Category: Newsworthy (Page 18 of 30)

Reading Next

Sometimes the hardest part about reading, is deciding what to read next. But don’t worry, we have books for that too.

Thomas Foster’s Twenty-Five Books that Shaped America is a great starting place if you are trying to reread (or read for the first time) the American Classics your high school English teacher raved about. Each of the twenty-five books has its own chapter, arranged in chronological order, beginning with The Autobiography of Benjamin Franklin and continuing through My Antonia and To Kill a Mockingbird. Each chapter gives a summary of the book, as well as insight into the author. If you want to read yourself through American history, this book is a great guidebook.


Book Lust To Go  is a great way to find books for any and all traveling you may do. Compiled alphabetically by place name, as well as the type of trip, Nancy Pearl makes suggestions on what to read where. So if you don’t know what to read on that Caribbean cruise your mother-in-law booked for the whole family, there’s a chapter for that (See: Cavorting through the Caribbean). My favorite part? The suggestions are both fiction and nonfiction.

If you want a long list of good books that you probably haven’t heard of, but wish you had, Read this Next is perfect. Read this Next  is intended as a go-to guide for book clubs–included under each book suggestion is a question guide. The books are arranged by subject, so it is easy to browse. Sandra Newman and Hoard Mittlemark are not book snobs; their suggestions span all genres, from science-fiction to mystery to biography.

Happy Reading!

Show Me Your Books: Austen

How long have you worked at Lemuria?

3 months, almost.

Do you have a book collection or a hoard?

Maybe both. I think I collect books more than I hoard them, though. I hoard them for awhile, and then I do a de-weeding. I weed out my garden.

What do you do with your weeds?

I usually take them to an orphanage.

 Are you serious?

No, I give them away as gifts. I re-gift them. I give people dirty, used books.

How long have you been reading?

Six years. I started reading my freshmen year in college. I could read, but I didn’t read books. Ask me what my first book was I read.

What was the first book you read?

Plato’s Republic. It’s what got me into reading. I never liked reading until I read that. What I like in any book are the ideas behind it. More so than the art, I guess. I don’t have to agree with the ideas, as long as they make you think.

What’s best is when something is really artful and it has a lot of things going. I may not like it if I don’t agree with the ideas, but I will appreciate it. More so than a book that says nothing.

 How do you organize your books, or do you organize them at all?

 They are organized, but not in any recognizable pattern. They are organized by how hot they are, side-by-side. How sexy they look together. The ones that are going to make each other sexier, I put those 2 together.

 

Can you give an example?

My signed first edition of Barry Hannah’s Bats out of Hell would look really hot beside that new A.M. Homes book, May We Be Forgiven. They are all mylared. And the spine on the A.M. Homes is nice and white and clean, but it really sets off that Bats out of Hell. The A.M. Homes wouldn’t look very good by itself, it would be a too sterile, too clinical.  But

 when it’s beside that Barry Hannah, it’s a fine book. It looks good.

That would be the middle part of the sandwich. I’d probably put Either Or by Kierkegaard. all you need to know is that it is green and black and it will look real good. The metaphorical bread. Oh yeah, that’s hot. A purely aesthetic bookcase.

You and Grandfather built your bookcase?

 Yes, I was five.

What did you put on it before you read books?

I had animal books that I looked at. I looked at animals.

 Any animals you liked in particular?

Yes, I like goats a lot. Bats and cats. I had a whole bunch of goat, bat, and cat books.

Is there a system to how you choose what to read next/the order you read books in?

No. I do have 2 books I read annually. Every year in December I read Moby Dick, and every year in October I read Frankenstein. Those are two of my favorite books. I try to read Samuel Beckett fairly often. I also try to read a Walker Percy novel once a year. So there is a sort of system: a chaotic system.

I try to have a non-fiction book , a novel, a science-fiction or fantasy novel, a philosophy book, and a collection of short stories going at once. I try to read that every month. It doesn’t always work, though.

What book have you liked most that came out this year?

The Yellow Birds by Kevin Powers.

 What are you reading right now?

Among Others, Jo Walton and Less Than Nothing, Slavoj Zizek

When do you read?

I start reading at 12 at night. 12 to 3 I read. And then I wake up at 5 and read from 5 to 7 and then I take a nap and then I go to work. It doesn’t work all the time.

What do you look for in a good bookstore?

Porn bathrooms. No, I’m joking, though Lemuria has one. Don’t put that in there, that’s confidential. I want some Miss Jodi playing over the speaker system. I love some Miss Jodi.

What is your bookselling theory?

You have to disarm them. You can do anything. My tactic is acting like an idiot, and then like I don’t know anything, but then I spring a book on them. They are so taken aback, they have to pay for it right then. They’re pulling out their credit card and throwing me money.

Top 5 favorite books in your library right now:

1.  Moby Dick, Melville

 2. Lancelot, Walker Percy

 3. Name of the Wind, Patrick Ruthfuss

 4. The Unnamable, Samuel Beckett

 5.Yellow Birds, Kevin Powers

Show Me Your Books: Pat

How long have you worked at Lemuria?

I think about 24 years. It could be more. I came here in 1993 but before that I had worked 4 or 5 years.

Do you collect books, or just buy them?

Both. I buy big books. I bought that New York Book of Dogs for my collection. My husband confiscates all the books I bring in the house. Anything I bring home isn’t going to be collectable because he’s going to write in them. He marks up and down the sides and underlines in strange fluorescent covers. The dogs eat a lot of the books, too. So it’s really hard to have a collection of fine books, but we have quite a large collection of books in various stages of destruction. Plus we have all the books our children can’t afford to have in their small abode. I live in a 4800 square foot and there are books everywhere—in the bathroom, under the bed.

Do you ever hide books from your husband?

No. Well, let me think back. Yes, if I have a signed first edition and I don’t want it written in, then I’ll hide it upstairs.

What do you look for in a good book?

I look for an intriguing human dilemma. I also like moral uncertainty

What book do you think is the best-kept secret?

No One is Here Except All of Us by Ramona Ausubel. It’s a marvelous book that nobody knows about.

How long have you been seriously reading?

Probably since I was about 14.

 Do you remember what book made you love reading?

A Tree Grows in Brooklyn, Betty Smith.

What are you reading right now?

Infidel, Hirsi Ali

 Is there a system to how you choose what to read next/the order you read books in?

It’s just a spontaneous thing. I choose Infidel is because a customer recommended it to me. I really take what customer recommendations seriously. A lot of times I’ll be sitting at work and I’ll read a review in the Wall Street Journal. I’ll talk to Kelly about it, and if she thinks it sounds good, I’ll read it. So much of what I read is because we sell books to each other.

What book have you liked most that came out this year?

The Round House by Louise Erdrich. I’d never read her before; I had a barrier against reading her. I know she writes about Indians, and I was scared the story was going to be dated. I don’t like historical fiction. It wasn’t. The storyline was so good and well put that the book was seamless. I could not stop and put it down. It has a little bit of Indian myth in it, a who-done-it in there, a coming of age story; a little bit of everything.

Do you have a favorite book?

I used to say my favorite book was Walker Percy’s Moviegoer, and I reread it a year ago and I didn’t know why I liked it. I hate to say that, a lot of people like it, but I’m not one of them anymore.

Show Me Your Books: Mandy

Mandy has been working at Lemuria for the last 4 months, after moving to Jackson from California. She has an MFA in Children’s literature, and spends most of her time in OZ.

When did you start really collecting books? Is it a collection, or more of a hoard?

That’s a fine line, isn’t it?  I’ve always had piles and shelves and masses of books. Books have always been my favorite thing evenbefore I was able to read. I begged my grandma to teach me to read before I went to preschool. When I went to the mall, the first place I always wanted to go was the bookstore.

I’m not sure if I have a hoard or a collection. To be fair, I do get rid of books I don’t like, so I don’t hoard them in that way. I really do hoard books ‘to be read’. At home right now, I probably have about 400 books to be read. I can’t stop buying books, but I’m actually a really slow and meticulous reader, so that’s a problem.

 How do you organize your books?

Right now my books are in the trunk of my car and in piles on my guest room and living room floors. I just finished moving them all from California. I have to-be-painted bookshelves in my half-painted living room, but the books haven’t made it there yet.

Is there a book you wish that you had bought, but didn’t?

There are a lot of adult books I wanted to buy, but didn’t; I’m really obsessed with children’s literature. I would say The Invisible Bridge by Julie Orringer. It sat in my mind for two years, but then I started working here, and I just bought it. It just took me a while to get around to it.

 You have your MFA in Children’s Literature, why did you decide to become a children’s lit author?

My love for books was so intense when I was a kid. I never really outgrew those books I loved so much. I was consistently drawn to the children’s section of bookstores, even as an adult. I really love adult fiction, but for a different reason. I like delving into literary analysis. It’s really, really fun, like a recreational activity. But if there is stuff to be dug up and analyzed, I won’t really be turning the page and enjoying the story. In children’s lit, the narrative arc is more of a requirement than in adult fiction so I can lose myself and get lost in the world of the story. It just appealed to me to be a part of that for other kids as a writer; to think ‘what is a book that I wish had been written when I was a kid?’

A lot of my ideas naturally fall in that category of children’s lit—the characters are young and they live in a big world. We are stuck in our teenage years whether we like it or not. There is a draw to go back and pick at that wound and figure out why we are the way we are. As a Young Adult writer, it’s very cathartic.

 What do you look for in a good book?

I’m such a snob about dialogue and pacing in particular. It’s really hard to have an MFA; it’s ruined my reading. I need an authentic voice that I believe, which manifests itself in dialogue. If the story is stagnant in the beginning, then I will get bored and put it down.

What book do you think is the best-kept secret?

Tilt, by Alan Cumyn. Another book I wrote a blog about. It doesn’t fit into any one niche. It’s a YA book, but it has so much depth. The writing is perfection in every placement of every word. Alan is Canadian, and he doesn’t get a lot of coverage here in the US, but I think he is phenomenal. One of the best writers I’ve ever read.

Is there a system to how you choose what to read next/the order you read books in?

It depends on what I’m writing. I like my reading to inform and support my fiction writing, so if I’m working on a fantasy middle-grade book, I read a fantasy middle-grade. Sometimes I still get distracted by a book that looks really good or one I’ve heard about from people I trust, and then I don’t care if it informs my writing.

What book have you liked most that came out this year?

I’m pretty sure it’s Wonder, by R.J. Palacio

 Are you a one-at-a-time reader, or are you reading many books at once?

I’m always reading many at once. I dip into some, and don’t like them enough to finish. There are so many books I want to read, and I’m a slow reader, so I just get really excited and can’t focus on one. I’m always reading 5 or 6 at a time.

 What are you reading right now?

Daughter of Smoke and Bone, by Laini Taylor. That is actually the only book I am reading right now. It is so riveting I’m not picking up anything else.

 When do you read?

Before bed, during my lunch hour, with my coffee in the morning, and whenever I have to wait in line for anything.

What do you look for in a good bookstore?

Honestly, everything that Lemuria has: really awesome shelves, too many books, friendly people that talk to you and chat about books and will give you recommendations that you can count on. Ideally, I also love a coffee shop in a bookstore. I wish we had that; caffeine and books are a wonderful combination.

 Top 5 favorite books in your library right now:

1. Emily of New Moon, L.M. Montgomery. I read this trilogy every year. I’ve always felt that in some parallel universe, I AM Emily. I adore all of Montgomery’s work, but these have a special place in my heart.

2. War of Art, Steven Pressfield: This tiny book will change the life of any writer our artist.

3. Behind the Attic Wall, Sylvia Cassedy: a haunting, weird, deep and brilliant little book. It has been a favorite since I was eight our nine and still holds up. Perfect writing.

4. Pride and Prejudice, Jane Austen: It’s probably tied with Jane Eyre, but not surprisingly, I couldn’t find Jane Eyre

5. Don Quixote, Cervantes: I took a class on this book when I was studying in Spain in college. I read it in Spanish the first time through, and my mind exploded. Genius of the rarest sort.

Quick Guide to Bookcollecting

Some Rules for Book Collecting:

1. Collect what you like.

In general, the value of a book collecting is greater than just one or two valuable books. The value is in the collection as a whole. Some people choose to collect books by specific authors, but this can be a gamble in the long run; some authors are fashionable at the time they are writing, but they are quickly forgotten. As a result, collecting books that are related to each other can be much more profitable. For example, collecting Southern authors vs. one or two specific writers from the South.

2. Protect your books.

Books retain and gain value based upon the condition they are in. The closer the condition of the book is to how it looked coming off the press, the more it is worth. Pretty simple, yes. But keeping books in mint condition is difficult, especially if you plan on actually reading them. If you buy any books from us, just ask, and we would love to Mylar them for you (cover the slip-case in plastic).

3. Buy First Editions.

As a general rule, first edition, first printings are the most valuable editions of books. Especially if they are signed. This can get complicated pretty quickly if the book is released in another country prior to its release in the United States. The foreign edition is considered the “first edition” but depending on the book, the U.S. edition can still be valuable.

To tell if a book is a first edition, look at the copyright page. Sometimes “First Edition” or “First Printing” will appear, but you should still check the number line. The number line appears in post-WWII era books, and is just what it sounds like, a line of numbers. Each publisher prints the numbers differently, but if the 1 is present, the books is a First Edition, First Printing. As new editions of the book are printed, the number of the previous edition is removed. So for example, if you see: 135798642, it is a first edition, first printing. However, 35798642 is a second printing. Every publisher organizes their copyright page differently, so if you aren’t sure if that copy of To Kill a Mockingbird is a first edition, bring it buy the store. Not only would we love to see it, we can also help you figure out if it’s worth any money.

4. First books.

In general, an author’s first book, whether novel or nonfiction, will be their most valuable. There are exceptions to this rule, but having a copy of the first book by an obscure author who later goes on to win the Pulitzer Prize is a treasure. It’s even better if you liked the book and believed in the author before anyone had really heard of him/her. It’s the literary equivalent of the Cubs winning the World Series (the Cubs haven’t won the World Series since 1908).

5. First Edition’s Club.

If you are seriously interested in collecting books, consider joining our First Edition’s Club. (This is not just a shameless plug, it really is a good idea). The books we choose are always signed, first editions. We choose books that we think will gain value, many of which are author’s first books. We Mylar the books for you, and you can either have them shipped to you, or come pick them up at the store. And it only costs the cover value of the book.

 

If you want to see what some of your books may be worth, AbeBooks is a great place to start.

Miss Welty and “Square Daffodils” by Loyce Cain McKenzie

As an English major and later English teacher at Belhaven, I had the usual memories–looking up at her busy concentration at that manual typewriter as we waited for the #4 bus. But when I encountered her in Jitney #14, our discussion was focused on a mutual friend, garden writer Elizabeth Lawrence. pictured right with her nephew

Years later, on a trip to Washington, my family shared first a cab and then a Greyhound bus to Meridian with Miss Welty, to catch the “Southern Crescent.” As we were going to a Daffodil Convention, we talked about the “square daffodil” which is mentioned in Losing Battles, and I was able to identify it as Narcissus moschatus.

Later, as the train clicked along, our 4-year-old son said, “Mother, I know she’s a famous writer, but doesn’t she know all daffodils are round?”

-Written by Loyce Cain McKenzie

above: Eudora Welty with her mother Chestina from the Mississippi Department of Archives and History

 

 

 

 

 

Knocking on Miss Welty’s Door by Rod Clark

The summer of 1973 after I graduated from Forest Hill, five friends came down from Senatobia and Memphis for a long weekend visit.  Among the things on their to-do list was a visit to Miss Eudora Welty.  She wouldn’t be hard to find — we might run into her at the Jitney Jungle 14, but that didn’t seem sure enough to count on.  Besides, she had lived in the same house forever and was listed in the phone book just like everyone else in Jackson.  So it wasn’t long before the six of us were on her front porch, knocking on the door.

Miss Welty opened the door herself and looked out at the mob on her porch and asked “May I help you?”

I explained that my high school-age friends had come all the way to Jackson and really wanted to meet her.

She said, “Well, I am working, but why don’t you all come in.”

She welcomed us into her rather plain parlor and began to ask questions about the six of us: “Where do you go to school? What is your favorite subject? What sort of books do you read?”

Here we were excited to meet a world-famous author, and Miss Welty was more interested in what us six teenagers were doing.  We tried to ask her a few erudite questions about “The Ponder Heart” and “Why I Live at the P.O.”, which she dutifully answered.

After a few minutes, she asked us if we wanted something to drink and some cookies, but we had been raised better and told her “thank you, no.”  She noticed that we each had a book or two so she asked if she might sign them for us, carefully personalizing each one.  Knowing that she was busy, we excused ourselves, and she saw us to the door, waving to us as we drove down Pinehurst.  For a few minutes, Miss Welty had made us feel as if we were the most important people in the world.

Years later, when I was the new Operations Supervisor of the Jackson Social Security office, I checked the reception area and saw Miss Welty sitting there waiting along with everyone else.  I went out and offered to get someone to help her right away, and she told me no, that she would wait her turn.  I wondered if she might be observing the other people waiting and their interactions with each other and the staff.  After one of the Service Representatives had helped her with her Medicare issue, she gathered up her papers and quietly left the office.  I said something to the employee, and she said, “Oh, we see her every now and then, but she just wants us to treat her like everyone else.”  What a gracious lady!

Written by Rod Clark

———

If you have story about Miss Welty that you would like to share on our blog, please e-mail them to lisa[at]lemuriabooks[dot]com.

Click here to learn about Carolyn Brown’s A Daring Life: A Biography of Eudora Welty

Click here to see all blogs in our Miss Welty series

wwwwww

Two Writers Inspired by Eudora Welty’s Delta Wedding

I have two stories to share about Miss Welty’s Delta Wedding. Marion Barnwell, a Delta native, shares her experience of reading Delta Wedding as a teenager. The other story is from Karl Marlantes who many of you might have met when he came to the bookstore on two separate occasions for Matterhorn and What It Is Like to Go to War. Both of these stories are unique testaments to the power of Miss Welty’s writing. -Lisa

It was a hot summer day in Indianola, deep in the Mississippi Delta. I was fourteen. Some plan or other had fallen through to get together with a friend, and I was bored. Bored! Only one thing to do—pester my mother. More effectively than Chinese water torture, I repeated “I’m bored” a few hundred times to get her to stop what she was doing to entertain me. Instead, she went over to a shelf, selected a book, and handed it to me. “Read this,” she said. “It’s about the Delta.”

“Our Delta?” I asked in disbelief. “This boring place?”

“Our Delta,” she repeated. “Our very Delta.”

The book she handed me was Eudora Welty’s Delta Wedding. By making that particular choice, she handed me so much more. No other book on earth could better have expanded my sense of self. I was—we were important. We must be. Someone had written a book about us.

That gift was the spark for a continuing passion for reading, which led to my pursuing a career as an English teacher and as a writer. I still marvel at my mother’s choice. For who better than Welty could use all the senses to make a particular place come alive? Who better to teach me that if I was bored, then I just wasn’t looking?

–Marion Barnwell

 The following is from Publisher’s Weekly – The title is “Why I Write” but it could  just as well be titled “Why I read” – a truly great piece. You might have read this story before on our blog but I love it so much and feel it is worth sharing again. -Lisa

by Karl Marlantes — Publishers Weekly, 1/25/2010

Having read a galley of my novel, Matterhorn, about Marines in Vietnam, a somewhat embarrassed woman came up to me and said, “I didn’t even know you guys slept outside.” She was college educated and had been an active protester against the war. I felt that my novel had built a small bridge.

The chasm that small bridge crossed is still wide and deep in this country. I remember being in uniform in early 1970, delivering a document to the White House, when I was accosted by a group of students waving Vietcong and North Vietnamese flags. They shouted obscenities and jeered at me. I could only stand there stunned, thinking of my dead and maimed friends, wanting desperately to tell these students that my friends and I were just like them: their age, even younger, with the same feelings, yearnings, and passions. Later, I quite fell for a girl who was doing her master’s thesis on D. H. Lawrence. Late one night we were sitting on the stairs to her apartment and I told her that I’d been a Marine in Vietnam. “They’re the worst,” she cried, and ran up the stairs, leaving me standing there in bewilderment.

After the war, I worked as a business consultant to international energy companies to support a family, eventually being blessed with five children. I began writing Matterhorn in 1975 and for more than 30 years, I kept working on my novel in my spare time, unable to get an agent or publisher to even read the manuscript. Certainly, writing the novel was a way of dealing with the wounds of combat, but why would I subject myself to the further wounds all writers receive trying to get published? I think it’s because I’ve wanted to reach out to those people on the other side of the chasm who delivered the wound of misunderstanding. I wanted to be understood.

Ultimately, the only way we’re ever going to bridge the chasms that divide us is by transcending our limited viewpoints. My realization of this came many years ago reading Eudora Welty’s great novel Delta Wedding. I experienced what it would be like to be a married woman on a Mississippi Delta plantation who was responsible for orchestrating one of the great symbols of community and love. I entered her world and expanded beyond my own skin and became a bigger person.

I was given the ability to create stories and characters. That’s my part of the long chain of writers, publishers, agents, booksellers, librarians, and a host of others who eventually deliver literature to the world. I want to do for others what Eudora Welty did for me.

———

If you have story about Miss Welty that you would like to share on our blog, please e-mail them to lisa[at]lemuriabooks[dot]com.

Click here to learn about Carolyn Brown’s A Daring Life: A Biography of Eudora Welty

Click here to see all blogs in our Miss Welty series

wwwwww

Miss Welty: A true southern lady to all by Nan Graves Goodman

Last week I sat by my friend Mary Alice White, Miss Welty’s niece, who has written a beautiful Lemuria blog on her famous aunt. I told Mary Alice that I was going to write a blog for Lisa at Lemuria if only I could remember the recipe! I went on to tell Mary Alice about the delightful conversation that I had with Miss Welty (that is what I called her face to face, as a Southern girl would) in the “Jitney 14” probably in the early to mid 1980s. I was in the vegetable and fruit section looking around when Miss Welty walked up. We had the most delightful conversation about a recipe. But was it banana bread, or what? I can’t remember! We laughed and talked for some time, and I recall thinking at that point that besides being one of the most talented writers of the 20th century, she was a true Southern lady who was friendly to all who walked by and who seemed absolutely delighted to see me and all her other friends who were in the store that day.

It was not too much longer after that when I went with my friends Charlotte Capers, Patti Carr Black, and Miss Welty to a meeting one night. We drove up in her driveway, and she walked out. Moments later, I remember thinking, “I am in a car with one of the most famous writers in the world, and I am never going to forget this.” Afterwards, however, I recalled the laughter among these dear Jackson friends and their delight at being in each other’s company. This is what struck me that night as very, very special.

Years later, I would tell my students at Millsaps, or Belhaven, or Hinds, or Holmes or Tulane as we were reading and laughing about “Why I Live at the P.O.” or examining the complexities of “A Worn Path” that I personally knew Miss Welty, the person. They would look at me with amazement. I would tell them how friendly and genuine she was. I would also tell them that she holds a high place of honor not only in Jackson, not only in the South, not only in the United States, but in the world. I would tell them how much the French absolutely adore her and her writing.

I went to Miss Welty’s funeral in the spring of 2001. It was hard for me to go because my own dear mother had died only a few weeks earlier; yet, I wanted to be there to honor Miss Wetly at Galloway Memorial United Methodist Church.I keep the service bulletin in a file and run across it from time to time and look at the names all of the national dignitaries who came from afar. I wanted to be there and reflect with thanksgiving on the joy that she brought to others, whether it was through her writing or her personal friendships. I am grateful to say that I knew Miss Welty, the person. Her legacy, not only as a beloved Southern writer, but as a beloved Southerner will live on in my mind always.

-Nan Graves Goodman

———

If you have story about Miss Welty that you would like to share on our blog, please e-mail them to lisa[at]lemuriabooks[dot]com.

Click here to learn about Carolyn Brown’s A Daring Life: A Biography of Eudora Welty

Click here to see all blogs in our Miss Welty series

wwwwww

Would Eudora Welty Approve of Twitter? by Nell Knox

While working as a graduate intern at the Mississippi Department of Archives and History last year, I began a particular assignment centered on Eudora Welty. The goal of my project was to find a way to mesh social media with Miss Welty’s connection to MDAH, possibly through the use of Twitter or Facebook. The catch? I knew very little about Eudora Welty’s life.

As a Millsaps English major, I’d dabbled in Welty’s fiction. Dr. Suzanne Marrs impressed upon the English 3350 Welty Short Fiction class the poignancy of Welty’s fiction writing, taking us on a tour of the Welty house as a “bonus.” I’d been warned that a student should not over-connect the work of an author with the life of an author, because fiction is fiction and thus stands alone. However, years later as an intern at MDAH, I found myself finally reading my former professor’s biography Eudora Welty, and looking back I notice that I’ve highlighted the following passage, taken from one of Miss Welty’s essays:

Southerners do write – probably they must write. It is that way they are: born readers and reciters, great document holders, diary keepers, letter exchangers and savers, history tracers – and, outstaying the rest, great talkers. Emphasis in talk is on the narrative form and the verbatim conversation, for which time is needed.”

It is a quote from an essay published in the Times Literary Supplement. I’ve scribbled the word “critical” in the margin next to the passage, decorating the paragraph with stars for added emphasis. This concept – that Southerners are perhaps inherently destined to document our conversations in written form – made perfect sense. Think of all the correspondence Miss Welty wrote, all the notes she must have jotted while eavesdropping, and all the recipes and gardening tips she recorded in writing. She was nothing if not prolific, so it must be interesting to write a book about Miss Welty, because really, it seems that she was always writing a book about everybody else.

As Miss Welty said, Southerners are talkers, driven to communicate, retell, relive, and relate. We have new ways of communicating, it’s true: our culture has come to depend on social media as a way to document our lives and stay in touch. We are E-mailers, bloggers, Tweeters, Facebook-status updaters. But while we have modified our methods of communicating, we are still communicating the same things. We still storytellers, narrators and gossipers, readers and letter-writers. More than ever, we value our conversations, and we want others to share in our chatter.

As I studied Miss Welty last year, I began to wonder what she would think about the way we experience her legacy. I can’t imagine what Miss Welty would say if she knew that her old house now has a Facebook page, or that Lemuria was running blogs about her. Would she have liked Facebook, blogs, and Twitter? She seems too regal for social media, but then again…perhaps she would have loved it. After all, what is social media if not a way to retell stories, share ideas and communicate with others?

I think Miss Welty would approve.

———

If you have story about Miss Welty that you would like to share on our blog, please e-mail them to lisa[at]lemuriabooks[dot]com.

Click here to learn about Carolyn Brown’s A Daring Life: A Biography of Eudora Welty

Click here to see all blogs in our Miss Welty series

wwwwww

Page 18 of 30

Powered by WordPress & Theme by Anders Norén