Author: Former Lemurians (Page 24 of 137)

The Ghost Network by Catie Disabato

Jacket (1)Secret societies, missing pop stars, history and mystery and music and revenge, The Ghost Network is a lot of things… here’s what it is not:

A dating website for restless spirits.

A public access television channel catering to the interests of the undead.

The best book you’ll read this year.

I know, I know… bad bookseller loose on the blog. Maybe I’m supposed to tell you that this book will be life changing, but it just isn’t. While it uses quite a few things that I am personally obsessed with, and seems to revolve around varying levels of obsession, I wasn’t particularly obsessed with the book itself.

So why am I writing about it? Because it is FUN. Duh.

It’s a fun book! What more do you want here as summer is slipping away? Take a break from the required reading. Deviate from that “to read” list you’ve been adding to all year. Stick your nose in a book that doesn’t ask for too much.

That’s what The Ghost Network is: a book that doesn’t ask for much. If you stick with it, Catie Disabato lays just about everything out for you by the end. Part of the novel’s charm is the pseudo-journalistic style of Disabato, or rather, the character version she has created of herself. She is telling the story in a matter of fact fashion, because she is following the facts. It is presented as a cold case followed by a number of characters, and while Disabato’s is the voice putting all the puzzle pieces together, it is full of footnotes, anecdotes, and references to interviews that try to give it the weight of reading a police report.

lady_gaga_gif_by_nino_by_givemeallyourpoison3-d5yaa1oThroughout the investigation, Disabato clues the reader into the activities of a secret society, their motives and methods, and weaves real world history, geography, and pop culture into their intrigue. I almost feel sorry for anyone that picks this book up after 2015, because it is meant for a right now audience. The missing diva is clearly a stand in for our world’s Lady Gaga, but with a side of conspiracy, and the characters looking for her could be any number of her devoted fans, served with heaping helpings of free time, an extra order of natural detective ability, and an insatiable appetite for pop.

You’ll encounter hidden methods of public transportation, secret headquarters under attack, and terrorist plots gone wrong. You’ll see young people falling in love, sacrifice for the greater good, and vengeful back up dancers. You’ll find plenty to google when you’re done, and all set against a beautiful, snowy Chicago skyline.

In short, The Ghost Network is a meta romp through hip culture that touches on the obsessive delights of a millennial generation and appropriates art, history, and philosophy to legitimize its snowballing, mystery plot. And it’s fun.

Alex + Ada = ?

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If you’ve missed it, comic books have grown up over the last decade. It’s no longer the world of caped crusaders and villains with daddy issues. Don’t get me wrong, I love a good arch nemesis like the next guy, but more and more I find myself turning to comic books for the same thing I find in a novel. But with pictures.

Alex+Ada_1_1-525x364The landscape of Alex + Ada is a familiar trope. It’s the future and artificial intelligence has been achieved but with disastrous results. The robots rebelled (eg iRobot, Bladerunner, Battlestar Galactica etc.) and are now, for safety’s sake, reduced to the I.Q.s of a fancy toaster.

Alex, a single man in his late-twenties/early thirties faces everything we all do when single at that age–nervous family members. In order to assuage his loneliness, Alex’s grandmother buys him a companion-bot for his birthday–a woman with Prime Intelligence who can keep him company. Ada is a few crayons short of a box; she looks human enough, but is unable to make any original decisions.

But Prime Intelligence robots can be jailbroken.

Alex+Ada_1_3-525x335The story jack-knifes into a world of hackers and government officials. Of unlikely romance. Of insatiable sci-fi drama. What at first seems to be a predictable story is anything but.

Alex + Ada is a wonderful romp into a not-too-distant future that is uncannily familiar and questions what makes us human.

 

[Vol. 2 is now a available!] 

 

 

 

Mockingbird Blues: Confronting Expectations for Go Set a Watchman

by Andrew Hedglin

I have seen a lot of copies of Harper Lee’s new/old novel Go Set a Watchman sold in the past week or so. It has been a lot of fun to see it happen, because I’ve only been working at the store for a month and a half, and this has been the biggest “event” that I’ve had the opportunity to be a part of. I mean, besides the fact that I’m of the opinion that we should have weekly meetings where Mr. Howard Bahr narrates all of the titles from our southern fiction section, I’ve always had a soft spot for seeing other people get excited about reading. Those who do are my type of people.

Most people who have bought the book did so, I suspect, to be part of the experience, to catch onto the literary zeitgeist. To Kill a Mockingbird is part of the American culture, to say nothing of the Southern one. Marja Mills, in The Mockingbird Next Door, explains that the book is “required reading for at least 70 percent of U.S. high school students. The novel became a classic at the same time as it defied Mark Twain’s definition of one: ‘a book people praise and don’t read.’” TKAM doesn’t punish or mystify students like so many worthwhile literary lights that are forced upon us at those tender ages. It’s been popular during this time of wild reassessment to criticize the book on that account, but it’s not just on moral standing that goes down easy: there’s a humour and adventure to the narrative that Twain himself, for one, understood at his best.

But the trepidation for Watchman doesn’t lie with the majority who simply enjoyed it, or the bafflingly large contingent of the 30% who haven’t read TKAM who have confessed their status to me in the last month. It’s not even for those with the reserved and academic concern about Lee’s dubious assent to Watchman’s publication, although that aspect bears mentioning. My best guess, based on the available information and my impression of Lee’s character from Mills’ book, is that Lee’s enthusiasm for the project is probably real but likely inconstant, and would have been so even if she had been in the best of health. But her health does serve as a shield for her other main concern for following her masterpiece: she doesn’t much care for publicity, scrutiny, or being taking advantage of by those who merely seek to use her celebrity to further their own ends. I will says it seems she and her sister Alice do and did care a great deal about their family’s reputation, and the automatic assumption that their attorney father, A.C. Lee equals Atticus Finch is going to raise a few eyebrows in his legacy’s direction.

The real fear, though, is felt by the people who care too much. It’s for the people who have let Finch-ian ideals of equality and fairness illuminate their paths. People who may have named their kin Harper, Scout, or especially Atticus. The people who don’t want to sully their memories, or those hoping for the best and bracing for disappointment.

This has nothing to do with the quality of the novel, which is actually a lightly-edited first draft of Mockingbird. Watchman shines at first with Lee’s trademark style and fearlessness, but does feel unpolished and unfinished, especially by the end. But, no, that’s not where this real fear springs from at all.

Perhaps you’ve heard some things about our man who made the implausible incarnate, the task of making a hero out of a lawyer. The super-shot who laid down his rifle out of fairness to birds, the suffering and spat-upon servant of decency who taught Maycomb that everybody deserved a fair defense in the court of law. Could he really be a racist like the newspapers say he was?

Yes, I’m afraid to report. It seems incontrovertibly so.

Because Lee’s characters and story were so based on real and true and important feelings and experiences, I get the feeling that they were more realized than might be typical in a first draft. It seems more likely, to me at least, that time and the circumstances of the 1950s changed or revealed Watchman Atticus’s attitudes even more than the editor’s red pen from (or to, depending on how you look at it) the Mockingbird Atticus. There is one critical detail about the Tom Robinson trial that makes all the difference between the two men (and that does seem edited more than evolved- I won’t say what it is, you’ll have to read it for yourself) but if you mentally squint, you can read it as Scout’s unreliable memory from childhood if you need for the two versions to be reconciled.

Anyway, I’d argue that you, the reader closely guarding Mockingbird to your heart, have the most power to be affected by this novel. The closer the relationship the reader has with Atticus, the more it mirrors how Scout (now Jean Louise) feels about her father. What happens to her will happen to you. But be warned: whereas Mockingbird leaves us with answers, noble if maybe too neat, Watchman leaves us with questions.

There’s this really great moment in Wright Thompson’s 2012 ESPN documentary “Ghosts of Ole Miss” about James Meredith in 1962 where Thompson is leafing through a scrapbook (while wearing a ridiculous white reporter hat indoors), and notices he thinks he sees a relative in the midst of a mob harassing Meredith. He can’t tell if that’s so, but ultimately won’t ask his suspected relative, because “there are questions a Mississippian won’t ask, but they’re not prepared to hear an answer.” He later intones, “So what is the cost of knowing the past? Perhaps it’s that people can be hurt.” But you know, I thought in October 2012 and I think now, that if we fail to confront the racism of our past, if we hide is blissful ignorance, then people will continue to be hurt—and more substantially.

Watchman itself suggests that we, like Jean Louise, can embrace those ideals of fairness and equality we learned from kindly original Atticus, without deifying or idealizing their progenitor. Even the values themselves, while remaining true and necessary, may not be wholly adequate to achieve their ends. We can start with them and develop other complex, active values for the times we face. Or, at the very least, measure the value of what we found on our first trip to Maycomb. If the journey was worth taking once, I hope you’ll join me in taking it again.

Why Young Readers Need Independent Bookstores

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Carson Ellis

Carson Ellis

One of my favorite things about working in Oz is seeing reactions from people walking in for the first time. It’s a different reaction from the rest of the store, because being surrounded by children’s books brings about a unique feeling, one of nostalgia and hopefulness. You remember what you read as a child, where you read, who read to you. People are delighted and openmouthed, trying desperately to take it all in.

But the children are the best. Their eyes get big, their jaws drop. Sometimes they start running towards the first thing that catches their eye. They try to describe what they’re seeing, but mostly it’s just a lot of words like “Wow.” For children and adults, being surrounded by children’s books is a special, magical experience.

Levi Pinfold

Levi Pinfold

Independent bookstores themselves are magical entities. They pop up in the strangest places, inhabit the strangest buildings, and are run by the strangest people (it’s true, you know it). These buildings, these places, these people, they have histories and pasts and layers. They have stories, and that in turn gives independent bookstores their unique brand of magic: the place and person you buy that book from has as unique a story as the one you hold in your hands.

Jon Klassen

Jon Klassen

People feel that magic when they walk into Lemuria. Even children feel it. It’s a special kind of wonder you don’t get when you walk into a chain bookstore, and definitely not when you order a book off of Amazon. It’s a feeling that makes people excited to visit Lemuria, excited about reading, excited about even the idea of holding a book in their hands. It’s a feeling that manifests itself most beautifully in children. When they come into Oz, a place that seems so otherworldly, a place made just for them, with adults there to help them find something they love, something clicks. It’s a moment I love seeing, a moment I wish everyone could see at least once. All of a sudden the child realizes, “Wow. So this is what reading is like. So this is what books can do. “ They realize places of magic house objects of magic, and those objects are books.

William Joyce

William Joyce

I don’t think I need to explain why fostering a love of reading in children is so important. But I’ll do it anyway, for clarity’s sake. Reading allows children to imagine, to grow and think outside of the box. Reading allows children to learn about worlds outside their small personal ones, to grow in empathy and understanding. Reading provides children with opportunities to succeed, to improve themselves and their situations. Reading teaches children that they are not alone, that somewhere, someone understands their unique experience as a person and has a written a story to speak to them. Reading gives children power and self-confidence, the opportunity to choose what information they consume. Reading is a life-skill that offers so many wide-open doors.unnamed (2)

Anthony Browne

Anthony Browne

But to foster this love, to bring the magic to life, children need places like Lemuria. Readers from seven months to seventeen years old need spaces that seem magical, adults who appear to be wizards pulling books out of thin air. They need a place that ignites a desire to read, and they need guides who want to foster that desire. What they need are people who love books. And I can guarantee you won’t find those people in Amazon warehouses or behind the counters at chain bookstores. You find them in independent bookstores, because independent bookstores are created by people who love books, people who spend their entire lives trying to explain this love to others. So come on in. Bring your kids, stay a while. There is so much we’d like to share with you.

David Wiesner

David Wiesner

Between the World and Me by Ta-Nehisi Coates

I don’t need to spend much time telling you this book is going to make waves, you probably already know that. I’ve walked into a restaurant holding the book and was haphazardly ushered into a table of strangers demanding to know how I got my hands on a copy of Between the World and Me before its release date. In another instance, a customer at Lemuria asked me what was my favorite bourbon, and offered to go to the liquor store that moment to find an adequate bribe to loosen my clutch on the book. Sorry man, Between the World and Me is worth more than the most expensive bottle of bourbon.

51356xQ+swL._SX326_BO1,204,203,200_Put down what you’re reading and pick up Between the World and Me by Ta-Nehisi Coates. It won’t take up more than a day of precious reading time. I am positive you will easily find profundity in Coates’s words regardless if you’re a man, woman, white, black, skinny, fat, carnivore, vegan, liberal or conservative.

Coates’s eloquent prose has given me chills as I sat reading in the blistering Mississippi summer, and his fiery gestures have made me sweat when I lay on my back reading with my AC set on 68. Rather than spoil his message by trying to use my words to explain Coates’s words, I want to share how this book has forced me to remember something tragic in my own history and made me examine it using new lenses.

Between the World and Me covers a lot of ground in a mere 152 pages. But one section left me in a trance it forced me to remember a story from my own history, which I have attempted to erase from my memory by burying it in silence.

Coates speaks to his time at Howard University as a momentary utopia, or in his words “The Mecca.” In his Mecca, for the first time, Coates is comforted by being around people like him—black men and women with vast intellectual concerns. But, the love he felt at Howard’s “Mecca” is shattered when a colleague is murdered in a case of senseless police brutality.

His words forced me to think. Between the World and Me took me back to the time I spent in my personal Mecca and it’s own violent end. It forced uncomfortable thoughts of my own whiteness to the surface, leaving my pores bubbling with anxious self-reflection.

* * *

I remember paying for my lunch at my public high school line and standing there, motionless, trying to gulp down an anxious stone in my throat. Where do I sit today? There dozens of tables, each comprising a community of kids, each inward looking, each excluding the next table as if they weren’t sitting together in the same room. Uniformed, sunburnt white baseball players sat together flirting with the future home-coming queens. The black footballers sat together showing each other their new, first-wave smart phones. The lower-income white kids sat together in their baggy-pants, throwing tater-tots at each other when the eyes of the disciplinarians turned away.

There was one table that was a bit less populated than the rest. A black kid wearing a Jay-Z t-shirt was beating his palms and a #2 pencil in alternating rhythms on the table. They were taking turns practicing their best Wayne impressions, spitting freestyles fraught with vulgarities about women, weed, and violence. They noticed when I sat down, but they didn’t make a big deal about it, they actually slid down to close the awkward gap I had left open because of my anxious uncertainty. I ate my processed chicken nuggets and bobbed my head in time with the tapping of the #2 pencil.

I ate my lunches this way for the next few years. We didn’t usually talk about blackness and whiteness, but it was coldly observed in the absence of their fathers, the warmth of their mothers toward me, and the distance of their older cousins that flashed gang signs and slapped complex handshakes.

Our sessions left the lunch room and went into the bedrooms of our suburban middle class homes. When it came my turn in the cypher, I’d let loose all the anxiety I’d scribbled in my journals into lyrics manifested by a two step beat and a bass drop. When my eighth bar had landed, the guys would burst with laughter and say, “Damn white boy got some words.”

This was the first time my passion for words made me feel cool. I have always manically been putting words into journals, secretly hoping to share them—not only to share them but for my words to make me cool. These young lyricists were The Mecca for me, not only did they listen to my words, but they introduced me to friends and friends of friends who also thought rhyming and beats were cool. I was at home in the comfort of not having to guard or hide the sincerity of my passion.

There were four kids I hung out with routinely, and we became pretty damn close. They were black guys and I am a white guy, and there wasn’t any ignorance of that fact. Between the World and Me reminded me how perversely race issues can slither into Mecca and usurp the comfort Mecca provides.

We were about to graduate. We had done alright in school. Good enough to go to college if we were willing put our noses to the grind stone. I ended up getting accepted to Millsaps College, one of us went into the airforce, and the other two ended up getting felony charges.

One of those kids pled guilty and took two years jail time, and the other accepted to be a CI and try to get a bad guy arrested.

I was running late for a morning class during my sophomore year of college and I got a call from the friend who took the jailtime in Parchman. He sounded completely different. Alive with rage. Frankly, he sounded ready to kill. Then he told me that our friend, the one that took the offer to be a CI, was found dead in an abandoned home with his hands duct taped behind his back and a bullet wound to his forehead. The friend on the phone swore revenge and he thought he knew on whom it should befall.

I walked to class along the giant wrought-iron fence topped with razor wire that “secured” our luxury automobiles and macbooks from the larger black community surrounding my college.

The class was Civil Liberties. It was a nice spring day and we sat outside and discussed Brown v. Board of Education. The professor was mid sentence when a staccato burst of gunshots a block or two away cut him off. One of the white kids laughed, detached from the reality outside the safety of the precious spools of razor wire. He said, “That’s Jackson for you.”

I stood up, and in a rage of expletives I excused myself. I dropped the class and never went back.

I was angry with myself for being comfortable. Angry that my friends, who had first showed me that it was ok to be the person I saw myself as, were killing, imprisoned or dead. Angry that it was too hard to talk with new friends about what happened to them. I was angry that I was in college when I didn’t deserve it any more than one of them. I was angry at my own whiteness, and frustrated at the fact that whiteness had mastered me with a private education where it was ok to analyze Brown v. Board of Education and laugh at black on black violence in the same breath.

I’ve been to Mecca before, and my Mecca ended much the same way as Coates’s—this is not a coincidence, this is evident that the emotions and observations expressed in Between the World in Me are truthful. Racially driven violence is systematic and intrinsic in today’s America; there is no way to escape application to you, whoever you are and wherever you are reading this.

Ta-Nehesi Coates in Between the World and Me has empowered me to be able to share this story with you; a story I’ve tried to forget for so many years and hardly ever shared. I’m a white guy and can never understand the suffering black bodies are put through. But, Coates has forced me to re-examine what it means to black and what it means to be white. Blackness and Whiteness are real things—tangible things. Coates explains why whiteness and blackness cannot be circumvented by neo-liberal policies of colorblindness. Race issues are just as American as hot dogs, and we must constantly examine and re-examine the mechanics that propel racial violence and mistrust because they are parallel with the grand mechanics of domination and oppression. Pick up the book. Read it and think about who you are and honestly ask yourself how race has affected your life.

Please direct any thoughts, comments or questions to Salvo Blair at salvo.blair91@gmail.com

Donate Your Old Books!

On July 10, the Kindergarten classrooms at Batesville Elementary in Batesville, Mississippi, were completely destroyed by fire.

Please help us replenish their children’s book collection.

There are several ways to help:

If your old books need a new home, drop them off at Lemuria for a delivery to Batesville.

We also have a running list of books the school would like 17 copies of for their 17 PRE-K and K teachers. Place an order with us and we will get them to the school!

OR if you can’t get to Lemuria, ship your books to:

Lydia Aderholt
211 Jones Street
Batesville Mississippi 38606

Kids need books before school starts, so stop by the store today! Any and all donations are much appreciated.

-The OZ Team

“The more that you read, the more things you will know. The more you learn, the more places you’ll go.” — Dr. Seuss

A Song of Ice and Fire and the Development of Fantasy

The next book in George R. R. Martin’s fantasy series, A Song of Ice and Fire is going to be released (hopefully) next year, and I’m taking the time to write about just how this series has been not only popular, but changing the genre of fantasy.

the20fellowshipIn 1937, J. R. R. Tolkien published The Hobbit, and by the time he finished his Lord of the Rings trilogy, he had laid the foundations of a new genre. In his works, he employed many fantasy archetypes in his story. For example, when you think of fantasy, the things that come to your mind are things like wizards, princesses, evil dragons, etc. This is because fantasy mostly uses Eastern European influence, which means copying things like their class structures, like kings, queens and knights. This also means using their folklore, drawing on stories of dragons, tales of valor, wizards, elves, and fairies. The central conflict should be about good versus evil; since fantasy stems from being mostly children’s stories, the story typically has a good hero to root for. Evil is depicted in a clear, monstrous form. Villains are not too human.

Tolkien took all the archetypes of fantasy and raised it up to create the subgenre of hightumblr_mvjih2ZcmU1s7ovmno1_r1_500 fantasy. High fantasy is basically a fantasy book, but with larger, more sprawling worlds. Characters were different races, and served different kings, and the kings before those kings. Entire languages were created. Different races had different traditions, abilities, magical items, and styles of dress. Songs, histories, and lands were depicted in Charles Dickens level detail for each race in Tolkien’s Middle Earth. Since then, Tolkien has been the author whom most fantasy writers took inspiration from. High fantasy has remained largely static since then. Everyone wanted to emulate Tolkien, and nothing really changed for years.

giphyBut in 1996, George R. R. Martin moved fantasy to new depths again. People who I know that read much more fantasy than me said there was something new in this series. Martin also has a completely developed alternate world. But Martin takes inspiration from several, non-Eastern European cultures. He does not stay with the viewpoint of the protagonist, but switches to characters on every side of the conflict. By also switching to first person, Martin is able to delve into the minds of characters much more closely. Within this, we see that Martin does not portray one clear side of good or evil; he doesn’t even make his main characters the heroes. The series is fantasy in reverse because the obvious characters are not the key players in the story, it is not the kings or rulers but their children, wives, and friends whose viewpoints move the narrative. Even the most noble of his characters are flawed, and goodness in his books does not equal skill. A nice ruler does not mean a good ruler, or one that will survive. His graphic and explicit material also means he’s writing just for adults.

We’ve come a long way from the simple fairy stories told to kids. This is why I think George R. R. Martin is important, and there is speculation that he’s the American Tolkien. I personally think that he is, and I’m excited to be alive while a new trend in fantasy comes along and plucks the placid tradition from its roots in order to grow something new.game-of-thrones-will-be-coming-to-movie-theaters-later-than-expected

Mississippi Book Festival Kids’ Books (Part 1)

Readers of kids’ books: mark your calendars for AUGUST 22. Meet great middle-grade and picture book authors at the first ever Mississippi Book Festival, held downtown at the State Capitol. Before meeting the authors, read their books!

Featured this week are Kimberly Willis Holt and Susan Eaddy, who will be on the Young Readers Panel and Children’s Illustrated Books Panel, respectively.

 

Dear Hank Williams by Kimberly Willis Holt (Macmillan, 2015)

Dear Hank Williams Jacket

Holt will be presenting her newest novel for kids, Dear Hank Williams, on the Young Readers panel. Dear Hank Williams is set in Rapides Parish, Louisiana, in the 1950s. When Tate’s teacher asks her students to choose a pen-pal, Tate knows just the person.

“That minute I knew exactly who my pen pal was going to be. Guess who, Hank Williams? I’ve picked you! Since you sing on the Louisiana Hayride and I’m going to sing at the Rippling Creek May Festival Talent Contest, we already have something in common.”

Tate writes letters so funny you will laugh out loud. After being sent to clean the kitchen after asking her Aunt Patty Cake too many questions about her past love life, Tate says,“Frog (Tate’s brother) is smart. He never is the least bit interested in the Christmas-tree-ornament stories. Curious people seem to have more chores.”

She’s “practicing to perfection” for the talent-show in order to beat golden-haired Verbia Calhoon. She spills her innermost secrets to the voice she hears on the radio, including tales of how she gets a dog for Christmas, whom she names Lovie. Aunt Patty Cake questions if Hank Williams even reads Tate’s letters, but Tate knows he does — so far he’s sent her three autographed photographs of himself.

Tate’s true story about her parents, her family, and the truth about herself unfolds in her letters to the country singer, and her voice is funny, Southern, fresh, and will even make you cry.

For readers ages 8-12.

Poppy’s Best Paper by Susan Eaddy, illustrated by Rosalinde Bonnet (Charlesbridge: 2015)

Poppys Best Paper

Eaddy will be on the Children’s Illustrated Books Panel with her new picture book, Poppy’s Best Paper. Poppy is a little white rabbit with long, floppy ears who wants to be a very famous writer. When her teacher, Mrs. Rose, tells them she will read one student’s paper in front of the class, Poppy gets to work. “At home, Poppy told Mr. Fuzz Dog, ‘I am going to write the BEST paper ever!’ ” She KNOWS that her teacher will pick her paper to read aloud to the class. Poppy plays adventure “treasure ahead!” She plays with Mr. Fuzz Dog, and she takes break after break. In fact, Poppy does everything EXCEPT write her paper!

Surprise, surprise, Mrs. Rose does not pick Poppy’s paper to read aloud. Poppy, disheartened, tries again, but keeps taking more breaks and not finishing the paper. Finally, she writes a paper Mrs. Rose reads to the class titled, “How to Get in Trouble.”

Poppy is similar to most students, and kids will identify with the struggle to finish homework. The illustrations by Bonnet are adorable, and Poppy is just one bunny amongst a group of other animal children. This book is perfect for kids going back to school and facing homework.

For readers ages 3-7.

Pre-Order YARD WAR by TAYLOR KITCHINGS, coming AUGUST 18!

Jacket (6)We are thrilled to announce that our own Jackson native, Taylor Kitchings, has written his debut middle-grade novel, to be published AUGUST 18 by Wendy Lamb Books/Random House in the U.S. and Canada.

Set in Jackson in 1964, Yard War tells the story of 12-year-old Trip Westbrook and the summer that football and a forbidden friendship changed everything in his town.

Pre-order your signed copy here or call 601.366.7619, and be sure to join us for a signing on August 18 at 5:00!

Ash by Malinda Lo

PRIDE!

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Ash by Malinda Lo. OH. MY. GOD. It’s Cinderella, but a little different. Rest assured, just because this is an LGBTQ book, it does not dwell on it. Whoever the characters fall in love with is not so important in the magical kingdom the main character, Ash lives. Or is it magical? In the West Wood, people still believe in fairies and brownies and elves. But some believe these are just stories. Ash’s mother believed in magic, and when odd things happen to Ash after her mother’s death, she begins to question just who her mother was. One thing that’s good about this book is that it opens with so many questions. Like, what do Ash’s dreams mean? Are they dreams? Who the person with the gleaming, beautiful face that watches her, and why is there glittering dust in her window sill? As the questions slowly get answered, then the story begins to go in the direction of a Cinderella tale. There are also a number of fairytales that different characters tell as Ash goes about her life. Stories that serve to warn her, foreshadow the future, or reveal the past. So this book is a fairytale filled with other little fairytales.


JacketWhen both of Ash’s parents die she has to live with her mean stepmother and stepsisters and cook and clean for them because blah, blah you know the drill. But all Ash wants is to be taken away from her horrible life to be with the fairies, who have watched over her through her life, but they won’t tell her why.

Ash’s life gets even more complicated when she meets the prince and the royal huntress. Also, instead of the fairy godmother just lavishing beautiful gifts onto her, what Ash wants comes with a price that has been entangled in curses and negotiations between witches, fairies, and humans before she was born. But don’t worry, all the plot thingies tie back up together nicely. I was hooked reading this, and I hope you will be too.

If you like Young Adult fiction, Ash is exactly like those books. If you like fairy tales, then you’ll like this. If you want some light summer reading, you’ll like this. I really enjoyed this book, and I think you will too.

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