore Key Series on Changes in the Book Industry

Finding “Deep Time” in a Bookstore (March 8th) Reading The New Rules of Retail by Lewis & Dart (March 3) The Future Price of the Physical Book (Feb 18) Borders Declares Bankruptcy (Feb 16) How Great Things Happen at Lemuria (Feb 8th) The Jackson Area Book Market (Jan 25) What’s in Store for Local Bookselling Markets? (Jan 18) Selling Books Is a People Business (Jan 14) A Shift in Southern Bookselling? (Jan 13) The Changing Book Industry (Jan 11)

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Edited by Alan Gribben

by Kelly Pickerill

Many textual purists are balking at NewSouth’s decision to publish Alan Gribben’s edition of Mark Twain’s “companion boy books,” The Adventures of Tom Sawyer and Huckleberry Finn. In his edition, Gribben, a Twain scholar and professor at Auburn, has replaced the offensive terms, both “nigger” (so prevalent in Huck Finn) and “injun” (Tom Sawyer), with the word “slave.”

Gribben told Publisher’s Weekly that his reason for “emending” the novels, especially Huck Finn, was simply to get the books back in schools; he’d encountered too many teachers who wished to teach Huck but didn’t feel they could. “For a single word to form a barrier, it seems such an unnecessary state of affairs,” he told the magazine. [read the article]

According to the American Library Association, The Adventures of Huckleberry Finn was the fourteenth most frequently challenged book from 2000-2009. But of course it’s not a new thing to hear about Huck causing a ruckus; from the time of its publication the book has been under scrutiny. This is one of the earliest reactions:

“The Concord (Mass.) Public Library committee has decided to exclude Mark Twain’s latest book from the library. One member of the committee says that, while he does not wish to call it immoral, he thinks it contains but little humor, and that of a very coarse type.”
Article in the Boston Transcript, March 1885

While my first reaction to the new edition was, I admit, horror … well, I still am, really, horrified, if for no other reason than simply because the book that T. S. Eliot called a masterpiece, the book that all modern literature springs from, is going to be altered. I can’t get past the altering, though I do understand Gribben’s (and many other academician’s) frustration that a single word would keep readers from a book.

Yet there’s no single reason why the book is so often considered unteachable to students high school age and younger, and I have a hard time believing the changing of a word will magic any and all of them away. When Huck has seen through his dilemma of whether or not to turn Jim in, the moral climax of the book, he’s still so indoctrinated with the culture of slavery that he believes himself to be extremely wicked though he’s making the “morally right” choice. Calling Jim by another name will not change Huck’s prevailing belief system: that Jim is an inferior being because of the color of his skin.

In the eighties, John H. Wallace argued for an edition of Huck Finn sans the offensive word, saying, “Classic or not, it should not be allowed to continue to cause our children embarrassment about their heritage.” Well, our heritage is sometimes embarrassing, and the omission of a word won’t change that. There’s already too little discussion about challenging topics in our schools between teachers, parents, and children, and taking away a reason to have one doesn’t seem like the solution.

I’ll stop sharing my opinion now, though, to give you a few other interesting ones. The Huck issue is a thorny one, and my beleaguered attempt to think through it has caused me to respect those, like the author Michael Chabon, who have so thoughtfully expressed their reactions.

In an article in The Atlantic, Chabon writes about the dilemma he faced when reading Huck Finn aloud to his children, ages seven and nine. He had read them Tom Sawyer and, using Gribbon’s solution, substituted the offensive “N” word with “slave” in the handful of instances that it occurs, yet in Huck Finn, he knew that it was not only much more prolifically used, but also that “the word was going to mean so vastly much more, and less, than that.”

On the other side of the spectrum, check out Jon Stewart’s commentary; it isn’t PC but it is pretty funny.

Whether as a curiosity or teaching tool, Mark Twain’s Adventures of Tom Sawyer and Huckleberry Finn: The NewSouth Edition will be published in February with a 7,500 first printing.

I am fearfully afraid this noise is doing much harm. It has started a number of hitherto spotless people to reading “Huck Finn,” out of natural human curiosity to learn what this is all about — people who had not heard of him before, people whose morals will go to rack and ruin now. The publishers are glad, but it makes me want to borrow a handkerchief and cry. I should be sorry to think it was the publishers themselves that got up this entire little flutter to enable them to unload a book that was taking too much room in their cellars, but you never can tell what a publisher will do.
Letter to the Omaha World-Herald, August 1902

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Kid’s Bookclubs for all ages!

Ever since I became the “Oz lady” a year and a half ago, one of my goals has been to have Lemuria book clubs for kids. This time last year, I was all pumped up about a book club for 5th graders, wrote a blog about it and everything, and no one ever contacted me. I figured that it just wasn’t meant to be and had given up on it for the time being when a few parents came to me requesting that we host a book club. Of course I answered “Yes!” and began planning right away. I was still a little leery that my boy and girls book clubs wouldn’t stick, so we just met every month with 4 or 5 kids in each group. However, it’s now January and we are still meeting!

With the girls we have read our way through Any Which Wall by Laurel Snyder,  The Pharaoh’s Secret by Marissa Moss, Ballet Shoes by Noel Streatfeild,and Bird’s Christmas Carol by Kate Douglas Wiggin. The boys have been busy reading too with books like Nine Pound Hammer by John Claude Bemis, Whales on Stilts by M. T. Anderson, and Alabama Moon by Watt Key.

Since our book clubs have weathered the initial storm, I would like to open these book clubs to any 5th or 6th grade boys or girls who are interested.

Our 5th/6th grade boys book club meets the second Friday of every month from 3:30-4:45. This month that means we will be meeting this Friday. We will be discussing The Jaguar Stones #1 Middleworld by J&P Voelkel. Jon and Pamela were here last year for the paperback release of this book and they were such a hoot. They will be back this March to sign the next book in The Jaguar Stones series, The End of the World Club.

Our 5th/6th grade girls book club meets the last Friday of every month from 3:00-4:15. This month, that means that we will be meeting Friday, January 28th. We will be discussing Up and Down the Scratchy Mountain by Laurel Snyder. Laurel was here this fall to sign her newest book (and Lemuria’s absolute favorite) Penny Dreadful. We began this book club with Laurel’s book Any Which Wall, and we are excited to be doing another of her adorable books.

And starting in February, we will host the first ever meeting of our 7th/8th grade girl’s book club. The first meeting of this book club will be Saturday, February 19th from 1:00-2:00. We will be discussing Matched by Ally Condie, the start of a dystopian trilogy that is one of my favorite books right now. This book has a great range of characters, references to poetry, and is perfect for Hunger Games fans. I am so excited that we will be starting this book club with this book!

And as an added bonus, you get a 10% discount on any book that you buy from us specifically for one of our book clubs. Each of these book clubs meets just right outside the front of Lemuria and is led by me. If you have any questions, please don’t hesitate to email me at emily@lemuriabooks.com, call the store (601.366.7619) and talk to me, or just stop on by. I hope we will have some new members in the upcoming months. Keep reading and thanks to all of you who make this possible.

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Bookstore Keys: A Shift in Southern Bookselling?

As mentioned below Borders has been in the news a good bit in the last two weeks. It seems that they’ve had a great deal of trouble keeping in good standing with publishers. Well, the announcement came out yesterday that they are finally meeting with publisher representatives this afternoon – so we’ll be expecting an announcement, or some news late today.

In the same breath they announced that they are closing one of their distribution centers, the one in LaVergne Tennessee. Apparently the Tennessee distribution center is one of three or four – they have a large center in California another in Pennsylvania, but only the one in the south. Of course this sounds like bad news for Borders (and of course it’s horrible news for the 300 employees who lost jobs) but what does it mean to the larger book industry? And to southern retail bookselling? Well, two things, one: LaVergne is also the location of the major southern distribution center for Ingram. Ingram is one of the two big book distributors in the South. So will Borders be handicapped when it comes to getting books quickly from Ingram? But secondly, and more importantly, this means that Borders is severely handicapping their southern efforts – maybe even giving up the south. If they are planning to close more stores, and it seems almost guaranteed that they will, then does the closing of the southern distribution center mean that many of the closings will be in the South? Does this mean that Books-a-Million will be changing their strategy as well? How will this effect independent bookselling in the South?

The Bookstore Key Series on Changes in the Book Industry

Finding “Deep Time” in a Bookstore (March 8th) Reading The New Rules of Retail by Lewis & Dart (March 3) The Future Price of the Physical Book (Feb 18) Borders Declares Bankruptcy (Feb 16) How Great Things Happen at Lemuria (Feb 8th) The Jackson Area Book Market (Jan 25) What’s in Store for Local Bookselling Markets? (Jan 18) Selling Books Is a People Business (Jan 14) A Shift in Southern Bookselling? (Jan 13) The Changing Book Industry (Jan 11)

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The Story behind the Pick: You Know When the Men Are Gone by Siobhan Fallon

January’s First Editions Club can be one of the hardest to pick, but it can also be one of the most rewarding. Think about it, there are so many books coming out in the three months before Christmas, holiday sales etc., that January turns out to be somewhat of a dry month for publishing. So, very few books being released equals very few choices for the First Editions Club. The good news is January is the month where we have to work a little harder and dig a little deeper, and usually come up with something unique and fun. Often the pick is a first time author or an author for whom we really have to pitch a tour stop to the publisher. (all of the First Edition Club authors come to the store for a signing – it’s part of the deal) For instance Kathryn Stockett, Stuart Dybeck, Mary Ward Brown, and William Gay have all been January FEC authors.

January 2011’s First Editions Club pick is You Know When the Men Are Gone by Siobhan Fallon. You Know When the Men Are Gone is the first book of short stories we’ve picked since Grisham’s Ford County in 2009 and before that, Pia Ehrhardt’s Famous Fathers, but we didn’t pick it because it’s short stories, (although I do love to promote the short story) no, this pick came about purely from reading and enjoying a book.

You Know When the Men Are Gone is a collection of somewhat connected short stories. This isn’t one of those books where each story has the same characters, or where the stories can be pieced together into a sort of loosely hinged novel, no, these stories are more connected in theme. Each is about spouses, children, or parents of soldiers in the Middle East. There are stories that delve into the soldiers perspective, but for the most part the stories are mainly from the perspective of the wives of soldiers. But no worries, this is by no means a limitation, neither is the “wartime” theme – although readers may be concerned that they won’t like the book for those reasons – as Lisa says here, “Fallon transcends the politics and gets to the heart of the matter: the families who serve our country. Besides that, she is a great writer, worthy of reading no matter what the theme.” And isn’t that why we’re here? To find that reading experience that offers that sort of transcendence?

Siobhan Fallon’s collection, published by Amy Einhorn books, is due out on January 20th. She will be signing (5:00) and reading (5:30) at Lemuria on Tuesday, February 1st.

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collecting

reading…there’s not much out there that compares to it.  getting totally lost in a book is an amazing thing.  one aspect of being a book lover that some people don’t partake in is the collecting of books.  i don’t understand these folks.  why wouldn’t you want to walk by your bookcase and be reminded of an absolutely amazing book that you read a while back?  i would and do quite enjoy being reminded of the great reads of my life.

take for example the particular sadness of lemon cake by aimee bender.  simply put, i love that book and anything that aimee bender writes.  while looking for signed firsts of her books for a customer, joe came across a slip cased signed limited edition of lemon cake and asked if i was interested.  was i ever.  it’s gorgeous and every time i walk down my hall way i see it and remember just how much i loved that reading experience.

i may take book collecting to the extreme in that i don’t share my books with anyone.  my boyfriend and i moved in together about a year ago and i won’t let him put his books on my book shelves.  sorry love.

books are not just about what you read in them.  they are also about that certain feel and smell and sensation you get from holding a book in your hands and touching each page.

by Zita

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Bookstore Keys: The Changing Book Industry

With the widespread use of e-books, the book business is in a state of tremendous change. Authors, professionals in the publishing industry, book sellers, independent bookstore owners, CEOs of the big bookstore chains, and readers have all been left with an abundance of questions as we go through this exciting paradigm shift.

Borders has consistently been in the headlines since the New Year due to the fact that they cannot pay their bills to the publishers. And now the publishers must decide how they will handle the situation, which is no small feat since every other bookstore will expect any grace that Border receives.

The brick and mortar bookstore is being challenged like never before. What will bookstores that sell e-readers do with all the square footage? The marketing emphasis is on the e-book, no longer the physical book. It seems a major overhaul is overdue for the big box bookstores.

How do authors react to the e-book? Seth Godin, a Lemuria favorite, says his next book will only exist in e-format. Do all authors only want to read and publish books this way? We don’t think so. Authors also feel the financial pinch of the e-book. While many unknown writers may have a better chance to get published, established authors are seeing a fraction of the advances they typically received. One has to ask how does this influences the quality and respect for literature. Will authors rally to preserve bookstores?

This leaves independent bookstores in particular with many more questions: Will publishers give bookstores the information and tools to help preserve the hard back read? Will publisher sales reps go to bat to preserve their stores and keep reading vital? Will marketing become more credible and more important to the independent book seller? Will the publishers recognize a need for real book selling, word of mouth in our stores and on our web presence?

Will all these changes make readership grow? As the demand of maximizing our reading time increases, will these changes add more value to our lives?

This time is very exciting for our industry. Change is now. Lemuria has the opportunity to redefine itself to you, our customer. As the spring unfolds, we will be blogging our take on all things concerning book selling.

We want you, our readers, to stay informed and have the ability to voice your concerns and questions. We also invite authors, publishers and their reps, editors, anyone who has a stake as changes unfold to follow-up with any comments.

The Bookstore Key Series on Changes in the Book Industry

Finding “Deep Time” in a Bookstore (March 8th) Reading The New Rules of Retail by Lewis & Dart (March 3) The Future Price of the Physical Book (Feb 18) Borders Declares Bankruptcy (Feb 16) How Great Things Happen at Lemuria (Feb 8th) The Jackson Area Book Market (Jan 25) What’s in Store for Local Bookselling Markets? (Jan 18) Selling Books Is a People Business (Jan 14) A Shift in Southern Bookselling? (Jan 13) The Changing Book Industry (Jan 11)

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The Tactile, Sensual Experience of Books

Today, many people are using an e-reader, or debating about getting one. This is what was happening in the early 1840s: “Americans were buying books as decorative objects for their homes as well as works of literature. This was not the same as buying sets of books by the yard to decorate the shelves of a home library. The beautiful covers of individual books were meant to be seen, not hidden on shelves with only their spines exposed” (Richard Minsky).

Maybe you read Mark’s blog a couple of days ago about Richard Minsky’s The Art of American Book Covers 1875-1930 (George Braziller, 2010).  Even though I am a sucker for beautiful, clever art work on books, it took a while to sink in. I kept admiring the many beautiful examples of book covers from the Golden Age that Richard Minsky has cared for and brought to our attention. Then it donned on me: the two charming books I bought many years ago from an antique bookstore are from this era.

This sent me back to Minsky’s book scouring for any information that might give me more clues about my books. The first book is entitled My Heart and Stephanie by R. W. Kauffman. Published in 1910 by L. C. Page & Company, the cover featuring artwork by A. G. Learned. Tooling around on the Internet gleaned little information about Learned. Obviously, the content of the book was simply the fiction of the day. (Sadly, someone appears to have used Stephanie as a coaster at some point.)

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No doubt, the books I innocently picked up were not in the gorgeous condition featured in Minsky’s studies. But studying Minsky’s collection, I began to imagine the what vibrancy The Man on the Box must have had. Published in 1904 by the Bobbs-Merrill Company, the cover art does not yield any information or initials for the artist. Nonetheless, it is still charming in its rather worn state.

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Sharing the books with my coworkers eventually led me to Lemuria’s copy of The Secret Agent by Joseph Conrad published in 1907 by Harper & Brothers. As Minsky points out in American Book Covers, many publishing houses felt that the book cover artist was just as important as the contents of the book. Harper & Brothers seems to have been a prolific supporter of the arts as Minsky has numerous examples from this publishing house.

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Still snooping around Lemuria for beautiful books, I found that the Franklin Library books of the 1960s and 70s reminded me of these Golden Age books. Even Raymond Carver’s collection of short stories entitled Where I’m Calling From signed by Carver and bound in 1988 by Franklin is a beautiful tribute.

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Back to our present book industry jolt with the e-book: Where are our beautiful books? No doubt there are many, but I chuckled when I realized the much-loved and popular-selling stamped linen classics series published by Penguin seem to be the closest and most affordable treasures similar to the books of the Golden Age. I have to wonder as the e-book becomes more prolific if book lovers will not hunger even more passionately for the tactile, sensual experience of books.

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