Category: Staff Blog (Page 8 of 32)

Hold Still by Sally Mann

If you don’t know who Sally Mann is, that’s okay. But, you may want to get to know her. I didn’t know exactly who she was either, I only remembered her most famous photograph of her three children. Maybe this one rings a bell?

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She’s pretty well-known for her large-scale black and white photographs, and her second book of photography “Immediate Family”—filled with photos of her (mostly un-clothed) young children. Yes, she got quite a bit of backlash due to this, but hey, it’s her children and her life. Sally said it best when describing how she takes photographs and what that might cost her: “To be able to take my pictures I have to look, all the time, at the people and places I care about. And I must do so with both warm ardour and cool appraisal, with the passions of both eye and heart, but in that ardent heart there must also be a splinter of ice.”

unnamed (2)Mann’s new book, Hold Still is not just a photography book, she has let us step into her life by making this book her memoir. I’ve always enjoyed photography, and I’m not going to lie, at first I only picked this book up in the store to flip through the photos. I was told that she had been to a “body farm” and taken photos of the human body’s stages of decomposition and damn, she really did (yes, I’m the gross kid that thinks that stuff is cool, sorry about it). This book is filled with photos from the birth of one of her children to photos of family relics. All of which are intriguing and beautifully done.

While the photography is great (trust me, it is), I really stuck around for her writing. I picked this book up while I was working, and didn’t want to put it down. I literally had to, because…you know, work comes first. But! I knew I had to buy this book. Reading the pages in this book will make you feel like Sally Mann is sitting right next to you joking and telling you her life story. Her wit is perfect, it sucked me right in. She’s a bit of an odd-ball, but aren’t we all? I think that’s what truly makes this feel like your best friend is telling you a story, instead of you reading a book.

This books the best of both worlds for me (and hopefully you!). The photography is beautiful and her writing makes me wish I had grown up right next door to her in Virginia in the 1960s.

Why Young Readers Need Independent Bookstores

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Carson Ellis

Carson Ellis

One of my favorite things about working in Oz is seeing reactions from people walking in for the first time. It’s a different reaction from the rest of the store, because being surrounded by children’s books brings about a unique feeling, one of nostalgia and hopefulness. You remember what you read as a child, where you read, who read to you. People are delighted and openmouthed, trying desperately to take it all in.

But the children are the best. Their eyes get big, their jaws drop. Sometimes they start running towards the first thing that catches their eye. They try to describe what they’re seeing, but mostly it’s just a lot of words like “Wow.” For children and adults, being surrounded by children’s books is a special, magical experience.

Levi Pinfold

Levi Pinfold

Independent bookstores themselves are magical entities. They pop up in the strangest places, inhabit the strangest buildings, and are run by the strangest people (it’s true, you know it). These buildings, these places, these people, they have histories and pasts and layers. They have stories, and that in turn gives independent bookstores their unique brand of magic: the place and person you buy that book from has as unique a story as the one you hold in your hands.

Jon Klassen

Jon Klassen

People feel that magic when they walk into Lemuria. Even children feel it. It’s a special kind of wonder you don’t get when you walk into a chain bookstore, and definitely not when you order a book off of Amazon. It’s a feeling that makes people excited to visit Lemuria, excited about reading, excited about even the idea of holding a book in their hands. It’s a feeling that manifests itself most beautifully in children. When they come into Oz, a place that seems so otherworldly, a place made just for them, with adults there to help them find something they love, something clicks. It’s a moment I love seeing, a moment I wish everyone could see at least once. All of a sudden the child realizes, “Wow. So this is what reading is like. So this is what books can do. “ They realize places of magic house objects of magic, and those objects are books.

William Joyce

William Joyce

I don’t think I need to explain why fostering a love of reading in children is so important. But I’ll do it anyway, for clarity’s sake. Reading allows children to imagine, to grow and think outside of the box. Reading allows children to learn about worlds outside their small personal ones, to grow in empathy and understanding. Reading provides children with opportunities to succeed, to improve themselves and their situations. Reading teaches children that they are not alone, that somewhere, someone understands their unique experience as a person and has a written a story to speak to them. Reading gives children power and self-confidence, the opportunity to choose what information they consume. Reading is a life-skill that offers so many wide-open doors.unnamed (2)

Anthony Browne

Anthony Browne

But to foster this love, to bring the magic to life, children need places like Lemuria. Readers from seven months to seventeen years old need spaces that seem magical, adults who appear to be wizards pulling books out of thin air. They need a place that ignites a desire to read, and they need guides who want to foster that desire. What they need are people who love books. And I can guarantee you won’t find those people in Amazon warehouses or behind the counters at chain bookstores. You find them in independent bookstores, because independent bookstores are created by people who love books, people who spend their entire lives trying to explain this love to others. So come on in. Bring your kids, stay a while. There is so much we’d like to share with you.

David Wiesner

David Wiesner

Between the World and Me by Ta-Nehisi Coates

I don’t need to spend much time telling you this book is going to make waves, you probably already know that. I’ve walked into a restaurant holding the book and was haphazardly ushered into a table of strangers demanding to know how I got my hands on a copy of Between the World and Me before its release date. In another instance, a customer at Lemuria asked me what was my favorite bourbon, and offered to go to the liquor store that moment to find an adequate bribe to loosen my clutch on the book. Sorry man, Between the World and Me is worth more than the most expensive bottle of bourbon.

51356xQ+swL._SX326_BO1,204,203,200_Put down what you’re reading and pick up Between the World and Me by Ta-Nehisi Coates. It won’t take up more than a day of precious reading time. I am positive you will easily find profundity in Coates’s words regardless if you’re a man, woman, white, black, skinny, fat, carnivore, vegan, liberal or conservative.

Coates’s eloquent prose has given me chills as I sat reading in the blistering Mississippi summer, and his fiery gestures have made me sweat when I lay on my back reading with my AC set on 68. Rather than spoil his message by trying to use my words to explain Coates’s words, I want to share how this book has forced me to remember something tragic in my own history and made me examine it using new lenses.

Between the World and Me covers a lot of ground in a mere 152 pages. But one section left me in a trance it forced me to remember a story from my own history, which I have attempted to erase from my memory by burying it in silence.

Coates speaks to his time at Howard University as a momentary utopia, or in his words “The Mecca.” In his Mecca, for the first time, Coates is comforted by being around people like him—black men and women with vast intellectual concerns. But, the love he felt at Howard’s “Mecca” is shattered when a colleague is murdered in a case of senseless police brutality.

His words forced me to think. Between the World and Me took me back to the time I spent in my personal Mecca and it’s own violent end. It forced uncomfortable thoughts of my own whiteness to the surface, leaving my pores bubbling with anxious self-reflection.

* * *

I remember paying for my lunch at my public high school line and standing there, motionless, trying to gulp down an anxious stone in my throat. Where do I sit today? There dozens of tables, each comprising a community of kids, each inward looking, each excluding the next table as if they weren’t sitting together in the same room. Uniformed, sunburnt white baseball players sat together flirting with the future home-coming queens. The black footballers sat together showing each other their new, first-wave smart phones. The lower-income white kids sat together in their baggy-pants, throwing tater-tots at each other when the eyes of the disciplinarians turned away.

There was one table that was a bit less populated than the rest. A black kid wearing a Jay-Z t-shirt was beating his palms and a #2 pencil in alternating rhythms on the table. They were taking turns practicing their best Wayne impressions, spitting freestyles fraught with vulgarities about women, weed, and violence. They noticed when I sat down, but they didn’t make a big deal about it, they actually slid down to close the awkward gap I had left open because of my anxious uncertainty. I ate my processed chicken nuggets and bobbed my head in time with the tapping of the #2 pencil.

I ate my lunches this way for the next few years. We didn’t usually talk about blackness and whiteness, but it was coldly observed in the absence of their fathers, the warmth of their mothers toward me, and the distance of their older cousins that flashed gang signs and slapped complex handshakes.

Our sessions left the lunch room and went into the bedrooms of our suburban middle class homes. When it came my turn in the cypher, I’d let loose all the anxiety I’d scribbled in my journals into lyrics manifested by a two step beat and a bass drop. When my eighth bar had landed, the guys would burst with laughter and say, “Damn white boy got some words.”

This was the first time my passion for words made me feel cool. I have always manically been putting words into journals, secretly hoping to share them—not only to share them but for my words to make me cool. These young lyricists were The Mecca for me, not only did they listen to my words, but they introduced me to friends and friends of friends who also thought rhyming and beats were cool. I was at home in the comfort of not having to guard or hide the sincerity of my passion.

There were four kids I hung out with routinely, and we became pretty damn close. They were black guys and I am a white guy, and there wasn’t any ignorance of that fact. Between the World and Me reminded me how perversely race issues can slither into Mecca and usurp the comfort Mecca provides.

We were about to graduate. We had done alright in school. Good enough to go to college if we were willing put our noses to the grind stone. I ended up getting accepted to Millsaps College, one of us went into the airforce, and the other two ended up getting felony charges.

One of those kids pled guilty and took two years jail time, and the other accepted to be a CI and try to get a bad guy arrested.

I was running late for a morning class during my sophomore year of college and I got a call from the friend who took the jailtime in Parchman. He sounded completely different. Alive with rage. Frankly, he sounded ready to kill. Then he told me that our friend, the one that took the offer to be a CI, was found dead in an abandoned home with his hands duct taped behind his back and a bullet wound to his forehead. The friend on the phone swore revenge and he thought he knew on whom it should befall.

I walked to class along the giant wrought-iron fence topped with razor wire that “secured” our luxury automobiles and macbooks from the larger black community surrounding my college.

The class was Civil Liberties. It was a nice spring day and we sat outside and discussed Brown v. Board of Education. The professor was mid sentence when a staccato burst of gunshots a block or two away cut him off. One of the white kids laughed, detached from the reality outside the safety of the precious spools of razor wire. He said, “That’s Jackson for you.”

I stood up, and in a rage of expletives I excused myself. I dropped the class and never went back.

I was angry with myself for being comfortable. Angry that my friends, who had first showed me that it was ok to be the person I saw myself as, were killing, imprisoned or dead. Angry that it was too hard to talk with new friends about what happened to them. I was angry that I was in college when I didn’t deserve it any more than one of them. I was angry at my own whiteness, and frustrated at the fact that whiteness had mastered me with a private education where it was ok to analyze Brown v. Board of Education and laugh at black on black violence in the same breath.

I’ve been to Mecca before, and my Mecca ended much the same way as Coates’s—this is not a coincidence, this is evident that the emotions and observations expressed in Between the World in Me are truthful. Racially driven violence is systematic and intrinsic in today’s America; there is no way to escape application to you, whoever you are and wherever you are reading this.

Ta-Nehesi Coates in Between the World and Me has empowered me to be able to share this story with you; a story I’ve tried to forget for so many years and hardly ever shared. I’m a white guy and can never understand the suffering black bodies are put through. But, Coates has forced me to re-examine what it means to black and what it means to be white. Blackness and Whiteness are real things—tangible things. Coates explains why whiteness and blackness cannot be circumvented by neo-liberal policies of colorblindness. Race issues are just as American as hot dogs, and we must constantly examine and re-examine the mechanics that propel racial violence and mistrust because they are parallel with the grand mechanics of domination and oppression. Pick up the book. Read it and think about who you are and honestly ask yourself how race has affected your life.

Please direct any thoughts, comments or questions to Salvo Blair at salvo.blair91@gmail.com

A Song of Ice and Fire and the Development of Fantasy

The next book in George R. R. Martin’s fantasy series, A Song of Ice and Fire is going to be released (hopefully) next year, and I’m taking the time to write about just how this series has been not only popular, but changing the genre of fantasy.

the20fellowshipIn 1937, J. R. R. Tolkien published The Hobbit, and by the time he finished his Lord of the Rings trilogy, he had laid the foundations of a new genre. In his works, he employed many fantasy archetypes in his story. For example, when you think of fantasy, the things that come to your mind are things like wizards, princesses, evil dragons, etc. This is because fantasy mostly uses Eastern European influence, which means copying things like their class structures, like kings, queens and knights. This also means using their folklore, drawing on stories of dragons, tales of valor, wizards, elves, and fairies. The central conflict should be about good versus evil; since fantasy stems from being mostly children’s stories, the story typically has a good hero to root for. Evil is depicted in a clear, monstrous form. Villains are not too human.

Tolkien took all the archetypes of fantasy and raised it up to create the subgenre of hightumblr_mvjih2ZcmU1s7ovmno1_r1_500 fantasy. High fantasy is basically a fantasy book, but with larger, more sprawling worlds. Characters were different races, and served different kings, and the kings before those kings. Entire languages were created. Different races had different traditions, abilities, magical items, and styles of dress. Songs, histories, and lands were depicted in Charles Dickens level detail for each race in Tolkien’s Middle Earth. Since then, Tolkien has been the author whom most fantasy writers took inspiration from. High fantasy has remained largely static since then. Everyone wanted to emulate Tolkien, and nothing really changed for years.

giphyBut in 1996, George R. R. Martin moved fantasy to new depths again. People who I know that read much more fantasy than me said there was something new in this series. Martin also has a completely developed alternate world. But Martin takes inspiration from several, non-Eastern European cultures. He does not stay with the viewpoint of the protagonist, but switches to characters on every side of the conflict. By also switching to first person, Martin is able to delve into the minds of characters much more closely. Within this, we see that Martin does not portray one clear side of good or evil; he doesn’t even make his main characters the heroes. The series is fantasy in reverse because the obvious characters are not the key players in the story, it is not the kings or rulers but their children, wives, and friends whose viewpoints move the narrative. Even the most noble of his characters are flawed, and goodness in his books does not equal skill. A nice ruler does not mean a good ruler, or one that will survive. His graphic and explicit material also means he’s writing just for adults.

We’ve come a long way from the simple fairy stories told to kids. This is why I think George R. R. Martin is important, and there is speculation that he’s the American Tolkien. I personally think that he is, and I’m excited to be alive while a new trend in fantasy comes along and plucks the placid tradition from its roots in order to grow something new.game-of-thrones-will-be-coming-to-movie-theaters-later-than-expected

Ash by Malinda Lo

PRIDE!

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Ash by Malinda Lo. OH. MY. GOD. It’s Cinderella, but a little different. Rest assured, just because this is an LGBTQ book, it does not dwell on it. Whoever the characters fall in love with is not so important in the magical kingdom the main character, Ash lives. Or is it magical? In the West Wood, people still believe in fairies and brownies and elves. But some believe these are just stories. Ash’s mother believed in magic, and when odd things happen to Ash after her mother’s death, she begins to question just who her mother was. One thing that’s good about this book is that it opens with so many questions. Like, what do Ash’s dreams mean? Are they dreams? Who the person with the gleaming, beautiful face that watches her, and why is there glittering dust in her window sill? As the questions slowly get answered, then the story begins to go in the direction of a Cinderella tale. There are also a number of fairytales that different characters tell as Ash goes about her life. Stories that serve to warn her, foreshadow the future, or reveal the past. So this book is a fairytale filled with other little fairytales.


JacketWhen both of Ash’s parents die she has to live with her mean stepmother and stepsisters and cook and clean for them because blah, blah you know the drill. But all Ash wants is to be taken away from her horrible life to be with the fairies, who have watched over her through her life, but they won’t tell her why.

Ash’s life gets even more complicated when she meets the prince and the royal huntress. Also, instead of the fairy godmother just lavishing beautiful gifts onto her, what Ash wants comes with a price that has been entangled in curses and negotiations between witches, fairies, and humans before she was born. But don’t worry, all the plot thingies tie back up together nicely. I was hooked reading this, and I hope you will be too.

If you like Young Adult fiction, Ash is exactly like those books. If you like fairy tales, then you’ll like this. If you want some light summer reading, you’ll like this. I really enjoyed this book, and I think you will too.

In Defense of Graphic Novels

First, read this article.

Now, read this.

To most of us, college is a time to broaden horizons, mentally stretch, and to find out where to draw our lines. For Tara Shultz, the line was immovable from the beginning with no hope of being re-drawn. The problem of her protest is twofold: trying to force the books out of curriculum for all students instead of personally removing herself from the class is ultimately a selfish and bullying tactic; and by claiming that she was “expecting batman and robin, not pornography” is patronizing and belittles an entire genre of literature (and its authors) that can have the emotional depth and breadth of the written novel.
Jacket (1)We at Lemuria have been striving to carve room in the store to build up our stock of graphic novels that we believe are fulfilling, fun, and thought-provoking. We encourage all of our readers, young and old, to explore this medium of literature and remain open-minded as they read. Ultimately, a graphic novel on any subject can be challenging because instead of being the commander of your imagination and creating your own version of the world being described to you, an illustrator takes that power away from the reader. It can be hard to un-clench our fists and relinquish that control. However, handing over the power of imagination to the artist does not make this mode of literature any less powerful or interactive. I believe that reading a graphic novel is in no way a passive act like watching television, but that it works different muscles in your brain, much like switching from jogging to swimming; both are cardio, both are effective exercises, but you can get sore in different places.

JacketOn several occasions when reading a graphic novel that was particularly weighty in its subject matter, having the wheel of imagination taken out of my hands was a relief. I can’t speak for all readers, but being able to take my mind off of the architecture of the world in the story and focus my attention on the characters themselves- it was transformative. So many brilliant artists use the illustrations in a graphic novel like a highlighter, underlining important ideas or phrases. In David Mazzucchelli’s Asterios Polyp, as the protagonist ages and changes, so does the style of art on the pages; and, peeling back even more layers of the title character, the style evolves even more as his opinions of the people around him change. It’s like looking through a pair of binoculars into a microscope; ultimately tricky and hard to wrap your mind around at times, but as the images come sharply into focus, the headache goes away and the wonder begins.
Jacket (2)In a turn of events that would probably surprise one miss Tara Schultz, the first time I experienced the moment when the rug of low expectations was pulled from beneath me was- you guessed it- when I picked up Batman: The Dark Knight Returns by Frank Miller. Poetic justice is a glittering and sharp sword. Miller weaves a story of regret and a scabby old identity crisis instead of simple vigilante justice and a good old fashioned political spanking for the corrupt. The Bruce Wayne of Miller’s Gotham City is older, tireder, and angrier than we are used to, and his self-conscious antics are equally compelling and embarrassing to see. The feeling of intense, growling reality that came from watching a man transform in such raw and painful way was shocking. I went in expecting witty one-liners and came out at the end shocked and emotional; feeling as if I had had a cold bucket of water sloshed over my head.

Jacket (3)This new age of literature isn’t so new- Miller’s Dark Knight was released in 1986- but it feels as if it’s just had a fresh bath. More literary readers are turning to the medium for consumption, and authors are skillfully doing away with the “Batman and Robin” stereotype that people like Tara Shultz are trying to paste over the whole genre. Alison Bechdel’s Fun Home waltzed into the spotlight when it was rewritten for the stage and recently won a Tony for Best Musical. Persepolis by Marjane Satrapi (one of the books that Shultz is protesting) became so widely known and influential that it has become required reading for many high school social studies classes. We are lucky enough to be living in a time where art, literature, and music are being appreciated and consumed in ways we never could have foreseen, but that won’t stop naysayers from trying to do away with anything they deem inappropriate or different. Educate yourselves. Read new things, stretch those unused muscles, and help us to encourage the growth of a generation of forward-thinking, open minded individuals.

Bleak but Relatable: Happenstance

In my opinion, just because someone can compare a cup of sugar to the idea of love does not mean they are a clever writer. I prefer poetry that can make me think, and I only came across this poem for my British Literature class in college. But it really resonated with me, because it was one of those few times I read something and felt relief because someone addressed a really specific feeling I’ve had.

Hap is basically about how Thomas Hardy wishes that some god or higher being would tell him that the hardships he’s had to endure in his life have some meaning, even if it is only for the entertainment of the god. But Hardy knows that most likely there is no meaning to his life at all, everything that has happened to him is simply chance, thus the title of the poem, Hap, is short for the “happenstance” of his life’s events.

Yay existential crisis! So it’s pretty sad, but just the idea that a famous poet has felt something that I have makes me feel a bit better. It’s a pretty cool poem, and is worth reading and researching the words that Hardy uses to describe his feelings because they have specific definitions that help with understanding the poem. Also, if you feel depressed after reading the poem, just imagine reading it out loud in the middle of the rain while sad music plays like in a movie, while you, I don’t know, shake your fist at the heavens. Then it’s hilarious. So I hope you read this poem, and I hope you feel oddly comforted by it like I did.

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Hap                                                                                                                                                 By Thomas Hardy

If but some vengeful god would call to me
From up the sky, and laugh: “Thou suffering thing,
Know that thy sorrow is my ecstasy,
That thy love’s loss is my hate’s profiting!”

 

Then would I bear it, clench myself, and die,
Steeled by the sense of ire unmerited;
Half-eased in that a Powerfuller than I
Had willed and meted me the tears I shed.

 

But not so.   How arrives it joy lies slain,
And why unblooms the best hope ever sown?
—Crass Casualty obstructs the sun and rain,
And dicing Time for gladness casts a moan. . . .
These purblind Doomsters had as readily strown
Blisses about my pilgrimage as pain.

Environmental Creative Nonfiction: a fascinating niche of literature despite its horrendous umbrella term

First off, introductions: Hello all, there’s a new Maggie of Lemuria in town!

Well, not really. You might recognize my face. I’ve been in and out of the Lemuria rotating staff since the summer of 2013 before my senior year of high school. After a summer internship in Oz, I worked part-time as a senior, learned enough to provide an extra hand to wrap or work Oz during the holidays, and here we are. I just keep coming back, even after my freshman year at Ole Miss. I’m working on an English degree my parents still disapprove of.

Okay, glad we got that out of the way.

Recently, I’ve become acquainted with the genre of “environmental creative nonfiction”. Bear with me- it’s a fascinating niche of literature despite its horrendous umbrella term.

When I say environmental creative nonfiction, I’m talking about adventure pieces by John Krakauer, Cheryl Strayed’s wilderness memoir Wild, and Rick Bass’s diary-style Winter: Notes from Montana. What these pieces have in common are their personal narratives of growth and experience as influenced by their environment. The environment becomes a character within the work because it plays such a crucial role in where the piece goes.


unnamedOne of my favorite pieces within this highly specific genre is David George Haskell’s
The Forest Unseen. I was first introduced to this work in Nature Writing, an English course I was lucky enough to weasel my way into during my second semester. I was mostly in it for the chance to get some real writing critique and a trip to Costa Rica (lemme tell you friends, it was awesome), but I was lucky enough to also be exposed to some really phenomenal works of nonfiction.

David George Haskell is a professor of biology at Sewanee, and The Forest Unseen follows what he refers to as “A Year’s Watch in Nature”. Haskell observes a one-square-meter patch of old-growth forest, referred to as the mandala, for an entire year. The work is divided into chapters concerning specific anecdotes and aspects of life in the mandala, from fungi to insects to plant and animal interaction, touching on how all are linked together in a complex web. Everything is intensely researched and backed up with scientific fact. There are detailed descriptions of life cycles, bizarre adaptations, histories of scientific discovery. But what makes The Forest Unseen such a phenomenal book is Haskell’s skilled weaving of the scientific and the spiritual.

It begins with Haskell’s use of the term “mandala”. Mandalas are small circular sand drawings that are representative of the entirety of the universe and are in the tradition of Tibetan monks. From this one concept, Haskell brings into his book a complex layer of spirituality. He alludes to many different branches of faith and their relationship to the environment, discusses the nature of souls within the concept of the natural world, and draws parallels between his observations and religious concepts. By discussing spirituality in relation to science within the concept of the mandala, Haskell connects humanity to the environment, something we so often tend to view as some inconceivable other.

I want to put this book into everyone’s hands. I look for any excuse to recommend it to someone, but it is such a hard book to quickly summarize. It is about so much. It is about humanity and the environment and religion and science and the relationship between it all. It is about the past and the future. It has the power to speak to you if you let it.

In short, Haskell transforms a potentially dry, textbook subject into an ethereal reading experience (okay, maybe it’s a bit dry at the beginning but you can’t have everything). He creates intoxicating yet informative prose that reads like a poetry collection and a textbook. He brings the environment he observes to life, lets it breathe on the page and gives it a voice. Haskell has me head-over-heels in love with environmental creative nonfiction, and I have a feeling this is going to be a rather drawn-out love affair.

Filling Up With Stories

In the heart of Belhaven stands a little house among all the other mismatched houses. It is framed by flowers and pine trees, and children run through the carpet of green lawn, blowing bubbles and fingers sticky with the melted popsicles they claim as priceless treasures in the heat.

On this porch is a blue wicker rocking chair, and as the summer storm rolls in, it rocks, empty, a glass of sweet tea by its side.

Earlier, before the children were let loose to run like wild banshees, they sat on that same porch and listened to a story or two. This June, every Thursday from 3 to 4 p.m. I have been fortunate enough to read stories in conjunction with the Eudora Welty House for Summer Storytime. Last week, the group of children was so big that we split it up into three separate groups to hear multiple stories before they clamored for popsicles and ran through the sprinkler.

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This upcoming Thursday, June 18, we will be reading stories about writing your own story, and what a better place to do this activity than at the Eudora Welty House, the home of an author who made her own stories. We hope you and your children will join us from 3:00 to 4:00 to make a book.

Who can say whether there is or isn’t a certain magic imbued in a place? When the last of the children left, led by the hand by their parents, it was just as if Ms. Welty herself had been there the whole time, smiling as words and stories filled these children, just as they in turn filled her garden.

As I turned to leave, the rocking chair creaked in the wind, and the little house was quiet, the grass worn by the patter of little feet, standing just as it was before with all the other mismatched houses, right in the heart of Jackson.

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Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose it’s an early form of participation in what goes on. Listening children know stories are there. When their elders sit and begin, children are just waiting and hoping for one to come out, like a mouse from its hole.

—Eudora Welty, One Writer’s Beginnings

A Little Bit about A Little Life

Every once and awhile (and it is more rare than you would think, since hundreds of books are released every year) a book comes out that is important.
JacketHanya Yanagihara’s A Little Life, is one such book. It is full of misery, injustice, wrongs so wrong they cannot be undone or fixed or ignored. But it is also full of small moments of joy. Glimmers of hope, not that the past can be reckoned with, but rather moments when the clouds clear and the future holds a promise.

This book is about many things, without the self-consciousness of being about anything. It is first and foremost a story.

A Little Life follows four friends struggling to survive in New York City after college. They are all full of ambition, as we all are after finishing college and trying to “make it big” in the city. JB is an aspiring artist, Malcolm an architect working for a big firm that is paying the bills but killing his spirit, Willem is handsome and friendly and failing to land a role in any plays, and Jude is a lawyer working for the public defenders office.

Although they all have their secrets and their suffering and their insecurities, the lens of the novel slowly tightens on Jude. Jude and his mysterious past. His scars and limp and success; he is the surprising point around which the four friends revolve.

The story does not linger. It is not about how these four friends find their paths and become successful (although we watch them fall into the decisions that will determine their futures), rather it is about life. All of it. Yanagihara pushes us forward, from Thanksgiving dinner to Thanksgiving dinner, from dinner parties to fallings out. With each step forward in time, more of the past is remembered.

A Little Life could be about the unattainable nature of justice or the mysteriousness of love or about forgiveness. It could be about homosexuality. But A Little Life is more then even that.  Yanagihara has successfully written a book in which sexuality is a non-issue and anyone arguing that this book is about homosexuality or sexual identity is missing the point. By identifying ourselves solely by our sexual preference we do ourselves an injustice. Before we are gay or straight or whatever we are, we are human. We are kind (or not) and generous (or not). We fall in and out of love. We try and succeed and fail.

But again, A Little Life is not about that. Or it’s not only about that. A Little Life is the story of Jude.

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