Category: Fiction (Page 37 of 54)

The Marriage Plot, a Modern Love Story, with a Dash of Halloween

Dear Listener,

I didn’t read Virgin Suicides.  I haven’t read Middlesex.  I even failed to see the movie The Virgin Suicides.  Honestly, I hadn’t even heard of Jeffrey Eugenides until The Marriage Plot came in.  BUT!  I read The Marriage Plot

If you like the eighties, or French philosophy, or love triangles, or hopeless romantics, or mystics, or India, or intellectualism, please read this book.  If you disdain every single thing I mentioned, if you hate literature, if you can’t stand a modern love story set thirty years ago, do not read this book.

Even if you hate everything I mentioned, watch this video anyway.  Be creeped out.  Get yourself ready.  This video is brought to you by the good people who invented Halloween.

by Simon

 

Nightwoods by Charles Frazier

I finished reading Nightwoods last week, and I will for sure be recommending it to many Lemuria readers during the holidays coming sooner than we’ll all be ready! Nightwoods is fast paced, plot driven, and well written. Although I usually read psychological realism, and usually character driven fiction, I found myself really enjoying this “story”. Since I had never read a Charles Frazier novel, but had, of course, known of his fame in Cold Mountain, I knew that I was in for a treat.

Initially what captivated me were the ease and powerful way in which Frazier uses sentence fragments. Not many writers can use this art form successfully without the writing seeming choppy, but Frazier seems quite at home and comfortable with their use:

A cool November day, blue sky and sunlight thin and angling, even at noon. Leaves entirely off most trees, but still hanging tough and reddish brown on the oaks. 

As I was reading this new Frazier novel, in my mind I was subconsciously comparing the setting to some of my long time favorite plot driven novels, such as Tim Gautreaux’s The Missing, as well as Ron Rash’s Serena. Readers who liked these fast paced, often mysterious plots, will also like Nightwoods, for Frazier, who grew up in the mountains of North Carolina is an expert in placing action in colorful settings.

At the beginning, the protagonist, a no-nonsense capable “outdoorsey” woman, has received from a social child care worker young twins who are the orphans of her previously murdered sister. Never having been married, and certainly never a mother, even Luce realizes immediately that there is something peculiar about these six or seven year old twins, mainly that they don’t talk. Trying to gain their confidence and love, Luce tries all sorts of things to get the “fire loving and setting” kids to start communicating. The reader learns that they probably witnessed the murder of their own mother and makes allowances for their behavior. They are quite clever and confident and certainly not dumb!  Frazier’s use of the flashback shows perfection as the reader also puts bits and pieces together of Luce’s past, as well as the past of her new significant other, who is actually the grandson of the old man who rented Luce the old resort hotel where she lives.

Toward the end of the novel as the action and suspense rapidly increase, the reader leans forward as the twins flee into the mountains to escape their mother’s murderer. Beautiful woodsy settings, expertly and carefully detailed by Frazier add to the delight of this story. This novel is sure to be recognized nationally. After all, Cold Mountain, Frazier’s first novel was an international best seller and also won the National Book Award in 1977. Thirteen Moons, published a few years ago,  was a “New York Times” best seller.

Come hear Charles Frazier read from this new novel on Tuesday, October 11, at 5 p.m. An autographed copy of Nightwoods is a rare opportunity to be seized, as well as a chance to hear a prominent contemporary writer, a master of the written word.

Nightwoods by Charles Frazier is our October First Editions Club pick along with What It Is Like to Go to War by Karl Marlantes.

Click here to read Joe’s blog piece on Nightwoods.

-Nan

The Chucks (Part 2)

Dear Listener,

With the Chuck Palahniuk event just around the corner (October 20, don’t forget!), I wanted to discuss what CP means to me. When I was thirteen or fourteen, I started reading Palahniuk.  I started with Choke, continued with Fight Club, moved on to Lullaby, found Survivor, and finished Invisible Monsters.  As a teenage boy, I became simply engrossed with the intricacies to which Palahniuk goes to utterly disgust his reader.  I loved being thoroughly shocked by the last five pages of the book.  Nothing made me happier than finishing  a book and immediately starting from the beginning to try to piece together what exactly it was that had just happened.  As I grew older, I started reading classics, and was unable to keep up with Palahniuk’s quick production of novels.  At some point in that regression of obsession, I picked up his 2007 novel Rant.  That is when everything changed.

Along with most men of my generation, time travel, to me, is a revered philosophical discussion.  Granted there is never a right answer, only illogical logic, I can have a conversation about time travel for hours and hours.  When you consider the different types of time travel (i.e. Back to the Future Time Travel, Bill & Ted’s Excellent Adventure Time Travel, Terminator Time Travel, etc.), and the paradoxes that ensue through those types, the discussion can become complex and heated.  In Chuck Klosterman‘s most recent book of essays Eating The Dinosaur (2009) there is an essay that deals entirely with time travel in pop culture.  (And if you think about it, time travel really wouldn’t exist without pop culture, right?)  In this essay (titled “Tomorrow Rarely Knows”) Klosterman covers several classic works like H. G. Wells’ The Time Machine, Mark Twain’s A Connecticut Yankee in King Arthur’s Court, and a 1733 novel by Irishman Samuel Madden called Memoirs of the Twentieth Century.  

He goes on to discuss the 2004 movie Primer, which looks at time travel from a very realistic standpoint. (i.e. the inventors are actually engineers, they use the machine to make money, there is technical mathematical jargon in the dialogue, etc.)  He also discusses several time travel paradoxes.  At this point in the essay Klosterman actually mentions our hero Palahniuk in reference to Rant.  Klosterman writes:

“In his fictional oral history Rant, author Chuck Palahniuk refers to the Godfather Paradox as this: ‘The idea that if one could travel backward in time, one could kill one’s own ancestor, eliminating the possibility said time traveler would ever be born — and thus could never have lived to travel back to commit the murder.’  The solution to this paradox (according to Palahniuk) is the theory of splintered alternative realities, where all possible trajectories happen autonomously and simultaneously.”

Even after reading Rant more than a dozen times, there are still facts and thoughts that pop into my head.  Every read through the book shines light on a different hypothesis on who the characters are.  Several of the characters may or may not exist as one person who has allegedly (maybe) killed several of his relatives and infected the entire world with some sort of un-treatable rabies.  In Rant, these kinds of events may or may not take place, but they are definitely told through the eyes of his friends and colleagues.  As mentioned earlier, the entire book is written as a fictional oral history.  Rarely do I pick up Palahniuk anymore, unless it is Rant.

If you want to hear more about time travel, here is an excerpt from a footnote from Klosterman’s essay:

“Before [Michael J.] Fox plays ‘Johnny B. Goode’ at the high school dance [in the 1985 movie Back to the Future], he tells his audience, ‘This is an oldie… well, this is an oldie from where I come from.’  Chuck Berry recorded ‘Johnny B. Goode’ in 1958.  Back to the Future was made in 1985, so the gap is twenty-seven years. ”

Klosterman goes on to explain that no one would refer to Back to the Future as an oldie today, even though the time spanned is very nearly the same.  He points out that “as culture accelerates, the distance between historical events feels smaller.  This, I suppose, is society’s own version of time travel.”

In this scene from Back to the Future, Chuck Berry’s cousin Marvin Berry calls him to give him an example of the “new sound he’s been looking for.”  If this happened, and Chuck Berry stole his own song from Marty McFly, who wrote “Johnny B. Goode”?

For The Chucks, Part 1, click here.

cpcp

by Simon

The Chucks (Part 1)

Dear Listener, When I was a freshman in high school, my cousin and I traded books.  He gave me Sex, Drugs, and Cocoa Puffs: A Low Culture ManifIesto (2003) by Chuck Klosterman.  In return I gave him my treasured (and personally annotated) copy of Choke (2001) by Chuck Palahniuk.

DIGRESSION: Unfortunately this blog isn’t going to focus on Chuck Palahniuk, even though we have an awesome event featuring Palahniuk on October 20, 2011. (which if you’re reading this blog you should already know about)  Please don’t fret, though!  This is actually the first of a two part blog in which Palahniuk and Klosterman’s writings somehow coincided with each other at a pivotal time in my reading career.  Part one is going to focus on Chuck Klosterman.  Part two will focus on Chuck Palahniuk, and will appear within the next two weeks. END OF DIGRESSION
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At this time in my life I had just begun to really understand what made reading a more conceptual form of entertainment than watching television/playing video games.  That is not to say, however, that I did not watch my fair share of television/play my fair share of video games.  That is precisely what made Sex, Drugs, and Cocoa Puffsso enthralling: I was READING criticisms on what I had already WATCHED.  He also analyzed whole chunks of pop culture that I had no idea even needed analyzing.  As a counter-culture kind of kid, I ate it up.  I’ve enjoyed it so much I’ve consistently read everything that Klosterman has released.
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Needless to say, I was pretty excited when I heard he was going to release his first complete work of fiction Downtown Owl in 2008.  That year I received it for Christmas, after many wishes.  I was done with the book before Boxing Day (December 26) could strike.
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Having been a Palahniuk fan, I felt like I saw through Klosterman’s plot.  I wasn’t disappointed, but I was a little disappointed.  I loved it, but was unimpressed.  I wanted it to be better.  I wanted it to be more complex.  It was Klosterman’s writing, but I wanted it to be Palahniuk’s.
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After I had been working at Lemuria for a month or so, I found out Joe had an advanced reading copy of Klosterman’s newest work of fiction The Visible Man.  No matter how much I wanted Klosterman’s fiction to reflect more intrigue like Palahniuk’s, it doesn’t mean I love Klosterman’s writing any less.  I was excited to read this book.  I finished it within two nights.  It was absolutely fascinating.  It made me realize how his fiction writing still plays on the same themes as his nonfiction writing has in the past several years: the technology age, voyeurism, honesty.
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This song by Widowspeak from their self titled album released earlier this year captures the emotional theme of The Visible Man: There is something hazy about the plot the reader knows.  But just because it is hazy, or inaudible, doesn’t mean it doesn’t still exist.  The singer’s voice from Widowspeak may not be easy to understand, but to me that does not detract from the beauty of it.  And much like The Visible Man if you listen hard enough you may be able to make out what is happening right before the jig is up.
by Simon

Murakami Love at Lemuria

I had never heard of Haruki Murakami before I started working at Lemuria about four years ago. Our wonderful foreign fiction section became mine to take care of and there were Murakami’s books. I couldn’t take my eyes off a hardback copy of After Dark. It had just come out that year in 2007.  Finally, I gave in and took a chance on an author I had never heard of and one that nobody I knew had ever read.

You know the feeling you get when you realize that not only did you find a good book but that you found a new author, a whole body of work in which to indulge? At that time, I could not exactly say yet what it was that was so different about Murakami’s writing. And maybe I am still trying to figure that out. And that’s part of what makes reading and finding other Murakami readers so much fun.

Eventually, other staff members members picked up on Murakami. Kaycie started with After Dark and she quickly came down with Murakami fever. Then Joe–he’s had a serious case of the fever, blazing through all of Murakami’s 14 books in six months!  And then I began to realize we had a few customers who were Murakami fans, but they were indeed few. But that was then. It is now Lemuria’s hope, and the hope of Random House publicity director Paul Bogaard’s, that 2011 is the year to expand Haruki Murakami’s American audience.

Fans all over the world have been waiting varying amounts of time since 1Q84 (published in three volumes) came out in Japan two years ago and sold over 4 million copies. The book has since been translated into 42 languages.

It took the teamwork of Jay Rubin and Philip Gabriel to translate the English edition. Knopf, an imprint of Random House, decided to publish 1Q84 in a single volume, feeling that Americans readers would value holding the entire story and conclusion in their hands. 1Q84 will hit the shelves October 25th.

Once I heard the first whisper about it, I began to make my plea for an advanced reader copy. Liz, our wonderful Random House rep, provided the treasure! But I could not have imagined the length: nearly a thousand pages. I was determined in my own daily swirl of reading temptation to finish Murakami’s 1Q84. Here is the joy: I am thrilled that it’s 928 pages long. It’s amazing and I’m on page 650 now. Fifty pages at a time fly by.

I’ll just tell you a little bit about the long awaited novel. 1Q84 is a twist on George Orwell’s dystopic novel, 1984. It is not necessary that you have read 1984, though I am sure that it does not hurt. The novel takes place primarily in Tokyo, Japan in the year 1984. The Q represents the Questions in the novel about time and space, the parallel realities that the reader discovers along with the characters. The sound [kyu] is the Japanese sound for the number nine. Neat, eh?

The storyline follows two characters, Aomame [ah-oh-mah-meh] and Tengo, as they navigate a world where a person can have two souls, where a night sky has two moons, and where the Little People mysteriously exert their power. 1Q84 is a love story, a mystery, a dystopia, a story of self-discovery, and a fantasy.

1Q84 the book was designed by the legendary Chip Kidd. The outside will feature a translucent jacket over a printed case and unique page design on the inside.

This is the beginning of a series of blogs about Haruki Murakami and his books. I hope, with the help of other readers, to share the Murakami love this fall on the occasion of what is said to be his magnum opus: 1Q84.

If you have read Murakami, you’d better leave me a comment!

“Most American readers who like Haruki Murakami’s stories do not merely like them. They fall in love. They cling to the meanings they find, they caress the books. They see in Murakami narratives the tones and colors of their own dreams, expressions of something lyrical yet pure, and partly ineffable. Something they know and feel, but maybe cannot explain.”

-Roland Kelts, “What We Talk About When We Talk About Murakami,” A Wild Haruki Chase: Reading Murakami Around the World

Click here to reserve your copy of 1Q84.

Click here to see all of Haruki Murakami’s books.

hmhm

The Duchess, the Queen and the King’s Mother

Philippa Gregory continues telling the stories of the women of the War of the Roses.

With The Lady of the Rivers  she lets us into the the world of Jacquetta, the Duchess of Bedford.  Jacquetta is a descendant of Melusina, the river goddess, and like many of her family before her has inherited the ‘gift’ of second sight.  As advised by her aunt, Jacquetta tries to keep her powers a secret but soon catches the eye of the Duke of Bedford.  After their marriage, he introduces her to the mysterious world of alchemy and tries to use her ‘sight’ to keep the English in control of France.

While in his household, Jacquetta befriends her husbands squire, Richard Woodville, and after the Dukes death secretly marries Woodville.  The Woodvilles return to England and take their place at the Lancastrian court where Jacquetta becomes a close friend and loyal subject to the new Queen Margaret.  Jacquetta and Richard are leading a very happy life at court and their home full of children until King Henry VI  falls into a mysterious sleep and the Queen turns to advisors who may not have the kingdom best interest at heart.

War ensues between the Lancasters and the Yorks for the throne and Jacquetta does her best to fight for her King and Queen but also the best interest of her children especially her daughter, Elizabeth.  She has sensed a very fortunate turn of events for Elizabeth’s future which mysteriously involves the white rose of York.

The Lady of the Rivers is a prequel to Gregory’s previous books in The Cousin’s War series, The White Queen about Elizabeth Woodville and The Red Queen about Margaret Beaufort.  This series tells the story of the Plantagenets, the houses of York and Lancaster, who ruled and constantly were at war for the crown before the Tudors came into power.

I have throughly enjoyed reading Gregory’s novels about both the families of the War of the Roses and the Tudors. I try to always read some non-fiction about the characters that I read in all the historical fiction that I read so I was pleased to see that along side the publication of this new novel Philippa Gregory along with David Baldwin and Michael Jones have published a book with historical essays about the three women of The Cousin’s War Series.

What is also interesting is that Gregory discusses the differences in history and historical fiction and just exactly how speculation plays a role in writing each.  Anyone who has any interest at all in this time period will be well served to pick up this book also.  The Women of the Cousin’s War is on my beside table at this very moment.

Welcome to The Night Circus

When I think about books that stick with me, often I think of those books in school that made me fall in love with books (Wuthering Heights), or the ones that sparked my interest to begin with in childhood (Shiloh, The Borrowers), or the ones that I have devoured because of their amazing stories and worlds (Harry Potter, The Hunger Games).

Now, imagine a book that could have been all of those things and you have The Night Circus by Erin Morgenstern. I took this picture of my advanced reading copy in April, and although the cover has changed since then, my enthusiasm for this book hasn’t wavered since I first cracked it open. Erin Morgenstern has created a magically amazing world that I lingered in over a month for fear of finding myself on the last page of The Night Circus.

It is at magical Le Cirque des Rêves that most of this story takes place. A circus that opens at nightfall and closes at dawn. A world in which the only colors are black and white, where the figments of your imagination are no longer figments, and where Celia and Marco play in a game of magic they were chosen for as children.

Much like a tennis game is played on a tennis court, this magical match takes place within the night circus. Each player tries to outdo the other with their creations within the circus. From a garden made of ice to a maze made of clouds, these two magicians make their moves in the public arena of Le Cirque des Rêves. But as they get to know each other by their magic, they begin to fall for each other.

Celia and Marco are not the only ones to fall in love while at the night circus. Many become enchanted with the circus itself and although Le Cirque des Rêves never announces where it will show up next, they have created a network in which they can follow the circus from place to place. These enthusiasts are called rêveurs. They dress in black and white when they attend the circus, except for one dash of red. They want to pay homage to the circus, but yet stand apart from it. Over time, this guise becomes how rêveurs identify each other while at the circus.

Much like our friend Emily Crowe (check out her blog on their Night Circus event), many of us at Lemuria feel the same enchantment for Le Cirque des Rêves as the rêveurs in The Night Circus do. Therefore, on Monday, October 3rd the date The Night Circus author Erin Morgenstern comes to Lemuria, we will all be dressed accordingly in our black and white with a dash of red. We cordially invite you to come experience the magic and excitement for yourself.

Birds of Paradise by Diana Abu-Jaber

Set in current day Miami, this new cutting edge novel Birds of Paradise examines a family slowly and devastatingly coming unglued, for the most part due to the catastrophic disappearance of their run-away daughter who emerges off and on over a five year period only to beg for money, which her frantic mother is very willing to give her in order to have a chance to see her lost teenaged girl. Besides the mother and daughter in this dysfunctional modern day family,  the other two members, the father and the son, also have their own problems, which, of course, are made worse by the disappearance of Felice.

Though the tumultuous plot does merit attention from time to time, the characters and their motivations primarily drive this novel’s force.

Take Felice, who has lived “on the streets” of Miami, which in this case really means the beaches, along with numerous other disturbed teenagers who sometimes find refuge from the heat in an abandoned old house which is rumored to have been the death spot of an old woman a few years earlier. Questions as to how Felice manages to buy food and other necessary items for a meager existence immediately occur to the reader who has already been told of Felice’s ferocious natural beauty.

It soon becomes clear that national modeling talent scouts have discovered Felice, as well the local tattoo parlors, all who pay her handsomely for a photo shoot. Not only on  a couple of occasions, does the reader learn that total strangers regularly ask Felice, “Has anyone ever told you that you look like Elizabeth Taylor?”

Felice’s mother is a professional pastry chef; Her brother owns a local produce store. You might get hungry while you read Birds of Paradise.

Of course, the reader, after meeting her economically secure family who lives in a very comfortable house, wonders why in the world a 13 year old beautiful girl with all advantages, would choose to leave her home, her parents, and her lifestyle. Eventually Felice discloses the  fact that her premeditated removal from her home and a normal existence involves a self induced punishment propelled by something involving a best girlfriend who had a flowered past.

The reader is left with this question almost until the very end of the novel.  As a love relationship evolves, Felice, a now edgy self-reliant 17 year old, uses her skateboard to evade the suitor’s advances, knowing all along that Emerson, whose father named him after Ralph Waldo, marches to a better beat than the other homeless kids. He even seems to want a normal future, and that begins to appeal to Felice.

The distraught mother, Avis, whom Felice’s disappearance  affects the most, of course, throws  herself into magnificent pastry creations for which she is known in all of the culinary circles of Miami, having established a successful restaurant catering business early in her adulthood, even before Felice and her brother, Stanley, were born. An interesting sub plot involves a very rowdy talking bird who lives next door, whose owner is a mystical immigrant woman who works a “spell” to entice Felice to return home. This “aside” serves to show the reader the utter desperation of Avis who will try almost anything to get Felice to come home.

(Abu-Jaber immerses you in the beautiful, sensual and affluent parts of Miami, but this is contrasted with Felice’s choice to be homeless.)

 

Even as Felice had started to become a moody pre-teen, her mother tried to win her over with yummy concoctions hoping that she would become interested in the art of pastry making. Alas, this ploy does not work on Felice, but it does on her older brother who withdraws from teenage boy activities more and more to stay home and work with his mother in the kitchen, even more so once his sister disappears. Needless to say, the runaway Felice and her absence has colored the very existence of each member of this distraught family. Eventually, Stanley plants vegetables and herbs in the back yard and becomes interested in organic gardening, a few years later turning that interest into opening an organically focused grocery store, much to his attorney father’s dismay.

The father, Brian, after all, as a successful, but nevertheless unfulfilled attorney, wanted his son to go to college and chose a traditional career, certainly not one where he had to scrounge for customers, and therefore money. As the author lets the reader in on Brian’s world as a high powered Miami real estate lawyer, it becomes clear that every single member of this family is coming unglued at the seams.

The ending, which encompasses the last fifty pages or so, is one of the best that I have read in some time. Every action moves toward a point of completion, fulfillment, and resolution for the reader as the characters grow and become more stable human beings. Not all problems are totally resolved, but there is hope and growth exhibited in each character. For interest and suspense, I suppose, the author does not have the runaway daughter doing exactly what her parents want her to do, but there is communication and heart felt involvement. For a contemporary look  into a teenager’s world, this novel hits the nail on the head with its cutting edge language and plot.

Author Diana Abu-Jaber will be reading at Lemuria from Birds of Paradise this afternoon at 5:00. This is a reading to be attended!  -Nan

 

The Night Circus has arrived at Lemuria!

by Kelly Pickerill

Just like in the film industry, the fall is the season when some of the best books of the year are published. Publishers are gearing up for the holiday season, and slot all their brightest gems, from new authors to the old reliables, to come out during the last months of the year. So this week is an exciting one for Random House, and for us Lemurians, and for you readers, too, because The Night Circus has arrived!

I’m not sure why we haven’t talked much about the book publicly yet, because for months now we’ve certainly been talking about it in the store. We had a couple of advanced copies back in May, when John and Joe went to BEA (the big book conference in NYC), and came back telling us that everyone there was talking about the book. For a new author, whose book is months away from publication, to be buzzed about at a bookseller’s conference like BEA, that’s huge!

Lisa had already quietly read it in April (due to the savvy work of our Random House rep, Liz) and by the end of the May conference our advanced copies were hot as they passed from reader to reader. To date, these are the Lemurians who have read and loved this book:

Lisa, Kaycie, Zita, Emily, Kelly, Anna, Claire, Quinn, Ashley, Nan, Maggie. That’s just about everyone on our staff.

Erin Morgenstern visits with followers of The Night Circus at BEA in May.

On Erin Morgenstern’s book tour you can expect some enthusiastic events. One reason for this is because the book lends itself so well to creativity. The circus is the foreground of a behind-the-scenes duel between two magicians who at first don’t know each other’s identities, so they have to be content to “one-up” each other through the medium of the circus attractions. They create an ice garden, an enchanted clock, a cloud maze, and many other nifty no-limit-to-the-imagination things.

Lemuria’s event with Erin, which is October 3rd, starting at 5, is no exception. Most everything is in the planning stages still, and it’s also hush hush, but suffice it to say that you can expect to walk into a circus in the Dotcom building that Monday evening.

The Night Circus is our September pick for First Editions Club. Though Erin won’t be here till October 3rd, some of the copies that arrived this week were pre-signed. Come pick up your copy of the debut novel that’s got everyone talking this fall — The Night Circus is a thrilling, magical tale from beginning to end.

The Night Circus by Erin Morgenstern (Random House, September 2011)

Rules of Civility by Amor Towles

When this new novel arrived in the fiction room not too long ago, I was mesmerized by its catchy cover depicting a woman reclining on a chaise lounge dressed in a long period dress circa 1930s, with a handsome well dressed man gazing at her. They are obviously in a garden enjoying cigarettes, some sort of refreshment, and lively conversation, based on the huge seductive smile on her face.  I kept looking at this cover wondering what  Rules of Civility was about, not withstanding the obvious.

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As a debut novelist, the author Amor Towles has scored, as we say! Surprisingly, he is a principal at an investment firm in Manhattan, though, once upon his graduation  from Yale, he went on to receive  his master’s degree in English from Stanford. I liked his credentials immediately once I read this, but I wondered if his current involvement  in the cosmopolitan New York business world had rendered him void of exceptional fictional writing talent. Once I read that his debut novel is currently in the top five picks of the NPR recommended novels, however, I became  interested in reading this period piece for sure.

Set primarily in 1938, only a year before the Great Depression hit, New York City was abuzz with well educated, glamorous, fun loving, and often risque twenty somethings. Life was good, and living was great.

Into that environment the female protagonist Katherine, or “Katie” Kontent (pronounced like the state of well being) enters, but not as a socially privileged girl, for even though her upbringing was in the city, she was not from the Upper East Side, nor a debutante, nor did she want to be. The gaiety of the times surrounded Katie as she lived in a girls’ boarding house and met numerous eligible bachelors with whom she became involved.

One of the enticing features for the reader is the knowledge acquired about the diverse  restaurants and bars, many of which had once banded women, but were now reluctantly letting them enter, much to the dismay of some men. One particular scene, which was very fun, involved a dinner at the 21 Club. Having spent some time in New York several years ago, I was eager to read about some of the same locales which I had frequented and to learn about their customs in the late 1930s.

While most girls of the time period were searching for youthful rich potential husbands, bidding their time with only minor secretarial jobs, Katie’s intelligence and drive took her ultimately to a rising publication akin to a mixture of “The New Yorker” and “Vogue.” Because of her drive and initiative, she was once asked by her boss if she even liked men! Even though Katie could barely make ends meet once she obtained her own small apartment, she continued to work extremely hard for her boss, sometime working until 2 and 3 a.m., with no overtime pay, of course, during this time period.

Katherine’s particular love interest, which waxes and wanes throughout, throws the reader onto an emotional roller coaster throughout the novel. The author’s emotive ability to manipulate the reader’s desires to root for the heroine should not be underestimated, and at times, the reader wants to take Katherine into another room and talk to her about her decisions, some which seem so wrong for her.

The frame story, which initially puts Katherine in the 1960s, with her husband in the Metropolitan Museum of Art looking at 1930s photos, which happen to have a special someone from the past in them, provides a very effective way to tell the story. Of course, the ending of the book reluctantly throws the reader forward once again to the 1960s.  Not all writers can take on the frame story and have it work as well as Amor Towles does in this novel.

One more thing of great interest to me did involve the title: Rules of Civility, the source of which is actually a short pamphlet composed by the young George Washington entitled “Rules of Civility and Decent Behaviour in Company and Conversation.”

Apparently this short publication was the guide book for all young men of manners and aspirations. It so happens that Katherine’s primary love interest studied, memorized, and applied the 110 rules of etiquette and behavior in his every day life to the extent that he seemed (underline “seemed”) to be flawless. To add to the interest of this novel, the 110 rules are added in the Appendix at the end of this work of fiction.

Take a look at one of the last pages in this incredibly enjoyable novel in order to get a feel for this author’s beautiful language:

It is a bit of a cliche to characterize life as a rambling journey on which we can alter our course at any given time–by the slightest turn of the wheel, the wisdom goes, we influence the chain of events and thus recast our destiny with new cohorts, circumstances, and discoveries. But for the most of us, life is nothing like that. Instead, we have a few brief periods when we are offered a handful of discrete options. Do I take this job or that job? In Chicago or New York? Do I join this circle of friends or that one, and with whom do I go home at the end of the night? And does one make time for children now? Or later? Or later still?

In that sense, life is less like a journey than it is a game of honeymoon bridge. In our twenties, when there is still so much time ahead of us, time that seems ample for a hundred indecisions, for a hundred visions and revisions–we draw a card, and we must decide right then and there whether to keep that card, and discard the next, or discard the first card and keep the second. And before we know it, the deck has been played out and the decisions we have just made will shape our lives for decades to come.”

Those readers who loved the poet T.S. Eliot’s “The Lovesong of J.Alfred Prufrock,” as I did, will well remember the language that Amor Towles referred to in this quote. I loved Rules of Civility already, but when I read the above, well, then, I was hooked on this novel for sure! Give yourself a treat and read this novel, and give it as a gift to someone this Christmas!

Rules of Civility by Amor Towles (The Viking Press, an imprint of Penguin, July 2011)

-Nan

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