Category: Southern Fiction (Page 7 of 24)

Thirteen Ways of Looking at Kim Church’s ‘Byrd’

by Andrew Hedglin

(With sincerest apologies to Wallace Stevens)

byrd (2)

I

The title character of Kim Church’s Byrd is Byrd, a boy born in North Carolina in 1989 who is given up for adoption by his mother, Addie Lockwood. He is almost a McGuffin, almost completely absent from the narrative, except that the story follows the lives of people important to him in his birth family, especially his birth mother Addie, and to a lesser extent, his birth father, Roland Rhodes. This book is a long shadow cast by the boy Byrd.

II

I stumbled across this book while receiving inventory for the store in the backroom. For technical reasons I won’t bore you with, I thought Byrd was a new release. It is not; it was published in 2014 by Dzanc Books (a small publisher), and only in paperback. Lemuria has only ever ordered two copies, three years late, and the only one it has ever sold (as of this writing) has been to me. This book is criminally underappreciated.

III

Besides Ron Rash telling me this was a good book in a blurb, I was sold on it by the first sentence of the summary on the back: “Addie Lockwood believes in books.” I know what that means. Addie shares my opinion, or perhaps I share hers, that The Brothers K by David James Duncan is an “Unheard-Of Masterpiece.” Addie seems a little bit more ambivalent about the process of bookselling than I am, but to each her own.

IV

A man and a woman
Are one.
A man and a woman and a blackbird
Are one.

V

I was almost overwhelmed by the beauty of this book. I had to put it down the first time, because I was reading something else and didn’t want to crowd it. First of all, it handles the old verities of hope, of loss, and of human folly with a deft, humanistic touch. Second, Church handles the use of time exceedingly well. The story covers a huge stretch of time, about forty-odd years of Addie’s life. Even though the progression is linear, it is still an accomplishment to make it feel so smooth. Church reminds of another female North Carolina writer, Anne Tyler, in this way.

VI

Look, what I’m about to share does not convey, exactly, the main thematic thrust of the book, but it’s my favorite passage because I’m kind of a romantic, and I’m always detained and delighted when I find a new way of thinking about love. Also, the passage is beautiful and poetic. Here it is:

Neither of them thinks of love the way they used to, as something to be fallen into, like a bed or a pit. It isn’t big or deep or abstract. Love is particulate. It’s fine. It accumulates like dust.

VII

Not one character is this book is wasted, or less than human. Not Addie, not Roland, not Addie’s mother Claree nor her father Bryce, not Addie’s astrologer Warren, not Roland’s wife Elle. I am convinced Church could have plucked any random background figure out of the book, made them fascinatingly human, and made their story cohere to the whole.

VIII

As a coincidence, this article from The Atlantic, written two years ago in response to Pope Francis’s remarks about declining Western birthrates and a then-newly published anthology about chosen childlessness, came up in my Facebook feed. Byrd, in this book, is an accident. His conception, yes, of course, but also his birth itself. Addie’s attitude about her decision, and her subsequent gnawing curiosity about the life she created, is one of the subtlest motifs in an already subtle book. Setting aside the raging inferno surrounding the abortion debate in our culture, the discussion of a birth in our society is only easy when everything goes right and everyone is wanted, shunting miscarriage, infertility, chosen childlessness, and sometimes adoption into a silence that I am grateful that fiction can sometimes have the ability to fill.

IX

And speaking of accidents, I can’t help but thinking about the book I previously talked about in this spaceCareless People (a bibliographical biography of The Great Gatsby). It refers to a forgotten meaning of the word accident: “Catholic theologians used the word ‘accidental’ to describe the inessential bread and wine left behind after the ritual of communion had turn them into mystical symbols…accidentals [are] the inessential objects that once glittered…disenchanted things made ordinary again….the accidental is all that we are left with once we have lost our illusions.” This is what Byrd, or the knowledge of Byrd, is for Addie after she loses her illusions about Roland.

X

Not that I guess this has much to do with anything, but would it surprise you to know that Church, the author, used to be a high-powered lawyer? That choice speaks to an ambition exceeded by anybody in this novel, including Addie. That Church chose to write this book instead of a legal thriller is to me (who enjoys a good legal thriller now and again) a minor miracle.

XI

Byrd does have an interesting surrogate in this novel, his half-brother Dusty. His existence doesn’t seem to answer any questions about Addie, but it does offer a lot of insight about Roland, and in general people’s capacities to change or to love. So I guess it does tell about Addie, in a suggestive rather than definitive way. That this is the way the whole book operates might drive some people crazy, but it’s part of why I love it so.

XII

Addie’s greatest secret, besides withholding Byrd’s existence from Roland the second time, is that her affair with Roland in the first place. Not that she had an affair, not that it produced a child, not that she gave her child up, but because it was with Roland, whom she supposed she should be over. This book could be a coming-of-age novel, but it lasts so long in Addie’s life that it is also an age-passing-by novel. It is not only about the making of a person, but the consideration, evaluation, and self-doubt about who that person becomes.

XIII

Almost the very last words of the book are Addie’s “I have hopes but no expectations.” I hope I haven’t spoiled the book by telling you that, but what I really worry is that I’ve spoiled the book by telling you any of this. I have certainly implanted some sort of expectation in you, the reader, if you’ve read this far, if you’ve decided to give the book a chance. Expectations of not only the plot, which I believe are overrated, but of this book’s quality. With this handicap, I don’t think you can enjoy the total surprise Byrd was for me, but even a shadow of the surprise is still astonishing, I assure you.

blackbird rise

Ain’t No Cure for the Summertime Blues: Nick White’s ‘How to Survive a Summer’

by Trianne Harabedian

Books about strange experiences have always been my guilty pleasure. I enjoy reading about things I have never done, events that are unlikely to ever happen to me, because I like attempting to understand the unfamiliar. But I also have a purely entertainment-based fascination with things that seem too bizarre for real life. This is why I first picked up How to Survive a Summer by Mississippi native Nick White.

ht survive a summerWhite’s debut novel is about a man who, as a teenager, went to a gay-to-straight conversion camp in Mississippi. When the story of the camp is made into a movie, the main character, Will Dillard, returns to his roots and finally reckons with his past. The story is told through memories and reads almost like a memoir, as it focuses on emotions and is told primarily through internal dialogue. But the plot–the truth of what really happened that summer–kept me turning pages.

As Will weaves down the Natchez Trace towards the old campsite, he remembers his deceased mother, his unusual childhood, his sexual realizations, and eventually the conversion camp–all in zigzags that lead to one final twist. He encounters a full spectrum of people: a transgender love interest who calls too much, a sheltered librarian whose hospitality is taken too far, and a misguided uncle who once tried to help AIDS victims.

What initially drew me to How to Survive a Summer was the strange setting of a gay conversion camp. But what pulled me in were the real emotions of relatable characters. Each one was involved with the camp for a different reason, and the ways they cope with the past are just as varied. As the narrative progressed, I realized that it is an intentionally villain-less story. Nick White compassionately gives each person reasons for their actions. He paints unique people against the backdrop of one specific tragedy. The result is a reminder that every person comes to grips with his story in his own way, and that outward appearances have nothing to do with the truth inside.

Author Q & A with John Grisham

Interview with John Grisham by Jana Hoops. Special to the Clarion-Ledger Sunday print edition (June 18).

John Grisham’s story that took him from small-town lawyer to master of the legal thriller is a tale that even he couldn’t have imagined.

But the incredible success he’s experienced since his first novel was published in 1988–which would lead to 30 bestsellers and counting–is strictly nonfiction.

With the release of his latest work, Camino Island (Doubleday), Grisham takes a recess from the courtroom and goes beachside in what he is calling “a great beach read.”

He’s also hitting the road for the first time in 15 years with a book tour that will bring him to a dozen cities nationwide, including Square Books in Oxford and Lemuria Books in Jackson.

caminoCamino Island is a book about books, booksellers, bookstores, and the rare book business. In this fictional account of the dramatic heist of four original F. Scott Fitzgerald manuscripts from the Princeton University library, most of the story unfolds in the quiet resort town of Santa Rosa, Florida. Main characters Bruce Cable, who owns a popular book store there and Mercer Mann, a hopeful young author, square off in a high-stakes tale of espionage, betrayal, and theft–all within the mysterious world of the rare books trade.

When Grisham’s first novel, A Time to Kill, was released 29 years ago, and, in his words, “was a flop,” he decided to give it one more try before abandoning his dram of becoming a writer. With the blockbuster success of The Firm in 1991, he’s never looked back, releasing a book a year ever since.

JohnGrisham_credit Billy HuntBorn in Jonesboro, Arkansas, in 1955, Grisham spent most of his childhood in Mississippi, and went on to earn an accounting degree from Mississippi State, and then a law degree from Ole Miss. He was working as an attorney in Southaven and serving as a member of the Mississippi Legislature when he began writing full-time.

All of his books have became international bestsellers, and he now has more than 300 million in print worldwide. Nine of those, including A Time to KillThe FirmThe Pelican Brief, and A Painted House have become successful films. His writings also include the nonfiction work The Innocent Man and a collection of short stories, Ford County. He has also written a series for young readers that features 13-year-old character Theodore Boone offering legal advice to his classmates.

When he’s able to take a break from his writing desk, Grisham enjoys devoting time to charitable work (including his Rebuild the Coast Fund after Hurricane Katrina); and his lifetime passion of baseball, as both a local Little League commissioner and the developer of six Little League ball fields on his property.

Why did you decide to do another multi-city book tour after 25 years–and why did you wait that long?

grish lemuriaThe last big book tour I did was in 1992, when The Pelican Brief came out. I was living in Oxford at the time, and I knew Willie Morris, Barry Hannah, and Larry Brown. They were always hanging around the bookstore (Square Books), and they talked me into doing a big book tour that turned out to be 35 cities in 34 days. It was not fun and I didn’t think it was productive. I told my publisher I can go back to Oxford and write books or hit the road and do publicity.

So, I never did a tour like that again, but I did continue to have signings at five stores: Square Books, Lemuria, Reed’s Gum Tree Bookstore in Tupelo, a store in Memphis and one in Blytheville, Arkansas for about 10 years. those five were really helpful when A Time to Kill came out, and they really supported me. So, it’s been 15 years since I’ve done this, and this time it will be 12 cities.

How has your writing changed since A Time to Kill came out in 1989?How have you changed?

There have been no deliberate changes in my writing, as far as the style, procedure, and process. I write every morning for a few hours, and I write a certain number of words each day. As far as how I’ve changed–I’ve aged 30 years.

Camino Island is the story of a grand-scale heist that leaves the original manuscripts of F. Scott Fitzgerald’s four novels missing–and it weaves a fascinating behind-the-scenes tale of the world of rare books. Why did you choose the works of Fitzgerald as the target for this crime?

The fact that Fitzgerald had fewer manuscripts–he had published four novels–was a huge factor. And I’ve always been a big follower of Faulkner, Hemingway, Steinbeck, and Fitzgerald. They were all born about the same time (late 1800s-early 1900s) and were the greatest writers of that generation. Fitzgerald had the fewest manuscripts, and they were all in one place, the library at Princeton. Faulkner had at least 40. He was very meticulous about his manuscripts and took care of them, and that would be a lot to try to steal at one time.

Do you collect rare books?

I’ve been collecting rare books for probably 25 years–a lot of Faulkner, Hemingway, Steinbeck, and Fitzgerald. There have been several dealers I’ve known and worked with through the years. My wife actually bought a copy of Faulkner’s The Sound and the Fury from (Jackson’s Lemuria Books owner) John Evans for me.

Tell me aobut your relationship with bookstores and booksellers–have bookstores been a special place for you?

They still are special to me. When I’m traveling I usually try to sneak into a bookstore and see what all is for sale, see if my books are selling. If they have a coffee shop or cafe, that’s a nice touch. I go to bookstores and talking with booksellers is something I always enjoy doing. Bookstores are dwindling in numbers now, and many are fighting to preserve them.

What was the hardest book for you to write, for whatever reason? What was the easiest?

Easy, and fun to write and without much research–would be Calico Joe. I love baseball and really enjoyed writing that one. Camino Island was fun–the world of the murky and mysterious world of rare books and how much they’re worth now. The Chamber was probably the toughest to write. I spent a lot of time on death row in Mississippi doing research.

Is there a topic, a style, a genre, you haven’t tackled yet, but want to?

There are a couple of books based on things I might like to write about. One is a sort of fictional memoir of my childhood and life, like in (my novel) A Painted House. It would be going on in Memphis about a 15-year-old boy who thought he was going to Vietnam, after seeing his friend come home in a box. That’s something I think about–kind of personal stuff. Who knows, I still might write it.

You have another book coming out in October, another legal thriller, this one about student debt–a very topical subject now. What can you tell me about it?

Not much–I have a rule not to talk about a book while I’m writing it. It’s about law students. It’s still untitled.

Your first book was rejected by many publishers. What do you know now that you didn’t know then?

It was turned down by about 15 publishers and 15 agents. That’s not unusual for a first-time author. And what I know now that I didn’t know then: everything. I knew nothing then about writing or getting published. I was a state legislator and a small-town lawyer, barely 30 and so naïve.

Oxford’s Square Books owner Richard Howorth told me you were very persistent in getting your first book published–and that you wanted to sell “lots and lots” of books. Considering that you have a degree in accounting from Mississippi State, does that kind of determination come from your accounting side, or would you say it was strictly ambition?

I think it was ambition. I had practiced law 10 years in Southaven. I was looking fo a way out because I knew I wasn’t going to make a lot of money. After 10 years of working hard, I wrote A Time to Killin 1989 and it was a flop. I said I will do this–I will write a book–one more time and see what happens. I wrote The Firm, a book that I thought would be more commercial. The fact that movie rights for that book were sold before it was published was a fluke deal that could never be repeated–it was a lucky break that would only happen once.

Long-term, what do you see in your future?

I’m 62 years old. I’m still enjoying this immensely. I certainly have no plans for a career change, or for slowing down. I intend to write one book, maybe two, a year.

Interview with John Evans of Lemuria Books

Interview with John Evans by Jana Hoops. Special to the Clarion-LedgerSunday print edition (June 11).

Even though John Grisham was born in neighboring Arkansas 62 years ago, Mississippians will always “claim” him as a favorite son, since his family made the move to north Mississippi when he was a child–and his ties became tight, thanks to his years as a student at Mississippi State and then Ole Miss law school, and later as a young lawyer in Southaven, a member of the state legislature, and a stretch when he and his family returned to Oxford once he became one of the nation’s most successful authors.

Among his biggest fans is John Evans, who opened Lemuria Books in Jackson 42 years ago and has watched with satisfaction as Grisham’s career–and their friendship–has flourished since A Time to Kill debuted in 1989.

The memories Evans holds of Grisham’s early years as an author, and of the writer’s phenomenal career through the years, convey his obvious pride in a man he considers to be a valued ambassador for Mississippi.

With the release of Grisham’s 30th novel, Camino Island, the writer is embarking on his first book tour in 25 year–and his stops at Richard Howorth‘s Square Books in Oxford on June 20 and at Evans’s Lemuria Books on June 21 are the author’s nod to the roles these booksellers and longtime friends played in his early career.

camino islandTickets for the event have already been allotted for Grisham’s appearances at both stores.

A native Jacksonian, Evans opened Lemuria in 1975, slowly building a “community of readers” that he hopes has made his hometown a better place.

Tell me how you started Lemuria Books, and why.

I grew up in Jackson and graduated from Murrah High School in 1968–barely. I went to Ole Miss and got a degree in general business.

I got interested in the idea of opening a shop because I had gotten tired of traveling out of town to find good records and books and bringing them here (to Jackson). BeBop (Records) opened in 1974, so there was then no need for finding the records.

Inside Lemuria's location in the Quarter

Inside Lemuria’s location in the Quarter

I got married and decided to do something. In 1975, at age 24, I formed my company and in October of that year, my wife and I opened Lemuria. I had never worked in a bookstore, so it was all trial and error. I wrote letters to publishers or called them on the phone and set up appointments. The salesmen came to our apartment to set up my first orders. When I started the company, I got a lease for a space behind Poet’s, the best bar in town. It was a second- and third- floor apartment. Ninety days later, I was working in the bar, waiting tables, to make ends meet.

I moved the store to the Plaza at Highland Village and stayed there from 1977 to 1988. On April 1–my favorite day of the year–in 1988, we moved to our current location at Banner Hall, the old Redd Pest Building.

What was, and is, your vision for Lemuria and its role in the Jackson community?

I’m very interested in giving the community of Jackson the very best bookstore I can give it–what, in my judgment, I consider to be the best. I’ve always been interested in the idea that I was not going to be penalized by being in a “poor, under-educated” market. If you want to have a good bookstore you have to have good books, and it was always my desire that Lemuria would be the very best bookstore I can provide to the community.

How do you do that? By bringing national authors to Jackson, Mississippi. That’s a very unifying experience, because, when authors come to Mississippi to sign their books, they touch the books they sign the books, and they develop friendships with the store and with the people here. They create a bond with the community, and that makes the books come alive–all of a sudden, they’re not just a product.
JXNLAMAR-2Publishing the Jackson book (published in 2014 by Evans and Lemuria Books, with photography by Ken Murphy) was the ultimate expression of that–creating the very best book about this city–a book that makes Jackson look beautiful and fun and full of good things, and making those things more tangible. That has been the driving force for everything else we do–trying to go local in a positive way. And all of our focus is on real books.

Why has Lemuria been so successful, and stood the test of time over the past 42 years?

I knew when I moved here (to Banner Hall), I had to grow because the big box stores like Barnes & Noble and Books-a-Million and Borders would come along and we had to adapt for every change. With Metrocenter and later Northpark Mall, there were half a dozen chain bookstores in malls, with very different markets. With each one, we had to be more proactive.

After we survived the (most recent) recession, a lot of bookstores went under. You have to do everything you can to revitalize your store. The biggest thing in the last 25 years that brought the most continuous change has been the internet. My retail customer started changing about 15 years ago. Like everybody else, we keep trying to find the next ace in the hole.

Let’s put it this way: we’ve been able to make money because there are people who care about our efforts. I think of myself as a bookseller, not as the boss here, and, as a group, we’ve worked hard to make Lemuria what it is today.

How has John Grisham supported the indie book business throughout his career?

John Grisham’s first book signing in Jackson in 1989, for A Time to Kill, was at Hal and Mal’s–but between A Time to Kill and The Firm (his 1991 book which was made into a movie and launched his writing career), he started making a commitment to local bookstores. I feel like he understands what each and every independent bookstore was doing for him, and the work they were doing to promote his books.

His new book (Camino Island), reflects 30 years of his relationship with booksellers and bookstores and the whole way booksellers interact with books and with authors. I think this book is his testament to what independent bookstores have done for our society.

John loves books. He loves the physical, printed books as an art form. This book is about the business of selling books. He loves bookstores. That’s how he has the understanding to write this book.

Why do you think John Grisham’s books connect with so many people?

He works at it. He thinks about it. He plans it. He comes up with these ideas and plots. He figured out how to give meaning to legal thrillers. Gray Mountaindealt with strip mining for coal. Calico Joe is about baseball. The Chamberdeals with the death penalty.

He has taken his success and tried to make people aware of topics he is passionate about, and he makes you think about something in the culture, about things that are meaningful to him. The key issues he writes about are personal to him in a way that actualizes him as an author and it activates you as a reader, and that presents an authenticity that gives him breadth and depth.

Richard (Howorth) and I can see very unique things about John, from our perspectives. There is more authenticity to him, not necessarily just commercializing his product. He’s down to earth.

What is your impression of the indie book business as Grisham presents it in Camino Island?

In this book, I think about real people who have worked in a bookstore, and customers who are going into an independent book store and have a relationship with a bookseller. Both of them have a love of books. Reading is an independent thing that touches you at the moment, and I feel like he has done a wonderful job of describing how a bookstore relates to the community and that he understands the book world and how the business of rare books and first editions operates.

John has been in a lot of bookstores. He knows a lot of booksellers. He knows about first edition books. He gets that. All of his years in the book business came out in this world he created in Camino Island. It’s an extension of years of reading books and of knowing the business. Part of what John Grisham is doing for the book business is giving it value.

What would you say John Grisham has done for Mississippi, through the success of his writing?

Grisham at the 1st Annual Mississippi Book Festival in August 2015

Grisham at the 1st Annual Mississippi Book Festival in August 2015

I think what he’s done for the state of Mississippi is he’s made people enjoy reading. Some people may read five or ten books a year. Or one. Why do people read? Because they enjoy it.

Before the 80s, the chain stores had taught people to go in bookstores mostly for the mass market paperbacks. But before the big box stores, independent bookstores came of age and created a community of readers. Grisham started publishing at the end of the 80s. His success with the movie industry was a perfect fit for what he was writing. So people started enjoying reading–for pleasure. That’s why his work took off and he became so successful–people liked his books.

He brought more people into bookstores–and he liked going to bookstores and talking to his readers. People would come in to buy more Grisham because they enjoyed reading–and they started caring about books and collecting them. There’s a community of readers in Mississippi now that he helped create, and that, really, has made Mississippi better.

First Voyage with a John Grisham Book

I’m going to be real honest here: I’ve never read a John Grisham book and I had never really thought that I would. But when I found out that Camino Island, his newest book–released today–deals with a bookstore and stolen F. Scott Fitzgerald manuscripts, I became interested and wanted to get my hands on an advance copy.

Camino Island begins with an intense moment, right in the middle of a gang of thieves staging the heist of the F. Scott Fitzgerald manuscripts from the Princeton library. In what I can only assume is Grisham’s typical thriller writing style, he is able to pull the reader in right away with this scene.

Bruce Cable, owner of an independent bookstore on Florida’s Camino Island, always has his hand in buying and selling rare first edition books in addition to his ordinary stock. Here’s where the true book nerds get hooked. There’s constant book talk, authors and book titles are dropped here and there throughout, and I’m pretty sure Bruce’s first edition rooms may or may not have come from our very own Lemuria. Grisham paints a pretty picture of Bruce Cables’ bookstore, Bay Books. As a book lover, it’s very fun to read about.

Mercer Mann, a writer who has recently been laid off from her teaching gig at UNC and hasn’t written in months, spent her summers on Camino Island with her beloved grandmother Tessa, but hasn’t returned in years since her death. Mercer is approached by a woman who is working for a very mysterious company and is offered a large sum of money to move back to Camino Island and work undercover. Mercer’s mission consists of infiltrating Bruce Cable’s inner workings of his bookstore and first editions deals, as well as working her way into his circle of literary friends. Mercer has to get close enough to make sure Bruce hasn’t started to dip into the black market of stolen books, while also keeping his trust. Things begin to get pretty intense, but Grisham wraps everything up in perfect style.

I thoroughly enjoyed this book. This is not a legal thriller; it’s more of a crime novel. I think that new Grisham readers will find this book very entertaining and I think die-hard John Grisham fans will find this book refreshing. This book is going to give every book lover a new, and maybe first, look into the bookstore world. As a bookseller, I can definitely say that Grisham did a great job building this world in his writing and as a first time Grisham reader, I can definitely say he writes an entertaining and gripping novel.

If you’re going on vacation this summer, this is the beach read for you!

beach photo

Hannah Barbarians: Katie shares her love of Barry Hannah’s ‘Airships’

airshipsBy Katie Magee

When I was a junior in high school, one of my teachers handed me a copy of Barry Hannah’s Airships and said, “Read it. Just a warning, it’s pretty messed up.” Although, he didn’t say “messed.” He said another word that ended in -ed, but started with an f. To this day, I still thank him for letting me borrow his copy of that book. There are not many books that I have bought more than once, but I have probably bought this book close to seven or eight times, simply because I cannot keep it to myself. I pass it off to friends, people from the South, people in the South, people who need a little Barry Hannah in their lives.

“Love Too Long,” which is probably my favorite story in the book, is about a man whose wife has left him for the last time. This story is full of clever, twisted, beautifully dark sentences. I remember reading the last paragraph of it and immediately searching my room for a pen because I just had to circle the entire thing. Here it is:

Nothing in the world matters but you and your woman. Friendship and politics go to hell. My friend Dan three doors down, who’s also unemployed, comes over when he can make the price of a six-pack.

It’s not the same.

I’m going to die from love.

This is, and will probably remain to be for a while, my favorite ending to a short story.

“Eating Wife and Friends,” another favorite of mine, is a sort of dystopian story about an America where food is scarce. A landlady, Mrs. Neap, has tenants in her home and she gets tired of them. They make too much noise, they contribute nothing, and they constantly break her rules. There are rumors going around that people are starting to eat humans and Mrs. Neap is not at all taken aback by the idea, nor are the tenants.

“Coming Close to Donna” is, in my opinion, the most disturbingly beautiful story in the book. At the very beginning, Hannah outlines a scene for us in which two boys are fighting over Donna in a cemetery while she and a seemingly uninterested boy watch from a Lincoln convertible. This story has more twists and turns in three pages than I have ever read in a short story before.

If you like grit lit or a good ol’ southern story, you should definitely read Airships. Barry Hannah has a way of creating a whole world in a story, a world where you probably would not want to live, but you would love to read about forever. Hannah was a southern man, a man whose life, today, is lived through stories told by his past students, past writing buddies, and people he ticked off. He had such a wonderful voice that shows through in every single sentence he formed.

The Penance of Penn Cage: ‘Mississippi Blood’ by Greg Iles

by Andrew Hedglin

mississippi bloodGreg Iles is set to publish his final chapter in the Natchez Burning trilogy tomorrow. The trilogy, which began with Natchez Burning in 2014 and continued with The Bone Tree in 2015, will conclude with Mississippi Blood. The whole trilogy is set in the Natchez, Mississippi, of long-running Iles protagonist Penn Cage, who first appeared in The Quiet Game in 1999. (The trilogy also features appearances from characters in the previously stand-alone and unrelated thriller Dead Sleep from 2001).

I personally first encountered the character of Penn Cage about four years ago on the pages of his second novel, Turning Angel. Penn became the latest in my personal parade of literary types that I treasure: the non-professional private eye. He followed Lawrence Block’s book-loving burglar Bernie Rhodenbarr, John D. MacDonald’s legendary beach-bum Travis McGee, and Rick Riordan’s now-forgotten tequila-drinking, tai chi-practicing English professor Tres Navarre.  But Penn hit closer to home, quite literally. At the time, I was working just over the Mississippi River and a little north of Natchez, in Tensas (pronounced Ten-SAW) Parish in Louisiana.

And that’s the thing about these characters: they inevitably become inseparable from their settings. Penn lives and breathes Natchez like its sins and successes are wholly his burden to bear. natchez & riverIt the middle of Turning Angel, he makes a pitch for his out-of-town fiancée to stay while he makes a run for mayor of Natchez: “Natchez has become a place where we have to raise our children to live elsewhere. Our kids can’t come back here and make a living. And that’s a tragedy…I want to change that.” And those words resonate because what’s true for Natchez is essentially true for all of Mississippi.

And this is what has always been at stake for Penn. Since moving home from Houston after the death of his wife, Penn has striven to make a idyllic home life for his daughter Annie, much like the one that his father, Dr. Thomas Cage, had given to him when he was a boy. For the first three books of the series (The Quiet Game, Turning Angel, The Devil’s Punchbowl), Dr. Cage is made out to be a veritable saint, completely devoid of the prejudice that plagues the Natchez community all around him, giving freely his time, medical expertise, and perhaps most importantly, his respect to the surrounding black community.

The façade starts to crumble at the beginning of the first book of this trilogy, Natchez Burning. Dr. Cage is charged with the recent murder of his trusted black nurse from the 1960s, Viola Turner. Her death quickly becomes enmeshed with the murderous activities of a white supremacist terror cell, the Double Eagles, and their drug-running descendants. (The real-life inspiration for the Double Eagles, known as the Silver Dollar Group, is chronicled brilliantly in Stanley Nelson’s harrowing true-life book Devils Walking: Klan Murders Along the Mississippi in the 1960s).

In telling Viola’s story (and Dr. Cage’s, and Natchez’s), Natchez Burning (and its sequel The Bone Tree) go to some wild places, such as post-Katrina reconstruction in New Orleans and the murder of John F. Kennedy in Dallas, of all things. sheriff-cooley-oTruly menacing villains such as Brody Royal, the money man behind the Klan, and Forrest Knox, the heir apparent to all law enforcement in Louisiana and simultaneously the head of the family crime syndicate, dominate the first two books, but are dispatched. By the telling of Mississippi Blood, only Snake Knox (Forrest’s uncle), the man with the meanest of goals—survival and notoriety—and the meanest of dispositions, survives to torment Penn and the good people left standing in Natchez.

Mississippi Blood moves at a slightly less frenetic pace than its predecessors (it would almost have to), but it simmers with the same tension. We—and the courtroom spectators of Natchez—are finally promised answers about Dr. Cage’s activities that have been lingering for years. Also lurking at the edges of Penn’s conscience and consciousness at all times is his half-brother Lincoln Turner, the illegitimate son of Dr. Thomas Cage and Viola Turner. Lincoln may be Penn’s antagonist, but he’s not exactly a villain, even from Penn’s point-of-view. Lincoln is seeking reparation for the disparity of his and Penn’s life in a way that Penn finds almost impossible to pay. Penn has even turned ambivalent about his father’s liberty, blaming him for a tragedy at the end of The Bone Tree, which was truly shocking and heart-rending in a way that is only possible for readers like me after hundreds of pages and dozens of hours spent with the same people.

But, above all, Penn is trying to hold down a peace for family, facing down a dark past before even thinking about a brighter future, determined to see it all the way down to the end. Because while the “Mississippi Blood” of the title may be evocative of all the violence that has taken place in the trilogy, it ultimately refers to the survival instinct of those who possess it running through their veins.

Greg Iles will be at Lemuria on Tuesday, March 21. He will begin signing books at 3:00 and read from Mississippi Blood at 5:30.

We Lived Our Little Drama: Michael Knight’s ‘Eveningland’

by Abbie Walker

Lately, I’ve been in the mood for short stories, so I found it the perfect time to pick up Eveningland, the latest from Michael Knight. I haven’t read his work before, but Knight is known for his ability to weave an engaging novella. Sure enough, his new book is a perfect example of beautiful southern storytelling.

eveninglandEveningland is a collection of Alabama short stories that mostly take place around Mobile and the Gulf Coast area. A teenage girl holding a thief hostage in her home. A young art teacher trying to figure out her life. A vengeful husband. A boy with a summer crush. Knight does a skillful job of connecting these seemingly unrelated stories into a tale about the complexities of life in all its forms.

I’ve quickly become a fan of Knight’s writing. From page one, his prose pulled me in, and I found myself reading several stories in one sitting. I love the way he plays around with perspective, choosing various narrators and points of view to tell each story. His writing is clear and to the point, while also quietly poetic. Each sentence flows perfectly into the next, and the rhythm often reminded me of waves lapping along the Alabama beaches.

wavesMy favorite story was “The King of Dauphin Island,” in which a real estate tycoon seeks to buy up and restore the crumbling island after the death of his wife. Relationships are at the heart of this collection, and I couldn’t help but care for each of the characters, though their struggles varied from infidelity to navigating middle-aged life.

I also appreciate how Knight framed the story with events such as the Deepwater Horizon oil spill and Hurricane Raphael. He manages to put a face with the impact these events had on a personal level. I may not be from Alabama, but as a Mississippian who has visited Mobile and Dauphin Island numerous times, I think the stories have a vivid sense of place. Knight captures the essence of the area through his descriptions of the land and through his use of voice.

Overall, Eveningland is a well-written collection that demonstrates how life goes on through heartbreak and change. I would recommend it for anyone in need of some good southern short stories. I’m sure I’ll be picking up more of Knight’s works soon.

Micheal Knight will  serve as a panelist on the “Stories from the South” discussion at the Mississippi Book Festival on Saturday, August 19 at 10:45 a.m. at the State Capitol in Room 201A.

Take a literary road trip with Margaret Eby’s ‘South Toward Home’

by Abbie Walker

One of my favorite areas of the Lemuria store is the Southern fiction section. Nestled in a corner of the fiction room behind a bust of Eudora Welty, this part of the store is one I love to explore. From Rick Bass to Alice Walker, and everyone in between, the shelves are filled with some of the best writers that speak to my southern spirit. So when I came across Margaret Eby’s South Toward Home, I was instantly intrigued.

South Toward Home, whose title is a play off Willie Morris’ North Toward Home, is a literary road map of the South. From Oxford and Jackson to New Orleans and Gainesville, Eby takes you on a tour of some sites with famous southern author connections. Eudora Welty’s garden, William Faulkner’s liquor cabinet, and John Kennedy Toole’s hot-dog carts are just a few of the places covered. Eby does an excellent job of describing each setting, drawing upon text from the authors’ works to show if and how their surroundings influenced their writing.

I love how Eby was able to tie her personal travel journey into her literary discoveries. She expertly planted me in a place by describing how it looked in the present, while also weaving in quotes from the author to create a rich history of the landmark. I enjoyed getting to travel to places near and far with Eby, in particular, Eudora Welty’s garden. I loved hearing Eby’s take on this local treasure. I learned more about the authors I’ve read and got to know the ones I’m not that familiar with. Eby’s research, as well as her own reading experiences, made me want to read more of not just the authors she mentioned, but also more southern writers in general.

I especially appreciated how Eby compared these landmarks. She discussed how one writer’s house may have been turned into a museum, while another was torn down. Some towns proudly use an author’s spot as a tourist attraction, while others are hesitant to acknowledge its existence. It was interesting to see how certain places have changed over the years and how the community has responded to them.

peacocksOne of my favorite chapters of Eby’s journey was the one about Flannery O’Connor’s peacocks. It was entertaining to read about her house in Georgia where she raised all sorts of birds and where her peacocks still roam today. Having background information about O’Connor and the other southerners mentioned gives me a better understanding of their writing and what inspired them.

Whether you’re new to Southern fiction or a long-term reader of those below the Mason-Dixon, Eby’s road trip will inspire a literary pilgrimage of your own.

roadtrip

Lemuria also has a very limited number of signed first editions of South Toward Home available here.

Melodious McComb Mayhem: ‘Desperation Road’ by Michael Farris Smith

by Andrew Hedglin

I had been looking forward to reading Desperation Road by Michael Farris Smith ever since last July, when he appeared as the “opening act” at fellow Lee Boudreaux books writer John Gregory Brown’s reading for A Thousand Miles from Nowhere (an excellent read in its own right).

There was a party going on.

There was a party going on.

Smith read from the very beginning of Desperation Road that begins with a woman carrying a child, a trash bag full of their worldly possessions, and the full weight of her life decisions down a hot Interstate just across the Louisiana line. I thought of all the weird interactions I had and heard about living in Tallulah, Louisiana, for three years. Nevermind I was at the wrong part of the border (the woman turns out to be trekking to McComb), she just felt so real in my mind.

desperation roadThe story carries forth the story of the woman–Maben–and her daughter, Annalee, from the harshness of the sun to the darkness of the night. As a reader, you feel like you’ve experienced so much by the time the alternate protagonist, Russell Gaines, even enters the novel.

Russell, recently released from Parchman as a result of a vehicular manslaughter conviction, returns to his hometown to find so much the same, yet irrevocably lost to him. He begins to drift nihilistically. Russell doesn’t carry a heavy conscience, but he is stalked literally by the brothers of the boy he accidentally killed long ago. In the middle of his wayward skid, he finds himself suddenly entangled in Maben’s problem in a way he could have never anticipated.

There is a tension and stark beauty that pervades all pages of Smith’s novel. It delivers blunt, realistic dialogue and long, beautiful run-on sentences that never manage to trip over themselves. Smith is unquestionably a craftsman of the highest order. He managed to surprise me several times, only to have that surprise seem inevitable in retrospect.
This is the first ‘grit lit’ novel I’ve picked up and been enchanted by, so I don’t have any ready comparisons to Ron Rash or Tom Franklin for you, although they seem equally impressed by Smith to go by their blurbs on the cover of the book. I will say that this is sharp Southern fiction at its finest, and I encourage you not to miss it.

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