Category: Southern Culture (Page 15 of 16)

Beyond Katrina: A Meditation on the Mississippi Gulf Coast

I am a big follower of MPB’s show “Fresh Air,” as I have mentioned before in a previous blog, so I have once again been awarded a gift of hearing a renowned author, and in this case, a Pulitzer Prize winner for poetry (2007), read from her latest work. I am speaking of the Emory University writing faculty’s charm: Natasha Trethewey. Her new release: Beyond Katrina: A Meditation on the Mississippi Gulf Coast explores the current condition of the people, the economy, and the overall outlook of her home town of Gulfport and the surrounding communities, ground zero of Katrina, about to celebrate its five year morbid anniversary this coming Sunday, August 29.

Trethewey, the daughter of a white mother and African American father, grew up in a mixed world on the Mississippi Gulf Coast. She left to explore wider horizons, making a name for herself as a woman of literature, ultimately gaining much recognition due to her wide reaching writings, heralding the plight of a woman torn between two worlds, and understanding both. The poignant poems in her Native Guard spoke to the feelings of a biracial woman growing up in the South. In this new release Trethewey speaks much about her brother, who was one particular man harshly affected by Katrina. He had been managing the small houses owned by his and Natasha’s grandmother, but the hurricane wiped them beyond redemption, and the local government sent notice that the young man would be charged a large amount of money for them to be torn down. Losing his livelihood, he succumbed to the temptation of delivering some drugs for money to pay off his debts. He was set up; the police caught him, and he subsequently spent a year in a federal prison- another victim of Katrina.

Trethewey takes her own brother’s experience and others who have suffered psychologically, emotionally, physically, and socially and writes essays, first published in “The Virginia Quarterly Review”, which are now compiled into this new book. She even speaks of her own grandmother, whom she moved to a nursing home in Atlanta, after the storm had rendered her physically inept, and later took her back to bury in Gulfport. Many have said that Trethewey’s new book is a personal look at Katrina and how it greatly affected the lives of so many Mississippians, forever.

Come to Lemuria to hear Natasha Trethewey on Wednesday, September 8, at 5 p.m. It’s not often that Jacksonians, and others in the surrounding area, get to hear a Pulitzer Prize winner read! You can get her to sign her Pulitzer Prize winner: Native Guard as well as her new release: Beyond Katrina: A Meditation on the Mississippi Gulf Coast.  -Nan

Who dat! Who dat! Who dat sayin they gonna beat ‘dem Saints!

I don’t know about y’all but my friends and I are still on cloud 9 after the Saints not only went to the Super Bowl but won it on Sunday!!  We were so excited that we had a second line parade down Brecon Drive!

At Christmas time we had a lot of you come in asking for books about the New Orleans Saints and well, we just didn’t have any so I wanted to let everyone that a book is on its way!

saintsbookThe Times-Picayune is putting out a book, Super Saints, that will be available in the next few weeks.  It will include 160 pages of full-color photos, stats and columns by the staff of  The Times-Picayune and also have 12 pages of Super Bowl coverage.  The hardcover will be available  in about 2-3 weeks and is priced at $26.95 while the paperback at $18.95 will be available in about a week.

If you would like to order one from Lemuria give us a call at 601.366.7619 and we will save one for you when we get them.  I have a feeling these will be going fast!saintsman

Mississippi Remixed

governorCheck out Mississippi Remixed on MPB Thursday night at 8 o’clock.

Mississippi ReMixed is a documentary about the current state of race relations in Mississippi.

Mississippi Remixed tells the personal story of Canadian, Myra Ottewell, who returns to her birthplace in Jackson, Mississippi determined to celebrate the great racial transformations in the state since the 1960s, but discovers that understanding race relations is far more complicated than she bargained for. Mixed with never before seen archival footage, the controversial documentary explores the state of race relations today, celebrates the transformations occurring, and exposes the struggles and successes Mississippi is having with integration today.

Little Boy Blues by Malcolm Jones

by Kelly Pickerill

littleboybluesMalcolm Jones will be at Lemuria to sign and read from his memoir, Little Boy Blues, tomorrow night (Tuesday the 2nd) starting at 5pm.

Jones’s childhood in North Carolina wasn’t idyllic; he didn’t see much of his father, who was drunk much of the time he was around, and, while his mother was a bigger presence in Jones’s life, she was more often than not nitpicking her son or railing about one relative or another.  His book, however, doesn’t read like many of the “poor young me” memoirs that have been pervasive the past few years.  I enjoyed reading about Jones’s childhood so much because the stories he tells are not meant to shock the reader or reprove his relatives; rather, they are glimpses into a little boy’s joys and tribulations.

There’s a chapter devoted to Jones’s childhood affinity for marionettes, where the shouting matches between Jones’s parents fall into the background while he struggles to deal with his simultaneous feelings of excitement and shame because so many peers and respected adults think he may be “funny” for “playing with dolls.”  And there’s a wonderful passage about the summer he was best friends with the cinema owner’s son — a summer he wiled away the sweltering days in the cool of a movie theatre and learned “the esthetics of pleasure, of savoring something for its own sake.”  Through racial and religious bigotry, dysfunction and instability, there’s discovery and wonderment and the delights of being young.

Read the LA Times review by Susan Salter Reynolds

Up From the Cradle of Jazz: New Orleans Music Since WWII by Jason Berry, Jonathan Foose & Tad Jones

upfromthecradleofjazzUp From the Cradle of Jazz: New Orleans Music Since World War II dives into one of the city’s most alluring and charming qualities. The authors explain the culture from the origins of New Orleans Rhythm and Blues to the aftermath of Katrina.  Musicians mentioned are: Professor Longhair, Eenie K-Doe and his Mother in Law lounge, Earl King, Allen Toussaint, The Funky Meters, Fats Domino, Dr. John, The Mardi Gras Indians, the Wild Magnolias, The Neville Brothers and more.  Some of the photos shown capture action shots of musicians on stage and bands second lining, while others depict old band photos.  The history of the musicians, and the songs  as well as the musical culture of New Orleans is told through lyrics and stories of Cajun and Creole traditions which are used to translate lyrics such as Hey Pocky Way. It also explains how New Orleans music has been an influence all over the world.  Many of Allen Toussaint’s songs were covered by bands such as the Rolling Stones who did Fortune Teller, and Ringo Star who redid Lipstick Traces. Up From the Cradle of Jazz tells the stories of great musicians and traditions that have influenced music all over the world and kept the culture of New Orleans fun and unique.

-Sarah Clinton

Ole Miss at Oxford by Bill Morris

Capturing Ole Miss

It was in the Grove at Ole Miss when two unsuspecting college girls bumped into each other and quickly realized they both had on the same orange and white dress. The moment unfolded before Bill Morris’ eyes and with his camera in hand he captured it perfectly.

This photo is one of 300 photographs in Morris’ debut book “Ole Miss at Oxford: A Part of Our Heart and Soul.” In his book, Morris paints a picture of the good times in Oxford through his photos of people picnicking in the Grove, hanging out in the Square, or enjoying football games. His photos also include some historical buildings and beautiful scenery in Oxford.

A native Jacksonian and Ole Miss graduate, Morris is the founder and president of The William Morris Group P.A., an insurance and marketing firm.

Morris has always had a creative and artistic side to him that he shared with his wife, Camille. But his love of photography, however, began when his daughters, Camille and Kathryn, were born.

“I began photographing when my children were young and it grew as they got older and we would go to different venues,” he said. “Somewhere in the late 1980s, I bought some better equipment and began to photograph around Oxford.”

Morris was captivated by the beauty of the little town itself and of the people.

“As time went by, I began to photograph in the Grove and in various venues downtown, various people and places around Oxford.”

Morris said although he is not a professional photographer, he feels he was blessed with an eye for those things unique and also some things ephemeral.

“My eyes were open to people and places that I had some sense of the temporary nature of the journey through this part of time,” he said. “I photographed a number of people whose photo was the last ever taken of them.”

In the book, Morris recalls that he always has a camera in his hands and he sees things that might elude him otherwise.

He says in the preface, “With the knowledge that these particular moments will not come back again, they become cherished at the very time they are unfolding. By understanding this, a different and more complete perspective is revealed. Sometimes Camille or the girls would say, ‘No let’s not stop and take a picture right now,’ and I would reply, ‘If not now, when?’”

Although Morris always had his camera in tow at Oxford, he didn’t think about a book until the late 90s thanks to the support of literary great Willie Morris.

“I was a very big fan of Willie Morris and we became pretty good friends over a period of time,” Morris said. In November 1998, Morris had dinner with Willie and wife JoAnne at the Mayflower Cafe. “We discussed a number of things and talked about my photographs of Oxford,” he said. “One of the things he said to me was, ‘Bill, we ought to do a coffee table book.’”

Morris was honored but first Willie had two books he had to finish. Sadly, Willie Morris died the following August, but the encouragement Bill received from him never left.

During Eli Manning’s years at Ole Miss, Morris took a great number of photographs of him and the team. “Those were some special days,” Morris said. “I’m in the Rebel Club East and I’m on the first row, so I’m practically on the field but up high. I really got a lot of good shots of Eli.”

Morris would run into Archie and Olivia Manning at City Grocery Restaurant frequently. “I told them I wanted to do a photo album,” he said. “But as time went by, it didn’t get done and every time I’d see them I’d get embarrassed that I hadn’t done that.” But when Eli Manning was to open the Eli Manning Children’s Clinics at the Blair E. Batson Hospital for Children, Morris vowed to get the photo album done.

“A young lady helped me get this together and we sent it to a company that would do a photo album,” Morris said. “I got just a few copies and I presented it to them after he had cut the ribbon on the children’s clinic addition.”

The Mannings were appreciative, but according to Morris, when he showed it to some of the people at Lemuria Bookstore, they told him they had never seen a book quite like this about Oxford. “They told me if I were to do a book about Oxford and Ole Miss, they thought it would sell for a long time,” he said. “I talked to someone at University Press and we put this together and created a journey through these photographs.”

Three hundred photos were then picked from thousands Morris has taken throughout the years. Morris has many favorite photos in the book and finds sharing them to be a great joy.

He took a photo of the Smittys one morning at Smitty’s Café, a restaurant that was once located just off the Square (now the 208 Café). “It used to be a fabulous place for breakfast downtown,” Morris said. “I remember sitting in there and photographing Smitty one Saturday morning. His wife told me later that that was the last photograph taken of him.”

Morris said the reception of the book has far exceeded all of his expectations.

“The comments I have received have been very humbling,” he said. “I’m deeply thankful I could do this book for those people that love this area and those that might not be familiar and that want to learn about Oxford and Ole Miss.” Morris said he even has had positive comments from people who didn’t go to Ole Miss. “Regardless of where you go to school, this book is for all of us,” he said.

Northsider Nancy Chamblee, who is featured in the book with husband Rodney, told Morris she loved the book and it would be something that she would cherish for a long time. She said she felt so flattered to be in the book and was also appreciative of the pictures of the Downtown Inn. “I truly enjoyed every picture in the book,” she said.

Will Lewis, owner of J.E. Neilson Co. in Oxford, called the book a real tour de force, and Gayle Poole said, “One only has to melt into each photo to sense the mood altering effect of the Grove.”

Morris said he was most enchanted by the photo of the girls who were dressed alike on page 80 and he found out only a few weeks ago that the girls didn’t even know each other. “I didn’t know either one of them, I just took the photo,” he said. “I was headed up to Square Books the weekend of the Tennessee game and my signing was to start at 6 p.m. I walked back outside before the signing started and there was a woman who came running up to me and said, ‘You were the photographer who took a photo of my daughter.’” Morris was elated to meet one of the girls in the photo.

Morris said he has also been extremely happy to see people who he has not seen in years and close friends of his buying the book. “I can’t tell you what a feeling that is,” he said. “Only an artist will know what I am talking about. To use one of Willie Morris’ words, ‘It is an ineffable feeling.’”

Morris has no intention of retiring from his work, but does plan to write more books in the future. “I enjoy enhancing my life by the other talents that have been given to me in the artistic field.”

copyright, The Northside Sun

Walter Inglis Anderson

walter inglis andersonWalter Inglis Anderson is not only a Mississippi treasure but a national treasure, as well. Quite misunderstood—he was a genius who lived his life as he saw and felt it. He would row out to Horn Island and spend hours—-days—–lost in a world of nature, of wonder. His art included a wide range of media, woodcuts, sculptures, ceramics, book illustrations, paintings, and murals.
For holiday giving —I have done this so often for my family away from Mississippi—-some suggestions:

horn island logs of walter inglis andersonThe Horn Island Logs of Walter Inglis Anderson
This marvelous book not only has drawings and paintings from his time on Horn Island, but also includes incredible logs where he speaks of nature, changing ecology and weaves all of this into his personal thoughts.
“The sun came out for a little while. I saw few birds until Marsh Point…………
Then home and Ocean Springs.
Man must possess the extremes within himself—the means too, but certainly the extremes, which form his limits.”

illustrations of epic and voyageIllustrations of Epic and Voyage
Walter Anderson read Don Quixote, The Iliad, Paradise Lost and other classics and as he read them over and over again he became so engaged that he created thousands of line drawings of the characters on typing paper—over 2,000 of Don Quixote alone! Thankfully, his wife, Agnes, collected them at the end of the day and saved them. This volume has a wonderful collection of these drawings and even some lovely poetry written by Anderson himself.

secret world of walter andersonThe Secret World of Walter Anderson by Hester Bass
And now a marvelous children’s book which introduces young people to the world of Walter Anderson. Paintings are by award-winning artist, illustrator E. B. Lewis. The expository text at the end of the book gives young readers a wonderful overview of his life. Hester Bass will be at Lemuria to sign her book on Sunday, November 15th at 1:00p.m.

Dr. Nancy Verhoek-Miller, director of curriculum and instruction at MSU and editor of the Mississippi Reading Journal, sent me a copy of the most recent volume of this publication. In it was an article written by John Anderson, Walter Anderson’s youngest child. He wrote after going with his father to Horn Island:
“Meeting my father and learning that he was not a lonely hermit or a lunatic had changed me. Looking through his eyes had opened me up to the beauty and drama of living. It had filled my mind with new thoughts and my heart with love.”

So, come by Lemuria soon and browse our collection of Walter Anderson books—and discover his genius, once again.

-Yvonne

Rick Bragg in Clarion Ledger

Jerry Mitchell wrote an article about Rick Bragg in today’s Clarion Ledger.

bragg

Click here to read….

Well, What Can I Say…Camp DeSoto: A History by Norma Flora Cox & Norma Bradshaw Flora

I won’t beat around the bush or make excuses but I am about to blog about my own book. So there….I’m sure there must be something wrong about that but I’m doing it anyway!!

camp-desotoSince childhood, I have always been a voracious reader and a lover of books. At Ole Miss, I even graduated with a degree in Library Science and worked as a librarian for several years. I was a reader…never a writer. There was one book, though, that I always dreamed of writing. I wanted to tell the story of how my grandmother Norma Bradshaw (from Jackson, Miss.) bought a girls summer camp in 1946. The camp was (and is) Camp DeSoto on top of Lookout Mountain and I can objectively say that it has gone on to become a veritable southern institution. To make a long story short, the book happened! My mother wrote it with me and Camp DeSoto: A History by Norma Flora Cox (me) and Norma Bradshaw Flora was published at the end of 2004.

We had a wonderful time recounting hundreds of stories, pictures, songs and little known facts about this very special place. Also, countless women sent us their own memories and we included as many of those as was possible. Early on there were many obstacles to be faced. When Brad (my grandmother) and her business partner, Bess Herron, were attempting to buy the camp in 1946, no bank would lend them any money…saying that women could not get along peacefully for any length of time and certainly not long enough to make a successful business venture. So, undaunted, they sought money from everyone and anyone they knew and proudly paid back all personal loans within two years of owning and running DeSoto! Purely from a business perspective, they were extraordinarily successful and their “impossible” dream has continued every summer to this day! That’s operating continuously for 63 years if anyone is counting!! Not too shabby for a couple of women.

Why am I telling you about this now???

There are several reasons. For starters, we have just recently paid off our book loan! A huge thrill and an even huger relief!! Mother and I figure that since my grandmother’s day, well over 40,000 girls have passed through DeSoto’s front gates so there are a vast number of women throughout the southeast who, we assume, would be interested in knowing about and owning a book! Over the last few years, we have had the privilege of seeing, reminiscing, crying and laughing with literally thousands of people who have been touched by Camp DeSoto in a myriad of ways. Now that our loan is a memory, we are committed to making sure that anyone who wants a copy has no problem affording one. To that end, Mother and I have dropped the book price to $25.00.

Also, just this past week, Sue Henry, who came to work for my grandmother when she was 17, died after a very brief illness. Sue started out as a camp counselor in 1949 and never stopped coming back!! Eventually, she bought Camp DeSoto and was a very important, influential and greatly loved person in the lives of thousands of girls. Camp DeSoto: A History chronicles not only my grandmother’s story but the entire history of DeSoto…before, during and after…my grandmother’s tenure. Sue’s life story and legacy are very much a part of the book.

For those two reasons, this seemed like a perfect time to blog about it all!

In case you’re wondering if you have to be familiar with DeSoto or even the least bit interested in camping to want to read the book, I say a resounding NO!!  I believe this story transcends its actual subject matter. Certainly, one of the wonders of books is that they lead us into worlds that we might never have known and offer us experiences that enrich our lives. This book takes you into the heart of a real southern woman who dreamed of making a wonderful place for children where every summer they would be loved and respected, challenged and enjoyed. Seeing how others achieve their dreams can serve as a model as well as motivation for the rest of us!

I am unabashedly proud of my grandmother.

I always believed it had the makings of an unforgettable story so please help me spread the word that Camp DeSoto: A History can now be bought at a brand new price through Lemuria Bookstore and also from our own book website…www.campdesotobook.com.

What to read after The Help? (In Search of Our Mothers’ Gardens & Tongues of Flame)

Many readers have been asking us what to read after The Help. Two books that have satisfied my soaring emotions after reading The Help were In Search of Our Mothers’ Gardens by Alice Walker and Tongues of Flame by Mary Ward Brown.

Walker’s book is a collection of essays written in the 60s and 70s about civil rights, Alice’s time spent in Jackson, essays written about Zora Neal Hurston and essays written about the act of writing. The title essay, “In Search of Our Mothers’ Gardens,” brought me to tears. It is about the African-American woman’s struggle for creative outlets throughout history. Alice writes of African-American women in the post-Reconstruction South: “exquisite butterflies trapped in an evil honey, toiling their lives away in an era, a century, that did not acknowledge them, except as ‘the mule of the world.’ They dreamed dreams no one knew–not even themselves, in any coherent fashion–and saw visions no one could understand. They wandered or sat by the countryside crooning lullabies to ghosts, and drawing the mother of Christ in charcoal on courthouse walls” (232).

Alice writes that these women “have handed on the creative spark, the seed of the flower they themselves never hoped to see” (240). Alice writes of her own mother, “ordering the universe in the image of her personal conception of Beauty” (241) in her garden, known three-counties-wide.

This is what brings me to tears: thinking of all the mothers, and grandmothers, and great grandmothers seeking creative outlets, avenues for expression of their own version of Beauty. Often this took place in the home. My own grandparents, son and daughter of German immigrants, were poor, a tiny house in the middle of dusty central Texas. My grandmother sewing by hand the quilts she would hand down to her children, grandchildren, great grandchildren . . .

Thinking about the stifling limits of slavery and segregation for African American women, thinking about the particular struggles of poor immigrant women is humbling. Their hands hold us up today, giving us the freedom to pursue any whim of creativity or self-exploration.

John wrote an earlier blog about Mary Ward Brown’s new memoir Fanning the Spark. This memoir actually connects beautifully to Alice’s essay “In Search of Our Mothers’ Gardens.” Mary writes about the security her parents afforded her by leaving her their land and house. The house, where she writes her short stories, she still lives in today.

*

Her first collection of short stories, Tongues of Flame, was published in 1986. Mary Ward Brown spent her earlier years caring for her family, reading, and earning a living. She opted to write and publish late in life. Tongues of Flame was awarded the Pen/Hemingway award for fiction.

What I find consoling about this collection, after reading The Help, is that she writes of the time following the civil rights movement and the evolving relationships between blacks and whites in the South. “Beyond New Forks” particularly echoes The Help as it captures the complexity of the relationship between a white woman and a black woman, Queen Esther. It was Queen’s mother who raised these two, side by side. Additionally, the story deals with a new generation of African Americans who must find a redefined place in society after desegregation. It is Queen’s daughter who struggles to find an identity in the rural South, which does not include cleaning and cooking for a white woman. Queen Esther and her white counterpart must both reconcile the societal changes they have witnessed in their lifetimes.

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