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Civil War Remembrances

Photographic History of the Civil War
I could get lost in this ten volume set of civil war photography and commentary for days. The Photographic History of the Civil War was published in 1911 by The Review of Reviews Company. If you’re anything like a civil war buff, you know about this set. It’s amazing. I did get lost in Volume 2 when I found the section on The Battle of Champion Hill and The Siege of Vicksburg. It’s part of our civil war display in light of this 150th anniversary and the event we had last week with Jeff Shaara for his second novel in a trilogy, A Chain of Thunder: A Novel of the Siege of Vicksburg. For those of you who need to brush up a little bit on what was happening around here 150 years ago, here are few photos and drawings plus some basic history notes. If you want more, we have a great civil war section!

Raising the Stars and Stripes Over the Capitol the State of Mississippi engraving from Harper's Weekly, 20 June 1863 after the capture of Jackson by Union forces during the American Civil War

Raising the Stars and Stripes Over the Capitol the State of Mississippi engraving from Harper’s Weekly, 20 June 1863 after the capture of Jackson by Union forces during the American Civil War

The Battle of Jackson, fought on May 14, 1863, in Jackson, Mississippi, was part of the Vicksburg Campaign in the American Civil War. Union commander Maj. Gen. Ulysses S. Grant and the Army of the Tennessee defeated Confederate General Joseph E. Johnston, seizing the city, cutting supply lines, and opening the path to the west and the Siege of Vicksburg. (from Wiki)

battle of jackson

Battle of Jackson, Mississippi–Gallant charge of the 17th Iowa, 80th Ohio and 10th Missouri, supported by the first and third brigades of the seventh division / sketched by A.E. Mathews, 31st Reg., O.V.I.

Shirley White's House at Vicksburg 1863
Shirley White’s House at Vicksburg 1863

The Siege of Vicksburg (May 18 – July 4, 1863) was the final major military action in the Vicksburg Campaign of the American Civil War. In a series of maneuvers, Union Maj. Gen. Ulysses S. Grant and his Army of the Tennessee crossed the Mississippi River and drove the Confederate army of Lt. Gen. John C. Pemberton into the defensive lines surrounding the fortress city of Vicksburg, Mississippi.

When two major assaults (May 19 and May 22, 1863) against the Confederate fortifications were repulsed with heavy casualties, Grant decided to besiege the city beginning on May 25. With no reinforcement, supplies nearly gone, and after holding out for more than forty days, the garrison finally surrendered on July 4. This action (combined with the capitulation of Port Hudson on July 9) yielded command of the Mississippi River to the Union forces, who would hold it for the rest of the conflict.

The Confederate surrender following the siege at Vicksburg is sometimes considered, when combined with Gen. Robert E. Lee’s defeat at Gettysburg the previous day, the turning point of the war. It also cut off communication with Confederate forces in the Trans-Mississippi Department for the remainder of the war. (from Wiki)

The Meaning of Having Your Own Library 1.2

Ralph Waldo Emerson in his study in October 1879

Ralph Waldo Emerson in his study in October 1879.

There are books which take rank in our life with parents and lovers and passionate experiences, so medicinal, so stringent, so revolutionary, so authoritative. -Ralph Waldo Emerson

The Meaning of Having Your Own Library

Italo Calvino Leaning Over A ParapetYour house, being the place in which you read, can tell us the position books occupy in your life, if they are a defense you set up to keep the outside world at a distance, if they are a dream into which you sink as if into a drug, or bridges you cast toward the outside, toward the world that interests you so much that you want to multiply and extend its dimensions through books.

-Italo Calvino

“Must the Novelist Crusade?” by Eudora Welty

Today Cereus Readers–a book club devoted to Eudora Welty & and the writers she loved–is discussing “Where Is the Voice Coming from?” (1963), “The Demonstrators,” (1968) and the essay, “Must the Novelist Crusade?” (1965).

If you’re interested in joining Cereus Readers, send me an e-mail (lisa at lemuriabooks dot com) or stop by the store.

As I read “Must the Novelist Crusade?”, I realized that this essay has just as much truth for us today as it did when Miss Welty wrote it. If you have never read this essay before, it can be found in The Eye of the Story. I feel it is also one of those essay that beckons to be read more than once. The entire essay is a marvel, and I hate to chop it up, but I’d like to share some stand-out passages with you.

From “Must the Novelist Crusade?” by Eudora Welty

Eudora Welty‘All right, Eudora Welty, what are you going to do about it? Sit down there with your mouth shut?’ asked a stranger over a long distance in one of the midnight calls that I suppose have waked most writers in the South from time to time. It is part of the same question: Are fiction writers on call to be crusaders? For us in the South who are fiction writers, is writing a novel something we can do about it?

. . .

The ordinary novelist does  not argue; he hopes to show, to disclose. His persuasions are all toward allowing his reader to see and hear something for himself. He knows another bad thing about arguments: they carry the menace of neatness into fiction. Indeed, what we as a crusader-novelist are scared of most is confusion.

Great fiction, we very much fear, abounds in what makes for confusion; it generates it, being on a scale which copies life, which it confronts. It is very seldom neat, is given to sprawling and escaping from bounds, is capable of contradicting itself, and is not impervious to humor. There is absolutely everything in great fiction but a clear answer. Humanity itself seems to matter more to the novelist than what humanity thinks it can prove.

When a novelist writes of man’s experience, what else is he to draw on but life around him? And yet life around him, on the surface, can be used to show anything, as readers know. The novelist’s real task and real responsibility lies in the way he uses it.

. . .

We cannot in fiction set people to acting mechanically or carrying placards to make their sentiments plain. People are not Right and Wrong, Good and Bad, Black and White personified; flesh and blood and the sense of comedy object. Fiction writers cannot be tempted to make the mistake of looking at people in the generality–that is to say, of seeing people as not at all like us. If human beings are to be comprehended as real, then they have to be treated as real, with minds, hearts, memories, habits, hopes, with passions and capacities like ours. This is why novelists begin the study of people from within.

. . .

What must the Southern writer of fiction do today? Shall he do anything different from what he has already done?

There have been giant events, some wrenchingly painful and humiliating. And now there is added the atmosphere of hate. We in the South are a hated people these days; we were hated at first for actual and particular reasons, and now we may be hated still more in some vast unparticularized way. I believe there must be such a things as sentimental hate. Our people hate back.

I think the worst of it is we are getting stuck in it. We are like trapped flies with our feet not in honey but in venom. It’s not love that is the gluey emotion; it’s hate. As far as writing goes, this is a devastating emotion. It could kill us. This hate seems part shame for self, in part self-justification, in part panic that life is really changing.

. . . Yet I would like to point something out: in the rest of the country people seem suddenly aware now of what Southern fiction writers have been writing in various ways for a great long time. We do not need reminding what our subject is. It is human kind, and we are all part of it. When we write about people, black or white, in the South or anywhere, if our stories are worth the reading, we are writing about everybody.

*     *     *

We will miss you Mary Ward Brown

mary-ward-brownWe are sad to hear that Mary Ward Brown passed away on Friday at the age of 95. Sarah Mahan of the Selma Times-Journal writes:

Nichols described Brown as a “gentle and wonderful person,” who loved reading and literature.

“She would enter a room quietly but everyone would notice her,” Nichols said. “When you sit with her, she would just draw you in, much in the same way you become drawn to her stories.”

Brown leaves behind not only family and friends, but a celebrated literary legacy. Read the full article here.

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Mary Ward Brown’s collection of short stories Tongues of Flame won the Penn/Hemingway Award for Fiction. She last signed at Lemuria in August of 2009 (pictured above with John Evans) for the publication of her memoir Fanning the Spark. Brown writes:

“When I was writing the stories in Tongues of Flame, nobody, including me, thought that what I wrote would ever be worth the effort, so I was thought to be deluded and was generally let alone. When “The Amaryllis” was published in McCall’s and a newspaper reporter tried to find me, he was told that I was something of a recluse. It hurt my feelings, because I’ve never wanted to shut myself away from the people or the life around me. But to write, one does have to somehow be shut away. In bed every night, I think of people I haven’t stayed in touch with, letters and emails I haven’t answered, opportunities I’ve let go by, even flowers I haven’t put on the graves of my family.”

Mary Ward Brown is just the kind of person–even if you know her just a little–who you wish could stay with us forever. At Lemuria, we’ll continue to share her beautiful writing with others.

“Booklover Shares Reading with Fellow Bus Riders” via Jackson Voices

One good thing usually leads to another, and World Book Night led me to Roderick Red of Jackson Voices. The purpose of Jackson Voices is to put “the power of storytelling in the hands of Jackson residents with the goal of elevating voices not often heard, particularly within the African-American community.”

Roderick Red is one of ten Jackson correspondents and he found out about Sheila O’Flaherty, a regular on JATRAN, who was giving away books for World Book Night on April 23rd. As you’ll hear in the video, I met Sheila through World Book Night a couple of years ago and have always admired her love of reading and her desire to share it with others.

See Roderick’s full post here: Booklover Shares Reading with Fellow Bus Riders: A Video

Jackson Voices is a project of The Clarion Ledger and The Maynard Institute.

If you haven’t participated in World Book Night before, you can sign up for their newsletter and be ready to sign up to be a World Book Night giver for 2014. SIGN UP HERE.

As I Lay Dying premiers at the Cannes Film Festival

as i lay dying film posterJames Franco’s film adaptation of William Faulkner’s As I Lay Dying will premier at the Cannes Film Festival on May 20. I wonder if we will ever be able to see it in Jackson . . .

Check out the trailer and see what you think!

The film tells the story of the death of Addie Bundren (Beth Grant) and her family’s quest to honor her wish to be buried in the nearby town of Jefferson.

Franco wrote, directed and stars in the film as Darl Bundren, Addie’s second oldest son, and “True Blood” star Jim Parrack as Cash Bundren, Addie’s eldest son. Additional members of the cast include Richard Jenkins, Danny McBride, Logan Marshall-Green, Ahna O’Reilly and Tim Blake Nelson.

Southern Cross the Dog by Bill Cheng

southern cross the dogBill Cheng definitely knows how to write a first novel that will get everybody talking. How does a native New Yorker who has never set foot in Mississippi capture the lives of black and white on the Mississippi Delta during the flood of 27 and beyond?

Well, that was mine and many other people’s question as well.  Before you know it, Julie Bosman of The New York Times was calling Lemuria and Square Books to get the story on Southern Cross the Dog. Here is the link to the full article online, appearing in print in the May 9th issue of The New York Times. The article is worth your time to read. Bosman gives the inside story of how Cheng’s love of the blues translated into a novel that has won the approval of Bill Ferris and Edward P. Jones.

And yes, I am still reading Southern Cross the Dog and hope to finish it this weekend. It’s been a great read and I can’t wait to finish it.

libraryBill Cheng will be signing and reading at Lemuria at 5:00 and 5:30 on Monday, May 20th.

Cheng will also be at The Library Lounge at the Fairview Inn at 6:30 on May 20th to read and sign. If you haven’t been to the Lounge yet–it’s wonderful. A cozy bar with lots of books and Lemuria will be on hand to sell Southern Cross the Dog.

You have to read The Yellow Birds

I read The Yellow Birds when it first came out last September. This novel has just come out in paperback and I am going to be rereading it this month. I don’t reread books very often, only the very best, and this book is getting it’s second reading faster than any book I’ve ever read. Kevin Powers’ debut novel is not the typical good book, it’s a stunningly beautiful book full of love and horror – the prose is simply a work of high art. Powers has stunned and challenged me with his ability. If you haven’t read this book, whether you’ve been awaiting its paperback version or by some miracle have not heard of it, come by Lemuria today and get your next i’ve-got-to-read-this-book-again book.

kevin powers

Also, check my precious post on this book HERE.

On A Game of Thrones & What you should read in between

Game-of-Thrones-season-3

HBO’s hit television series, A Game of Thrones (ASoIaF), is still really really good, despite their childish need to pornoshize everything they put out. This show is good like old school Coca-Cola – you know, that Coke that had coke in it? They are similar in two basic ways: a. The formula is solid. Coke is tasty and so is Martin’s story. b. There is a substance present in both of these forms of entertainment that ‘hook’ people hard and keep them coming back with one wicked craving for more. Of course in the case of Coca-Cola I’m referring to the cocaine that was present in the original formulation. As for ASoIaF, there is a substance present that makes people compulsively and crazily throw back episodes, often times slamming 10epis down in a single binge night – this substance is highly addictive, viz. pornography.

The reason I draw this parallel between cocaine and pornography is that they both work on a relatively similar plane. They are both dopaminergic, among other things. If you don’t know much about dopamine, just know that it is an incredibly powerful neurotransmitter that acts in your body as a reward system conditioning you to repeat those things that cause it to be released, etc. It gives you a high.

Obviously Coca-Cola doesn’t need cocaine to sell their product around the globe, but maybe a film or a book does. If you were to take this pornographic element out of the compound you would still be deeply mired in a soup of dopamine releasing agents, among other things. For example, the largest slice of pie in ASoIaF is not porn, but violence. Violence is something that is ~universally present in every story. Violence is basically ~the root of all conflict, with few exceptions. And it would be well to note the violent nature of most pornography – is it not that nearly all pornography is conducted with men as the actors and women as the object being acted upon?

Still, I would appreciate this series a lot more if it didn’t have those classic Tarantino moments where you are watching this super film and then suddenly you are thrown into this immature sex scene that just makes you feel like you’ve walked in on a friend masturbating to a computer screen. Georges Bataille, a dead French author known for his explicit erotica literature (e.x., The story of the Eye) , argues that anything sexual is inherently childish. Maybe this is so, but I can’t help looking at this with eyebrows raised. I mean seriously, HBO is like a surgeon that sniggers in a cancer seminar every time the word breast is mentioned.

The thing I love most about this show is that it has created another phenomena like what Harry Potter did some 10 years ago, i.e. it has become an intersection where nonreaders can slip into the stream of books. So many people have watched this show and loved it so much that they have come to the books for more, and plenty of these people are virgin book readers and don’t know what to read next. This is why having a good local bookseller is so important. You don’t want to sift through the chaff do you, only to find subquality items? Why not go to someone who can just throw the gems at you?

So, you who have watched the show and read the books but have no clue on where to go from her? You’ve found the right place.

promise-of-blood-1680x1050

If you liked A Game of Thrones, come by today and snag up Promise of Blood by Brian McLellan – this book is brand new, Brian is a new author, and it is completely awesome. This is the first volume in the Powder Mage Trilogy. With a generous mixture of gunpowder, social revolution, and magic, this book is a fast paced piece of flintlock fantasy. So, if you’re lost and you don’t know which way to go, let us here at Lemuria take the reins and guide you into some new and exciting territories.

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