Author: Guest Author (Page 20 of 28)

Francophile Friday: World War II History

By Annerin Long

Hundreds of volumes exist covering various aspects of World War II in France alone, and when Alliance Française de Jackson members were asked about favorite history books, the majority of them were on this subject. For Francophile Friday this week, Jeanne Cook and I are sharing some of our top recommendations on France in World War II.

marcels lettersAs a Francophile graphic designer who spends most of her reading time studying World War II, Marcel’s Letters: A Font and the Search for One Man’s Fate by Carolyn Porter was a must-read. Porter–also a graphic designer–bought some old letters at an antique store for inspiration, but as she worked on the new font, became more and more curious about the man–Marcel Heuzé–who had sent the letters from Germany to his home in France during the war years. Her book tells the story of not just developing another font, but also the search to learn more about Heuzé and his fate from a German workcamp.

avenue of spiesAvenue of Spies: A True Story of Terror, Espionage, and One American Family’s Heroic Resistance in Nazi-Occupied Paris (Alex Kershaw) is about the life of American physician Sumner Jackson, his Swiss wife, and their son on Avenue Foch, one of the grand streets of Paris where many Nazi officials lived and worked during the occupation. Even with Gestapo headquarters also on this street, the Jacksons bravely became involved with the French resistance. Kershaw’s sources included the Jacksons’ son, Phillip, and his writing often had me on the edge of my seat, wondering how close the family was to being discovered.

Jeanne Cook, AFJ’s director of education, includes Is Paris Burning? (Larry Collins and Dominique Lapierre) and Wine and War: The French, the Nazis, and the Battle for France’s Greatest Treasure (Don and Petie Kladstrup) among her recommendations for books on France during World War II.

Is Paris Burning? reads like a spy novel and is filled with suspense that makes this non-fiction book one that can hardly be put down. It focuses on Nazi-occupied Paris and Hitler’s general in control of Paris, Choltitz, who is given the order to burn Paris as German troops flee as Allied forces approach. The New York Times called it “a great story. . . dramatic, exciting, pitiful and intensely human.”

For books specifically related to D-Day, Mrs. Cook recommends D-Day: D-Day through French Eyes: Normandy 1944, by Mary Louise Roberts, 2014. This book provides an insight from the French perspective. Highly readable and in English, Roberts narrates events in Normandy through her historian’s eye and intersperses notes, letters, and journal accounts of events with many of the sources from the Mémorial de Caen archives. Her book provides the needed puzzle piece to better understand D-Day events: it answers “What were the Normans experiencing?” Her chapters address parachutists, friendships, cathedrals, and devastation from bombings.

Finally, she suggests Neptune: The Allied Invasion of Europe and the D-Day Landings, Craig L. Symonds (2014). This book, called a “masterpiece,” explores the planning, including the landings and the supply system, which became a part of the Overlord invasion of D-Day. The plan was code-named Neptune.

Whatever your interest in World War II reading, be sure to check out Lemuria’s extensive history section (my favorite section in the store) for a wide selection of books an all aspects of the war.

Other recommendations:

The Alliance Française de Jackson is a non-profit organization that promotes French language and culture and welcomes all with an interest in the Francophone world.

‘The Fighter’ is a fascinating new novel from Michael Farris Smith

By Matthew Guinn. Special to the Clarion-Ledger Sunday print edition (March 11)

“Do anything but bore me,” the late novelist Harry Crews once said in an interview.

“Tie me up and beat me with a motorcycle chain if you must, but don’t bore me.”

Mississippi writer Michael Farris Smith apparently shares that sentiment. Crews’ statement could be the mantra of The Fighter.

fighterThe Fighter opens with a harrowing scene of high-speed DUI and pretty much never lets up from there. It’s the tale of a washed-up, alcohol- and pill-addicted cage fighter prepping for what will be his very last fight—either for good or ill. The stakes are life-or-death—no quarter asked or given. It is a brutal subculture of the South we know, but a fascinating one.

Jack, the titular fighter, should have turned out better. Though orphaned as a toddler, he was raised lovingly in Clarksdale by a devoted foster mother, Maryann (one of the most endearing characters in recent Southern fiction). And yet, as though driven by some kind of genetic predisposition, the teenaged Jack learns and loves the art of bare-knuckle boxing. Soon he is crisscrossing the Southeast for one underworld matchup after another. He climbs to the top of the heap.

But Jack’s champion status comes at a steep cost. He numbs the years of blows and undiagnosed concussions with painkillers and booze. The combined effect is a general amnesia that renders him vulnerable to the cunning. Add in his history of fixing or ‘throwing’ fights for gambling profit, and Jack becomes a walking disaster, a veritable tornado over himself. It is difficult to tell which came first—his pill or gambling addiction. Regardless, each feeds the other.

Enter Big Momma Sweet. In the world of The Fighter, predators are as common as the buzzards that dot the Delta sky, and Big Momma is the queen of them all. From her camp outside Clarksdale, she presides over an empire of fighting, gambling, drugs, and prostitution. Jack is her biggest debtor. His only prospect for settling up with her is one last prize fight—one he is woefully unprepared to fight, perhaps not even to survive.

And then there is a carnival that alights on Clarksdale: a touring regional fair full of convicts, gypsies, and a tattooed lady who just might prove to be Jack’s redemption.
If this synopsis sounds chaotic, frenetic, and over-the-top, then it is accurate. By conventional thinking, there is too much going on in The Fighter’s 256 pages for the short novel to bear. It should not work.

But it does. Smith’s narrative manages to stay just ahead of disintegration, and does so with style, lush prose, and storytelling assurance. Though its protagonist is a disaster, The Fighter is a triumph. It confirms Smith’s status as one of our foremost authors in the Rough South, Grit Lit tradition established by Crews, Larry Brown, Tom Franklin, William Gay, and the towering Cormac McCarthy.

The Fighter is Smith’s third novel in just five years, following 2017’s Desperation Road and 2013’s Rivers. That body of work has established Smith’s aesthetic: a naturalistic South of people living tough lives on the margins, where grace comes hard but the sad stories play out beautifully. All of Smith’s people are on one road or another toward an uncertain future. It will be a harrowing thrill to follow him farther down that road, with his characters just a single step—make that a half-step—ahead of destruction.

Novelist Matthew Guinn is the author of The Resurrectionist and The Scribe. He is associate professor of creative writing at Belhaven University.

Michael Farris Smith will be Lemuria on Thursday, March 22, at 5:00 p.m. to sign and read from The Fighter, which is one of Lemuria’s two March 2018 selections for our First Editions Club for Fiction.

Author Q & A with Malcolm White

Interview by Jana Hoops. Special to the Clarion-Ledger Sunday print edition (March 11)

While Malcolm White describes Hal & Mal’s as “a place where art is made, music plays, and folks gather to share community, and celebrate t he very best of Mississippi’s creative spirit,” a good friend puts it another way, calling it simply “the most talked-about upscale honky-tonk in all of Mississippi.”

artful evolutionWhite’s salute to the more than three decades of success at the iconic establishment he and big brother Hal opened in 1985 is The Artful Evolution of Hal & Mal’s–a 130-page tribute filled with brief, but loaded, character essays of milestones, food profiles, character sketches, ghost stories, musical acts, and an inside look at the chaotic debut of the now-legendary Hal’s St. Paddy’s Day Parade–along with many, many glimpses of heartfelt family history.

The stories are brought to life in the University Press of Mississippi publication with distinctive watercolors rendered by Jackson native Ginger Williams Cook, who said her mission was to create “a sense of place and connection” to the restaurant’s and family’s “storied past and present.” Describing Cook as a “stunning artist,” White said her contributions to the book “made it the artful project that it is.”

Opening in what Robert St. John describes in the book’s foreword as “a B-location on South Commerce Street inside an old warehouse next to the railroad tracks,” the eatery and arts galleria has thrived, earning itself a spot in the elite category of what St. John calls Jackson’s “classic” restaurants.

It was the childhoods on the Gulf coast, combined with years of working in iconic kitchens in New Orleans, that would bring White and brother Hal to a shared dream of opening their own place someday. That “someday” has become nearly 35 years of family and friends serving up not onky regional food favorites with “a nod toward the Gulf of Mexico,” but a healthy helping of live blues, jazz, and rock music, sprinkled throughout with original works of art.

Malcolm White

Malcolm White

White, now on his second stint as executive director of the Mississippi Arts Commission (with a turn at leading the state’s Tourism Division in between), is involved with South Arts, the Mississippi Blues and Country Music Trails and Downtown Jackson Partners.

“I have lived a long and abundant life,” he said, pointing out that he has “managed to amass almost 13 years in the public arena to bookend my 30-plus years in the private sector.”

His previous book, Little Stories: A Collection of Mississippi Photos, was published in 2015.

Tell me about the condition the 1927 warehouse was in when you and Hal leased the property in 1985, and why you chose that unlikely location as the site of the restaurant you had dreamed of opening together.

The building was 95 percent abandoned and dysfunctional. There was no plumbing; it had ancient electrical capacity and was in deplorable condition. It was technically unoccupiable and cost us close to $500,000, in 1980s dollars, over the first couple of years to get it up to code.

We chose downtown Jackson because we believed in Mississippi, our home, and the predication that all centers of population revitalize, and it’s only a question of when, not if. Hal and I used to joke about if we would live to see the vision we had come to pass. I’m still hopeful.

You mention in The Artful Evolution of Hal & Mal’s that “59 percent of hospitality businesses fail within three years of their founding.” What has been the secret to Hal & Mal’s success?

I point out in the introduction of the book that our business philosophy was to include art, culture, and story in the plan and not make it an afterthought; and that we adhered to the sacred axiom that the more money you give, the more you make. And finally, we have always sought inclusion and looked for ways to serve others along the way, like Jeff Good, Robert St. John, Myrlie Evers, and William Winter.

Your book highlights memories of key events, people, and circumstances that have made up the restaurant’s success. Why was it important for you to document the journey of both your family life alongside that of the restaurant that is now an institution in downtown Jackson? 

Because the two are inseparable. Our family is the business, and the business tells much of our family story. We actually think we are more than a downtown Jackson institution, we fell we represent a regional, as well as an American enterprise story.

It’s interesting that you’ve been blessed with not only culinary skills, but a love of art and community, a strong entrepreneurial spirit, and the gift of writing. How would you say all of these skills have come to shape your vision for–and the success of–Hal & Mal’s?

The vision for Hal & Mal’s, like the book itself, was shaped over many years of pondering and preparing. Hal and I started talking about this dream when we were in our 20s and didn’t even live in Jackson. We even bought a building in downtown Hattiesburg, the Walnut Street Pharmacy, in the very early 1980s, with the idea of locating there. But fate put us a little further north after I accepted a job in 1979 to come to Jackson. Further, I started collectin ghte Hal & Mal’s decor, furniture and decorations back in the mid-1970s while living and working in both Hattiesburg and New Orleans.

Sadly, your partner and brother Hal White died in 2013, suddenly but only shortly leaving the future of the restaurant in question. Explain what happened that soon made it evident that Hal & Mal’s would survive and continue to thrive.

When Hal died in 2013, I was uncertain that we could or would carry on, but our staff and family rallied and insisted we continue. I had just accepted the job as tourism director and had made a decision that I could no longer work the hours and endure the physical demands of the restaurant and late-night music scene. But here we are, 33 years later, still serving our aunt’s gumbo and Hal’s magical soup concoctions.

You say in the book that Hal & Mal’s is, in some ways, “not just a bar and restaurant, we’re a creative outpost in downtown Jackson,” and it’s obvious that art and music have played important roles in the restaurant’s success. Could you elaborate?

Providing a place for community to gather and break bread is biblical, and paramount to the success of great places. When food and drink, arts and culture are presented side by side in a public house, community is sustained and encouraged. Hal & Mal’s is perhaps the first example of what the creative economy and creative placemaking is all about in Jackson and in Mississippi.

Certainly, there are other examples of this, but in the book and in the programming and continuation of the business, we demonstrate the “how” of such an enterprise and proposition. In many ways, we have shown by example how communities revitalize, sustain, and prosper. If that sounds boastful, then so be it.

At the end of the book you tell readers, “No one knows what the future may hold”–but what would you like to see for Hal & Mal’s going forward? How could it continue to evolve?

We will continue as long as we are able to make a small profit, add to the quality of life and see improvements in our community. We hope to purchase the building in the next few months–after 35 years of paying rent to the state–and begin a renovation of the property.

Since the Hal’s St. Paddy’s Parade and Festival is such a big event and is right around the corner (Saturday), would you also comment on how it has contributed to the evolution of Hal & Mal’s?

Sure. Most people think, mistakenly, that Hal & I started the parade together and that Hal & Mal’s was there in the beginning. Not so. I started the parade–thus the original name, “Mal’s”–in 1983 when I was booking music, producing events, and starting my own company, Malcolm White Productions. I designed the first parade to start at CS’s and end at George Street in a “pub crawl” format. However, as it began to unfold I evolved into thinking more of a traditional parade going downtown, starting at CS’s and ending at George Street.

CS’s dropped out after the first year and George Street, where I worked from 1979 to 1983, became the beginning and ending location. Later, I moved it to the Mississippi State Fairgrounds and finally to Hal & Mal’s in 1986, where it is based today. Hal didn’t join the fun until 1984–though he was living and working in Columbus–when we started the O’Tux Society, our first marching krewe. Hal then moved to Jackson in 1985 when we started Hal & Mal’s.

The parade is an important annual event for both Hal & Mal’s and the city of Jackson as well as teh state. It has an economic impact of $10 million annually on the local economy and enjoys a national reputation as one of the largest and most original St. Paddy’s parades in the country. It is generally associated with Hal & Mal’s and that helps with our brand and our iamge of a place where people meet for arts and culture, and fun and festive occasions.

Malcolm White and Ginger Williams Cook will be at Lemuria on Wednesday, March 14, at 5:00 to sign copies of The Artful Evolution of Hal & Mal’s.

Francophile Friday: French Travel

By Annerin Long

Next week is spring break for area schools and many people will be taking to the air and roads for vacation. If you find yourself at home but in need of an escape, Alliance Française de Jackson members suggest a virtual trip to France to celebrate le mois de la Francophonie.

year in provencePeter Mayle’s A Year in Provence is a classic for Francophiles, with the author sharing the adventures of following a dream to move to southern France. Mayle and his wife soon find that Provence is not always the sunny land they had imagined, and with understated wit, he tells of the trials of not only restoring the 200-year-old farmhouse they have purchased, but also of learning the ways of this new home they have chosen. Mayle—who died earlier this year—followed this book with others about his time in France: Toujours Provence; Encore Provence: New Adventures in the South of France; and French Lessons: Adventures with Knife, Fork, and Corkscrew among them. He also ventured into fiction with some light mysteries set in Provence, which could make for perfect beach-time reading. For a more recent take on foreigners making France their home, chef and food blogger David Lebovitz wrote about his experience renovating his Paris apartment in l’appart.

paris inspiring tourParis: An Inspiring Tour of the City’s Creative Heart by Janelle McCulloch takes travelers on a tour of the French capital’s arrondissements through history and a selection of the best places to visit in each of the unique neighborhoods. This book isn’t a turn-by-turn travel guide as much as a source of inspiration for a trip to Paris and is for the armchair traveler as much as for those headed to Paris, with beautiful photography that captures the spirit of the city. For those venturing further than Paris, McCulloch has also written Provence and the Côte d’Azur: Discover the Spirit of the South of France.

paris in clorPhotographer Nichole Robertson used color to organize her coffee-table book Paris in Color, with a different color taking over each chapter: yellow, red, pink, blue, green . . . through Robertson’s eyes, you see the many colors that bring Paris to life. In her follow-up book, Paris in Love, Robertson focused only on reds using the journey of a day, morning to evening, to take readers through the city.

Two books that celebrate strolling the streets as can only be done in Paris are The Most Beautiful Walk in the World (John Baxter) and Flâneur (Federico Castigliano). If you are familiar with the city, these books will certainly bring back memories of your own wanderings through Paris.

To continue your armchair adventures and travel plans, you might also try these:

And if you are fortunate enough to be planning a trip to France, be sure to check out Lemuria’s selection for practical travel guides to help your planning!

Bon voyage!

Joanne Lipman’s ‘That’s What She Said’ offers ‘woke’ moment on workplace harassment

By Jim Ewing. Special to the Clarion-Ledger Sunday print edition (February 18)

With That’s What She Said, journalist Joanne Lipman has produced a “woke” moment in the unfolding #MeToo movement.

thats what she saidSubtitled “What Men Need to Know (And Women Need to Tell Them) About Working Together,” the former chief content officer of Gannett and editor-in-chief of USA Today offers an eye-opening book about workplace inequality including to-the-point life lessons that are, at times, cringe worthy, humorous and profound. (Full disclosure: I worked briefly at USA Today in the 1980s and left the Gannett-owned Clarion-Ledger in 2012, before she joined the company.)

Lipman details research regarding our culture, male/female physiology, cultural bias (including, especially, hidden bias), scientific studies, polls, attempts various companies have made to address workplace inequality, and interviews with cutting-edge leaders in the field. Her research even took her to a penis museum in Iceland (boasting 285 specimens, including the world’s largest!).

Lipman states upfront in her introduction, “Men Aren’t the Enemy” that “there will be no man shaming” in the book, “No male bashing.” And she holds true to that. She offers anecdotes from other women, her own life, and pertinent facts to outline how women can thrive amid old shames and new challenges at work. But it’s not for women only. Indeed, as an explainer, it’s largely geared toward men.

“We need men to join the conversation,” she writes, noting that if only women engage in the narrative, and women “only talk among themselves, we can only solve 50 percent of the problem.”

If it’s a shared dialogue, however, Lipman reveals stories and lessons that only working women can relate (and men need to hear). For example, she details various routine slights of women by men that men might not even be aware of, including interrupting women more than men, taking credit for their ideas, and automatically discounting their merit.

But rather than attacking, she turns it around to offer opportunities for men and women to “reengineer” workplace culture and their personal lives. Included is a list of simple, practical remedies titled “Cheat Sheet: Tips and Takeaways for Men — and Women.”

While the sheer weight of the facts of patriarchy in modern culture can be depressing, and the gender wage gap seems particularly stubborn, Lipman shares her belief that awareness will help change hostile work environments, unequal pay and bad behavior by men and she does her level best to honestly present both problems and solutions.

This book is a wake-up call for business managers, business owners, and men and women themselves about the opportunities being missed by underutilizing, ignoring and/or deterring women from success in the workplace.

She Said comes less than six months after the sexual misconduct revelations about Hollywood producer Harvey Weinstein that has prompted an international movement of women posting on social media similar outrages under the #MeToo hashtag (including in France #BalanceTonPorc or “squeal on your pig”). A tsunami of men losing careers and reputations in all walks of life has resulted.

She Said should find a home amid other hashtags, including: #LeanInTogether and #HeForShe, enlisting more men in the cause and, perhaps, help lead to the ultimate one of full #equality.

Jim Ewing, a former writer and editor at the Clarion-Ledger, is the author of seven books including his latest, Redefining Manhood: A Guide for Men and Those Who Love Them.

Poet and photographer team to create a witness to ‘Mississippi’

By Jordan Nettles. Special to the Clarion-Ledger Sunday print edition (February 25)

In Mississippi, 47 poems by Ann Fisher-Wirth and 47 color photographs by Maude Schuyler Clay delve into the history, culture, and ecology of the state of Mississippi. The book is a gorgeous large-format hardback, with equally stunning words and images inside.

mississippi

Both Fisher-Wirth and Clay have spent much of their lives in Mississippi. Clay is a seventh-generation Mississippian and Fisher-Worth has lived in the state for 30 years. Fisher-Worth, born in Washington D.C., has taught at the University of Mississippi since first moving to Mississippi in 1988. She has written scholarly works and books of poems, including Dream Cabinet, Carta Marina, Five Terraces, and Blue Window. Clay, born in Greenwood, Mississippi, has had photos published in Esquire, Fortune, and Vanity Fair, and included in the collections of The Museum of Modern Art. She is also the photographer of Delta Land and Delta Dogs, both published by University Press of Mississippi. During their time in Mississippi, Fisher-Wirth and Clay have gathered visual and linguistic experiences that are revealed in their poems and photographs.

Each poem in Mississippi is matched with a photo, both pieces working together to tell a story of Mississippi. Fisher-Wirth has said that most of the poems in the book were written to accompany a photograph previously taken by Clay. Fisher-Wirth then penned poems “spoken in voices of fictive characters” that suggested themselves to her as she pondered the photos. Although fictitious, the voices sometimes cross with important events of Mississippi and American history, such as the Civil Rights Movement. There are poems dealing with the murder of Emmett Till and other tragedies that occurred during the same time period. Other poems in the books are inspired by students, neighbors, and other Mississippians that Fisher-Wirth has known personally. The voices represented are as varied as Mississippi itself, racially and socioeconomically.

Fisher-Wirth and Clay explore several facets of Mississippi, including how race and the environment interact. The book stresses that, “Mississippi suffers from severe environmental degradation that cannot be separated from its history of poverty and racial oppression.” Despite this difficult history and inherent complexity, the natural beauty of Mississippi can’t be denied. Also undeniable is the beauty of Mississippi’s identity–an identity that’s made up of many unique voices that are honored and explored in this book. True reflections of the beauty and complexity in Mississippi, the poems and photos will likely feel familiar to native Mississippians and will provide a glimpse into the realities of Mississippi to non-natives.

Although voice is an important part of Mississippi, actual Mississippians are only the subject of one photograph. Instead, most of the photos capture awe-inspiring sights in nature and every-day objects that Mississippians will recognize. Included are images of swamps, open fields, trees, falling-apart buildings, dogs, and the interiors of quintessentially Southern homes. A personal favorite photo depicts a type of hide away built into the side of a hill in the woods. Haunting and captivating, the photos are authentic representations of what it feels like to be part of Mississippi.

The epigraph for the book is taken from Theodore Roethke’s “North American Sequence”: “The imperishable quiet at the heart of form.” The quietness in Clay’s photos influenced Fisher-Wirth as she listened for voices to use in her poems. Likewise, Mississippi invites the reader to listen for those voices and to reflect on the stories at the heart of the poems and photographs.

Mississippi is a stunning testament to the spirit of Mississippi.

Jordan Nettles is a graduate of The University of Southern Mississippi and the Columbia Publishing Course in New York. She is marketing assistant at University Press of Mississippi in Jackson.

Alice McDermott to speak at Eudora Welty House

By Jeanne Luckett. Special to the Clarion-Ledger Sunday print edition (March 4)

Alice McDermott

Alice McDermott

National Book Award-winning novelist Alice McDermott will deliver the fourth annual Bettye Jolly Lecture at 4:00 p.m. Thursday (March 8) on the lawn at the Eudora Welty House and Garden, 1119 Pinehurst Street in Jackson.

McDermott’s eight novel, The Ninth Hour (Farrar, Straus, & Giroux), is a finalist for the 2017 National Book Critics Circle Award for fiction. Time magazine, the Wall Street Journal, and the Library Journal named it among 2017’s top 10 books of fiction.

ninth hourThe book begins with the story of a pregnant widow of a suicide victim whose newborn daughter is raised by the nuns of the Little Nursing Sisters of the Sick Poor. The movingly complex, lovingly crafted story of a family continues through another generation.

Heller McAlpin of National Public Radio contends that McDermott “has made the insular world of New York’s Irish Catholic immigrants in the first half of the 20th century her own.” Mary Gordon of the New York Times notes that although McDermott is “known and admired for her portrayal of Irish-American family life, she has now extended her range and deepened it.”

McDermott grew up on Long Island, the daughter of first-generation Irish American parents, and attended Catholic all-girls school. She loved books and began writing at an early age, completing a novel at age 11.

Determined to pursue a writing career and teach English, she attended State University of New York, Oswego, where she was a student of Suzanne Marrs before Marrs, professor emerita of English at Millsaps College, moved to Jackson.

At Oswego, one of her professors assured her that she was a writer. She completed her M.A. in writing at the University of New Hampshire in 1978 and sold her first short story that year. She says that getting that encouragement changed her life and made her want to teach, “just to have the opportunity to do the same.”

She has melded her writing career with teaching and today is the Richard A. Macksey Professor of the Humanitites at Johns Hopkins University.

McDermott cites Welty as a role model during her formative years. “Welty was, in many ways, the first living woman writer I encountered, a literary figure as formidable and esteemed as any of her male contemporaries,” she notes. “This was delightful to me because her work was so good and wide-ranging.”

Sponsored by the Eudora Welty Foundation and the Millsaps College English Department’s Visiting Writers Series, the program is free and open to the public. Following the lecture, a book sale and signing and a reception will be held in the Welty Education and Visitors Center next door. In the event of inclement weather, the lecture and reception will be held in Room 215 of the Millsaps College Gertrude C. Ford Academic Complex.

The lecture honors the late Bettye Jolly, a longtime docent at the Eudora Welty House and leading member of a book club that grew out of a seminar at Millsaps taught by Welty scholar Marrs. The book club founded the endowed lecture to encourage reading, and it is supported through designated gifts to the Welty Foundation.

McDermott is one of the nation’s most celebrated authors. She received the National Book Award in 1998 for Charming BillyAfter This, At Weddings and Wakes, and That Night were finalists for the Pulitzer Prize. Her literary awards include the Whiting Writers Award, the Carrington Award for Literary Excellence, and F. Scott Fitzgerald Award for American Literature.

Jeanne Luckett is a communications consultant to the Eudora Welty Foundation.

Francophile Friday: French Cooking

By Annerin Long

For Francophones and Francophiles worldwide, March is le Mois de la Francophonie, a month of celebrating the language and cultures of the French-speaking world. Here in Jackson, the local Alliance Française (AFJ) chapter is a great connection to all things French in our area, and this month we’re looking forward to sharing some of our favorite books from French authors and about French culture with Lemuria readers.

Few conversations about traveling in France or French culture will go far before the subject of food comes up, so we will start here with a few favorites for both recipes and about the food scene and personalities.

ladureeBecause I believe in desserts first to be sure I’m not too full for the sweets, I’ll begin with Ladurée: The Sweet Recipes, a collection from the famous Paris (now worldwide) pâtisserie. Baking isn’t my strength in the kitchen, but my sweet tooth makes this little book one of my favorites to flip through and recall the beautiful windows full of small cakes and tarts found all around Paris. The instructions are clearly written and shortcomings in my attempts with the recipes have more to do with a lack of patience on my part; everything always tastes great and as it should, but just isn’t put together in picture-perfect form. The Sweet Recipes features not only the macarons that Ladurée is so well known for, but also other classic French pastries such as madeleines, savarins, crème brúlée, oeufs à la neige (eggs in snow, or meringues in custard), and tarts, along with other small cakes, cookies, and ice cream.

hungry for franceHungry for France by Alexander Lobrano is a book for food lovers as much as cooks. Lobrano takes readers around France, exploring the restaurants and food traditions of the different regions, introducing readers to the chefs, and sharing a selection of recipes from each region. A word of warning: the beautiful photography of food, restaurants, and countryside in Hungry for France may leave you wishing you could catch a flight to France the next day.

mastering the art of french cookingJulia Child’s objective in writing Mastering the Art of French Cooking was to introduce an American audience to French cooking. This classic deserves a place on every home chef’s shelf for its direct instructions and information for preparing classic French food. Child herself is an interesting and entertaining subject, and AFJ member Carl Cerco recommends her biography My Life in France for a look at the years that were to have such a big impact on the rest of her life.

Au Revoir to All That: Food, Wine, and the End of France by Michael Steinberger is an interesting look at the crisis the food industry in France has been facing in more recent years, and for me was an eye-opener on the stresses and pressures restaurants face in having a once sought-after Michelin star.

In The Paris Cookbook, Patricia Wells draws on her friendships with well-known chefs around the city for a collection that will bring a French restaurant dinner into your own kitchen. The scallops with warm vinaigrette from la Cagouille is my go-to recipe when I want a simple but special dinner.

It’s difficult to narrow a list of books of French food, so in addition to other books by the authors already mentioned, a few more for consideration are:

Bon appétit!

About the Alliance Française de Jackson
The Alliance Française de Jackson is a non-profit organization with the mission of promoting French language and culture in the Metro Jackson area. This is done through language classes and other educational programs, cultural programming, and special events centered around French celebrations. Many of our members speak French, but it is not a requirement, and we welcome all who love the language and cultures of the Francophone world.

Author Q & A with Radley Balko and Tucker Carrington

Interview by Jana Hoops. Special to the Clarion-Ledger Sunday print edition (February 25)

Nationally known reporter/blogger Radley Balko and the University of Mississippi School of Law’s Tucker Carrington, who is the founding director of the George C. Cochran Innocence Project, have devoted their careers to investigating and helping to overturn wrongful convictions for inmates who have been unjustly imprisoned in this country.

cadaver kingTheir new book, The Cadaver King and the Country Dentist: A True Story of Injustice in the American South, exposes their findings of how “institutional racism and junk forensic science” and the actions of Dr. Steven Hayne of Brandon and dentist Michael West of Hattiesburg teamed up to bring many false convictions against Mississippi defendants for nearly two decades. They highlight the cases of Kennedy Brewer and Levon Brooks, who spent a combined 30 years in jail for murders they didn’t commit, before being exonerated in 2008.

The book makes the case that Mississippi’s criminal justice system deserves serious scrutiny and investigation itself if it is to fairly and accurately dispense justice and spare innocent lives.

Radley Balko

Radley Balko

Balko, a longtime opinion journalist (now for the Washington Post) and an investigative reporter, writes and edits The Watch, an opinion blog that covers civil liberties and the criminal justice system. He is also the author of the widely acclaimed Rise of the Warrior Cop: The Militarization of America’s Police Forces.

Carrington is the founding director of the George C. Cochran Innocence Project and Clinic at the University of Mississippi School of Law. Its mission is to identify, investigate, and litigate actual claims of innocence by Mississippi prisoners, as well as advocate for systemic criminal justice reform.

Tucker Carrington

Tucker Carrington

Prior to coming to Ole Miss, Carrington was an E. Barrett Prettyman fellow at Georgetown Law Center, a trial and supervising attorney at the Public Defender Service for the District of Columbia, and a visiting clinical professor at Georgetown.

He writes frequently about criminal justice issues, including wrongful convictions and legal ethics. His work has appeared in The Pennsylvania Journal of Law and Social ChangeThe Ohio State Journal of Criminal Law, and the Mississippi Journal of Law.

How and why did you two come to collaborate on writing this book?

Balko: One of us called the other–we can’t remember which way that went–shortly after I had an op-ed on Haybe published in the Wall Street Journal. Tucker had just started work at the Mississippi Innocence Project in Oxford and was a little overwhelmed at what he had already seen. Over the years, we discussed these cases often as he litigated some of them and I wrote about some of them. As two of only a handful of people at the time who knew the full extent of what was going on, I think we commiserated a bit. Eventually we realized that a book was really the only way to tell this story with the thoroughness and attention to detail it deserved. By that time, we had both immersed in this stuff for nearly 10 years, so it just sort of made sense to write it together.

Carrington: We met shortly after I moved to Mississippi in 2007. It just so happened that Radley was working on the Corey Maye story (involving the 2001 shooting of Maye, a Prentiss police officer) and called me at my new office at the law school. I think he just wanted to reach out and make contact. From there our paths crossed in one way or another–in the main because he got interested in forensic science issue in the courts–and my practice began to feature exactly those types of cases. We each had ideas about recounting this decades-long episode–and we each slugged away at it separately: Radley in multiple pieces over the years, me through some law review pieces and litigating cases. Ultimately, we decided to join forces for a book.

The Cadaver King and the Country Dentist recounts the stories of how Brooksville, Mississippi, residents Kennedy Brewer and Levon Brooks were falsely accused of murders and served a combined 30 years in prison until their release was navigated with the help of the Innocence Project. Their convictions had come largely due to policies that allowed Dr. Steven Hayne of Brandon and Dr. Michael West, a dentist from Hattiesburg, to become wealthy through a corrupt legal system. Please explain how their “partnership” developed and came to make such scenarios like this possible for so many years.

Carrington: Their partnership developed because the infrastructure and incentives were in place for it to develop. They–and others–just happened to be in the right place at the right time. Had they not, someone else would’ve filled the vacuum–maybe not in precisely the same way, but similarly, as has occurred in other jurisdictions.

Instead of a independent, salaried, fully funded medical examiner office, Mississippi mostly went without one for two decades. That was combined with an anachronistic coroner system, an effort on state and federal levels to crack down on a perceived increase in violent crime and an embrace of the death penalty, as well as a spate of new and novel forensic disciplines that gained acceptance without significant scientific inquiry and rigor.

Finally, reviewing courts found themselves constrained by cynical legislative “fixes” to the “endless” appellate process, especially for those sentenced to death. The ultimate result was a recipe and perfect storm for what came to pass in Mississippi that we recount in the book.

What are the national implications for this book? While it makes the case that “poverty and structural racism” accounted for much of Mississippi’s abuse of a system that relied on autopsies and local coroners’ reports to get away with racial injustice, Mississippi has not stood alone in such discrimination.

Balko: The problems of dubious forensics, structural racism, and the coroner system of death investigation are definitely not unique to Mississippi. And even Hayne and West occasionally testified in other states, particularly Louisiana.

I think the main difference is one of scale. For example, we note in the book that in the 1990s, Texas medical examiner Ralph Erdmann was doing an annual number of autopsies in rural counties across the state that legal experts at the time called astonishing. It became a national scandal, and Erdmann became a poster case for forensics gone amok. Erdmann was doing about 400 autopsies per year. For most of his career, Hayne did at least 1,200. Some years he topped 1,500. He admitted that at least one year, he did more than 2,000. He had a hand in 70 to 80 percent of the homicide cases in the state for nearly 20 years.

The other big differences is that in most other states, once the malfeasance was discovered, there was some effort to assess the damage done and review the cases that may have been affected. Some of those efforts were more thorough than others. But in Mississippi, state officials have refused to conduct any such review of Hayne and West cases.

Tell me about the important role that the “junk science” of bad forensics has played in the outcomes of so many jury decisions in America. It seems that this problem has, to some degree, been a constant in our country’s criminal justice process. Why is that?

Balko: It really comes down to the fundamental differences between law and science. We want to use science in the courtroom, because at times it can help us discover the truth. But science is an ongoing process. Theories can and are tweaked, revised, or even shown to be wrong. The law–and by extension our courts system–values certainty and precedent. We still haven’t quite figured out how to reconcile these differences. So, for example, we’ve delegated the important job of keeping bad or fake science out of the courtroom to judges. But judges of course are trained in legal reasoning, not in scientific analysis. So, they haven’t been very good at it.

This tension between law and science for a long time alienated much of the scientific community from the criminal justice system, creating space for fields like bite mark matching, hair fiber analysis, tool mark analysis, and others to assist police and prosecutors in solving crimes and winning convictions. These fields have the veneer of science, but were never subjected to the rigorous testing and review of the scientific method.

It wasn’t until the rise of DNA testing–which was developed in scientific labs–that we began to see that these fields weren’t nearly as accurate and foolproof as their practitioners claimed. Over the last decade or so, the scientific community has shown more interest in criminal justice and has begun subjecting some of these fields to real scientific testing. They’re finding that many of these disciplines have little to no grounding in science at all. But because our courts tend to put a premium on finality and precedent, it has been really difficult to get them to apply the lessons we’ve learned from DNA testing–that these fields aren’t scientifically reliable–to a much larger pool of cases where DNA isn’t a factor.

In his foreword to your book, author John Grisham, who serves on the board of directors of the Innocence Project in New York, laments that actual wrong conviction estimates range from 2 percen to 10 percent of the millions of cases tried each year–amounting to staggering numbers that can never be accurately determined. He said getting these people out of prison is “virtually impossible.” What do you say?

Carrington: He’s correct. In the vast majority of these types of cases, evidence that could lead to an exoneration never existed–because, for example, DNA was not collected  and/or present to begin with–the cases are old, witnesses have disappeared, forgotten their accounts, died, and so on. Also, most cases in the criminal justice system plea. And as a result, there can be very little in the way of a record, including an investigative record that would lead to new evidence of innocence.

What do you hope this book will accomplish?

Balko: Mississippi needs to conduct a thorough review of every case in which Hayne or West testified. They need to look not only for cases in which one of them gave scientifically dubious testimony, but any case in which their testimony may have nudged a jury one way or the other. Because forensic pathology can be subjective, even testimony that was within the realm of acceptable science could contribute to a wrongful conviction. Preferably, the review should be conducted by an outside entity, and should include input from forensic pathologists and scientists, not just judges and lawyers.

I’d also hope the book can serve as a warning to be skeptical of claims from forensic disciplines untested by science, particularly emerging disciplines. The courts have been far too quick to embrace new fields of “expertise,” and far too slow to correct the damage done when science later shows those fields to be fraudulent.

Carrington: I’d simply add that we also hope the books ets out what can happen when the wrong incentives are offered up in the criminal justice system. We can learn from this going forward. Or we can continue to ignore and risk finding ourselves in this predicament again at some point in the future.

Radley Balko and Tucker Carrington will be at Lemuria on Thursday, March 1, at 5:00 to sign and read from The Cadaver King and the Country Dentist. This book is a 2018 selection for our First Editions Club for Nonfiction.

Forgiveness drives novel ‘Perennials’ about roots, offspring

By Susan O’Bryan. Special to the Clarion-Ledger Sunday print edition (January 7)

Families are so much like gardens. The bloom, go dormant, and then either bloom again or perish. Whether they thrive depends on conditions beyond their control, but most importantly, they require attention when stressed.

perennialsSo plays out the message in Julie Cantrell’s latest novel, Perennials (Thomas Nelson), an intimate and intriguing look at families, relationships, and the role each member plays. The New York Times and USA Today award-winning author is known for her inspirational novels that offer hope in the face of emotional issues. Her smooth, lyrical writing style fits well with the laid-back atmosphere of Southern living.

Beautiful gardens in and around Oxford provide the background for Cantrell’s latest tale of growth and forgiveness. In gardening terms, perennials bloom, die back, and then return with new growth from the original root. Cantrell’s characters are perennials, too, as they try to get back to their roots in a once tight, loving family.

Eva Sutherland, nicknamed Lovey, and Bitsy once were adoring sisters who ran and played, capturing fireflies with the neighbor boys. They were the children of a small-town ex-football player who became a small-town lawyer and a debutante mother who grew stunning flower gardens. Lovey’s life was charmed until her mom’s gardening shed burns, injuries a young friend, and Bitsy puts all the blame on her little sister.

Bitsy becomes a cheerleader. The homecoming queen. The perfect Southern belle who can do no wrong. All the while, Lovey gets kicked down and laughed at, always bearing the brunt when Bitsy and her snotty friends throw blame her way.

Tired of living as her sister’s scapegoat, Lovey starts a new life in Arizona, blossoming as a successful advertising executive and a weekend yoga instructor. She hasn’t been home in years and has no plans to return except for her parents’ 50th anniversary. Lovey’s plans change when she gets a plea from her dad, known as Chief, to come home early and help build a surprise memory garden for her mom.

Years of hurt feelings and cold shoulders from sister Bitsy aren’t easily forgotten, though. Simple visits turn into snaps and low blows that even their parents can’t seem to stop. Why is Bitsy so angry when everyone else seems glad to have Lovey home, especially her one-time fiancé Fisher?

Chief’s motto is “family first,” and he’s determined to mend the holes in his family’s lives. When a tragedy hits, family is all that’s left–for better or worse.

Cantrell’s garden settings, surrounded by literary history at its best, emphasize the strength of God’s creations, the power of discovering roots, and what living perennially in spite of disappointments really means.

Susan O’Bryan is a former Clarion-Ledger and Clinton News editor and writer with more than 30 years of journalistic experience. She now is the web content coordinator at the University of Mississippi Medical Center. 

Julie Cantrell will be at Lemuria on Wednesday, February 28, at 5:00 to sign and read from Perennials.

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