Author: Lemuria (Page 10 of 16)

A guest blog from Lance Weller, author of Wilderness

I was born in 1965 in Everett, Washington to parents too young. I was born small but still too large for my mother and my birth was hard on her. My father, side-by-side with his father, worked the freezers of a local dairy company and to this day I feel nostalgic when I drive by a dairy factory. In the end, my parents were equal to the task of raising me and raising me well but the doing of it made inroads into them, into their lives, that scoured away what joys in being young they might otherwise have known. They came home from work tired and went to bed tired and woke in the morning tired still. I remember trailers and mobile homes and tiny apartments but little in the way of conversation or music. I remember quiet and I remember books.

By the time I was old enough to read, I felt old enough to write. I spent weekends that became weeks that, at least once, stretched to months, with my paternal grandparents where my grandmother harbored dreams of writing romance novels. I remember the books from her correspondence courses and her old typewriter that she let me practice on. My earliest memory of writing is of sitting at that typewriter tapping out short stories of Twilight Zone episodes I had watched on my grandparents’ black and white television.

At some point, I came across a picture of Hemingway at his desk. He was still in the prime of his prime, sitting in profile with his fingers upon the keys of his typewriter—you couldn’t even see the desk itself, but you just knew it was there and that it had to be either grand or just some plain table. I kept that picture in my pocket for a long time and the first birthday gift I ever remember asking for was a desk like Hemingway’s, but I never found one.

I fell in love at 20 and at 24 my heart was broken. At 25 I met the great love of my life and married her and, somewhere along the line, she finally convinced me to give up the dreary, desperate world of restaurant work to write since that was all I wanted to do. I wrote a terrible novel and then another. I wrote a few short stories that were alright and that were published and I was paid for one of them and began to feel like a real writer. I began thinking of an old man and his dog by the sea and would tell my wife stories about him before sleep.

To support us, my wife remained with restaurant work I’d abandoned and I would drive her home every night after closing. While waiting for her, I’d sit and drink coffee and I’d often see a man sitting alone in a booth with his own books. He was architect and he was the loneliest man I’ve ever known. One night, apropos of nothing, he started talking about the audacity of General Lee dividing his army in the face of the enemy at Chancellorsville. I knew nothing at all of the Civil War and he shamed me for it asking why I didn’t know the first thing about my own country. So I picked up a general history and then another and a third and then gathered books on specific battles. The old man who I’d tell my wife stories of began to take better shape, gaining a history and, finally, a name. After a summer of reading, I sat down and began to describe Abel’s shack and his dog, his rifle and his crippled arm. Slowly, the book accreted detail to itself.

I worked steadily, producing a draft and then another. I managed two trips back east to visit the battlefields for research on Abel’s war and drew on what was outside my window for his northwest world. Sometime after high school, my father introduced me to the outdoors and together we hiked in the Cascades and the Olympics and on the wild north coast of Washington State. Something stirred within me, out in the wilderness, something in the breeze and the green and the moss and the stones resonated within me. I took trips alone into the backcountry where the stars were nothing like the stars over town and the darkness seemed somehow more absolute. I twice hiked the Wonderland Trail, which circles Mount Rainier, and came off the trail once at a high place and almost died for it. On a solo hike above Mowich Lake on Rainier, a black bear surprised me as I was eating a ham sandwich and I’ve seen coyotes slinking through the blasted fields around the ruins of Mount St. Helens. And as I walked in these places, seeing these things, I was crafting sentences and paragraphs and pages. Soon enough, the manuscript gained a title, Wilderness, and Abel Truman found a home amidst the sea stacks and weird rocks of Washington’s north coast.

But then I got sick. For weeks I barely left the house and for months I wrote nothing at all. I’d had no real success for years of work. I put the book away because what faith I’d had in it and in myself was lost and they were lost a long time. I was lost a long time. Eventually, I stumbled across a call for manuscripts for a magazine dedicated to Lincoln’s literary essence and recalled I’d once had a single paragraph in Wilderness (long since stripped out) where Abel watched the lonesome funeral train pass by in the distance. Finding the fragment, I rewrote it, researching the train’s route and making a story of Abel encountering it and, just like that, Abel came back to me. The writing was easy and it felt good; my fingers felt good doing it and my health improved. I sent the story in and it was accepted right away which gave me the confidence I needed to give Wilderness a final rewrite and sent it out into the world.

But I’m still looking for the right desk.

-Lance Weller

Join us Wednesday at 5:00 for a signing and reading to follow at 5:30 with Lance Weller. Wilderness is one of our favorite books of the year and is our September pick for First Editions Club.

Wilderness is published by Bloomsbury and signed first editions will be available at Lemuria for $25.

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Newbery Honor Winner Shannon Hale Is Coming to Lemuria

When I heard Shannon Hale was coming to Lemuria, I hastily unearthed my copy of her Newbery Honor winning Princess Academy from my To Be Read stack…which is always actually several stacks, consisting of hundreds of unread books. Princess Academy had been on my radar for some time, and the book had been patiently waiting for me for well over a year.

My great passion in life is children’s books; however, I’m difficult to please. Even the Newbery seal is no longer a guarantee for me. Though Newbery books are almost always well written, in years of late several of the Medal and Honor winners have seemed to be lovely books written by adults who love kids’ books to impress other adults who love kids’ books–rather than for the kids themselves. My feelings on this are ambiguous and for another blog. However, I admit I always hope when I crack open an unread prize winner that it will be well written enough, exciting enough, interesting enough, the characters real enough, to please adult and child alike. Princess Academy is just such a book.

School Library Journal’s starred review sums it up nicely: “This is not a fluffy, predictable fairy tale…Instead, Hale weaves an intricate, multilayered story about families, relationships, education, and the place we call home.”

Princess Academy is about all of that and more. Hale’s fantasy world subtly challenges our own assumptions about the role girls are expected by society to fulfill. In her fairytale land, as in our own, daughters take their father’s name–but sons take their mother’s. This seemingly insignificant detail is a compass for the close reader, as we are drawn deeper into main character Miri’s experience at Princess Academy–a school expressly established to educate and finish the girls of her simple mountain village so that the kingdom’s prince might choose one of them as a bride.

The competition and cattiness among the young female students reads at times like a literary version of The Bachelor for the middle grade set. (It should be said that I am fascinated by the psychology and sociology of such reality shows, and don’t in any way mean that in a minimizing way.) Hale takes a timely look at the issues of female relationships, how they are affected by the pressure to compete over boys (and everything else), and the deeply rooted prejudices we all hold towards one another. (Read Hale’s thoughts on ‘girl books’ vs. ‘boy books’ in this article in the Salt Lake Tribune.)

The tension between the defensive mountain girls and the snooty “lowlanders” of their kingdom is noteworthy. There are no cardboard good guys and bad guys here–both lowlanders and mountain folk are guilty of making assumptions and seeing what they think they’ll see when they look at one another.

Princess Academy is rich with thought provoking fodder for discussion, without ever being preachy or heavy handed; it would be a fantastic pick for a Mother-Daughter book club. There’s still time to read it before Wednesday, August 29 at 4 PM, when Shannon Hale will be talking with us and signing copies of Palace of Stone, the brand new sequel to Princess Academy. Bring your kids (the boys too!) and join us for what is sure to be a stimulating evening with the brilliant and talented Ms. Hale.

by Mandy

Mandy’s First Blog

Hey, y’all! I’m Mandy, I’m new in town, and you’ll be seeing me in Oz working alongside the effervescent Emily. I recently earned an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts, but until I earn my own shelf space at Lemuria, I’m hoping to earn your trust as a resource for all of you children’s, YA and Not-So-YA YA readers. I’m a recent transplant from California, where I’ve lived for the past six years. I’ve lived in every other region of the US and even spent eighteen months in Spain, but this is my first taste of southern living, and from tasting fried pickles with ranch for the first time to learning how to properly pronounce ‘Biloxi,’ I’ve found the experience thus far to be wholly fascinating.

As I considered what to tackle for my first blog, I kept thinking of the many Canadian YA authors I favor. Sigh. Poor Canadian authors. Unless they are given the honor of a major book prize (see: Tim Wynne-Jones’ Blink and Caution, Erin Bow’s Plain Kate), they are sadly underestimated, underrepresented, and undersold here in the USA. So today I’m turning the spotlight on a personal favorite in my YA library, Canadian Alan Cumyn’s 2011 novel, Tilt.

Tilt is the story of Stan, an awkward teen boy who is dealing with some majorly complex family drama while also seriously falling in love for the first time. I absolutely adore all of the characters in this book, even Stan’s dysfunctional parents. Full of human frailty, even when they make you mad, Cumyn’s fictional people find their way in to your heart.

The beauty of the novel lies in the inherent respect Cumyn has for his teen readers. Wholly realistic, believable, and riveting, the book is also brimming with true literary sensibility that only thousands of hours of revision and editing can produce. Each word is deliberate; the sentences so crisp, subtle and multi-layered that at times I was so overwhelmed by the sheer beauty of it that I had to set it down and turn the language over and around in my mind for awhile.

In a YA market that at times seems saturated with sloppily written and edited Get-The-Next-Hot-Thing-Out-NOW genre novels, it was such a joy to read a novel for real teenagers about a real teenager, written by an author who writes for the love of books and the people who read them rather than the love of hitting the trend and cashing in a seven figure paycheck.

While there is one fairly explicit (and authentically, painfully awkward) sex scene which some may prefer to avoid (so I feel obligated to mention it), it is not gratuitous by any means. I hope you will give Tilt a chance—and let me know how you like it. Stay tuned for more in coming months on my opinions on what is and is not “appropriate” in books for teenagers, which are many and varied. Until then, happy reading!

by Mandy

A Banner Hall Celebration: Join us Friday for Free Coffee, a Children’s Book Fair & Storytime

For Fans of The Help: Minny’s Pie à la Commode

Fresh Ingredients, Served Warm: Homemaid Secret Recipe--Ask Hilly (St. Charles Ave. before the Rex Parade. Photo by our friend Kate Elkins)

 

How Black Mississippi Midwives Brought Me Home Again by Jonathan Odell

A few months ago I pick up an advanced copy of a novel called The Healing by Jonathan Odell. Simply put: I loved it. We’re proud to have selected The Healing for our First Editions Club for February. Jonathan visited Lemuria in 2004 for his last novel A View from Delphi which was also well-loved by Lemuria staff.

I am so excited that he’ll be here again on Wednesday, March 6 at 5:00 to talk to us about The Healing. Jonathan was gracious to write a guest blog and has shared some of the photographs, too. I’ll write no more and let Jonathan himself tell you about the story behind The Healing. -Lisa

How Black Mississippi Midwives Brought Me Home Again

by Jonathan Odell

Where I come from, you ask a man, you get the facts. You ask a woman, you get the story. As a child, I was no fool. I hung out with the women.

At family reunions, their province was in my granny’s sweating hot kitchen peeling potatoes, boiling collard greens and ham hocks, and swapping family tales, while the men sat on the porch quoting from the farm market report. Before church the women gathered in the sanctuary, catching each other up on small town gossip while the men stood out on the concrete steps, smoking cigarettes and catching each other up on college football standings.

In my own home Daddy was in charge of the checkbook, continually adding and subtracting, making sure the bottom line balanced to the penny. Mother, on the other hand, was in charge of the picture box, a tattered Keds shoebox stuffed full of family photos that spanned five generations. I’d pluck them at random and say, “Tell this one, Momma.”

When my mother narrated a snapshot she didn’t just tell of one particular day. Each photo was a vital thread in an intricate web of stories that revealed the essence of who we were, indeed, why we were.

An uncle killed in Korea, then a picture of his son — a near duplicate – with his own boy; depression-era dirt-farm poverty, then the first family automobile, shiny new; and skeletal, half-starved girls who later show up beautiful and buxom, with beauty parlor perms. There was direction to our story and it leaned toward hope. No single event was so burdensome or shameful that it could not be redeemed. The women who preserved my family’s history taught me early the truth in that old saying, “facts can explain us, but only story can save us.”

At mid-life, I was reminded of this again. I was living in Minnesota, thinking I had turned my back on my native Mississippi forever. I had become a successful, hard-nosed businessman. I had committed myself to learning the “how to” of gaining money, power and position. Knowledge was simply a means of getting more stuff. And it worked. I mastered the how to of the material world. But there is another old expression. “True sadness is getting to top of the ladder of success and realizing it is propped against the wrong wall.” The way my life was heading, all that was left to do was more of the same, only bigger and better. I came up against the paralyzing realization I was long on how, but short on why.

As my dissatisfaction grew, voices came to me at night when I lay awake in bed. Women’s voices, strong and southern, tempting me with stories, calling me back home.

Looking back, it should have been obvious what was happening. Tom Wolfe once said you can’t go home again. What he didn’t say was, you can’t totally leave either. It seemed I had escaped Mississippi in body, but not in soul.

I knew what I had to do. I shut down my business, sold my house and gave away my dog. I returned to Mississippi and sought out these women. I was ready to listen to them.

The first were members of my own family, my mother and my aunts, those women who had raised me. Seeing I was ready, they told me secrets that filled in the gaps. Some were dark and long-held and took courage to repeat.

First they told me the familiar. Then seeing that I was ready, perhaps, or simply that I cared and would not judge, they shared the secrets, the darker stories that filled the gaps: tales of violence, abuse, loss, shame, desertions. Family stories that, even though I had never heard them, shaped me nevertheless, because they shaped those who did shape me.

I learned my great-grandmother was a midwife who gave her daughter, my paternal grandmother, an abortion that killed her. She was then obliged to raise a motherless boy, my father. This explained so much about him, about me, about our struggles with trust.

On the other side of the family, my mother’s father would come home drunk from town. My grandmother would scurry my mother and all her siblings into the safety of the storm pit, a hole dug into the side of a hill. They sang gospel songs all night to drown out the sound of my grandmother’s screams as my grandfather beat her. As soon as I heard this, I understood the origin of the self-protective, suspicious nature that I shared with my mother.

I can’t overstate the impact this insight had upon me: that hidden stories, the ones of which we have no conscious knowledge, can mold our lives, determine our fates, even shape the character of a nation, without our consent. That’s when I decided I wanted to write a book that captured these stories, not just of my family, but of my people. In doing so, I had to expand the idea of who my people were.

When you open yourself up to the complex weave of story, and you diligently follow the threads, you can’t predict where you’ll be led. It’s out of your hands. And the truth is, the story of Mississippi is the story of race. You can’t get around it. Every thread leads there.

I interviewed African American women, those women who were ever present in my childhood, but whose voices I rarely heard due to the legacy of segregation.

“You have no reason to trust me,” I told them, “but I’ve got a feeling that your stories helped shape who I am.” These women, my fellow Mississippians, graciously opened up to me.

I was introduced to an older generation of people who had challenged Jim Crow and ushered in the Civil Rights era, and I learned once again that the true story was hidden from sight. I discovered that the Civil Rights movement in Mississippi was originated, supported, and led, not by the preachers and teachers written about in history books, but by women. It was the maids and fieldworkers and “Saturday night brawlers,” as Fannie Lou Hamer called them, who had nothing left to lose but their lives.

These voices, black and white, filled my first novel.

But the story didn’t end there. After completing the book, there remained a thread of story I had not followed. But the more I pulled at it, the more it promised to be a much larger story.

When I thought back over my interviews I recalled a phenomenon that had occurred repeatedly, especially among African Americans, when they spoke of a certain kind of woman. The midwife. Their voices would warm, their faces soften, and they spoke with reverence, a nearly spiritual regard. This stumped me.

In THE HEALING, I decided to focus on a subject that often arose in my interviews, but which I kept dismissing. It concerned black women healers and midwives. I first had to overcome my own prejudices. White historians and noted medical authorities treated the work of “granny women” as something to be ridiculed, an uncivilized business steeped in superstition and ignorance. Yet when the subject came up with the African American women I interviewed, I could sense they disagreed. They regarded these women with great reverence.

My breakthrough came while I was doing research in the oral history library at USM and happened to strike up a conversation with the department head, a scholar in Southern gender studies. I mentioned that I had come across many stories midwives until the 1940’s, when public health services began replacing them. I guess she noticed the dismissive tone in my voice. I may have even referred to them as granny doctors.

“You realize there was an orchestrated campaign to discredit these women, don’t you? They were seen as an obstacle by the medical establishment. They were vilified as dirty and barbaric and pushed aside.”

I told her I had not heard this, but that I really didn’t see it as a great tragedy. After all, I countered, didn’t midwives do things like bury placentas in the backyard? Nor were they professionally trained or licensed. They claimed to have been called by God. Surely the modern medical model was a better alternative.

She firmly let me know I had missed the point. “You’re talking about black women at a time when they had less authority in their lives than anyone. Many were illiterate. When one chose to be a midwife, it was a challenge to the power structure, to the established order of being subservient not only to whites, but to black men as well. The vocation took them out of the home, away from their families and out of the domestic control of their husbands, and into the homes of other men, at all times of day and night. How were they to obtain consent for such an undertaking? Black women had no voice. To do this under their own authority would be futile. But to say, ‘God told me to do it,’ was a way of taking the decision out of the hands of those who normally regulated their lives. It was not sentimental to say God chose you. It was defiant.”

As for those superstitious practices like burying the placenta or putting a knife under the bed to “cut the pain”, she challenged me to look deeper for cultural explanations. “The midwives tended not only to the physical wellbeing of the woman, but to her place in the community, and in a larger sense, to the soul of her people. For four hundred years, the message of slavery was that a black man belonged wherever a white man told him. He could be sold the next day. Or his children. During Jim Crow, with sharecropping, black families couldn’t be sure if they would be in the same place year-by-year. Imagine a midwife, who takes the placenta and buries it, emphasizing the message, or perhaps the prayer, that this child belongs in the world, in a greater web of community, with his people. That he indeed has a place. Can you imagine the power of that?”

I didn’t tell her the significance “belonging” held for me personally, but it was like a veil had lifted. I had found the book I wanted to write.

During my research I learned that during and after slavery these women tended to the soul and heart of the community. The slave master and the architects of Jim Crow derived their power by reinforcing the belief that God and scripture placed African Americans on the lowest rung of humanity. By treating their patients as deserving children of an inclusive God, the midwives subverted the message. They proved to young black girls that women could occupy powerful roles in the community. To black mothers that they were worthy of admiration and respect. These midwives were part of a resistance on whose shoulders King, Parks and Malcolm X stood.

I was privileged to interview several elderly women who had “caught” thousands of children in their communities. Over their lives, they had bonded communities together with a common sense of history, pride, and belonging. Being with them brought me closer to my own grandmother.

I remember the words of Mrs. Willie Turner, 91 at the time. She was explaining to me what an honor it had been to be a midwife. She looked out of her window.

“There are 2,063 people in this county who call me Mother,” she said. “And you know, they everyone still my child.”

Jonathan Odell, a native of Laurel, Mississippi, is the author of two novels, THE VIEW FROM DELPHI and THE HEALING, published by NAN A. TALESE/DOUBLEDAY. He lives in Minneapolis, MN. His series columns on the Legend of New Knight was awarded a First Place by Mississippi Press Awards.

“We are all Korean”: A guest post by Adam Johnson

When I ran into Adam Johnson at the Winter Institute book conference last week, I told him that I loved The Orphan Master’s Son so much that I was willing to write – to the point of embarrassment – one blog after another. He said he could help me out by writing a guest blog. The piece that follows is a true story of Adam’s trip to North Korea. -Lisa

“We are all Korean”

Upon arriving in Pyongyang, one of our first stops was the National Museum of Korean History. It was a large museum with no one in it. To save electricity, which was quite scarce, the museum used motion sensors that turned out the lights when you left a room and flashed them on when you entered the next, so the cavernous journey was taken one flashing glimpse at a time. The first exhibit they showed me was what they claimed was an old skull fragment. It was displayed in a Plexiglas box atop a white pedestal. They informed me that the skull was 4.5 million years old and that it had been found on the shores of the Taedong River in Pyongyang. I was new to such tours, so my brain was filled with dissonance. I asked the museum docent, a middle-aged woman wearing a beautiful choson-ot, if humanity didn’t originate in Africa. “Pyongyang,” she said. I’d taken a course on human origins when I was an undergraduate, and a hazy memory came to me. I said, “So is this a skull fragment from an australopithecine?” She said, “No, Korean.” And I understood that she was a person trained to give a tour and recite prescribed information, not a scholar or curator. In North Korea, whenever evidence is lacking for something, they use a big painting or an elaborate diorama as proof. They had both on hand to explain via arrows and diagrams, how humanity had originated in Pyongyang, with the following Diaspora moving north into Asia and west into the Middle East and Europe. Finally, according to the diorama, humans populated Africa and North America. We had several minders with us, all watching my response to this new information. Finally, our tour guide concluded her lecture by informing me that the World was Korean (by which she meant North Korean) and by informing me that I was actually Korean. A friend of mine, a fellow professor on the tour with me, turned to me and said, “Did you hear, Professor Johnson? You are Korean. Do you feel suddenly Korean?”

I pat my arms and sides. “Yes,” I said, “I feel a little more Korean.”

He said, “You look a little more Korean.”

I rubbed my cheek and chin. “Yes,” I said, “I believe I’m a little more Korean.”

Our tour guide and minders all nodded, with some gravity, at my dawning realization.

So the lesson I learned in the National Museum of Korean History was that there was no irony in the Democratic People’s Republic of Korea.

*      *     *

Adam Johnson is Associate Professor of English with emphasis in creative writing at Stanford University. A Whiting Writers’ Award winner, his fiction has appeared in Esquire, Harper’s, Playboy, Paris Review, Tin House and Best American Short Stories. He is the author of Emporium, a short-story collection, and the novel Parasites Like Us, which won a California Book Award. 

Join us Friday at 5:00 for a signing with a reading to follow at 5:30.

Click here for more details about The Orphan Master’s Son.

Mississippi JUCOS: The Toughest Football League in America

A Guest Blog by Author Mike Frascogna

How did JUCO football begin?

Mississippi’s Junior College (now called community colleges) began in the 1920s, when the State Legislature approved agricultural high schools adding a thirteenth and fourteenth grade. The typical junior college in those days was a boarding school, still with a concentration on agricultural studies.

Most of the students grew up working hard in tough environments–helping make crops or cutting timber on their family farms or taking odd jobs if they lived in town. These raw-boned farm boys were naturally drawn to the rough sport of football. Almost as soon as the first classes began, these young men began playing football among themselves.

They soon mastered the basics and grew tired of playing against each other. So they sent an invitation–probably more like a challenge–to the boys from the junior college a few counties over. The winners of the first game would seek out yet another opponent to play, while the losers were honor bound to avenge their loss through a rematch. Soon these matches became more frequent and this led to the need for schedules.

Schedules led to fixed seasons, which in turn led to the naming of champions. Football fever took hold and has never let up. The result is Mississippi’s current system of junior/community college football referred to as “JUCO ball.”

JUCOS: The Toughest Football League in America

Signing TODAY at 6:00

 See all JUCO blogs.

JUCO: River Rats vs Coast Scum

When Mississippi Gulf Coast Junior College was first established in 1925, it was known as Perkinston (Perk for short), the namesake of the town where it is located. Later the official name of the school was changed to Mississippi Gulf Coast Community College (also known as Gulf Coast).

Just 28 miles down Highway 26 from Perkinston is another small town named Poplarville the home of the Pearl River Junior College Wildcats. The two schools are neighbors from a geographic standpoint and both are members of the South division of the Mississippi Association of Community and Junior Colleges.

However, beyond these general comparisons any references to similarities between the two schools must be approached very delicately. Perhaps the best way to express the feelings the students at each of these fine institutions have for one another is to be candid. As many communication experts, psychologists and therapists recommend, openness, honesty and candor can often lead to better understanding between two parties whose opinions differ on certain topics. Or, as expressed in a more colloquial style, “Just put the hay down where the goats can get it.” So here goes; the Wildcats of Pearl River and the Bulldogs of Gulf Coast cannot stand each other. Their level of dislike soars to even higher altitudes when the two schools meet on the gridiron.

To try to put their mutual feelings for each other in perspective consider that the Bulldogs at Gulf Coast are referred to by their friends at Pearl River as “coast scum.” Conversely, the Wildcats at Pearl River are affectionately called “river rats” by their buddies at Gulf Coast a/k/a Perk. These two terms represent the most sanitized references one school has for the other after deleting all the colorful, descriptive, but unnecessary adjectives attached to these names.

JUCOS: The Toughest Football League in America

Signing: Thursday, December 15 at 6:00

 

JUCO: The Infamous Jones Game

A Guest Blog by Author Mike Frascogna

Played November 7, 1964 at Scooba, the undefeated Lions were beaten by arch-rival Jones County Junior College 32-13 to spoil East Mississippi’s trip to the Junior Rose Bowl and a shot at the National Championship.

During the game Scooba’s All-American quarterback, Bill Buckner, was sent to the hospital with a severely broken jaw. Public opinion seemed to favor the notion that the incident on the field involving Buckner’s injury was an intentional act of violence to get him out of the game. The teams discontinued playing each other for ten years before resuming play.

JUCOS: The Toughest Football League in America

Signing: Thursday, December 15 at 6:00

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