Category: First Editions Club (Page 6 of 7)

The Story behind the Pick: The Tiger’s Wife

Sometimes when we write The Story behind the Pick for our First Editions Club, few readers have ever heard of the book, but that is not the case with Téa Obreht’s The Tiger’s Wife. Since its March 8th release, it seems The Tiger’s Wife and Téa Obreht have been front and center in every major newspaper. Some of the obvious points we’ve heard about her include her young age of 25 and being selected for 20 under 40: Stories from The New Yorker and as well as the National Book Foundation’s list of 5 under 35.

The last time The New Yorker had put together such a collection was in 1999 and included excerpts from Michael Chabon’s “The Amazing Adventures of Kavalier & Clay,” David Foster Wallace’s “Infinite Jest,” as well as the work of Junot Diaz, Jonathan Franzen, Jhumpa Lahiri and Edwidge Dandicat. Téa has this to say about the honor:

[It’s] really humbling, in the most positive way. It’s surreal to be attached to this list of writers I admire. But I’m not going to let it go to my head.” (Publisher’s Weekly Interview)

The Tiger’s Wife is a complex, ambitious and beautiful novel. Natalia, a practicing doctor, must come to terms with the life around her which none of her medical training can answer. Her grandfather, a great storyteller and physician, mysteriously passes away in a village far from home.

With his belongings are still in the village, Natalia’s grandmother is nervous about getting them home before the family’s Eastern Orthodox mourning ritual is passed. Meanwhile, at the orphanage where Natalia is helping sick children, a family is digging night and day to unearth a body they believe to be causing the sickness.

Throughout this time period, Natalia begins to understand that the myth of the tiger’s wife actually surrounds real people from her grandfather’s hometown. Weaving myth and allegory from traditional Serbian and Croatian literature into the plot of the narrative, the reader begins to see life reflected in these long-told stories. Michiko Kakutani, writing for the New York Times, expounds on the strong presence of myth in The Tiger’s Wife:

“Ms. Obreht, who was born in the former Yugoslavia . . . writes with remarkable authority and eloquence, and she demonstrates an uncommon ability to move seamlessly between the gritty realm of the real and the more primary-colored world of the fable. It’s not so much magical realism in the tradition of Gabriel García Márquez or Günter Grass as it is an extraordinarily limber exploration of allegory and myth making and the ways in which narratives (be they superstition, cultural beliefs or supernatural legends) reveal–and reflect back–the identities of individuals and communities: their dreams, fears, sympathies and hatreds.” (March 11, 2011)

While there is much to discuss regarding the novel and its author, it would be a great oversight not to mention the story of how it came to be published. It is another story of precociousness.

Téa Obreht’s 30-year-old agent, Seth Fishman, got about half-way through the sixty-page manuscript before he had to stop and pace to contain his elation. Tiger’s Wife became his first book to ever sell as an agent. While on jury duty, editor Noah Eaker read the book-length version and excitedly e-mailed his colleague at Random House and pleaded with her to read it over the weekend. At that time, Eaker was still an editorial assistant and a mere 26-years-old.

In an age when anti-intellectualism sometimes feels rampant, you have teams such as this group of young people producing great literature that will be long remembered.

The Tiger’s Wife is published by Random House with a first printing of 25,000.

While Tiger’s Wife is the kind of novel you just want to get lost in, here is list of commentary that Lemurians have been reading over the past several weeks:

Death and Tigers: PW Talks with Téa Obreht, Publisher’s Weekly, 1/17

The Practical and Fantastical, The Wall Street Journal, 3/5

Magical Realism Meets Big Cats In The Tiger’s Wife, NPR, 3/8

Luminous Fables in a Land of Loss, The New York Times, 3/11

A Mythic Novel of the Balkan Wars, The New York Times Book Review, 3/13

Author Earns Her Stripes on First Try, The New York Times, 3/14

Téa Obreht will be at Lemuria signing and reading The Tiger’s Wife at 5pm on Wednesday, March 23rd. The Tiger’s Wife is Lemuria’s March First Edition Club Pick.

Téa Obreht was born in 1985 in the former Yugoslavia, and spent her childhood in Cyprus and Egypt before eventually immigrating to the United States in 1997. Her writing has been published in The New Yorker, The Atlantic, Harper’s, Zoetrope: All-Story, The New York Times, and The Guardian, and has been anthologized in The Best American Short Stories and The Best American Non-Required Reading. As mentioned before, she has been named by The New Yorker as one of the twenty best American fiction writers under forty and included in the National Book Foundation’s list of 5 Under 35. Téa Obreht lives in Ithaca, New York. (www.teaobreht.com)

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First Editions Club goes to Oz

Recently Emily and I have teamed up to give our First Editions Club Members a new opportunity and I’d like to tell you a little bit about it.

On February 18th, the grandson of Ludwig Bemelmans, author of the Madeline series, was here at Lemuria signing his new book, Madeline at the White House. With this signing we are kicking off a new chapter for the First Editions Club. As we get this program off the ground, approximately every other month we will inform you of our new Oz (our children’s store) First Editions Club pick which you will have the option of receiving with your monthly first edition.

These books will be chosen much in the same way the first editions you receive now are: the author will sign first editions of his or her book in our store, and we will only choose books that we feel will have value not only to families, but also t0 the serious collector. Because of this consideration, a selection may not be available every month.

In the last few years we have really begun to host bigger and more acclaimed children’s book authors. Last year alone we had Sharon Draper here, five-time winner of the Coretta Scot King Literary Award, National Book Award Winner M.T. Anderson, and Kathryn Erskine with her new book Mockingbird which won the 2010 National Book Award.

The Emerald Atlas is an Oz First Edition Pick for this spring. Written in the tradition of Narnia and Harry Potter, Emerald Atlas is already one of the most talked about books in industry circles this year.

We are really excited about being able to offer this as an addition to current First Edition Club members.  We would also like to extend the offer to anyone out there that is interested in joining the Oz First Editions Club exclusively.

If you have an interest in or any questions about the regular First Editions Club 0r the Oz First Editions Club please feel free to either call or e-mail Zita or Emily. You can also sign up through our website.

601.366.7619 or 1.800.366.7619

zita@lemuriabooks.com

emily@lemuriabooks.com

by Zita

Ghost Light by Joseph O’Connor

Several months ago, I smiled happily when John and Joe placed an advanced reader’s copy of Joseph O’Connor’s new masterpiece Ghost Light in my hands. In the fall of 2007, I had been one of the lucky ones to hear the Irish author read from his novel Redemption Falls. Those of us who were at the reading will never forget the mesmerizing and beautiful reading, which probably lasted for at least an hour, which is a very unusual and longer length of time than most of our authors read.

As I recall, John and the rest of us begged O’Connor to keep reading, for his melodious voice captivated us all as he read his own words exactly as he had intended with an author’s perfect expertise and dedication. So, it probably goes without saying that I had been eagerly awaiting publication of another novel by the author.

John M. Synge (1871-1909)

Ghost Light, set in and around Dublin and London, in the early 1900s and mid 1950s, respectively, will capture the heart of even the romantically challenged, as O’Connor slowly and beautifully winds out a masterfully created story of the historically renowned aristocratic Irish playwright John Synge and his much younger, common society love interest Molly.

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“Drawing of Molly Allgood (Maire O’Neill) by Ben Bay, in the title role of Deirdre of the Sorrows by J.M. Synge, circa 1910. From the collection of the National Library of Ireland.”

As the years go by, Molly believes that Synge will one day marry her, even though his mother haunts and persuasively directs his every move. The heart wrenching story, told by the feisty young actress, often employs the second person “you”, rarely used by many authors due to its challenge.

Told through a series of flashbacks, O’Connor allows the reader to view the actress throughout her lifetime with its tumultuous ups and downs as she yearns to be forever with Synge instead of only in hidden trysts nestled in the countryside. The Dublin and London settings superbly anchor the story and give the reader a perfected view of the two time periods. Add to this enticing mix a play director by the name of the famous poet William Butler Yeats, and the story gains even more intrigue. O’Connor’s superb character development ranks at the very top in this novel.

Synge wrote the controversial play The Playboy of the Western World which ignited riots in Ireland and the U.S. Playboy is now considered a western classic.

In addition, it was hard for me not to compare this brilliantly written fiction with the “other” Irish author James Joyce, for the writing, to me, often migrating into stream of consciousness, reminded me of some scenes in Ulysses, A Portrait of the Artist as a Young Man and Dubliners.  At any rate, I was glad to revisit Dublin for sure.

One more thing . . . of particular interest to me was the author’s note, labeled “Acknowledgments and Caveat”, which appears at the end of this short novel, in which he tells of his childhood home in Dublin and his acquaintance with the old house where the playwright John Synge lived. O’Connor states:

Ghost Light is a work of fiction, frequently taking immense liberties with fact. The experience and personalities of the real Molly and Synge differed from those of my characters in uncountable ways. Chronologies, geographies and portrayals appearing in this novel are not to be relied upon by the researcher.”

Somehow, reading this note at the end made the novel even more fascinating to me. I always like to try to figure out what is in the mind of the creator writer as I read.

I’m sure I will learn more when we Lemurians go to our dot.com building late afternoon on Friday, February 18th at 5:30 (signing at 5:00), to hear O’Connor read from Ghost Light, a novel to be read slowly and savored carefully. This is not a reading to be missed and all are invited. You are in for a treat! Ghost Light has also been picked for our February First Editions Club book.  -Nan

Siobhan Fallon’s “You Know When the Men Are Gone”: Which story stuck with you?

by Kelly Pickerill

Ellen is sitting in the waiting room of a doctor’s office on the army base of Fort Hood, waiting to hear the results of a test. The waiting is making her thoughts run wild; she fears that her cancer’s back, that insidious disease that has taken her breasts already, and that has in many ways derailed her family’s life.

Then she gets a phone call. Her teenage daughter and five year old son aren’t in school today, does she have a doctor’s note? She doesn’t. She sent them to school that morning.

This is how “Remission” begins, one of the most haunting stories in Siobhan Fallon’s book of short stories, You Know When the Men Are Gone, centered around the families at Fort Hood military base in Texas. I finished the book a few weeks ago, reading it through quickly in a weekend. There is something about each of the stories that pulls the reader along; they evoke emotions that we all experience and can relate to.

In one story, a sergeant’s widow continues living at Fort Hood after her husband dies, though she avoids the busy supermarket when it’s payday and isolates herself at home, begrudgingly hosting the supportive and concerned friends and colleagues of her husband who are dropping by less and less frequently. In another, a husband, a soldier on leave, is so suspicious that his wife is having an affair that he hides in their basement, stalking her in order to catch her in the act, though he doesn’t know what he’ll do if he does.

It is a testament to Siobhan Fallon’s artistry that she has told the stories of these families affected by our current war with such a subtle, sober hand as to make their world come violently alive.

Joe writes about selecting You Know When the Men Are Gone for our January First Editions Club selection here. Lisa writes about the special appeal this collection of short stories will have to military families, and Lemuria customer Donna Evans shares her connection to the book–read all about it here.

Siobhan Fallon will be signing today at 5:00 and reading at 5:30.

“You Know When the Men Are Gone” Speaks to the Hearts of Military Families

When I read You Know When the Men Are Gone, I was impressed with Siobhan Fallon’s writing alone. The stories could have been about anything. It was clear Fallon knew how to write a good short story.

But since her stories are about military family life, there is no doubt many readers who are part of military families will find special meaning in this debut collection. We happened to learn that a customer of Lemuria is not only part of a military family but is also acquainted with Siobhan Fallon through her son-in-law.

Donna Evans’ son-in-law became life long friends with Siobhan’s husband, Major Evans, while they were both living in Hawaii. Major Evans was actually a groomsman in her daughter’s wedding. As a wedding gift, Siobhan gave her daughter and her husband an advanced copy of You Know When The Men Are Gone.

Donna shared these thoughts with us:

“After our daughter read it she quickly handed it off to me, knowing I’d like it. We have a number of military men in our family and we are very patriotic. Our son in law Captain Lowell Goldman was deployed to Afghanistan during his courtship with our daughter (Ellie Evans Goldman). Of course, I loved getting to read these wonderful stories which also happened to teach me some things I could not have known about the intimate issues of military families.”

“Siobhan has described family life at Ft. Hood before, during and after deployment during the early 21st Century. The book is so contemporary. I don’t think it would have been written quite this way in the Viet Nam or World War II eras. The type of warfare, the roll of women in society, the use of email and telecommunications from the battle front are all current. These colorful stories include tales of love, strength, longing, worry, jealousy, anger, and forgiveness. There are acts of sisterhood among the wives, heroism and humanitarianism from the soldiers, misbehaving children who don’t fully understand their parents’ problems, and passionate love. Any American citizen would benefit from reading about the sacrifices made daily by our ‘families in uniform.'”

In the video below, Siobhan Fallon speaks candidly about her book and life on a military base.

Joe writes about selecting You Know When the Men Are Gone for our January First Editions Club selection here. Siobhan Fallon will be signing at 5:00 and reading at 5:30 on Tuesday, February 1st.


The Story behind the Pick: You Know When the Men Are Gone by Siobhan Fallon

January’s First Editions Club can be one of the hardest to pick, but it can also be one of the most rewarding. Think about it, there are so many books coming out in the three months before Christmas, holiday sales etc., that January turns out to be somewhat of a dry month for publishing. So, very few books being released equals very few choices for the First Editions Club. The good news is January is the month where we have to work a little harder and dig a little deeper, and usually come up with something unique and fun. Often the pick is a first time author or an author for whom we really have to pitch a tour stop to the publisher. (all of the First Edition Club authors come to the store for a signing – it’s part of the deal) For instance Kathryn Stockett, Stuart Dybeck, Mary Ward Brown, and William Gay have all been January FEC authors.

January 2011’s First Editions Club pick is You Know When the Men Are Gone by Siobhan Fallon. You Know When the Men Are Gone is the first book of short stories we’ve picked since Grisham’s Ford County in 2009 and before that, Pia Ehrhardt’s Famous Fathers, but we didn’t pick it because it’s short stories, (although I do love to promote the short story) no, this pick came about purely from reading and enjoying a book.

You Know When the Men Are Gone is a collection of somewhat connected short stories. This isn’t one of those books where each story has the same characters, or where the stories can be pieced together into a sort of loosely hinged novel, no, these stories are more connected in theme. Each is about spouses, children, or parents of soldiers in the Middle East. There are stories that delve into the soldiers perspective, but for the most part the stories are mainly from the perspective of the wives of soldiers. But no worries, this is by no means a limitation, neither is the “wartime” theme – although readers may be concerned that they won’t like the book for those reasons – as Lisa says here, “Fallon transcends the politics and gets to the heart of the matter: the families who serve our country. Besides that, she is a great writer, worthy of reading no matter what the theme.” And isn’t that why we’re here? To find that reading experience that offers that sort of transcendence?

Siobhan Fallon’s collection, published by Amy Einhorn books, is due out on January 20th. She will be signing (5:00) and reading (5:30) at Lemuria on Tuesday, February 1st.

Looking forward to the books of 2011

As we finish up 2010 we reflect on the our work and our favorite books – Mark lists his favorites here. Many of my favorites were first editions club picks. Steve Yarbrough’s Safe From the Neighbors and Karl Marlantes’ Matterhorn immediately come to mind because this time last year we were just learning about the first big books of 2010. I’d like to take the opportunity to tell you about the first couple of books we’re learning about for 2011.

Chinaberry Sidewalks by Rodney Crowell

Yes, this is Rodney Crowell the Nashville singer/songwriter who was once son-in-law to Johnny Cash. Chinaberry Sidewalks is Crowell’s memoir about his  Texas childhood. It’s funny, we had a signing in November for Marshall Chapman – another singer songwriter who is a friend of Crowell’s – in her book she asks Crowell about how he first came to Nashville. Crowell’s book fills in the blanks before he came to Nashville. This book is getting a lot of critical acclaim – it is reminiscent of Mary Karr’s Liar’s Club. Crowell will sign, read, and even perform a few songs on January 19 starting at 5:00.

You Know When the Men are Gone by Siobhan Fallon

We really like picking first time authors for our First Editions Club. It’s fun to work with an upcoming author from the very beginning. For instance we picked Cold Mountain and All Over but the Shoutin’ for the club in 1997. You Know When the Men are Gone is Fallon’s first book. They are short stories, but they are all connected, not by the characters, but by the themes. Each story is either the tale of soldiers in Iraq or of their wives back home. I enjoyed this book very much. Each story is full of suspense – reminiscent of Raymond Carver.

John Brandon knows Florida

by Kelly Pickerill

I started reading Citrus County this weekend,  John Brandon’s new book and our First Editions Club pick for August. The novel is set in Florida in, you guessed it, Citrus County (visitcitrus.com). The county is on the Gulf coast in central Florida, north of Tampa but south of the panhandle, and it’s home to such natural wonders as the Homosassa Springs, the lazy Crystal River full of gentle manatees, and, in Brandon’s rather dark, quietly violent tale, dangerously disillusioned children and apathetic adults.

Toby is a junior high delinquent with a Holden Caulfield complex who spends more time in detention than at home. Shelby is a bright-eyed and -minded good girl who one day decides to pursue Toby. Mr. Hibma is their geography teacher who, when not thinking of ways to avoid actually teaching, fantasizes about killing his colleague but is unable to come up with the right method — no cutting of throats or gun violence, no poison (too easy to track) — before he finally settles on smothering.

I’m not too far in, but the event that has put Citrus County on the news in the big cities has just occurred — Shelby’s little sister has been kidnapped — and Toby is more than involved. His intent, or one of many, is to take the swagger out of Shelby’s step, so to speak, to steal her confidence, incongruous as it is with his own worldview.  But more than that, Toby hopes that “when the manatees give up the ghost or a hurricane finally gets a bead on Citrus County, trucks of guys would come down from Tallahassee and dynamite the place and slide it off into the Gulf of Mexico to sink.”

Being from Florida, I enjoy reading books set there. Florida has a big personality; it can’t help but butt its way to the front of the stage in parts of the narrative. There’s kitsch in every corner and, while that may be true for most states, Florida’s different, because the kitsch is so often juxtaposed against tremendous natural beauty. That eyesore tourist shop on a white sand beach, the easter egg-colored condos that mar your view of the ocean, the sheds with signs that boast 20-Foot Gator! off the interstate, surrounded by thousands of them in their swampy natural habitat. In Weeki Wachee, not too far from Citrus County, there’s a spring where an underwater theatre was constructed back in 1947, and to this day tourists can get a glimpse of life under the sea as “mermaids” perform shows with the aid of air hoses.

“Natives” of Florida have a tendency not to claim it, though they continue to stay, aware that their inertia is conscious; their parents or grandparents moved to Florida from somewhere, some years ago, yet no matter how long they live there they will always consider it to be outside themselves, a place that should be mocked and degraded but that they are loath to leave.  What John Brandon has done in Citrus County is to create a culture around this quiet dissatisfaction, where sometimes something really bad has to happen in order to relieve the everyday, mundane misery. Toby thinks he knows just what that is — it’s the only thing he’s ever been meant to do.

John Brandon will sign and read at Lemuria starting at 5pm on Tuesday, July 13th.

Mr. Peanut by Adam Ross

First Editions Club: July 2010

The Story Behind the Pick: Mr. Peanut by Adam Ross

“In 1995, my father told me about the suspicious death of my second cousin, who was morbidly obese, struggled epically with depression, and also suffered from lethal nut allergies.  According to her husband — who was, conveniently, the only witness to her “suicide” — he came home from work to find her sitting at the kitchen table with a plate of peanuts before her.  They had an argument, which she interrupted by taking a fistful of nuts in her hand and eating them.  I was stunned when I heard this story — I was sure she’d been murdered — and immediately afterward wrote three chapters in one sitting that closely resemble those that begin the novel now.”  — Adam Ross in an interview with Jillian Quint.

This story was the inspiration for Mr. Peanut and Ross used it as a model for the first pivotal scene in the novel. When his wife Alice dies of anaphylactic shock brought on by a peanut allergy, David Pepin explains that he came home after they had a argument to her committing suicide.

Unlike many reviews that I’ve read on Mr. Peanut, this one will not focus on the marital issues that are so prominent in the book.  Though they’re quite important to the content, as I am not married I can not truly relate to that subject. Rather, I’d like to bring up a few of the many underlying themes that I couldn’t help but notice.

Kelly and I donning Mobius strips

First up is the Mobius strip.  By definition the Mobius strip is “a surface with only one side and only one boundary component.  The Mobius strip has the mathematical property of being non-orientable.”  This means it’s a one-sided surface that appears to be two-sided.  The detectives investigating Pepin’s case suspect he hired a man named Mobius to murder his wife Alice.  Through Mobius we get the story of Sam Sheppard, one of the detectives investigating Alice Pepin’s murder.  In a article in Aesthetica, Ross says, “I intentionally shaped the novel as a Mobius band, having it loop back on itself, since marriage, like that oddly shaped figure, is an institution where two people are supposed to be walking on the same side of the street, but oftentimes appear to be on completely opposite sides [and] in writing Mr. Peanut, I tried to construct a text that would also reward re-reading.”

Next is the character Sam Sheppard.  In real life Dr. Sam Sheppard was convicted of murdering his pregnant wife in 1954 as was his character in Mr. Peanut.  “[Sheppard’s character] appeared several years into drafting, again a gift from my father.  After my dad and I watched The Fugitive, he told me a brief history of the case, so I read about it and, bingo, there’s my guy.  What I found so captivating about the Sheppard case was its mystery and muck, what with Sheppard’s serial womanizing, his narcissism and the way his relationship with his wife anticipated so many moral hazards of the sexual revolution, not to mention the fact that his guilt or innocence remains in question.  The cold facts are directly incorporated into the novel because you can’t get around them.  They’re out there, and so I used them as the plot’s scaffolding.”

"Encounter" by M.C. Escher

Finally I also want to point out, without going into too much detail, a couple of other interesting things.  On the title page of the book there is an M.C. Escher print called “Encounter.”  Escher’s surreal art figures into the story on several levels.

References to Alfred Hitchcock appear often as well.  David and Alice meet in a class that studied Hitchcock’s film work.  Sheppard’s partner, Ward Hastroll, is an anagram for the villain in Hitchcock’s “Rear Window.”

As there are so very many different things going on in Mr. Peanut, it’s difficult to get all of the aspects of the novel down in one place without giving too much away or writing out the entire book.  My suggestion is to get your hands (or eyes) on the book and start reading immediately.

Seeing as this is a debut novel and we are the first stop on Ross’ tour we are quite excited about our event on Wednesday, June 30th, starting at 5 o’clock.  Mr. Peanut had an initial print run of 60,000 copies.  It was published by Alfred A Knopf.

Lady in Waiting (for Mr. Peanut by Adam Ross)

i recently finished reading our july First Editions Club pick, Mr. Peanut by Adam Ross.  damn fine book mr. ross, damn fine indeed.  i don’t think i was aware before starting to read it that one of the characters is dr. sam sheppard who was convicted of murdering his pregnant wife in 1954.  i’m absolutely infatuated with true crime and will read anything that i can get my hands on about serial killers and murderers.  while sam sheppard is not the main character in mr. peanut he is the one that stuck with me the most.  as soon as i finished the novel i immediately ordered a book on the sheppard case and am planning on reading that before i write  what we call The Story Behind the Pick which we are now doing with our First Editions Club book picks on this oh so lovely blog of ours.

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