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‘Camino Island’ and the Book Collector: ‘This Side of Paradise’

This Side of Paradise by F. Scott Fitzgerald. New York, NY: Scribner’s, First Edition, March 26, 1920. 

f scott fitzgeraldF. Scott Fitzgerald wrote his first novel, This Side of Paradise, as a semi-autobiographical account of his college years at Princeton University. Three more novels and numerous collections of short stories followed during his lifetime. He experienced limited success during his short life of 44 years, and regard as one of the greatest American writers came after his death. Over time, Fitzgerald’s work became synonymous with the Jazz Age, the lost generation of the 1920s, and the term, “flapper.” In a special insert in This Side of Paradise, Fitzgerald wrote to the American Booksellers Association:

“My whole theory of writing I can sum up in one sentence: An author ought to write for the youth of his own generation, the critics of the next, and the schoolmasters ever afterward.”

The young author could not have proved his theory more succinctly. As a debut novel, This Side of Paradise flew off the shelves on a Friday, March 26, 1920. The first printing of 3,000 copies sold out within a week and two more printings were issued within a month. Fitzgerald had written the new modern novel, a sophisticated sequence of episodic scenes, prose, poetry, drama, book lists and quotations revolving around the life of Princeton student Amory Blaine. He wrote for his generation and commented in a 1921 interview: “I’m sick of the sexless animals writers have been giving us.” And “schoolmasters ever afterward” have been assigning The Great Gatsby, almost as a right of passage into adulthood.

John Grisham’s Camino Island (on sale June 6) highlights the high level of collectibility of Fitzgerald’s work in the form of a biblio-caper. When the manuscripts of Fitzgerald’s five novels are stolen from Princeton University, a young writer is solicited to help spy on a bookseller suspected to be involved in the heist. As a reader and collector of books, I had to do some of my own sleuthing into the collector’s world of F. Scott Fitzgerald.

this side of paradise by fitzgeraldThe dust jacket of any Fitzgerald first edition is key to its value. In the 1920s, publishers had only been making dust jackets for a short time. Readers often pulled them off and threw them away. Prior to the advent of the dust jacket, books were stamped with the title and author and often embellished with beautiful designs and gold stamped accents. The new dust jackets promoted the book, protected it, and advertised other books from the publisher. Because of this change in book design, it is very hard to find one of the 3,000 first printings of “This Side of Paradise”—a debut by a relatively unknown author—with the dust jacket present and in good condition. The era before climate control also did nothing to help preserve books.

If one is lucky enough to find a signed first edition—with the elusive dust jacket—and have the funds to call it your own, it would likely run in the six digits. That’s way beyond the budget of most collectors but these rare books and manuscripts of Fitzgerald provide the perfect impetus for one of the country’s favorite writers, John Grisham.

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First Voyage with a John Grisham Book

I’m going to be real honest here: I’ve never read a John Grisham book and I had never really thought that I would. But when I found out that Camino Island, his newest book–released today–deals with a bookstore and stolen F. Scott Fitzgerald manuscripts, I became interested and wanted to get my hands on an advance copy.

Camino Island begins with an intense moment, right in the middle of a gang of thieves staging the heist of the F. Scott Fitzgerald manuscripts from the Princeton library. In what I can only assume is Grisham’s typical thriller writing style, he is able to pull the reader in right away with this scene.

Bruce Cable, owner of an independent bookstore on Florida’s Camino Island, always has his hand in buying and selling rare first edition books in addition to his ordinary stock. Here’s where the true book nerds get hooked. There’s constant book talk, authors and book titles are dropped here and there throughout, and I’m pretty sure Bruce’s first edition rooms may or may not have come from our very own Lemuria. Grisham paints a pretty picture of Bruce Cables’ bookstore, Bay Books. As a book lover, it’s very fun to read about.

Mercer Mann, a writer who has recently been laid off from her teaching gig at UNC and hasn’t written in months, spent her summers on Camino Island with her beloved grandmother Tessa, but hasn’t returned in years since her death. Mercer is approached by a woman who is working for a very mysterious company and is offered a large sum of money to move back to Camino Island and work undercover. Mercer’s mission consists of infiltrating Bruce Cable’s inner workings of his bookstore and first editions deals, as well as working her way into his circle of literary friends. Mercer has to get close enough to make sure Bruce hasn’t started to dip into the black market of stolen books, while also keeping his trust. Things begin to get pretty intense, but Grisham wraps everything up in perfect style.

I thoroughly enjoyed this book. This is not a legal thriller; it’s more of a crime novel. I think that new Grisham readers will find this book very entertaining and I think die-hard John Grisham fans will find this book refreshing. This book is going to give every book lover a new, and maybe first, look into the bookstore world. As a bookseller, I can definitely say that Grisham did a great job building this world in his writing and as a first time Grisham reader, I can definitely say he writes an entertaining and gripping novel.

If you’re going on vacation this summer, this is the beach read for you!

beach photo

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Hannah Barbarians: Katie shares her love of Barry Hannah’s ‘Airships’

airshipsBy Katie Magee

When I was a junior in high school, one of my teachers handed me a copy of Barry Hannah’s Airships and said, “Read it. Just a warning, it’s pretty messed up.” Although, he didn’t say “messed.” He said another word that ended in -ed, but started with an f. To this day, I still thank him for letting me borrow his copy of that book. There are not many books that I have bought more than once, but I have probably bought this book close to seven or eight times, simply because I cannot keep it to myself. I pass it off to friends, people from the South, people in the South, people who need a little Barry Hannah in their lives.

“Love Too Long,” which is probably my favorite story in the book, is about a man whose wife has left him for the last time. This story is full of clever, twisted, beautifully dark sentences. I remember reading the last paragraph of it and immediately searching my room for a pen because I just had to circle the entire thing. Here it is:

Nothing in the world matters but you and your woman. Friendship and politics go to hell. My friend Dan three doors down, who’s also unemployed, comes over when he can make the price of a six-pack.

It’s not the same.

I’m going to die from love.

This is, and will probably remain to be for a while, my favorite ending to a short story.

“Eating Wife and Friends,” another favorite of mine, is a sort of dystopian story about an America where food is scarce. A landlady, Mrs. Neap, has tenants in her home and she gets tired of them. They make too much noise, they contribute nothing, and they constantly break her rules. There are rumors going around that people are starting to eat humans and Mrs. Neap is not at all taken aback by the idea, nor are the tenants.

“Coming Close to Donna” is, in my opinion, the most disturbingly beautiful story in the book. At the very beginning, Hannah outlines a scene for us in which two boys are fighting over Donna in a cemetery while she and a seemingly uninterested boy watch from a Lincoln convertible. This story has more twists and turns in three pages than I have ever read in a short story before.

If you like grit lit or a good ol’ southern story, you should definitely read Airships. Barry Hannah has a way of creating a whole world in a story, a world where you probably would not want to live, but you would love to read about forever. Hannah was a southern man, a man whose life, today, is lived through stories told by his past students, past writing buddies, and people he ticked off. He had such a wonderful voice that shows through in every single sentence he formed.

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Submerged Secrets: ‘Into the Water’ by Paula Hawkins

by Abbie Walker

In a small, English town runs a river with a dark past.

into the waterWhen Nel Abbott jumps to her death in the river, she leaves behind her teenage daughter. Nel’s sister, Jules, comes to take care of her, returning to a town she was desperate to run away from. But this isn’t the first person to turn up dead in the water. The river has claimed the lives of several women over the years, and most recently, a teenage girl. However, not everyone is mourning the death of Nel, who was writing a book about the river’s past and dredging up memories the town would rather put to rest. Was someone desperate enough to keep secrets hidden…that they pushed her? Or is there something more sinister in the water that draws these women in?

Told from multiple perspectives, Into the Water by Paula Hawkins, is a page-turning mystery where just about everyone has a motive. Hawkins has a talent for crafting a quietly eerie tale that keeps you wanting more. I really enjoyed her breakout book, The Girl on the Train, as well as the movie, so I knew I had to pick up her newest one. And honestly, I think this one is even better than her first.

Hawkins does an excellent job creating complex and believable narrators that fuel the story. It wasn’t hard to picture the people of this strange town and to understand their pain and motivations. Hawkins handled switching perspectives really well, giving each character a unique voice and insight that actually added to the plot, instead of confusing the reader. I’m not always a fan of multiple narrators, but I liked how Hawkins did it in this book.

I particularly liked reading from the perspective of the victim’s sister, Jules Abbot. Her flashbacks of growing up in the shadow of her perfect sister really pulled me in. It was interesting how Hawkins played with the idea of memory and that how we remember the past can be more significant than what actually happened.

Water-Ripple-3If the characters don’t draw you in, the setting certainly does. The small town trying to ignore its own tragic past (which involves drowning accused witches) sets a creepy tone for the story. I liked how Hawkins includes excerpts from Nel Abbott’s unpublished book about the girls who died in the river. It really added to the idea of the river being a character in the story and kept me wondering what was behind these suicides.

Like her first novel, Hawkins’ writing is deeply engaging. While it’s not extremely fast-paced, the story definitely keeps moving. Much like the river that this book centers around, things appear calm on the surface, but there’s a lot going on underneath. Into the Wateris a quiet, yet deeply-satisfying book.

I would recommend this book for anyone who liked Girl on the Train, but also, for anyone looking for a well-written English mystery.

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These Shining Lives: ‘The Radium Girls’ by Kate Moore

I’m pretty inexperienced with non-fiction. I would rather enter a new world through books, instead of inserting myself into one that already exists. However, The Radium Girls grabbed my attention with its mildly horrifying accounts. Kate Moore’s narrative non-fiction debut is the story of the young women who painted glow in the dark watch dials with radium laced paint in the 1910s and 1920s. This era was the height of radium-based products that were believed to be cure for everything. There were advertisements for “radium-lined jars to which water could be added to make it radioactive.” It was deemed the “miracle drug.”

radium ad

Of course, we now know just how dangerous radium is.

Radium Girls centers around the young women who worked for a company called the United States Radium Corporation, or USRC. More specifically it centers around 10 or so of the women who painted watch and clock dials with radium paint. They were well paid and the positions were considered very glamorous. In their workspace, there was a darkroom where the women could check their work but they used it mostly to paint glow in the dark mustaches on their faces. In order to be more precise about their painting, they employed what was called the lip pointing technique, in which the girls would use their mouths to finely point the paintbrush bristles, dip in the paint, then lip point again. This would turn out to be small but deadly process.

radium deathMost, if not all, of the girls who worked for USRC started getting ill. Some had sore mouths, some had achy joints, some started walking with limps, and some showed all of the symptoms. Several of the women developed deadly sarcomas. Since radium affected each girl differently, the sources of their illness were misdiagnosed. Syphilis, “phossy jaw,” early onset arthritis, etc. were some of the main diagnoses. These “radium girls” were dying left and right, and USRC kept denying that their deaths were work-related. Finally, with the help of sympathetic doctors and committee agents, radium was finally pinpointed as the cause of these deaths and illnesses.

Cue the legal battles. These women wanted justice for how horribly they were treated; newspapers were calling them the “living dead.” USRC still denied they were involved, going as far as to blatantly lie and cover up medical exams given they themselves. I won’t tell you what the final judgment was, but it was a long and hard journey to get it.

As someone who hasn’t read a lot of nonfiction, I really enjoyed The Radium Girls. There’s an epilogue that delves into how radium and other radioactive elements started being handled, as well as the laws put into place to protect those who handle these elements regularly.

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Do You Promise Not to Tell?: ‘It’s Not Like It’s a Secret’ by Misa Sugiura

by Julia Blakeney

It’s Not Like It’s a Secret by Misa Sugiura is a young adult novel is about the daughter of Japanese immigrants who struggles to find her place in the world of teenagers. The novel begins when Sana, the daughter, learns that her family is moving to California from Wisconsin because her father has gotten his dream job at a start-up company in San Jose. She thinks that being uprooted from her life in Wisconsin is going to be just awful–but she soon finds that her life in Wisconsin is nothing compared to her life in California. She meets new people who she has more in common with, and slowly stops thinking about Wisconsin altogether.

I really like this book because author Misa Sugiura talks openly about race. Sana’s new school in California is entirely unlike her school in Wisconsin. In Wisconsin, Sana was the only Asian in the school, and the other girls in her class never let her forget that fact. In California, she is immediately taken in by a group of Asian girls. These girls befriend her, love her, and she accepts their friendship because she relates to them as children of immigrants, even though their parents are all from different countries. As a school, many of the different ethnicities band together in separate groups, and this is something Sana rejects. She breaks away by hanging out with other groups; at different points of the school year, she finds herself having lunch with the “goth” white kids as well as with her girlfriend Jamie and Jamie’s friends, who are Hispanic. I got the feeling that before Sana came to the school, the kids all stuck to their respective ethnic groups; Sana’s appearance at the school seems to have changed that.

Sugiura is also incredibly informative about different cultures throughout this book. Sana’s parents are Japanese. Later in the novel we learn that they come from ancient, noble families in the countryside. Consistently throughout the book, Sana’s mother talks about Gaman. The concept of Gaman is about tradition and honor: getting married and having children; marrying someone in the same class as you; staying with the person you married, even if you’re unhappy. Sana’s parents are not overly affectionate with each other or with Sana, which Sana attributes to their culture. There are no family pictures or baby pictures of Sana around the house, but when Sana visits her girlfriend’s house, Jamie’s family is affectionate to each other, hugging and kissing each other hello and goodbye, and Jamie’s mother keeps photos of Jamie and her siblings on almost every surface. This is very different than what Sana is used to in her family’s culture.

My favorite thing about this novel is that Sugiura incorporates poetry into her novel, a fact that I greatly admire because I think it is important for young people to know about poetry and come to appreciate it. Sana not only enjoys keeping a poetry journal for one of her classes; she adores Emily Dickinson, and she and her girlfriend exchange poems as love notes to each other. Her attempt to win Jamie back after a breakup includes the use of poetry to convey her regret in losing Jamie, as well as her feelings for her. It is all very sweet and made me smile, and it works, of course. After the ending, Sugiura includes a short explanation as to why she used poetry in the book and the main reasons why she loves poetry. She also includes a list of all the poems she references in the novel so that you can read them yourself.

I’ll wrap up this blog by saying that I think this is a fantastic novel about family and about finding your place in the world. As a kid who moved around a lot in high school, I appreciate any novel whose main character is “the new kid,” and Sana navigates that role with grace. Sugiura’s use of poetry really rounded out the novel for me, and the diversity of the students is fantastic in a young adult novel such as this.

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The Past is Never Dead: ‘American War’ by Omar El Akkad

A nation divided between North and South. A generation motivated by regional pride to fight in a civil war that decimates their country. A president assassinated and a fractured government. It’s a story that we’ve heard before. This time, however, it’s not the mid-19th century, but the late 21st.

american warThe story of Omar El Akkad’s American War takes place in the world of the 2070s through the 2090s, in which the states Mississippi, Alabama, Georgia, and South Carolina have once again seceded from the union, this time on the basis of federal laws demanding the use of renewable energy sources. It is a work of speculative fiction, one that takes many of the rifts that exist in today’s world and gives us the author’s vision of how these divisions could bring us to war again. Omar El Akkad  likely knows more about division than most, with a journalistic career that spans extremism and violence in the Middle East to the Black Lives Matter movement at Ferguson.

His novel portrays  this second civil war in a way that shows his career in journalism well, highlighting the realities of war by telling the story from two perspectives. The first is from a future figure looking back on the events as history, and the second as a contemporary account from a  young girl named Sarat, whose rural Louisiana family is caught between the two sides and must survive in the dystopia that the war creates. There are no good guys or bad guys in this book, only people who are shaped by their environment and their prejudices, and who make difficult decisions that they fully believe are right, though to our sensibilities they may seem unthinkable. This is a hypothetical war written the way that war really is; there aren’t any villains here.

The book’s narrator is a southern-born historian living in a now no-longer cold Alaska, telling the story of the girl and her family from  further into the future than the book’s setting, allowing for the author to intercut chapters with “historical documents,” e.g., a newspaper article from 2074. One of the first faux documents actually chronicles all of the events of the novel, though not through the eyes of the main characters, allowing readers to anticipate many of the major events that Sarat and her family have to actually face. Because of this, the book almost feels like future-historical fiction and is nearly a genre of its own, giving readers previous insight and prejudices about fictional, future events that the protagonist has yet to encounter.

Because of the future setting, there are science fiction elements in the novel. The skies are filled with unmanned drones that have lost their connection to the military and now fly rogue, like animals. A biological weapon becomes a plague as those who try to harness it lose control. The effects  of pollution are here, too, as much of Louisiana is now underwater. The book also has its own share of southern culture as well. Omar El Akkad writes about the South in such a way that I was surprised to learn that he wasn’t a native.

Omar El Akkad

Omar El Akkad

To be frank, I loved American War. I picked up the book one evening and became so enthralled by the world that I didn’t put it down again until I was finished. It is a war book, a history book, a science fiction novel, a coming-of-age story, and a look at today’s divisive culture.  El Akkad has captured literary lightning in a bottle with his debut, and I personally hope to see  many more works from him in years to come.

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Tales from the Tropics: 3 Nonfiction Recommendations for the Coming Summer

by Andrew Hedglin

The days are getting longer, the temperature is rising, and thoughts turn to balmy beach vacation getaways. I have three nonfiction books recommendations that will be perfect for yourvacation, but despite their tropical setting, these books stray further and further away from the good life where the living is easy. The books are arranged from north to south in latitude, from the present to the past in setting (and publication date), and further and further into the ambitions of men.

Jimmy Buffett: A Good Life All the Way by Ryan White

good life all the wayJimmy Buffett is at the center of my musical taste, from way back when I was but a tiny child riding in the back seat of my mom’s Camaro. He’s known for his “deathless novelty songs” that were designed to fuel every tequila-filled Baby Boomer bacchanal since 1975, or perhaps for prefiguring Jay Z’s famous boast, “I’m not a businessman. I’m a business, man.” But he’s also been a fabulous songwriter and artist with songs on the level of his more respected contemporaries (and friends) Jerry Jeff WalkerSteve Goodman, and John Prine. I’ve been way deep into the Buffett mythos, from Buffet’s own travelogue A Pirate Looks at Fifty to William McKeen’s keen Key West history Mile Marker Zero, and I can say Ryan White’s new biography is the best book on Buffett I’ve read so far that balances the relationship between the songs, the legend, the man, and the ubiquitous Margaritaville brand. The characters that float in and out can be a bit confusing, but for the true Parrot Head believer, this book is a treasure.

The Fish That Ate the Whale: The Life and Times of America’s Banana King by Rich Cohen

This book is B-A-N-A-N-A-S!

This book is BANANAS!

The Fish That Ate the Whale tells the story of Samuel Zemurray, a.ka. Sam the Banana Man, a Russian immigrant who became one of the most powerful men in both the banana industry and Central American history. His journey from Selma to Mobile to New Orleans to Honduras and Guatemala is breath-taking in scope. Zemurray is depicted as highly intelligent, opinionated, and disdainful of ignorance and inefficiency. Cohen also thoughtfully explores the Jewish identity of a 20th century tycoon always on the margins of high society. This book pulses with vivacity and sweat, taking you through a tour of an undeniably great and sometimes terrible man. You will never look a banana in quite the same way again.

The Lost City of Z: A Tale of Deadly Obsession in the Amazon by David Grann

lost city of zI’ve seen this book lurking around the store since I arrived here two years ago, but only felt compelled to pick it up due to the impending arrival of David Grann, who was here last week to promote his new book, Killers of the Flower Moon. Boy, am I glad I finally discovered The Lost City of Z…well, discovered the book anyway. It tells the captivating tale of Col. Percy Fawcett, a British explorer from the Royal Geographic Society who first comes to South America in search of adventure, and later becomes obsessed with finding a mythical city, representing for Percy the soul of the Amazon itself. This is the most captivating mystery in the jungle I’ve heard about since the television show Lost went off the air. Grann’s book is about obsession, history, geography, and the limits of what humans can ever empirically know. I cannot recommend this book highly enough.

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Fennelly: Gaitskill’s ‘Somebody with a Little Hammer’ Makes a Big Impression

By Beth Ann Fennelly. Special to the Clarion-Ledger Sunday print edition (May 7).

little hammerThe 31 pieces included in Mary Gaitskill’s new book, Somebody with a Little Hammer, were written over two decades, many of them originally book reviews. That normally makes for a very poor collection. Miscellanies can read as miscellaneous, scattershot assignments written for various editors in various magazine styles, as opposed to having been conceived of and executed through an author’s passion. Such collections often have no centrifugal force binding them. Further, such collections often smell a little past-their-sell-by-date; 20-year-old reviews might disparage books rightly forgotten, or heap early praise on books so heaped with post-publication prizes that the reviewer’s stance fails to enlighten. The earnest charge–“Rush out and buy this book!”–loses force when the book’s 10 years out of print.

Perhaps that’s why Gaitskill’s first book of nonfiction is such an accomplishment. This book shouldn’t be so compelling, but Gaitskill is incapable of writing a bad sentence, and her opinions are original and playful, and she always provides insight on much more than simply the item being reviewed.

The novels (and, less frequently, movies or music) to which she turns her clear and unsentimental judgments are revelatory, a kind of self-portrait through subject matter. She writes on some well-known texts, including the Book of Revelation, Bleak House by Charles Dickens, and Peter Pan by J.M. Barrie.

She also writes on books that most of us haven’t read and probably never will, such as foot fetishist Elmer Batters’ From the Tip of the Toes to the Top of Her Hose, a collection of photographs taken from the mid-1940s to the mid-1980s, which Gaitskill calls “a loving and lewd celebration of female feet and big ol’ legs.” Gaitskill describes a few of these “stylish, energetic, humorous, and dirty” photos, using them to illustrate “the vulnerability and silliness of sexuality as well as its power.” Batters’ photos are not, it turns out, the subject of Gaitskill’s essay, only its catalyst. Those familiar with Gaitskill’s fiction, such as “Secretary,” (in Gaitskill’s words, a “story about a naive young masochist who yearns for emotional contact in an autistic and ridiculous universe and who winds up getting her butt spanked instead”) will recognize her fearless exploration of the less commonly explored aspects of human sexuality.

Mary Gaitskill

Mary Gaitskill

A handful of essays–some of the book’s longest and most developed–don’t approach their subjects through the gaze of the reviewer but through the rear-view, the memoirist’s contemplative backward gaze. Here, too, Gaitskill rejects sweet nostalgia. Her memoir on losing her cat turns surprisingly into a troubled and troubling essay and race and class privilege.

Another memoir opens, “In Saint Petersburg, Russia, I got hit in the head with a bridge.” We don’t know yet that Gaitskill and her husband are on a tourist boat, ducking to avoid the river’s low-clearance bridges, and this sentence feels so abrupt and inexplicable it’s as if we, too, suffer a blow to the head. The narrative reverses from here and explains the unlikely events that brought the couple to Russia. It will be 10 more pages before we pick up with the head-smacking bridge, the blood, and her trip to the hospital, all of the interspersed with Gaitskill’s memories of a young woman she had worked with years before, a stripper who’d fallen and banged her head on a curb, then entered into a coma and died. It’s a meditation on chance and memory, and it’s an immensely lively performance.

The book reviews Gaitskill has collected here can’t urge readers to “rush out and buy this book!” but I can. Rush out, book lovers, especially if you can make Gaitskill’s event at 5 p.m. Thursday at Lemuria Books in Jackson.

Beth Ann Fennelly is the poet laureate of Mississippi. Her Heating & Cooling: 52 Micro-Memoirs will be published in October by W.W. Norton.

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Outrage for the Osage: David Grann’s ‘Killers of the Flower Moon’

by Andrew Hedglin

David Grann, author of The Lost City of Z (a gripping tale of Amazonian adventure), has produced his first book with a sustained narrative in nine years: Killers of the Flower Moon: The Osage Murders and the Birth of the FBI.

Flower MoonThe Osage tribe in the late 1800s, like many other native peoples of the Americas, had been confined to smaller and smaller territories as white settlers hungered for their land. After seeing the “Sooner” land rushes of native territory elsewhere in Oklahoma, they agreed to divide up their land among their members, while reserving the mineral rights to all the people of the tribe. When their territory became one of the most sought-after oil-producing areas in the nation, it brought fabulous wealth to the Osage people. What a wonderful blessing, right?

Unfortunately, it also brought all manner of opportunists and criminals, of both high and low status–from the federal government placing onerous “guardian” restrictions on the finances of full-blooded Indians, to something more violent and even more sinister.

Mollie Burkhart

Mollie Burkhart

Here Grann focuses on the story of Mollie Burkhart, an Osage woman married to a handsome, quiet, loving white man named Ernest. Under the shadow of Mollie’s good fortune came terrible tragedy: her family members kept dying, either violently (her sister shot, her in-laws’ house exploded) or suspiciously (another sister and her mother both wasted away). When she and other members of the Osage (who experienced similar tragedy) turn to detectives, lawmen, and even the federal government for help, they are foiled–sometimes quietly, other times violently–at every turn.

Tom White and J. Edgar Hoover

Tom White and J. Edgar Hoover

Enter Tom White, former Texas Ranger, FBI agent, and all-around white hat. He was no college-educated, suit-wearing G-man of the early FBI as we think of them, but he was tabbed personally by J. Edgar Hoover to lead the Osage case after an “embarrassing” mishap that ended with a dead policeman to start the case. White smartly used undercover agents and his powers of deductions to discover that the people who posed the greatest danger to Mollie were some of the people she trusted most.

One of the things I admire most about Grann’s book is its smart use of structure to redirect your attention. It uses our need to sympathize with characters we feel we know personally to narrow our focus, much like the public, and even law enforcement, had their attention narrowed in the Burkhart case. If this were a movie, it would end after the second section. However, Grann proceeds with a third section that might be less dramatic than the first two, but is infinitely more chilling. It roused my blood and opened my eyes, and left me thinking for a very long time about all the souls accountable for the outrage against the Osage.

David Grann will be appearing at Lemuria on Thursday, May 4 to promote Killers of the Flower MoonLemuria’s May 2017 First Editions Club selection . He will sign at5:00 and read 5:30 in the Dot Com annex.

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