Category: Zen (Page 3 of 5)

The Late Poems of Meng Chiao

late poems of meng chiaoThe Late Poems of Meng Chiao

Princeton (1996)

Translated by David Hinton

Meng Chiao (751-814) wrote most of these experimental poems between 807-814. Late Poems is a radical and major work of deep introspection. Even though it was written over a thousand years ago, many of these poems read fresh and contemporary: Meng Chiao’s “symbolic expressions express what conventional language cannot articulate…which affront him new depths of insight into the objective world.” Meng wrote in desperate times, and his late poems are a powerful extension of TuFu.

Meng’s poems are longer than many of my other favorite Chinese poets. However, I found some lines beautiful, mind-pausing, relaxing and descriptively objective, prompting much contemplation.

“And when white clouds have no master,

They just drift off, idle thoughts carefree.”

*     *     *

“And once weeds close you in,

they’ll never open up again.”

Companions for the Journey: A Series

Companions for the Journey is a series showcasing inspirational work by well-known writers in a small-book format designed to be carried along your journey through life.

I have enjoyed reading these books and blogged about some of them in this series before. This spring three new titles were issued and I found all three to be enjoyable.

breaking the willow#18 Breaking the Willow: Poems of Parting, Exile and Separation & Reunion

Breaking the Willow is an anthology of Chinese poets named for the custom to break a willow twig and present it to a departing friend. Many poems of sorrow and loss are mirrored as the reader reflects. There are many beautiful one-liners in this little jewel:

“Glorious moon hanging in mid-sky, but who looks?”

between the floating mist#19 Between the Floating Mist: Poems of Ryōkan (1758-1831)

This selection of Ryōkan’s poetry is followed by an exchange of poetry in sequence between Teishin and Ryōkan. I found the following exchange an adequate representation:

.

Teishin

Distant waves

seem to come,

seem to go . . .

Ryōkan

Clear and bright

your words and understanding.

mountain tasting#20 Mountain tasting: Haiku and Journals of Santoka Teneda (1882-1940)

Santoka Teneda is a “new Haiku movement” poet representing the Zen qualities of simplicity, solitude and impermanence conveyed in a modern setting through haiku. Teneda walked around pre-WWII Japan, living simply and writing sensitive poems. I enjoyed this collection the most of the three. I end this blog with two favorite haiku.

(For fun) #137

Nonchalantly urinating

by the road,

soaking the young weeds.

(For thought) # 346

The sound of waves–

and distant, nonclose:

how much of my life remains.

I also wrote an entry a while back on another volume in the Companion Series. Click here to read about Lotus Moon: Japanese poet, Rengetsu (1791-1875), was the illegitimate offspring of a high-ranking Samurai and a young geisha . . . Keeping few possessions she likened herself to a “drifting cloud.”

The Practice of Lojong by Traleg Kyabgon

practice of lojongThe Practice of Lojong: Cultivating Compassion through Training of the Mind

by Traleg Kyabgon

Shambala (2007)

The word lojong is Tibetan for “mind training.” Lojong is training the mind to be intelligent in a very fundamental way, developing basic intelligence and making intelligent use of our emotional nature which leads to seeing and thinking more clearly.

We do not have the power to stop other people from doing certain things, but we do have the power to resist becoming adversely affected by the wrongs done to us by others, whether real or imagined.

This very practical book offers teachings and advice on how to cultivate compassion in our daily routines and workday: With lessons on how to maintain practice through the duration of our lives, we can keep the commitment to mindfulness by transforming adversity into awareness

Lojong is another serious and helpful book which I found through reading an excerpt in Best Buddhist Writings of 2008. I cannot emphasize enough on how one book leads to another which then leads to another and so on. It is truly the power of the reading path.

Lojong is a fine book to study for those who enjoy Salzberg’s Loving Kindness and the fine books by Pema Chodron.

Essence of the Upanishads by Eknath Easwaran

by Kelly Pickerill

essenceoftheupanishadsThis isn’t a new book, of course, but Nilgiri Press has just reissued Eknath Easwaran’s Dialogue With Death: The Spiritual Psychology of the Katha Upanishad in a revised edition called Essence of the Upanishads.  This attractive edition includes a previously unpublished introduction and some minor revisions that were suggested by the author before his death in 1999.

Easwaran’s translations of the classics of Indian spirituality (the Dhammapada, the Bhagavad Gita, and the Upanishads) are critically acclaimed, and in this new edition, he expounds upon the Katha Upanishad, the story of the boy who asked Death himself what happens after man leaves this world.

Easwaran’s meditations on the Katha Upanishad are incredibly readable and insightful.  He uses humor and anecdote to show the importance of translating the scriptures to daily living through meditation.  The journey he relates is personal, but the lessons to be learned are universal.

EknathEaswaranEaswaran developed a method for meditation called “Passage Meditation,” the repetition of a memorized prayer or scripture from the world’s great religions.  In one of my favorite books, J.D. Salinger’s Franny and Zooey, Franny becomes dismantled during a weekend with her ivy league boyfriend when, unhappy with the insincerity she perceives in everyone around her, she begins chanting a prayer and suffers a spiritual and existential breakdown.  The book has been recognized as a depiction of the journey one takes to enlightenment, but the path Franny takes is, admittedly, somewhat brutal.  Ever since I read it, though, I’ve been curious about the practice of passage meditation, and the phenomenon that happens, Franny says, when a person prays without ceasing.  She says:

frannyandzooey“But the thing is, the marvellous thing is, when you first start doing it, you don’t even have to have faith in what you’re doing.  I mean even if you’re terribly embarrassed about the whole thing, it’s perfectly all right.  I mean you’re not insulting anybody or anything.  In other words, nobody asks you to believe a single thing when you first start out.  You don’t even have to think about what you’re saying, the starets said.  All you have to have in the beginning is quantity.  Then, later on, it becomes quality by itself.  On its own power or something.  He says that any name of God–any name at all–has this peculiar, self-active power of its own, and it starts working after you’ve sort of started it up . . . You get to see God.  Something happens in some absolutely nonphysical part of the heart–where the Hindus say that Atman resides, if you ever took any Religion–and you see God, that’s all.”

Classical Chinese Poetry

classical chinese poetryClassical Chinese Poetry: An Anthology

Translated and edited by David Hinton/Farrar, Straus and Giroux, New York, 2008

Before Thanksgiving I began a leisurely read of this “all-star” poetry collection which spans 2700 years (1500 B.C.E. to 1200 C.E.). The anthology of nearly 500 poems “focuses on a relatively small number of poets and provides selections that are large enough to recreate each poet as a fully realized and unique voice” (jacket).

Gradually absorbing the earliest to the latest, developing insight on poets influencing poets, understanding their distinctive voices helped me to put my previous readings of Chinese poetry into a more organized perspective.

Allowing myself to linger over these poems opens the doors of internal perception and conscious reflection, a process of slowing down the pace of life and perhaps even learning to be more present with the world around me.

Ezra Pound’s translations of Chinese poetry helped to break away from formalist rhetoric. In addition, he influenced and published expatriates in Paris during the 1920s. The use of “concrete language and imagistic clarity” can easily be seen in Pound’s publication of Hemingway’s In Our Time: It’s not what you write that’s important; It’s what you leave out (xix).

Reading a larger volume on a measured daily basis allows you to live with your reading experience, to become absorbed and allow the meaning of the text to ease into your life.

The Collected Songs of Cold Mountain

The Collected Songs of Cold Mountain

Translated by Red Pine

Copper Canyon Press (2000)

About five years ago during some troubles, a friend visited while he was reading The Collected Songs. Before he left, he gave me his copy with the inscription: “For John, who could use this book.” And I have: reading, rereading and rereading again.

China’s monk-poet, Han Shan “Cold Mountain” wrote these poems 1200 years ago on rocks, trees and mountain walls. From a secluded simple life in his cave, Cold Mountain wrote simple unpretentious poetry. His poems esteemed for their spiritual honesty, poignancy and humor were written for everyone not just the educated elite. When Cold Mountain disappeared into the cliffs, his poems were collected and preserved.

Red Pine’s (Bill Porter) translation of Cold Mountain’s work enhances the reader’s experience, adding interpretive depth. Red Pine leads the reader to self-exploration through Cold’s insightful gift.

This beautiful collection will be my life-long companion to revisit again and again, enhancing my days. My life has been touched by this book and is different today as a result. A life enhanced by a fine gift from one understanding reader to another. This blog is my thanks to a friend.

Han Shan and Shih-te

Read more about Cold Mountain in a previous post of mine.

Buddhist China in Picture and Poem

Where the World Does Not Follow: Buddhist China in Picture and Poem

Translated by Mike O’Connor / Photography by Steven R. Johnson

Wisdom Publications: Boston (2002)

*     *     *

O’Connor’s translation of ancient poems, alongside Johnson’s breathtaking photography, bring these ancient words to the present. Zen and Taoist poetry coupled with timeless images make for this wonderful book, which I slowly read; when I finished, I started over.

Reading clearly translated timeless poetry is relaxing and yields satisfaction. This anthology, associated with photography, stands out: Old words giving old truths, a modern translation with interpretive meaning for all time, with the association of the modern art form of photos. All mix together for a moving reading experience.

I enjoy rereading Chinese poetry, presented in different ways, which give alternate understanding and renewed depth. Blending art forms give another insight into the mind.

For instance: From “On Hearing a Bell” by Chiao-Jan:

“When the bell sounded

It was my mind”

Opposite page: a photo of the of the entrance of cold mountain’s home

On the next page a poem from “A Thousand Clouds, Ten Thousand Streams” by Han Shan:

“No dust can gather

Happy,

Clinging to nothing.”

Opposite page: a photo of cold mountain’s cave looking out

These examples especially moved me. This book being beautiful, is full of touching reading moments. Words from old with photos from the present add to each readers time with place, resonating in our hearts of an age gone by.

Sunday November 9, 2008, I close with a touching excerpt from a Jen Fan Poem.

“No wine I know

Can melt

This night.”

Never Turn Away by Ridgzin Shikpo

My discovery from Best Buddhist Writing: 2008 (see this blog entry) was Ridgzin Shikpo (Michael Hookham) who began his practice in the 1950s.

In 1965, Shikpo met his principle teacher, Chogyam Trungpa Rimpoche, and received detailed instruction from him on the preliminary and main practice of the Dzogchen tradition. Shikpo’s emphasis is on presenting Dzogchen’s teaching in English using methods and language appropriate to Western students.

Never Turn Away is a practical book that I had to read slowly almost like a book of essays. Shikpo’s words ring with authenticity as he emphasizes the practice of openness and awareness to see the significance of our ordinary experiences. Even if we don’t know what to do or how to handle the situation, Shikpo advises us to simply turn toward the situation. The teachings of this book have a strong emphasis on working with direct experience.

Never Turn Away is divided into four sections:

1. Understanding openness through meditation and the truth of suffering

2. Mandala principles and the cause of suffering

3. Collapse of confusion and the cessation of suffering

4. Pursuit of truth and the truth of the path

All four sections are broken down and fit together with superb editing. These sections are full of techniques to help us understand out practice. Also, I found Shikpo’s full account of basic formless meditation to be most helpfully presented.

Never Turn Away does not feel contrived; It is genuine and open as Shikpo gives us his clues for facing the present.

The Best Buddhist Writing: 2008

Above: Lemuria’s Zen Section

The Best Buddhist Writing of 2008, Edited by Melvin McLeod, Shambala (2008)

I look forward each year to this collection. I have found many new books and authors to read from McLeod’s work. However, one of my enjoyments is rereading the editor’s selections from books I’ve read already. It’s interesting to see not only what authors’ books he chose but to also consider why that particular excerpt was chosen.

This year’s edition was equally outstanding and varied as the previous collections have been. Essays selected include fine pieces from Joseph Goldstein, Pema Chodron, John Daido Loori, Steve Hagen, Thich Nhat Hanh and His Holiness the Dalai Lama.

My favorite piece was from Michael Carroll’s book The Mindful Leader. Rereading especially during this recession time helped me to refocus on some of his business concepts, some of which seemed like I had read too long ago.

Another nice quality of these collections is reading essays that are thoughtprovoking. You might not be drawn to read a whole book by the author but learning about new folks with different slants on things is an expanding quality of reading these annual collections. They are also edited to be very reader friendly.

Ocean of Dharma

Ocean of Dharma

365 Teachings of Living Life with Courage and Compassion

The Everyday Wisdom: by Chogyam Trungpa

Shambala (2008)

Trungpa published Cutting Through Spiritual Materialism in 1973. When I opened Lemuria in 1975, and touched upon Zen, Trungpa books were established and acknowledged in the middle America counter culture. His work became a staple in my bookstore and has remained as such ever since.

Born in Tibet in 1939, giving up his monastic robes and immigrating to North America in 1970 as a lay teacher. He wrote many books until his death in 1987. His understanding of the western mind made him one of the most important influences on the development of Buddhism in the west.

Over the years I’ve read, enjoyed and felt enhanced by reading Trungpa books. I haven’t read one in a while and was delighted when Ocean a small book was released this year. 365 chapter pages of Trungpa wisdom divided to be read daily. Each teaching is on living life with courage and compassion. Teachings pulled from a lifetime of his writings condensed into this page-a-day issue for internal reflection. 

I like these kind of books. Over the years I’ve gotten so much from Trungpa that reading Ocean was like finding gold without working for it. I decided to read two pages a day and have enjoyed my revisitation with the author.

Carolyn Rose Gimian, compiler, pared down Trungpa’s immense teachings to this everyday, adaptable concept. Carolyn’s understanding of this teacher’s work is evident and I thank her for her editorial work and gift of this fine little book.

Ocean of Dharma could be a good introduction to Trungpa and the greatest hits for those who enjoyed his work in the past.

From Snow Lion #261 “Discipline is not a demand but a pleasure.”

From Sacred Action #244 “We should regard everything that we do as very important, not a big deal, but very important.”

From Relating to Others #253 “We are constantly trying to work out our relation to the other. It’s like your dog meeting someone else’s dog.”

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