Tag: Jim Ewing (Page 2 of 3)

‘Delta Epiphany,’ on RFK’s Mississippi visit, raises questions anew

By Jim Ewing. Special to the Clarion-Ledger Sunday print edition (April 29)

Ellen B. Meacham’s book, Delta Epiphany: Robert F. Kennedy in Mississippi, lives up to its title as a detailed recounting of the former U.S. senator and presidential candidate’s visit to the Magnolia State in April, 1967.

delta epiphanyBut it goes far beyond a simple retracing of his steps here and his return to Washington that resulted in massive changes in federal food programs for the poor.

For starters, Meacham recounts the context of the times that saw riots in the nation’s largest cities as racial segregation and economic inequality ran rampant in the land, as the civil rights movement was moving turbulently forward, buffeted by murders and assassinations.

She sketches the major players in the national debate, not only Robert Kennedy, but the legacy of his slain brother, John F. Kennedy, and Lyndon Johnson, who was trying to implement a War on Poverty, even as a shooting war in Southeastern Asia itself was taking a bloody toll and spurring protest.

She offers a Mississippi-centric view, naming the local players, including such well-known personas (considered moderates) as Congressman Frank Smith, journalist Bill Minor, political stalwarts William Winter and J. P. Coleman, and their complicated relationships with their sometimes foes, Wirt Yerger, Ross Barnett and Sen. James O. Eastland, among others.

On a lighter note, she even details the seating arrangements of the dinners, the hostesses, and guests of the entourage as Kennedy visited, making Epiphany a holistic, personal, textured, vivid, almost surreal memory of the time.

Kennedy’s trip was spurred by a confluence of factors, including the complexities of concern over the North’s urban ghettoes and the South’s Great Migration of blacks fleeing Jim Crow and dwindling jobs in the South.

Not the least of those influences, she reveals, was the young Marian Wright (who later married one of his aides, Peter Edelman, and founded the Children’s Defense Fund). Wright operated out of a cramped office above a pool hall on Jackson’s Farish Street. It was her assertion to Kennedy that people were literally starving in Mississippi. She implored him to see for himself.

He did.

In Cleveland, as shown by graphic, heart-rending photos, Kennedy found a family of 15 living in a shack. He asked a nine-year-old boy what he had eaten that day and he replied, simply, “molasses.”

Though it was afternoon, and he had only eaten that morning, his grandmother said, “I can’t hardly feed ’em but twice a day.” And then, the evening meal would only be more syrup, and bread.

It got worse. He saw people living in a shack with only a hole in the floor for a toilet. Their street was mud. For heat was a woodstove burning whatever they could find. With no furniture, their bed was a mattress on bricks. A child lying on it had open sores.

“Children, even babies, were near starvation in the heart of the richest country in the world.”

Meacham chronicles the visit by an American political icon only one year before his assassination, but she goes beyond that, revisiting the region and finding poverty still more than twice that of the rest of the nation; high school dropout rate 43 percent; 70 percent of births to single mothers; infant deaths among the highest.

Even food insecurity remains the second highest nationally. Some 208,530 people “have to choose between paying bills or buying food.”

Epiphany is a moving portrait of a wrenching time in the history of America, the South, Mississippi. It captures an enduring moment of national shame but still begs the question: Has society progressed so much since then?

Or, have we lost our way.

Jim Ewing, a former writer and editor at The Clarion Ledger, serves on the governing board of the USDA’s Southern Sustainable Agriculture Research and Education (SSARE) program. He is the author of seven books, including Conscious Food: Sustainable Growing, Spiritual Eating.

Ellen Meacham will be at Lemuria on Tuesday, May 1, at 5:00 p.m. to sign and read from Delta Epiphany: Robert F. Kennedy in Mississippi.

Charles Frazier’s ‘Varina’ is an immersion in the Civil War South

By Jim Ewing. Special to the Clarion-Ledger Sunday print edition (April 15)

As historical fiction, Charles Frazier’s Varina can be seen as an imagined memoir of the widow of Confederate President Jefferson Davis—but only barely.

varinaIt draws heavily from the verified facts about the former Varina Howell of Natchez, but is seamlessly layered with the insightful thoughts and personality of a woman from an attractive belle to an arch and wise matron in her later years. It’s truly a fascinating journey.

It covers her courtship as a young girl with the then-widowed Davis more than a decade her senior, from living on their plantation at Davis Bend near Vicksburg to moving to Washington, D.C., when he was first a congressman from Mississippi, then a U.S. senator, to being secretary of war, and, finally their days after the Civil War.

Davis himself does not get off lightly in her estimation. For example, she confided to one newspaper reporter after his inauguration as the Confederate leader that sometimes even she wanted to murder him. (Married folk can relate!)

But she speaks fondly of him, too, recalling his young man’s dream of being simply a country lawyer who wrote poetry; much as she wistfully recalled her own dream of being First Lady, not of the South, but residing on 1600 Pennsylvania Ave., back when Davis was a U.S. senator and war hero. It seemed a likely prospect at the time.

The tale is told through her words to a black man who tracks her down as she is living out her later years in New York. The man, James Blake (or James Brooks), was known as Jimmie Limber when she and Davis took him in as a child from the streets of Washington and raised him, until they were split apart by the war.

As oddly as it might sound to the uninitiated, the story of a black child being raised side by side with their other children is true—at least, for a short time until the war intervened.

Some of the most gripping of the narrative (a la Gone with the Wind) involves Varina and Blake’s flight for Havana and hoped-for sanctuary in an arduous journey that ended on the Florida-Georgia border as their world came crashing down.

Frazier, known for his masterful work Cold Mountain, draws the reader in with broad strokes of often quite profound observation, along with period details, powerful accounts of the hard life of citizens after Sherman’s march, and thoughtful reflection.

For example, how she came about understanding the complex nature of slavery as a child amazed her, how even slight gradations of skin color could be so determinant. It boiled down to the sense “that a strong line cut through all the people she knew and everybody who existed,” one that “traced divisions clear and precise as the sweeping shadow of a sundial.”

And it was firmly enforced, in society, in public, in private, in homes and churches, a biblical injunction (Luke 12:47): “He that knoweth his master’s will, and doeth it not, shall be beaten with many stripes.”

The South and all in it were beaten down by it, wholly, individually, even the land itself “defaced and haunted with countless places where blood … would keep seeping up for generations to come.”

It makes one wonder, have the scars ever healed?

Frazier has produced a time machine where the reader is immersed in the Civil War era, pondering through the eyes of Varina Howell Davis the complexities, mysteries, brutalities and banalities of days long gone.

Jim Ewing, a former writer and editor at the Clarion Ledger, is the author of seven books including his latest, Redefining Manhood: A Guide for Men and Those Who Love Them.

Charles Frazier will be at the Eudora Welty House on Thursday, April 26, to sign and read from Varina, Lemuria’s April 2018 selection for its First Editions Club for Fiction.

Campbell’s ‘Conversations’ probes heart of Christianity

By Jim Ewing. Special to the Clarion-Ledger Sunday print edition (April 1)

University Press of Mississippi has produced one its most fascinating books in years with publication of Conversations with Will D. Campbell.

A collection of interviews with Campbell over the course of nearly 40 years, the book edited by retired Jackson lawyer Tom Royals is thought-provoking, humorous, outrageous, and delightful—like Campbell himself.

conversations will campbellCampbell, an Amite County native, died in 2013, but his impact remains. He got his preaching certificate at age 17 at East Fork Baptist Church, and prized it above all his awards and degrees—including one for divinity from Yale.

He first distinguished himself as chaplain at the University of Mississippi, 1954-56, leaving after being threatened for his tolerant racial views. He became a staff member of the National Council of Churches and worked closely with such luminaries in the civil rights movement as Rev. Martin Luther King Jr.

Afterwards, he attracted a celebrated following—including much of the country music scene in Nashville—publishing more than a dozen books and writing prolifically in magazines and journals.

Called alternatively a “renegade bootleg preacher” or a preacher without a church, he was reviled and celebrated by both liberals and conservatives—sometimes by both at the same time—immortalized by a cartoon character named Will B. Dunn and dubbed variously the “Aquinas of the Rednecks” and “the conscience of the South.”

As Conversations fleshes out, his theology goes to the heart of Christianity. His was a uniquely Southern Christian spirituality grounded in the Protestant tradition of direct relationship with God and personal connection with Christ. It requires honesty, humility, acts of faith, self-doubt, open-mindedness, and willingness to disobey rules when they conflict with conscience.

He was focused on the miracle of grace, extended to all people, from liberal firebrands to KKK. He believed it was his duty to “witness” to all sinners, which he said, included everyone. He remonstrated his beloved Baptist church for straying from its early roots as a revolutionary pillar of liberty and individual conscience to become a rules purveyor with its own orthodoxies and proscriptions.

Yes, he was an iconoclast, following only what he believed “Mr. Jesus” and his Gospel would approve.

A few nuggets from “Conversations” include:

  • Jesus “didn’t say which prisoners to visit—black or white—guilty or not guilty—which sick, which poor to bring good news to, deserving or undeserving.”
  • “I believe that our Lord was among the most antireligious ever to come along, for He came breaking the rules, smashing idols, tearing down structures, and proclaiming freedom from all such. And rules, crusades, and structures are the stuff religion is made of, whereas Jesus came proclaiming deliverance.”
  • “Love of country is not the same as love for God.”
  • “The blacks and whites worshiped together until the Civil War…. (if) the church had managed to stay as a nonracial institution, I think it would have made a great deal of difference.”
  • “I never rejected Mississippi.…You can’t grow up in that atmosphere and environment and not, I think, have that as long as you live. Even in your denying of it is affirming it.”

It was my honor to visit with Campbell at his Mt. Juliet, TN, farm shortly after the 1986 publication of his book 40 Acres and a Goat. At the time, I was an editor at the old Jackson Daily News, and we spent an afternoon talking about all things Mississippian. I was in awe.

Reading Conversations is just like sitting on the porch with him.

Jim Ewing, a former writer and editor at the Clarion Ledger, is the author of seven books including his latest, Redefining Manhood: A Guide for Men and Those Who Love Them.

Robert Gordon recalls vintage rock, blues scene in ‘Memphis Rent Party’

By Jim Ewing. Special to the Clarion-Ledger Sunday print edition (March 11)

For a deep dive into vintage rock ‘n’ roll and blues legends of the Memphis scene, music journalist Robert Gordon offers a mother lode of insights and information in his latest book.

memphis rent partyTitled Memphis Rent Party: The Blues, Rock & Soul in Music’s Hometown, Gordon’s book offers a collection of essays, interviews, liner notes and observations covering nearly four decades of his work.

In addition to depicting the work of singers, producers, blues and rock stars that made the Memphis music scene distinct from its rival Nashville, New York, Los Angeles, and Motown music hubs, Gordon delves into the thoughts and motivations of its native artists, as well as local characters.

The result is an eclectic foray into matters large and small, including the wisdom of Elvis, the real life of Robert Johnson, and the philosophy behind making the music happen from the artists themselves.

For example, Gordon reports legendary music producer and Sun Records owner Sam Phillips helped Elvis differentiate from the pack in his early career. Elvis was trying to be a “lame-ass Perry Como imitator he thought he was” at the studio and did some impromptu riffs “to reinvigorate his sidemen when his recording session was flagging.”

Phillips overheard the off-the-cuff music and convinced Elvis to “try to find a place to start and try it again”—this time, with the tape going.

The rest, as they say, is history.

Some of the observations are profound, such as musician and record producer Jim Dickinson explaining his motivation to record music.

“It is literally the fear of extinction; it’s the wish to record the unretainable nature of the moment,” he said. “Time is going away from us and the art wish is that desire to retain the moment. By recording and playing back, you have made time into space; you have captured the moment…. The event has a soul: It is the essence of the event that you record, and the whole idea of immortality is right there.”

Gordon’s personal history is intriguing in itself. He came to write about the blues in the 1980s. He was a 14-year-old middle-class kid from Memphis who found epiphany at hearing bluesman Furry Lewis at a Rolling Stones concert.

“Furry’s playing was unlike anything I could have anticipated. His rhythms were slow, his songs full of space, his notes floated in the air. His music invited us listeners instead of dazzling us with its size and force … (it) let me feel the wrinkles on the hands wrapped around the guitar neck, the texture of the strings; he let me hear the human being.”

In other words, he was hooked.

Gordon cut his teeth on the old print media, such as Music and Sound Output, Request, Pulse, Option, Creem, Spin, Details—magazines and fanzines that no longer exist, he notes, “whose remnants are dusty, crumbling pages in landfills hither and yon.”

Now the magazines are gone “and so are most of these artists, but the art continues to thrive.”

Jim Ewing, a former writer and editor at the Clarion Ledger, is the author of seven books including his latest, Redefining Manhood: A Guide for Men and Those Who Love Them.

Robert Gordon will be at Lemuria on Monday, March 26, at 5:00 p.m. to sign and read from Memphis Rent Party.

Joanne Lipman’s ‘That’s What She Said’ offers ‘woke’ moment on workplace harassment

By Jim Ewing. Special to the Clarion-Ledger Sunday print edition (February 18)

With That’s What She Said, journalist Joanne Lipman has produced a “woke” moment in the unfolding #MeToo movement.

thats what she saidSubtitled “What Men Need to Know (And Women Need to Tell Them) About Working Together,” the former chief content officer of Gannett and editor-in-chief of USA Today offers an eye-opening book about workplace inequality including to-the-point life lessons that are, at times, cringe worthy, humorous and profound. (Full disclosure: I worked briefly at USA Today in the 1980s and left the Gannett-owned Clarion-Ledger in 2012, before she joined the company.)

Lipman details research regarding our culture, male/female physiology, cultural bias (including, especially, hidden bias), scientific studies, polls, attempts various companies have made to address workplace inequality, and interviews with cutting-edge leaders in the field. Her research even took her to a penis museum in Iceland (boasting 285 specimens, including the world’s largest!).

Lipman states upfront in her introduction, “Men Aren’t the Enemy” that “there will be no man shaming” in the book, “No male bashing.” And she holds true to that. She offers anecdotes from other women, her own life, and pertinent facts to outline how women can thrive amid old shames and new challenges at work. But it’s not for women only. Indeed, as an explainer, it’s largely geared toward men.

“We need men to join the conversation,” she writes, noting that if only women engage in the narrative, and women “only talk among themselves, we can only solve 50 percent of the problem.”

If it’s a shared dialogue, however, Lipman reveals stories and lessons that only working women can relate (and men need to hear). For example, she details various routine slights of women by men that men might not even be aware of, including interrupting women more than men, taking credit for their ideas, and automatically discounting their merit.

But rather than attacking, she turns it around to offer opportunities for men and women to “reengineer” workplace culture and their personal lives. Included is a list of simple, practical remedies titled “Cheat Sheet: Tips and Takeaways for Men — and Women.”

While the sheer weight of the facts of patriarchy in modern culture can be depressing, and the gender wage gap seems particularly stubborn, Lipman shares her belief that awareness will help change hostile work environments, unequal pay and bad behavior by men and she does her level best to honestly present both problems and solutions.

This book is a wake-up call for business managers, business owners, and men and women themselves about the opportunities being missed by underutilizing, ignoring and/or deterring women from success in the workplace.

She Said comes less than six months after the sexual misconduct revelations about Hollywood producer Harvey Weinstein that has prompted an international movement of women posting on social media similar outrages under the #MeToo hashtag (including in France #BalanceTonPorc or “squeal on your pig”). A tsunami of men losing careers and reputations in all walks of life has resulted.

She Said should find a home amid other hashtags, including: #LeanInTogether and #HeForShe, enlisting more men in the cause and, perhaps, help lead to the ultimate one of full #equality.

Jim Ewing, a former writer and editor at the Clarion-Ledger, is the author of seven books including his latest, Redefining Manhood: A Guide for Men and Those Who Love Them.

‘King Zeno’ is a mesmerizing novel of historic NOLA crime

By Jim Ewing. Special to the Clarion-Ledger Sunday print edition (January 28)

King Zeno by Nathaniel Rich is a crime novel that transcends the genre to suck the reader into a world long gone.

king zenoIt’s a “crime” novel because it swirls around the notorious, real life crimes of an ax murder spree and wave of street robberies that struck 1918 New Orleans.

But it rises above the set piece of police procedurals by enlivening the characters beyond a simple whodunit. Rather, it is an absorbing novel spiced with rich, deep characters in a sweeping foray where the crimes serve as a framework.

The main characters include:

  • Beatrice Vizzini, the widow of a “Black Hand” (read: mafia) crime figure, who masterminds the “protection” racket of small Italian grocers, while trying to turn legitimate;
  •  Giorgio, her flawed son, a menacing figure she hopes will take over the family business;
  •  Isadore “King” Zero, a talented trumpeter, struggling to survive on the mean streets, including resorting to robbery, to provide for his pregnant wife and disapproving mother-in-law, while pioneering the then-new musical form of jazz;
  • Police Det. Bill Bastrop, a World War I veteran, who suffers from what today would be called PTSD, tasked with solving a wave of street robberies and a string of ax murders terrorizing the city.

Rising above this miasma of passions, fears and chicanery, the deadly 1918 flu pandemic (that infected 500 million people worldwide, killing up to 40 million) stalks the Crescent City, stirring a rising tide of the sick and the dead.

An allure of Zeno is its ability to act as a time machine, carrying people who love the flavor and lore of NOLA to another time, fleshing out areas of the city such as Storyville, the Garden District, the Irish Channel.

Taking place as the Industrial Channel is being dug, linking Lake Pontchartrain to the Mississippi River, Zeno is filled with descriptions of a city that still lives under the surface of modernity. The characters are believable, well-crafted, and even with its heft of nearly 400 pages, the book carries the reader briskly forward.

Rich is masterful in mapping the characters’ motivations, often not fully understood by the characters themselves, deftly teasing out a believable plot through their interactions.

His language is, at times, made obscure by the vernacular of the period, but at times crystalline. For example, in explaining Isadore’s attraction to music, he writes that he “had always understood music as a conversation with the Dark Unknown—the dimension of the world that was hidden to the world …. When you played, the conversation went both ways.”

Zeno is a mesmerizing walk through time into a New Orleans that still subtly exists, with prostitution, gambling, street crime, wretched social inequality, and stark racism, overlaid by exquisite music, mindless excess, and licentious celebration. It all adds up to a tantalizing read with astute insights into the human condition.

Jim Ewing, a former writer and editor at The Clarion-Ledger, is the author of seven books including his latest, Redefining Manhood: A Guide for Men and Those Who Love Them.

Pioneering conservationist Fannye Cook was truly a Mississippi hero

By Jim Ewing. Special to the Clarion Ledger Sunday print edition (November 27)

fannye cookFor many outdoors enthusiasts in Mississippi, Dorothy Shawhan’s book Fannye Cook might be described as one about the most influential person you never met.

The term “hero” is often overused, but in this case, Cook lives up to the label, as Shawan details.

Approximately 150,000 people (mostly children) annually stream through the Mississippi Museum of Natural Science, says former director Libby Hartfield, who contributed to the book. And that is directly due to Cook, who founded it and served as its director until her retirement in 1958.

Of import to hunters, fisherfolk, birders, conservationists, and others, however, Cook was instrumental in creating what is now the Mississippi Department of Wildlife, Fisheries, and Parks.

Her impact goes even beyond that.

As Shawhan describes, Cook, a graduate of what is now Mississippi University for Women, began her lifelong study and promotion of Mississippi’s natural resources in 1926. The wildlife population in Mississippi—including its most popular game species—was threatened by lack of habitat, overhunting, and overfishing.

“The forest resources that had covered 95 percent of the state in 1800 were practically gone by 1930,” Shawan reports.

Cook, with the help of the federal Depression-era Works Progress Administration, conducted a comprehensive plant and animal survey in Mississippi that she designed. Traveling across the state speaking to local groups and schools, she spearheaded a successful effort for public education and scientific research of wildlife resources.

The results of her efforts were twofold:

  • After her pushing for seven years, the state Legislature approved creation of a state game and fish commission in 1932 to regulate and conserve natural resources;
  • To house the enormous data she amassed, she was instrumental in opening the state’s first natural science museum in 1939 for the survey’s “28,732 fish, reptiles, birds, plants, amphibians, and mammals collected.”

It was an incredible turnaround in the public’s appreciation and support for habitat that lives on today.

Subtitled “Mississippi’s Pioneering Conservationist,” the book delves into the obstacles that stood in Cook’s path both personal and professional, as a woman in a “man’s” field, as well as her achievements and friendships along the way.

It’s full of recognizable names, including author Eudora Welty, with whom she lived as a boarder in Welty’s Jackson home, and Aldo Leopold, considered by many the father of wildlife ecology in the United States, with whom she collaborated.

Cook serves as a role model not only for women, but for all who have a dream and are willing to work tirelessly to achieve it.

Cook’s work and memory live on with the museum, the state’s largest, that now houses more than 1 million scientific specimens, along with creation of the 2,600-acre Fannye Cook Natural Area in Rankin County soon slated to open to the public. It’s the brainchild of Wildlife Mississippi, which also helped underwrite this book.

Shawhan, a Delta State University professor, died during course of writing the book and the manuscript was completed by Marion Barnwell, professor emerita at Delta State, and Hartfield. It’s a fascinating account of a most extraordinary Mississippian.

Jim Ewing, a former writer and editor at the Clarion-Ledger, is the author of seven books, and serves or has served on numerous state, regional and national boards involving wildlife conservation, forests, agriculture and food.

Marion Barnwell and Libby Hartfield will be at Lemuria to sign and read from Fanny Cooke on Sunday, December 3, at 11:30 a.m.

‘Paris in the Present Tense’ is an ode to love, remorse, and hope

By Jim Ewing. Special to the Clarion-Ledger Sunday print edition (November 5).

If you love language, as most book readers do, and thrill at the precise delineation of thought, emotion, and the paradoxes and challenges of the human condition as expressed in the saga of a single life, you’ll love Mark Helprin’s Paris in the Present Tense.

paris in the present tenseIt helps if you’re a hopeless romantic who thrives on the razor’s edge of hope and despair, not caring if ultimately successful in the target of your desires, for having experienced the compounding joys of the attempt, even if it’s dashed.

A tall order, yes. But Helprin has produced a symphony of a novel that provides any sensitive, thoughtful reader great joy and sorrow, often in the same page.

The plot revolves around Jules Lacour, 74, a cellist who teaches music at the Sorbonne. A Jew, he survived the Nazis in World War II as a child, but his parents did not. That epochal event rules his life, with grief, survivor’s guilt, and an appreciation of the small miracles of daily life.

Jules falls in love easily and with virtually every attractive woman he sees. Pages are devoted to their walk, perfume, the line of neck and jaw, the easy, carefree way they comport themselves on the streets of Paris—the city of love.

But his one true love, Jacqueline, whom he met immediately after the war, has left him a widower in the beginning of Paris. The world is different, and all too much the same. Angry crowds march the streets chanting “Death to Jews,” oblivious to the city’s past.

In this strange world, he becomes party to a crime, then hatches another of his own devising in hopes of saving his young grandson from a life-threatening disease.

But, then, he meets Elodi de Challant, a beautiful, young student, and they fall in love—immediately, longingly, through the touch of a hand and the meeting of eyes.

The fear, desire, anticipation, hesitation and forthrightness between them is delicious, enthralling, ticklish and agonizing—like the initial unfolding of love itself. For a man of many summers, it offers hope, remembrance and remorse

Doomed, he believes, by the separation of their ages, she offers him a question that is searing in its simplicity: “What if you’re loved in such a way that it doesn’t matter how old you are, or if or when you die?”

Paris is a book of paradoxes, like the city, like life itself, as the title suggests, of past and present tense. “Half of humanity’s troubles arise from the inability to see that contradictory propositions can be valid simultaneously,” Jules notes. It’s a fact that makes him not afraid or bitter over the killing of his parents and the Holocaust.

“We have what was denied to them,” he explains. “We would betray them were we not happy to be alive.”

Age itself has beauty, he notes, for “you learn to see with your emotions and feel with your reason,” even if you can’t find your reading glasses.

Each page of Paris is a philosophy lesson on how to live, see, love, from someone who lives “in the present tense.” It is a world where capricious fate causes hopes to rise, which may turn to naught, creating new realities.

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Jim Ewing, a former writer and editor at The Clarion-Ledger, is the author of seven books including his latest, Redefining Manhood: A Guide for Men and Those Who Love Them.

Mark Helprin will be at Lemuria on Thursday, November 16, at 5:00 p.m. to sign and read from Paris in the Present Tense.

‘Goat Castle’ revisits Natchez murder

By Jim Ewing. Special to the Clarion-Ledger Sunday print edition (November 12)

In fiction, it’s not uncommon for an author to go back in time to solve a mystery, often with shocking results. Less common is for a nonfiction book to do the same, but with a searingly honest view that’s sadly revealing today.

Karen L. Cox does so with her book Goat Castle (University of North Carolina Press).

LogoAddressing the Aug. 4, 1932, murder of Natchez heiress Jennie Merrill at her antebellum home Glenburnie, Cox peels back the layers of sensationalism surrounding the case to reveal the hard truths of racism and Jim Crow justice of the time.

Subtitling the book “A True Story of Murder, Race, and the Gothic South,” Cox details the lurid aspects of the case that transfixed the nation with its depiction of a South in ruins and the remnants of Southern aristocracy in squalor in the decades following the Civil War.

The headlines of the time focused on Merrill, called an aging recluse, allegedly killed by a black man and her black housekeeper, with her white neighbors as possible accomplices.

The neighbors lived in a falling down mansion they shared with goats and other livestock wandering the halls (hence, the name “Goat Castle”).

“Murder, aristocracy, recluses, and goats,” Cox notes, “these were the subjects more likely to be found in a Southern Gothic novel, and in fact journalists immediately drew parallels to the fiction of Edgar Allan Poe, and later, William Faulkner’s novels about the social decay of old Southern families.”

It was the type of news story that kept Depression-era Americans grossly entertained.

But Cox dives deeper than the headlines, through excellent historical and journalistic investigation, to bring to light a horrible injustice.

Whereas, Merrill’s white neighbors, Dick Dana and Octavia Dockery (she, the daughter of a Confederate general; he, of a family of a famous authors and journalists) got off scot-free, the two black suspects were either killed or imprisoned.

Cox details the lives of Merrill and her alleged paramour and cousin, Duncan Minor, who discovered her body. And she recounts the often bitter and ongoing disputes of the aristocratic Merrill with Dana, called the “Wild Man” who was known to wear only a burlap sack while living in the trees on his property, and Dockery, called the “Goat Woman,” who was glib, clever, and vengeful, albeit living hand to mouth.

The new knowledge of the case is Cox’s painstaking research into the lives of the two black suspects, Lawrence Williams, the alleged triggerman who was gunned down in Arkansas while making his way home to Chicago, and Emily Burns, who received a life sentence at the notorious Parchman Prison farm at Camp 13–the Women’s Camp.

Burns’ sentence was indefinitely suspended after eight years because even in the Jim Crow South that saw black men imprisoned or killed for allegedly improperly looking at a white woman, Gov. Paul B. Johnson Sr. said he was “thoroughly convinced of (her) innocence” and that she was convicted solely upon “circumstantial evidence.”

As Cox details, Burns’ treatment was based on a coerced “confession” and included the belief that unless someone was held accountable for the crime in a court of law, white citizens might have taken matters into their own hands and she might be lynched.

“Emily was presumed guilty because of her race.”

Filled with astonishing photographs and copious notes, Goat Castle is sure to invite attention anew to an old crime in the Bluff City and reinvigorate current debates about racial justice.

Jim Ewing, a former Clarion-Ledger writer and editor, is the author of seven books including his latest, Redefining Manhood: A Guide for Men and Those Who Love Them.

Karen L. Cox will appear Wednesday, November 15 for the History is Lunch series at the Old Capitol Museum at 12:00 p.m. She will appear at Lemuria at 5:00 p.m. on Wednesday to sign and discuss her book, Goat Castle.

Jennifer Egan’s ‘Manhattan Beach’ oceanic in its mysteries, allure

By Jim Ewing. Special to the Clarion-Ledger Sunday print edition (October 15)

manhattan beachThe plot of Jennifer Egan’s latest novel Manhattan Beach is straightforward enough: Anna Kerrigan, an adolescent girl in Brooklyn during the Great Depression, struggles with a dysfunctional family to find her place in the world.

The characters are sufficiently intriguing: the father, Ed Kerrigan, is a union bagman, once relatively wealthy, who lost it all during the stock market crash; her mother, Agnes, transfers her love, loyalty and care to Anna’s sister, Lydia, who suffers from a catastrophic birth defect that leaves her unable to talk, sit up, or care for herself.

But the characters all knowingly or unwittingly revolve around the mysterious Dexter Styles, a wealthy, high-society gangster and nightclub owner. Once Anna’s father crosses paths with him, he disappears, leaving the family in disarray, spiraling into dissolution. And Anna becomes fixated with Styles as the plot jumps to the World War II years.

Anna takes a job at the Naval Yard in Brooklyn, frequenting Styles’ nightclub. The plot transforms into a growing-of-age novel, with the mystery of her father’s death lurking ever present. She finds love, she finds happiness, she finds loss.

Anna is endearing as a resourceful individual who is strong-willed but vulnerable to her own self-doubts and the formidable barriers of living in a paternalistic man’s world.

Egan’s art is her ability to capture complex emotions, leading toward mysteries and unexpected turns, like life itself, that at the end leave us ravenous for more.

The underlying power of Beach is its ability to relate on a subconscious level. Anna’s sister Lydia, for example, is a cipher for incomprehensible beauty, of wishes and dreams that are too beautiful—and flawed—for this world.

Her mother, Agnes, fawns on her; Anna holds her as close as a talisman. “A vibration seemed to emanate from inside Lydia, as if she were a radio tuned to a distant frequency. She knew all of Anna’s secrets; Anna had dropped them in her ears like coins in a well.”

Indeed, she is a goddess as well as a curse. All who come into contact with Lydia either adore her or despise her, not seeing her as she is, but as their own best or worst reflections.

But Lydia is only one of many beguiling characters that constantly raise questions, potential problems, solutions, or disappointments, like those we find in our daily lives.

Egan is a highly accomplished author of four previous novels and has won a Pulitzer Prize for her fiction. Beach doesn’t disappoint.

Jim Ewing, a former writer and editor at The Clarion-Ledger, is the author of seven books including his latest, Redefining Manhood: A Guide for Men and Those Who Love Them.

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